Leaf 8v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A woman, balancing a basket on her head, stands in the foreground facing the viewer on the side of the street in front of Tron Kirk and an adjacent building. In the background, right, another peddler carrying a barrel on his back walks away
Alternative Title:
Tron Church, High Street
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Wash tubs, Dairy products, and Churches
A group of people are shown walkiing down a city street as they return from a church service. Two carry bibles, one a snuff-box. One man carries a large muff, and the woman wears a skirt with an enormous hoop. The church is shown in the background on the right
Description:
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Companion print: The old political macaroni with his wise family at breakfast. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4821., and Plate from: The macaroni and theatrical magazine, or, Monthly register of the fashions and diversions of the times. London : John Williams, June 1773, p. 403.
Publisher:
publisher not identified
Subject (Topic):
Chimney sweeps, Churches, City & town life, Dandies, Dogs, Servants, and Wigs
View of Brighton, the town with numerous houses and other buildings, St. Nicholas's Church on the hill above the town to the right, the coast stretching away in the distance, windmills in the fields to the left with haywains drawn by oxen and reapers at their work amongst the crops to the right, elegant ladies and gentlemen strolling through the scene with a man sketching to the left, several boats and ships on the calm sea beyond, gulls amongst the clouds above. The Royal Arms below
Description:
Title engraved below image. and Titled 'A Perspective View of Brighthelmstone, and of the Sea coast as far as the Isle of Wight: by Jas. Lambert, engraved by Canot.' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc., London, 1829.
Publisher:
Publish'd as the act directs, & sold by Jas. Lambert, painter, at Lewes in Sussex, and Robert Sayer, map and printseller, No. 53 Fleet Street, London
Subject (Geographic):
Brighton (England), England., England, and Brighton.
Subject (Topic):
Buildings, structures, etc, Cityscapes, Churches, Coastlines, Meadows, Windmills, and Church buildings
"View looking across Covent Garden piazza, the market in progress, St Paul's Church on the left."--British Museum online catalogue
Alternative Title:
Vüe de Covent Garden
Description:
Titles etched below image, in English and French., Later state, with imprint burnished from plate. For an earlier state with the imprint "London, Printed for Robt. Sayer at the Golden Buck faceing Fetter Lane End, Fleet Street", see British Museum online catalogue, registration no.: 1880,1113.3050., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "11" in upper right corner., Watermark: 1817., Leaf 42 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Covent Garden.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Covent Garden (London, England),, England, and London.
Subject (Name):
St. Paul's Church (Covent Garden, London, England),
Subject (Topic):
Plazas, Markets, Churches, Coaches & carriages, Carts & wagons, and Sedan chairs
"View in the Strand looking towards St Clement Danes, a carriage approaching on the street to the right."--British Museum online catalogue
Alternative Title:
Vüe de l'Eglise de St. Clements, dans le Strand
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "4" in upper right corner., Watermark: Charles Ball 1817., Leaf 35 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: This rare view is copied in Fairholt's "Haunted London".
Publisher:
publisher not identified
Subject (Geographic):
London (England), Strand, The (London, England),, England, and London.
"Perspective view of St James's Square, looking north, the spire of St James's Church visible in the distance."--British Museum online catalogue
Alternative Title:
Vüe de la Place de St. James's
Description:
Titles engraved below image, in English and French., Later state, with imprint burnished from plate. For an earlier state with the imprint "London, Printed for Robt. Sayer at the Golden Buck facing Fetter Lane, Fleet Street", see British Museum online catalogue, registration no.: 1880,1113.2201., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "9" in upper right corner., Watermark: 1817., Leaf 40 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Curious.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Saint James's Square (London, England),, England, and London.
Subject (Name):
St. James's Church (London, England),
Subject (Topic):
Plazas, Churches, Row houses, Coaches & carriages, and Sedan chairs
"View on the Strand looking towards St Mary's Church, with Somerset House on the right, a sedan chair on street to left, a carriage to the right, elegantly dressed figures and street traders on street."--British Museum online catalogue
Alternative Title:
Vüe de L'Eglise de St. Marie dans le Strand, proche le Palais Royal de Somerset a Londres
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "5" in upper right corner., Watermark: Charles Ball 1817., Leaf 36 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Somerset House.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Strand, The (London, England),, England, and London.
Subject (Name):
St. Mary le Strand (Church : London, England), and Somerset House (London, England),
Subject (Topic):
Churches, Streets, Castles & palaces, Carriages & coaches, and Sedan chairs
"View looking down Fleet Street towards Temple Bar, with St Dunstan in the West on the right; elegantly dressed figures among carriages and carts on the street."--British Museum online catalogue
Alternative Title:
Perspective view of Temple Bar and St. Dunstan's Church and Vüe de Temple Barr une des porte de la villa de Londrer, LEglise de St. Dunstan
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "3" in upper right corner., Watermark: 1817., Leaf 44 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old St. Dunstan's Church. Temple Bar with the Traitor's Heads on it.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Fleet Street (London, England),, England, and London.
Subject (Name):
Temple Bar (London, England), and St. Dunstan's in the West (Church : London, England),
Subject (Topic):
Streets, Churches, Gates, Carriages & coaches, and Carts & wagons
"View of the west front of Westminster Abbey with St Margaret's on the left."--British Museum online catalogue
Alternative Title:
Perspective view of Westminster Abbey and St. Margarets Church, Vüe de L'Abbaye de Westminster et L Eglise de St. Margurite, and Vüe de L'Abbaye de Westminster et L'Eglise de St. Margurite
Description:
Titles etched below image, in English and French., Later state, with imprint burnished from plate. For an earlier state with the imprint "London, Printed for Robt. Sayer at the Golden Buck facing Fetter Lane, Fleet Street", see British Museum online catalogue, registration no.: 1880,1113.2547., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "2" in upper right corner., Watermark: Charles Ball 1817., and Leaf 33 in an album of views of London and its vicinity.
