Title devised by curator., Devised title and artist attribution based on Horace Walpole's notes on facing leaf: This book belonged to Mr. Pope, and the drawing is by him. Horace Walpole, 1766. It is a view of Twickenham Church from his own garden., Date of production based on artist's death date., and Drawn on front flyleaf in volume 1 of Alexander Pope's copy of: Homeri opera quae extant omnia. Amstelaedami : Ex officina Wetsteniana, MDCCVII [1707].
A coffin is carried down the stairs of a gothic church by a procession of monks, lit by the light of the full moon and the flames of the torches that some of the monks carry. They walk toward an open crypt in the foreground. The light from the crypt illuminates the monument on the wall opposite (a knight in armor) as well as two monks kneeling at the opening of the crypt and a third monk holding a thurible. A man with a red cloak stands in the shadows on the left, looking down at the scene at the crypt. The image is intended to be backlit. The light sources in the image -- the moon, the glow shining out of the gothic crypt, and the torch-bearing friars -- are enhanced when the image is held up to a light
Description:
Title and approximate date of production from dealer's description., Unsigned; artist unidentified., Drawn in the style of the painter and etcher Franz Joseph Manskirch (1768-1840), who worked in London between 1793 and 1819., and On paper watermarked "J. Whatman Turkey Mill".
Subject (Topic):
Churches, Funeral processions, Incense, Monks, Moonlight, Pointed arches, and Torches
24 views, displaying the beauties of Yarmouth and its environs
Description:
With printed labels on front and back brown paper covered boards: Twenty-four views, displaying the Beauties of Yarmouth and its environs : extending from Caister Castle to Lowestoft Light-House; and including the remains of antiquities, public buildings, picturesque views and whatever is worthy of notice along the coast, or on the banks of the Yare, the Bure, and the Waveney. Engraved in the line manner by Mr. Joseph Lambert: from drawings made by him for that purpose. Price ten shillings. and Original roan-backed boards with printed title labels on upper and lower covers. For further information, consult library staff.
Publisher:
Printed and sold by W. Meggy, engraver, copper-plate printer, bookseller, and stationer, Quay; and mya be had of the principla booksellers in Norwich and Lowestoft
Subject (Geographic):
Yarmouth (England), Suffolk (England), Norfolk (England), England., England, and Yarmouth.
"On the left is a pleasant old-fashioned tavern, 'The Kings Head', with a half length portrait of George IV in crown and robes. Ministers are seen within the open window, Castlereagh's profile on the left. A sturdy John Bull in top-boots stands outside, watching with distaste a disorderly and drunken rabble crowding round the door and (broken) window of the opposite house, the sign 'Mother Red Cap', a half length portrait of Queen Caroline, raddled and disreputable, a tricolour cockade in her conical hat. From the end of the beam supporting the sign hangs a pear (emblem of Bergami, see British Museum Satires No. 13869). The house (right) is a ruinous timber structure, shored up by beams. The crowd have a banner of a woman's shift inscribed 'Un Sun'd Snow NB "The Times" Taken in Here.' A man plays drum and pan-pipes. One man empties a bottle of spirits inscribed 'Queens Mixture' down the throat of a drunken fellow lying on his back. A fat man has a tankard of 'Qu[een's] Entire'. The two inns are respectively placarded 'The Original Brunswick House of Call for Loyalists--Pure Wine--Good Spirits --Sound Ale'; and 'The Brunswick Radical House of Call Italian Wines Bergamy Perry [cf. British Museum Satires No. 13869] No Adulteration! NB Good accomodation for all sorts of Cattle. Whitbread's Entire [cf. British Museum Satires No. 10414]--Small Beer.' In the background is a church tower among trees."--British Museum online catalogue, descr
Alternative Title:
Mother Red Cap public house, in oppsition to the Kings Head and Mother Red Cap public house, in opposition to the Kings Head
Description:
Title etched above image., State from British Museum catalogue. For an earlier state published 11 November 1820 as a plate to The Loyalist's magazine, see no. 13975 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bergami, Bartolomeo Bergami, Baron., and Whitbread, Samuel, 1764-1815.
Subject (Topic):
Politicians, Taverns (Inns), Crowns, Robes, Crowds, Intoxication, Alcoholic beverages, Pears, Banners, Street musicians, and Churches
A copy of the second print in William Hogarth's series "Four Times of the Day": Set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 147., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
View of Brighton, the town with numerous houses and other buildings, St. Nicholas's Church on the hill above the town to the right, the coast stretching away in the distance, windmills in the fields to the left with haywains drawn by oxen and reapers at their work amongst the crops to the right, elegant ladies and gentlemen strolling through the scene with a man sketching to the left, several boats and ships on the calm sea beyond, gulls amongst the clouds above. The Royal Arms below
Description:
Title engraved below image. and Titled 'A Perspective View of Brighthelmstone, and of the Sea coast as far as the Isle of Wight: by Jas. Lambert, engraved by Canot.' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc., London, 1829.
Publisher:
Publish'd as the act directs, & sold by Jas. Lambert, painter, at Lewes in Sussex, and Robert Sayer, map and printseller, No. 53 Fleet Street, London
Subject (Geographic):
Brighton (England), England., England, and Brighton.
Subject (Topic):
Buildings, structures, etc, Cityscapes, Churches, Coastlines, Meadows, Windmills, and Church buildings
Title from item, in Dutch and French., Date and place of publication supplied by curator., Curator lists Delft as the location of the view., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
published according to act of Parliament, Feb. 1, 1751. and [between 1790 and 1835]
Call Number:
Print20074
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Restrike of a plate first published in 1751. This later printing was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). The plate was again issued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., Temporary local Medical Library subject terms: Prevention of cruelty to animals -- Murder -- Pregnancy., and Price statement has perhaps been partially burnished from plate; it is lightly printed but visible on this impression.
Publisher:
Wm. Hogarth and publisher not identified
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
Title below image., Date supplied by curator., In reverse at top: L'Hopital du St. Esprit à Rome, Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
à Paris ches Huquier fils Graveur, rue St. Jacques, au dessus de celle des Mathurins, au Ga. St. Remy
Title from item., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez N Langlois, rue St. Jacques à la Victoire Avec privilege
