Huntsmen and hounds with moutned members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimeny and joints of meat hanging from the gable-end of a building. The artist (Robert Crukshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hourds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Probably a view of a section of St. Martin-in-the-Fields submitted by Sir James Thornhill for the 1720-1721 St. Martin-in-the-Fields project
Description:
Title devised by curator., Questionable attribution to Sir James Thornhill., Formerly housed as part of the SH Contents collection., and For further information, consult library staff.
Subject (Geographic):
England and London.
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Plate lettered in the top center 'A': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. The preacher with his wig flying off and his jester's shirt exposed under his robe. One sheet of paper behind his head reads " To St. Money-trap"; another sheet at his chest reads " I speak as a fool; 2. A cherub with a riding hat holds in his mouth one end of the paper at the preacher's head; 3. One of the preacher's puppets, a witch with a pointed hat and riding a broomstick; 4. The other puppet, a demon walks toward the right holding a gridiron
Description:
Title devised by cataloger., Date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Angels, Churches, Clegy, Demons, Preachers, Putti, and Witches
Plate lettered in the top center 'D': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. The clerk surrounded by angel heads (2,3). The clerk holds an opened book which rests on a pulpit from which hangs a sign lettered "Only love to us be gev'n Lord we ask no other Heav'n. Hymn by G. Whitfield [sic] page 130."; 4. Another two figures below. The one on the left weeps into a cloth; the other looks up as a demon whispers in his ear
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Two London lawyers quizzing a clever countryman."--British Museum online catalogue
Description:
Title etched below image., Numbered '182' in lower left of plate., One of the series of Laurie & Whittle drolls., Two lines of text below image: Two London attorneys overtaking a waggoner on the road ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: country inns -- Buildings: country churches -- Signs: inn signboard, 'The Crescent Moon' -- Countrymen: waggoner -- Vehicles: waggons -- Waggoner's whip -- Quizzing glasses.
Publisher:
Published June 10th, 1797, by Laurie & Whittle, 53 Fleet Street, London
A collection of pencil sketches mostly on ca. 51 pages. The first two are drawings of Pisa, but most are sketches done in the summer of 1796 of sites in England including: Twickenham, Goodwood House, Pagham, Bognor, as well as other undated and unidentified sites. One sketch from 1784 tipped in and one of a kangaroo
Description:
Title assigned by cataloger., Pages [52]-[66] blank., Worn marbled-paper boards, spine lacking; annotated on cover: MB [monogram] 1790 Pisa., and For further information consult library staff.
Subject (Geographic):
England., Goodwood House (England), Twickenham (London, England), Pisa (Italy), and Sussex (England)
A quaint delineation of a church-interior during service; the pastor, who is somewhat of the Dr. Syntax type, is holding forth. There is a squire's pew, a rosy, sleepy clerk, a large leavening of fat slumberers (among the rest the sexton and pew-opener), a crowded gallery, worshippers both devout and careless, gazers through curiosity, and the usual elements which made up a grotesque-looking country congregation at the end of the last century, including a man with crutches and a peg leg
Description:
Title etched below image., Date of publication scored through on plate but legible. Cf. Grego for date confirmation., Sheet trimmed to edge of plate mark on lower side., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
England and Cornwall.
Subject (Topic):
Churches, lergy, Interiors, Peg legs, Sleeping, and Religious meetings
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Huntsmen and hounds with mounted members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimney and joints of meat hanging from the gable-end of a building. The artist (Robert Cruikshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hounds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15220 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 262, Vol. 2.
publish'd according to act of Parliament Sepbr. 30th 1747.
Call Number:
Sotheby 45 Box 100
Collection Title:
Plate 45. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Francis Goodchild shares the hymn book of his master's daughter as they sing the psalm at a service in a large church (St. Martin's-in-the-Fields) filled with pews; to the left, an elderly woman, the pew-opener, sits on a pile of hassocks. The minister stands in the three-decker pulpit; the reader and clerk are at their desks. The chandelier is decorated with a crown; the organ is shown in the background. The right of the frame is decorated with a scourge, manacles, and a hangman's rope; on the left frame, are the mace of the City of London, the alderman's gold chain, and a sword of state
Alternative Title:
Industrious apprentice performing the duty of a Christian
Description:
Title engraved above image., State and publisher from Paulson., Second plate in the series of twelve: Industry and idleness., "Plate 2"--Below image., Caption in decoration in lower edge of frame: "Psalm CXIX Ver. 97. O! How I love thy law it is my meditation all the day.", and On laid paper.
Publisher:
Wm. Hogarth
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
Subject (Topic):
Chandeliers, Couples, Courtship, Churches, Clergy, Parables, Pews, Pulpits, Rake's progress, Religious services, Singing, and Women