Publisher:
publisher not identified
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Westminster Abbey, and St. Margaret’s Church (Westminster, London, England),
Page 169. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View of the west front of Westminster Abbey with St Margaret's on the left."--British Museum online catalogue
Alternative Title:
Perspective view of Westminster Abbey and St. Margarets Church, Vüe de L'Abbaye de Westminster et L Eglise de St. Margurite, and Vüe de L'Abbaye de Westminster et L'Eglise de St. Margurite
Description:
Titles etched below image, in English and French., Sheet trimmed within plate mark., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Mounted to 26 x 32 cm., and Mounted on page 169 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for Robt. Sayer at the Golden Buck facing Fetter Lane, Fleet Street
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Westminster Abbey, and St. Margaret’s Church (Westminster, London, England),
Perspective view of the north west front of ye parish church St. Brides ... and Vüe de l'eglise pareissiale de St. Bride : dont son cloche est de 242 pieds
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., Sheet trimmed to plate mark., and Window mounted to 29 x 43 cm.
Publisher:
Printed for Bowles & Carver, 69 St. Pauls Church Yard, Robt. Wilkinson in Cornhill, and Laurie & Whittle, 53 Fleet Street
The scene is the interior of a gothic church, with a view of part of a lateral gallery, the tower arch, and west door (on the right). The foreground and the gallery are filled with couples, in general elderly, ugly, and fashionably dressed, in conversation or bowing to each other. An unicorn on a monument holding an escutcheon is conspicuous. On the right the congregation is crowding towards the open door
Description:
Title etched below image., Numbered 'Plate 80' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Year in imprint erased from this impression.
Publisher:
Published by Allen & Co., 15 Paternoster Row
Subject (Topic):
Churches, Clothing & dress, Couples, Interiors, and Monuments
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund clergyman stands (center) in his pulpit preaching from a book set on a plush pillow while the congregation sleeps below him. All the figures are highly caricatured except for a pretty young woman in the right foreground and a young man who is handsome but very large like most of the congregation
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg ..." in which only a lightly printed "181" is still visible., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 24.7 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 72 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund clergyman stands (center) in his pulpit preaching from a book set on a plush pillow while the congregation sleeps below him. All the figures are highly caricatured except for a pretty young woman in the right foreground and a young man who is handsome but very large like most of the congregation
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg ..." in which only a lightly printed "181" is still visible., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", and Sheet trimmed within plate mark.
A view of Chesterfield Church and the churchyard, with gravestones
Description:
Title etched below image., Date based on watermark., and Bound in a volume of prints [English cathedrals and monuments]; numbered '25' in manuscript. Label on front cover: Prints. For further information consult library staff.
Publisher:
Printed and sold by J. Ford, Chesterfield
Subject (Geographic):
Chesterfield (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
"A bird's eye view of London with the river to the left and Lambeth Church and grounds in the foreground, St Paul's can be seen in the distance."--British Museum online catalogue
Alternative Title:
Veüe de Londres dessinè de dessus l'Eglize de Lambeth
Description:
Titles from text below image, in English and French., Sheet trimmed to plate mark on right and left edges., "Price 1 s."--Following imprint., "No. 24."--Lower right corner., The Lewis Walpole Library: From the Topographical Prints collection., and Numbered in ink in a contemporary hand in lower left corner of sheet: D-282.
Publisher:
Publish'd according to act of Parliament by J. Boydell engraver, at Unicorn the corner of Queen Street, Cheapside
Subject (Geographic):
Thames River (England),, London (England), England, and London.
"View of St Mary-in-the-Strand; looking down the street to the right of the church into the distance; carriages and pedestrians in foreground"--British Museum online catalogue
Alternative Title:
Vüe de la maison royale de Somerset avec l'eglise de Ste. Marie dans le Strand a Londres
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., Reissue, with altered publication line, of a print published in 1753. See British Museum online catalogue., and Plate numbered "17" in upper left corner.
Publisher:
Printed for Laurie & Whittle, 53 Fleet Street, Bowles & Carver, 69 St. Pauls Church Yard, & Robert Wilkinson, 58 Cornhill
Subject (Geographic):
England and London.
Subject (Topic):
Castles & palaces, Official residences, and Churches
Page 155. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
View on George Street, looking towards the square, St. George's Church on the right with large Corinthian portico, fat farmer driving sheep in street at center, sedan chair to right
Alternative Title:
View of Saint Georges Church, Hanover Square, from Conduit Street, London and Vuë de l'Eglise de Saint George dans le Carré de Hanover, prés du Côté Rue Conduit à Londres
Description:
Titles engraved below image, in English and French., Titled 'View of St. George's Church, Hannover Square, published by Jefferys' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., Date range for publication based on publisher's street address and death date; Thomas Jefferys moved to the corner of Charing Cross in 1750 and died in 1771. See British Museum online catalogue., "Publish'd according to act of Parliamt."--Below image., For a variant state published by John Boydell, see British Museum online catalogue, registration no.: 1880,1113.4534., Title in English and French, with publication line in English., Folded to 30.2 x 25.5 cm., and Tipped in at page 155 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for T. Jefferys, the corner of St. Martins Lane, Charing Cross
Subject (Geographic):
England, London, London (England), and London.
Subject (Name):
St. George's Church (Westminster, London, England),
Subject (Topic):
Church buildings, Plazas, Churches, City & town life, Sedan chairs, and Herders
"View of the façade looking northwards."--British Museum online catalogue
Alternative Title:
View of Saint Georges Church, Hanover Square, from Conduit Street, London and Vuë de l'Eglise de Saint George dans le Carré de Hanover, prés du côté Rue Conduit à Londres
Description:
Titles engraved below image, in English and French., Date of publication from British Museum online catalogue., "Publish'd according to act of Parliamt."--Below image., Mounted to 30 x 46 cm., and Watermark.
Publisher:
Printed for Ino. Boydell, Engraver, Cheapside
Subject (Geographic):
England and London.
Subject (Name):
St. George's Church (Westminster, London, England),
Vue de l'Eglise de St. Sebastien qui est hors de la ville de Rome
Description:
Title from caption below image., Date of publication based on printseller's street address. See British Museum online catalogue., and "Publish'd according to act of Parliament"--Below image.
Publisher:
Printed for Robt. Sayer, Map & Print Seller, opposite Fetter Lane, Fleet Street
"View on the river at Battersea; the church on the right; in right foreground boats grouped around pier; Chelsea in distance on the left."--British Museum online catalogue, description of an earlier state of the same composition
Description:
Title from text below image., Reissue of a print published in 1750 by J. Boydell. See British Museum online catalogue., Sheet trimmed within plate mark., "Price 1 s."--Following imprint., "No. 6"--Lower right corner., and Window mounted to 34 x 54 cm.
Publisher:
Publish'd according to act of Parliament by J. Boydell, engraver at the Unicorn, corner of Queen Street, Cheapside
Subject (Geographic):
Battersea (London, England),, Thames River (England),, London (England), England, and London.
"The interior of Dulwich College Chapel. A stout man, probably the Master, wearing a gown, stands in a pulpit or desk (left), a large book before him, his eyes and mouth twisted in a sly leer. Below him (right) the figure of Edward Alleyne has risen from a tombstone and stands (half length) holding up the horizontal stone. He is surrounded by clouds. He wears hat, ruff, and a gown which differs from that of the living man chiefly in being furred. The figure is copied (in reverse) from the whole length portrait of Alleyne at Dulwich College. On the stone, beneath a coat of arms, is the inscription, a strip along the left being cut off by the lower margin of the print: 'Sacred | the Memory of | Edward Alleyne | Founder of this | College | Life Nov 26 | 1626 Æ 63 | Likewise | Joan his Dear | Wife who F | race 28 June 1623.' Next the Master is a sour-looking profile, and, below, three choristers (full-face), are grinning broadly."--British Museum online catalogue
Description:
Title etched below image. and Place of publication based on location of printmaker John Nixon.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Alleyn, Edward, 1566-1626., Alleyn, Thomas, -1805., and Dulwich College
Harris, John, active 1680-1739 or 1740, printmaker
Published / Created:
[1717]
Call Number:
Topos L847 no. 140++
Image Count:
1
Resource Type:
still image
Abstract:
"View of the Church of St Mary-le-Strand, showing the statue of St Anne on the Portico, with further statues in the niches on the south side; elegantly dressed figures on Strand around church, a sedan chair and a carriage on the right"--British Museum online catalogue
Alternative Title:
Prospectum hunc Templi Stae. Mariae in vico dicto the Strand
Description:
Title from text below image., Date of publication from British Museum online catalogue., "Debito Obsequio D.D. Jacobus Gibbs Architectus"--Below title, lower right corner., and Watermark.
A view of the church at Alderley and its neighboring buildings at the town crossroads
Description:
Title engraved below image., Date of printing based on watermark., and Bound in a volume of prints [English cathedrals and monuments]; numbered '20' in mss. Label on front cover: Prints. For further information consult library staff.
In a churchyard, tombstones, adorned on top with the heads of prominent politicians, are engraved with epitaphs in their memory
Alternative Title:
Political churchyard
Description:
Title from caption etched above image. and Mounted to 30 x 38 cm.
Publisher:
Pub according t [sic] Act by B. Pownall. No. 6 Pallmall
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Burke, Edmund, 1729-1797., Pitt, William, 1759-1806., Keppel, Augustus Keppel, Viscount, 1725-1786., Conway, Henry Seymour, 1721-1795., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., Wray, Cecil, Sir, 1734-1805., Cavendish, John, Lord, 1732-1796., Sheridan, Richard Brinsley, 1751-1816., Melville, Henry Dundas, Viscount, 1742-1811., Lansdowne, William Petty, Marquis of, 1737-1805., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., and Mansfield, William Murray, Earl of, 1705-1793.
Title from item., In upper margin: Jeudi 29 Juillet 1830., Place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Hospitals, Interior; Wounds; Nurses & nursing., and Blind stamp: E. Ardit à Paris.
Publisher:
à Paris, chez E Ardit, editeur rue Vivienne No.2, Pl.6. London by Engelmann, Graff Condet et Cie and Imp. lith. de E Ardit
Subject (Geographic):
France. and France
Subject (Topic):
Hospital wards, War wounds, Hospitals, Emergency medicine, Soldiers, Revolutionaries, Nurses, Churches, and History
In a churchyard, a resurrection man holding a lantern, his hat and shovel at his feet, is surprised by ghost, rising from grave. In the background is a church and in the foreground, a skull and bone
Description:
Title etched below image., Attributed to Newton in the British Museum online catalogue, registration no.: 2001,0520.7., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
In a churchyard, a resurrection man holding a lantern, his hat and shovel at his feet, is surprised by ghost, rising from grave. In the background is a church and in the foreground, a skull and bone
Description:
Title etched below image., Attributed to Newton in the British Museum online catalogue, registration no.: 2001,0520.7., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
publish'd according to act of Parliament, 1753 [printed not before 1764]
Call Number:
Topos L847 no. 94+
Image Count:
1
Resource Type:
still image
Abstract:
"Interior view of the church of St Stephen Walbrook; large Corinthian columns supporting upper gallery; dome over centre, groups of people stroll through space"--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Vüe du dedans de l'eglise de St. Etienne Walbrook a Londres
Description:
Title from caption below image., Date of printing based on printsellers' street addresses. See British Museum online catalogue., Reissue of a print originally published in 1753 with the publication line "London: Printed for & Sold by T. Bowles in St. Pauls Church Yard, John Bowles & Son in Cornhill, Robt. Sayer in Fleet Street." See British Museum online catalogue., and Plate numbered "14" in upper right corner.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, John Bowles, No. 13 in Cornhill, Robt. Sayer in Fleet Street
Title engraved above image., With a separately titled plate on same sheet: Corse. [London] : Published by Richd. Bigland, January 9th, 1790., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '19' in mss. Label on front cover: Prints. For further information consult library staff.
A view of a church at Avening from the town road, including the churchyard with gravestones
Description:
Title engraved below image., With a separately titled plate on same sheet: Monument of Bruges in Avening. [London?] : [publisher not identified], [178-?]., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '23' in mss. Label on front cover: Prints. For further information consult library staff.
A view of the church at Bibury and the churchyard with gravestones
Description:
Title engraved below image., Date of printing based on watermark., and Bound in a volume of prints [English cathedrals and monuments]; numbered '21' in mss. Label on front cover: Prints. For further information consult library staff.
Page 138. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View of the church of St Mary-le-Bow in Cheapside, London; figures and carriages on street in foreground; shops adjoining church to the left."--British Museum online catalogue
Description:
Title etched at top of image., Plate from: Stow, J. A survey of the cities of London and Westminster. London : Printed for A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, [and 5 others in London], 1720, v. 1, book 3, opposite page 25., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature from lower right. Missing text supplied from impression in the British Museum, registration no.: 1978,U.3633., "V 1: B 3: p. 25."--Upper right corner., Folded to 31.8 x 20.7 cm; mounted to 32 x 26 cm., and Mounted on page 138 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
View of the church of St. Mary-le-Bow in Cheapside, London; figures and carriages on street in foreground; shops adjoining church to the left
Description:
Title from text etched within banner at top of image., Plate numbered "10" in lower right corner., Sheet trimmed within plate mark., and Plate from: Stow, J. A survey of the cities of London and Westminster, and the borough of Southwark. London, Printed for W. Innys and J. Richardson [etc.], 1754-55.
Publisher:
Published according to act of Parliament, 1754, for Stowes Survey
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Stow, John, 1525?-1605. and St. Mary-le-Bow (Church : London, England),
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of Bradwell Church in Suffolk with its graveyard. A woman and child walk along the road on the right beside a stand of trees
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
A view of a church at Cam, including the churchyard with gravestones
Description:
Title engraved below image. and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '24' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Published as the act directs by Richd. Bigland
Subject (Geographic):
Cam (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
A view of the church at Cheltenham and the churchyard with gravestones
Description:
Title engraved below image., Bound in a volume of prints [English cathedrals and monuments]; numbered '23' in mss. Label on front cover: Prints. For further information consult library staff., and Paper with watermark '1791'.
Publisher:
Published as the act directs Dec. 17, 1787 by Richd. Bigland
Subject (Geographic):
Cheltenham (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
Title engraved below image., With a separately titled plate on same sheet: Dixton, in Trinity Chapel, Cirencester. [London? : Ralph Bigland?, 1781?], and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '18' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Publish'd according to act of Parliament January1st 1781 by Ralph Bigland, Garter principal King of Arms
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. Octr. 8, 1791, by Willm. Holland, No. 50 Oxford St.
Subject (Topic):
Boredom, Cemeteries, Churches, Couples, Obesity, and Tombs & sepulchral monuments
Title engraved below image., With a separately titled plate on same sheet: Arcade & inscription against the tower at Cotes. [London : Published by Richd. Bigland?, January 9th, 1790?], and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '19' in mss. Label on front cover: Prints. For further information consult library staff.
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the ruins of Corton Church, Suffolk, surrounded by gravestones. A man sits alone, leaning against one of the tombs
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 31.9 cm, on sheet 56 x 45 cm., and Leaf 54 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 31.9 cm, on sheet 59 x 46 cm., and Plate 78 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751. and [between 1790 and 1835]
Call Number:
Print20074
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Restrike of a plate first published in 1751. This later printing was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). The plate was again issued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., Temporary local Medical Library subject terms: Prevention of cruelty to animals -- Murder -- Pregnancy., and Price statement has perhaps been partially burnished from plate; it is lightly printed but visible on this impression.
Publisher:
Wm. Hogarth and publisher not identified
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and On page 156 in volume 2. Sheet trimmed within plate mark to: 37.8 x 30.4 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Kinnaird 54K(b) Box 215
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and Imperfect: sheet trimmed to plate mark 384 x 313 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Sotheby 71++ Box 315
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", and "Price 1s"--Bottom left below design.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Hogarth 751.02.01.05.1+ Box 200
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching on laid paper ; plate mark 383 x 319 mm, on sheet 473 x 380 mm., and Pencilled note on verso: '2nd state'.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
"Scene outside a large apothecary's shop, both windows filled with large coloured jars. Above the door is the sign, a terrestrial globe on which scales are balanced. Outside, a doctor in old-fashioned dress, acts as usher with a long wand to a band of naked infants (left) who run eagerly towards him. In the jars fœtuses are indicated. Outside the other window stands an undertaker holding up his professional staff and doffing a hat draped with a mourning scarf towards a skeleton who advances from the background (right). Behind the skeleton is a church among trees."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with text "The World!" removed from lower margin and added (without exclamation mark) to the shop sign within image. Text beginning "Accoucheurs & apothecaries ..." below image has also been re-etched. For earlier state before these changes to the plate, see no. 14584 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local Medical Library subject terms: Pharmacies.
Publisher:
Pub. June 29, 1823, by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Subject (Topic):
Death (Personification), Drugstores, Storefronts, Globes, Scales, Signs (Notices), Physicians, Infants, Containers, Undertakers, Staffs (Sticks), Skeletons, and Churches
A copy based on Hogarth's Satire on flase perspective: A view of a tower, staircase, bridge over a river
Alternative Title:
Satire on false perspective
Description:
Title etched below image., Printmaker and artist statemetns inscribed in reverse on print., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 239., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, page 333., and On page 168 in volume 2.
Title from item, in Dutch and French., Date and place of publication supplied by curator., Curator lists Delft as the location of the view., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title engraved below image., Date of publication based on watermark., With a separately titled plate on same sheet: Gloucester Cathedral, west view. [London?] : [publisher not identified], [1794?]., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '12' in mss. Label on front cover: Prints. For further information consult library staff.
Title engraved below image., Date of publication based on watermark., With a separately titled plate on same sheet: Gloucester Cathedral, south view. [London?] : [publisher not identified], [1794?]., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '12' in mss. Label on front cover: Prints. For further information consult library staff.
Huntsmen and hounds with moutned members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimeny and joints of meat hanging from the gable-end of a building. The artist (Robert Crukshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hourds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Copy in reverse of the first state of Plate 5 of Hogarth's 'The Rake's Progress' (Paulson 136): Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
Rake's progress. Plate 5 and Youth to reimburse his squander'd gold
Description:
Title from text engraved above image., "Plate 5"--Lower right below design., Verses below image in three columns, four lines each: The youth to reimburse his squander'd gold, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the fifth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on the left and last word on the right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
Leaf 15r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A man stands in the foreground, in profile to the right, a sack slung over his shoulder. Behind him on the opposite side of the street are two buildings, Conongate Kirk and Canongate Tolbooth
Alternative Title:
Canongate Church & Prison
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Canongate (Edinburgh, Scotland), Scotland, and Edinburgh.
Subject (Name):
Canongate Kirk (Edinburgh, Scotland),
Subject (Topic):
City & town life, Peddlers, Bags, Churches, and Prisons
Leaf 17r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A blind man stands in the foreground, in profile to the left, holding a cane in his left hand. The Chapel of Ease of St. Cuthbert's, in Crosscauseway, is seen in the background
Alternative Title:
Chapel of Ease, Cross Causeway
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Blind persons, Poor persons, Staffs (Sticks), and Churches
Leaf 3v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
An old man, holding a cane and a basket of eggs, stands in Edinburgh's New Town. St. Andrew's Church is seen in the background on the right; a carriage, two pedestrians, and a dog are seen in the background on the left
Alternative Title:
St. Andrews Street
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Older people, Staffs (Sticks), Baskets, and Churches
"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
"A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him."--British Museum online catalogue
Alternative Title:
Hot cross buns, two a penny buns
Description:
Title etched below series title and number.
Publisher:
Pubd. May 4, 1799, at Ackermann's Gallery, 101 Strand
Subject (Topic):
Baked products, Beggars, Children, Churches, City & town life, Clergy, Peddlers, Vegetables, and Women
Verse begins: "Ye commons and peers,", Attributed to Benjamin Bragge as vendor by Foxon on strength of a Daily Courant advertisement., Fourteen stanzas in this edition., Mounted on leaf 48. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
sold by Benjamin Bragge
Subject (Geographic):
Great Britain
Subject (Topic):
Churches, Steeples, Campaigns & battles, Massacres, and History
A young woman (Sally) works at her spinning-wheel in front of a farm building. With her left hand, she pushes away an elegantly clad young man (Squire) who is bowing to her. Next to his feet, a mother hen and chickens drink from a flat bowl; in the background across the road is a church
Description:
Title from caption below image., Publication date from British Museum catalogue., Plate numbered in lowere left corner: '485'., Below the title are four verses "From the favourite Scotch Air in the Overture to Thomas and Sally," beginning with "Till bolder grown so close he press'd ...", and Description based on imperfect impression; sheet trimmed to plate mark and publication date erased.
Publisher:
Printed for & sold by Carington Bowles, at No. 69 in St. Pauls Church Yard, London
A young woman (Sally) works at her spinning-wheel in front of a farm building. With her left hand, she pushes away an elegantly clad young man (Squire) who is bowing to her. Next to his feet, a mother hen and chickens drink from a flat bowl; in the background across the road is a church
Description:
Title from caption below image., Publication date from British Museum catalogue., Plate numbered in lowere left corner: '485'., Below the title are four verses "From the favourite Scotch Air in the Overture to Thomas and Sally," beginning with "Till bolder grown so close he press'd ...", Description based on imperfect impression; sheet trimmed to plate mark and publication date erased., No. 3 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and 1 print : mezzotint on laid paper ; plate mark 35.4 x 25.3 cm, on sheet 38.5 x 27.4 cm.
Publisher:
Printed for & sold by Carington Bowles, at No. 69 in St. Pauls Church Yard, London
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Simple-minded people gaze up at placards inviting subscriptions to unsound companies. A high wall runs from a house partly visible on the extreme left, to the street corner, enclosing a large building placarded Hospital for Incurables Supported by Voluntary Subscribers [i.e. for victims of speculation mania]. On the right are old-fashioned houses, one of which is alined with a church, the scene suggesting one of the older parts of the City of London with seventeenth-century houses. The high wall on the left is covered with large bills at which the gullible are gazing: [1] Doctors Company--Capital One Million divided into Shares at -- Pr Share--the Advantages incalculable No Charge for Emetics opening draughts Injections &c-- [signed] Sam Sexton Clerk, [2] Patent Coffins provided on the shortest notice --No Surgeons Admitted--. [3] Genuine Milk Company free from Chalk Poison Water &--. [4] Company of Menders--Open to both Sxes in shares at--pr Share. None to be Admitted but who can give undeniable proofs of mending either their wives or Husbands Neighbours or Friends and lastly but most particularly Themselves. [5] Company of Scavengers Nightman [sic] and all imposters to be sent to the House of Correction. [6] Company of White Washers NB No Lawyers admitted [cf. British Museum Satires Nos. 11269, 11272]. [7] More Advantages-- A New Cabbage and Potatoe Compy Warrented Genuine No cooking required saves time and trouble 5s each Share. [8] Match and Tinder Compy Capital 2 Millions five farthings each Share. [9] Blacking Company. On the opposite side of the wide irregular street is a low-grade barber's shop, with the barber shaving a customer in the doorway. Outside the door his dwarfish assistant sharpens a razor on a grindstone. Above the door is a large tilted board: Tim, Slashem Barber and Perriwig Maker--begs leave to inform the patronizers of Merit--that he means to form a New Company of Mowers of Beards having discovered a New Machine to Shave 60 men in a minute, to comb oil and powder their wigs in the Bargain. NB. Bleeding and Teeth drawn gratis. The striped pole slants forward above the board. At a casement window under the roof a woman is washing; a cat prowls on the tiles. This is a corner-house, its (invisible) side facing Bubble Alley, where the corner-house has a large placard: Peter Puff--Manufacturer of Deal Boards--without Knots from genuine Saw dust &c. At right angles to this is a narrow street receding towards the church. On this are more bills and a projecting lantern: Subscri[bers or ptions] taken in here. Spectators gaze at the bills in the foreground, middle distance, and background. On the left a fat 'cit' and his taller and more fashionable wife walk purposefully; she dangles a reticule, his hand is deep in a pocket, they are clearly deluded subscribers. A yokel and his wife gaze up at the 'Milk Company' advertisement. On the right a countryman on horseback followed by his dog stares up at the barber's notice, as does a bearded Jew carrying a sack (of old clothes)."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "174" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., Temporary local subject terms: Churches - Jewish people -- Male costumes -- Female costumes -- Incurables Hospital., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 26 in volume 3.
Publisher:
Pubd. by Thos. Tegg
Subject (Topic):
Jews, Barbershops, Churches, and Posting signs & notices
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Simple-minded people gaze up at placards inviting subscriptions to unsound companies. A high wall runs from a house partly visible on the extreme left, to the street corner, enclosing a large building placarded Hospital for Incurables Supported by Voluntary Subscribers [i.e. for victims of speculation mania]. On the right are old-fashioned houses, one of which is alined with a church, the scene suggesting one of the older parts of the City of London with seventeenth-century houses. The high wall on the left is covered with large bills at which the gullible are gazing: [1] Doctors Company--Capital One Million divided into Shares at -- Pr Share--the Advantages incalculable No Charge for Emetics opening draughts Injections &c-- [signed] Sam Sexton Clerk, [2] Patent Coffins provided on the shortest notice --No Surgeons Admitted--. [3] Genuine Milk Company free from Chalk Poison Water &--. [4] Company of Menders--Open to both Sxes in shares at--pr Share. None to be Admitted but who can give undeniable proofs of mending either their wives or Husbands Neighbours or Friends and lastly but most particularly Themselves. [5] Company of Scavengers Nightman [sic] and all imposters to be sent to the House of Correction. [6] Company of White Washers NB No Lawyers admitted [cf. British Museum Satires Nos. 11269, 11272]. [7] More Advantages-- A New Cabbage and Potatoe Compy Warrented Genuine No cooking required saves time and trouble 5s each Share. [8] Match and Tinder Compy Capital 2 Millions five farthings each Share. [9] Blacking Company. On the opposite side of the wide irregular street is a low-grade barber's shop, with the barber shaving a customer in the doorway. Outside the door his dwarfish assistant sharpens a razor on a grindstone. Above the door is a large tilted board: Tim, Slashem Barber and Perriwig Maker--begs leave to inform the patronizers of Merit--that he means to form a New Company of Mowers of Beards having discovered a New Machine to Shave 60 men in a minute, to comb oil and powder their wigs in the Bargain. NB. Bleeding and Teeth drawn gratis. The striped pole slants forward above the board. At a casement window under the roof a woman is washing; a cat prowls on the tiles. This is a corner-house, its (invisible) side facing Bubble Alley, where the corner-house has a large placard: Peter Puff--Manufacturer of Deal Boards--without Knots from genuine Saw dust &c. At right angles to this is a narrow street receding towards the church. On this are more bills and a projecting lantern: Subscri[bers or ptions] taken in here. Spectators gaze at the bills in the foreground, middle distance, and background. On the left a fat 'cit' and his taller and more fashionable wife walk purposefully; she dangles a reticule, his hand is deep in a pocket, they are clearly deluded subscribers. A yokel and his wife gaze up at the 'Milk Company' advertisement. On the right a countryman on horseback followed by his dog stares up at the barber's notice, as does a bearded Jew carrying a sack (of old clothes)."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "174" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., Temporary local subject terms: Churches - Jewish people -- Male costumes -- Female costumes -- Incurables Hospital., and Watermark: Stacey Wise & Co.
Publisher:
Pubd. by Thos. Tegg
Subject (Topic):
Jews, Barbershops, Churches, and Posting signs & notices
Title from item., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez N Langlois, rue St. Jacques à la Victoire Avec privilege
"Two London lawyers quizzing a clever countryman."--British Museum online catalogue
Description:
Title etched below image., Numbered '182' in lower left of plate., One of the series of Laurie & Whittle drolls., Two lines of text below image: Two London attorneys overtaking a waggoner on the road ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: country inns -- Buildings: country churches -- Signs: inn signboard, 'The Crescent Moon' -- Countrymen: waggoner -- Vehicles: waggons -- Waggoner's whip -- Quizzing glasses.
Publisher:
Published June 10th, 1797, by Laurie & Whittle, 53 Fleet Street, London
"View down London Wall, with All Hallows Church, built by George Dance junior; a carriage advancing up street just behind two men pulling a wheelbarrow"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Imprint from impression in the British Museum., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., The Lewis Walpole Library impression: sheet trimmed with loss of imprint statement., The Lewis Walpole Library: From the Topographical Prints collection., and Window mounted to 48 x 36 cm.
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of Lowestoft Chuch in Suffolk with its cemetary on the right side and on the left a view of the sea
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
A view of a church at Miserden, including the churchyard with gravestones
Description:
Title engraved above image., With a separately titled plate on same sheet: Kingston tomb in Miserden / T. Bonnor delt. et sculpt. [London?] : [publisher not identified], [178-?], and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '16' in manuscript. Label on front cover: Prints. For further information consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Gloucestershire (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the northeast side of St. Nicholas Chuchin Great Yarmouth with its cemetary in the foreground and houses on either sides. Two men rest agains a gravestone
Alternative Title:
Northeast view of St. Nicholas Church, Great Yarmouth
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
"View of the chapel; the area around it paved, a man pushes a wheelbarrow across paved area, another man stands watching, a dog nearby"--British Museum online catalogue
Alternative Title:
North east view of the Chapel of the Holy Trinity, Leadenhall
Description:
Title from caption below image. and Plate from: Londina illustrata : graphic and historic memorials of monasteries, churches, chapels, schools ... London: R. Wilkinson, 1819-25.
Publisher:
Published 1 January 1825, by R. Wilkinson, No. 125, Fenchurch Street
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.7 cm, on sheet 56 x 45 cm., and Leaf 23 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.4 cm, on sheet 59 x 46 cm., and Plate 23 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
A copy of the second print in William Hogarth's series "Four Times of the Day": Set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 147., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 40.4 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Eleven plain, elderly women walk in a procession from left to right between the tombstones of a country church yard. Two of them, at the head of the procession, carry a small coffin with a cat's effigy on it. Behind them walks a crying woman with a handkerchief raised to her eyes. She is the only one who does not carry a cat under her arm. The feline participants of the funeral appear agitated
Description:
Title from item., Eight lines of verse in two columns on either side of title: No lover's corse this virgin train attend ..., Printseller's announcement below title: In Holland's exhibition rooms may be seen the largest collection in Europe of caricatures and other humorous prints and drawings. Admittance 1 shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mentioned in the Catalogue of prints and drawings in the British Museum, under no. 8558, as in Anthony de Rothschild's collection, v. 2, p. 138.
Publisher:
Published by William Holland at Garrick's, Richard No. 50 Oxford Street
Subject (Topic):
Cats, Cemeteries, Churches, Coffins, Crying, Funeral rites & ceremonies, Single women, and Tombs & sepulchral monuments
Title from item., From the Laurie & Whittle series of Drolls., Two lines of caption below design: Arrah! but this is hard work for us both Smiler, if it keeps on pelting in our faces in this manner to the end of our journey, surely the wind will change when we return., Plate numbered '357' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd July 16, 1804 by Laurie & Whittle, 53 Fleet Street
Subject (Topic):
Ethnic sterertypes, Messengers, Horseback riding, Rain, and Churches
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Buildings: Gothic church -- Corporations: country corporations -- Buildings: 16th-century houses., and Mounted.
Publisher:
Pubd. August 12, 1799, by T. Rowlandson, No. 1 James Street, Adelphi
Subject (Topic):
Churches, City & town halls, City council members, Mayors, Parades & processions, Signs (Notices), and Wells
Title from caption below image., Date supplied by curator., Schleuen may also be the printmaker., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
I.D. Schleuen exc. Berolin
Subject (Topic):
Hospitals, Orphanages, Children, Buildings, and Churches
Title from item., Publisher and date supplied by curator., View is of an almshouse and a chapel consecrated to St. Mark (no longer extant), and Pfarre St. Augustine, outside the gates of Vienna., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Austria; St. Mark's Hospital (Vienna).
Publisher:
Johann Andreas Pfeffel
Subject (Geographic):
Austria and Vienna.
Subject (Name):
Pfarre St. Augustin (Vienna, Austria).
Subject (Topic):
Almshouses, Architecture, Croplands, Churches, Gates, and Farming
Title from item caption (given in Latin and German)., Date derived from printmaker's date of death., In lower margin center: Cum Priv. Sac. Coes. Maj., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Germany.
Publisher:
publisher not identified
Subject (Topic):
Hospitals, City & town life, Churches, and Convents
"An ancient Gothic church in the middle distance stands on a grassy hill inscribed 'Protestant Ascendency'; under the hill (left) is a cave, 'Cave of Catholic Ascendency', in which are barrels of 'Gun . Pow[der]'. A fat bare-footed friar walks away from the cave towards the picture-plane, carrying a lighted candle, and slyly laying a train of powder on the road to the cave. Standing round the church is a crowd of country people, listening to a parson who holds out to them a 'Petition to Parliament'. They are unconscious, not only that the ground beneath them is mined, but that men (right) are tugging at a rope looped round the steeple, which is about to crash. The rope-pullers are in the foreground (right); at the extreme end is Wellington with his back to the church, straining hard. Next is Peel, wearing an orange waistcoat (cf. British Museum Satires No. 15690) badly stained by the rope; Brougham, a broom-girl dressed as in British Museum Satires No. 14769, is next, with Mackintosh in Highland costume beside him. In front of them is Burdett, very tall and thin, holding up his hat and shouting 'Down with it--never mind the People' [see British Museum Satires No. 16058]. In front is O'Connell, in wig and gown, shouting, 'By St Patrick I've got the Rope over at Last.' Behind these principals are more men, tugging at a second rope. On a green field topping a cliff behind the church-breakers is Eldon wearing a smock and guiding a plough; he turns to shout to the petitioners by the church, who will be crushed by the falling tower: 'Look to your selves People.' Along the horizon (left) is a Papist procession with lighted tapers, the Host, crosses, a grotesque Pope, and figures under a canopy. It approaches St. Paul's whose dome rises above the sky-line. On the extreme right is the Monument (see British Museum satires no. 15688, &c.) in flames."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
Publisher:
Pub. March 19, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, Leo XII, Pope, 1760-1829., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Mackintosh, James, Sir, 1765-1832, Burdett, Francis, 1770-1844, O'Connell, Daniel, 1775-1847, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Churches, Caves, Crowds, Monks, and Vandalism
"The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
Alternative Title:
Wonderful effects of a proclamation
Description:
Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
Publisher:
Pubd. by Paddy Whack, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
Subject (Topic):
Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
"Dissenters are engaged in burning churches and attacking the clergy. In the foreground a stout bishop on his knees is being kicked and assailed by men with bludgeons; beside him is a book: 'Refutation of Dr Price'. He exclaims, raising his hands, "Murder, fire, thieves". One of his assailants says, "Make room for the Apostle of Liberty"; the other, "God assisting us nothing is to be feared". Under this group is inscribed: 'And when they had smote the Shepherd, the Sheep were scattered'. Behind (right) a Gothic building, from which extends a sign of the Mitre and Crown, is being demolished. Price sits astride on the beam supporting the sign; in one hand is an open book, 'Love of our Country', in the other is a firebrand inscribed 'The Flame of Liberty'. Beneath, two men in steeple-crowned hats are feeding a fire with faggots, whose flame and smoke, inscribed '39 Articles', ascends in a thick cloud. Next the burning building, and on the extreme right, is a porch (over a doorway) in which stands Fox, blowing a horn and pointing down to a placard over the doorway: 'Places under Government to be disposed of. NB, Several Faro and E.O. Tables in good Condition'. An adjacent placard is: 'day next charity sermon by Revd chas Fox'. A group of eager fanatics with lank hair rushes towards the doorway, holding up to Fox money-bags inscribed '30.000', '10.000' and '20.000.' In the foreground (right) are two fanatics struggling for the bag of the Great Seal; one raises a mace inscribed 'Brotherly Love' to strike his opponent; under his foot is a paper: 'Repeal of the Test Act'. In the background (left) is a group of figures engaged in demolishing a church with pickaxes; a rope pulls over the cross on the steeple. Two of this group look towards Price: a parson inscribed 'P------ly' (Priestley) waves his hat, saying, "Make haste to pull down that old Whore and we'll build a new one in its place"; a lean man, fashionably dressed (evidently Stanhope), extends his arms, saying, "Address to Assemblee national"."--British Museum online catalogue, description of an earlier state with similar composition
Description:
Title etched below image., Attributed to Rowlandson by Grego., Later state, with the original title "The test" burnished out and replaced with new title. Cf. No. 7629 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Publisher's advertisement above design: In Fores's Caricature Museum is the compleatest collection in the kingdom. Also the head and hand of Count Struenzee. Admittance 1s., Sheet trimmed to plate mark., Three lines of verse on either side of title: Bell and the dragon's chaplains were ..., and Temporary local subject terms: Literature: sermon On the Love of Our Country, by Richard Price -- Sermons: Richard Price, November 4, 1789 -- Repeal of Test and Corporation Acts, March 2, 1790 -- Maces -- Bags of money -- Clergy: bishops -- Signs: mitre and crown -- Emblems: mitre -- Crown -- Great Seal -- Burning of 39 articles -- Clubs: cudgels -- Steeple hats -- Pick-axes -- Buildings: churches -- Firebrand torches -- Literature: quotation from Bible, I Kings 22.17, II Ch. 18.16 -- Addresses: Price's address to the National Assembly of France, July 21, 1790 -- Horns.
Publisher:
Pub. Feb. 20, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Price, Richard, 1723-1791, Priestley, Joseph, 1733-1804, Stanhope, Charles Stanhope, Earl, 1753-1816, and England and Wales.
Subject (Topic):
Dissenters, Religious, Limitation of actions, Axes, Bishops, Churches, and Musical instruments
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the ruins a church at Caister with a young woman seated and man leaning on his shovel, a basket and tools in the road on the left
Alternative Title:
Ruined church at Caister
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Invitation to a benefit concert to be held at St. Bride's Church, London, on 26 April 1827
Description:
Caption title., At head of title: Committee Room, 13, Salisbury Square, Fleet Street, 29th March, 1827., Letterpress text, with a woodcut illustration entitled "View of St. Bride's Church" printed above., The names of twenty-four members of "The Sub-Committee of Management" are listed in two columns at the bottom, with their titles ("Church Wardens," "Sidesman," "Overseers," etc.) listed beside their names., and Bound in opposite page 376 in volume 1 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
City of London School of Instruction and Industry. and St. Bride's Church (London, England)
Subject (Topic):
Charity-schools, Churches, and Concerts (Performances)
Watercolor drawing depicting one wall of the chancel inside Barnwell Church, where the carved head of King Henry III was formerly located. The bottom parts of two windows, one of stained glass, are seen at top; an arch is built into the bottom part of the wall and a decorated rectangular structure is to the left of the arch
Description:
Title from note in black ink at bottom of sheet., Unsigned; artist unidentified., Date of production based on Horace Walpole's death date., Annotation in center of image in black ink: Head of King Henry the Third. About forty years ago the chancel of Barnwell Church (near Barnwell Castle two miles from Oundle) was repaired[?] and the head taken down by the carpenter employ'd, in whose hands it remaind. & his sons thirty years - who gave it to a carpenter of Peterborough where is remain'd till it came into the possession of Dr. Palmer of Peterborough. N.B. King Henry endow'd Barnwell Church., and Mounted on page 73 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
A collection of pencil sketches mostly on ca. 51 pages. The first two are drawings of Pisa, but most are sketches done in the summer of 1796 of sites in England including: Twickenham, Goodwood House, Pagham, Bognor, as well as other undated and unidentified sites. One sketch from 1784 tipped in and one of a kangaroo
Description:
Title assigned by cataloger., Pages [52]-[66] blank., Worn marbled-paper boards, spine lacking; annotated on cover: MB [monogram] 1790 Pisa., and For further information consult library staff.
Subject (Geographic):
England., Goodwood House (England), Twickenham (London, England), Pisa (Italy), and Sussex (England)
Title from item., Printmaker from British Museum catalogue., Third in a series of three companion prints; the two others: "The happy escape, or arch-runaways" and The vain pursuit.", Sheet trimmed within plate mark., and Temporary local subject terms: Harriet Archer Clive, fl. 1788 -- Anne Archer Musgrave, fli. 1788 -- Maria Elizabeth Archer Howard, d. 1789 -- Sarah Archer Windsor Amherst, Countess of Amherst, 1762-1838.
Publisher:
Pub. May 1, 1788, by S.W. Fores, saterist [sic], No. 3 Piccadilly
Subject (Geographic):
England and England.
Subject (Name):
Plymouth, Other Hickman Windsor, Earl of, 1751-1799 and Archer, Sarah West, Lady, 1741-1801
"Scene outside a country church, with the departing congregation in the background. In the foreground a very fat parson addresses a neatly dressed countryman; the latter's wife and boy stand stiffly behind. Below: How do you do John? what has become of your neighbour Ashfield? I have not seen him these two months, I hope it is not Socinianism, or Deism, or Atheism, that keeps him from Church?--O no your Reverence! it be far worse than any of they complaints it be Rheumatism!"--British Museum online catalogue
Description:
Title etched below image. and Printmaker and date of publication from the British Museum catalogue.
Publisher:
Published by John Fairburn, Broadway, Ludgate Hill
"View of the south front of the Church of St Mary-le-Strand; a carriage passing to the left, the edge of Somerset House on the left"--British Museum online catalogue
Alternative Title:
South front of Saint Mary's Church, Strand
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., and Window mounted to 49 x 35 cm.
"View looking across the south side of the churchyard from Paul's Chain to Watling Street, with part of the portico of the cathedral on the left, carriages wait around edge of yard; a sign on the edge of a building on the far right reads 'Pellatt & Green Glass and China Warehouse.'"--British Museum online catalogue
Description:
Title from caption below image., Attribution to Hornor and approximate date of publication from British Museum online catalogue., and Mounted to 29 x 52 cm.
