"View down London Wall, with All Hallows Church, built by George Dance junior; a carriage advancing up street just behind two men pulling a wheelbarrow"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Imprint from impression in the British Museum., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., The Lewis Walpole Library impression: sheet trimmed with loss of imprint statement., The Lewis Walpole Library: From the Topographical Prints collection., and Window mounted to 48 x 36 cm.
"Satire [on] singers in country churches. Six men sing enthusiastically from one hymn book, while another, on the left, wearing a wig, plays a wind instrument; a young man and young woman look down from a gallery. On the wall behind hangs an escutcheon with three owls."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Printed for Jno. Smith, No. 35, Cheapside, & Robt. Sayer, No. 53, Fleet Street
Subject (Topic):
Interiors, Churches, Choir stalls, Choirs (Music), Singing, and Wind instruments
Copy in reverse of the first state of Plate 5 of Hogarth's 'The Rake's Progress' (Paulson 136): Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
[Rake's progress]. Plate 5 and Youth to reimburse his squander'd Gold, ...
Description:
Title from Paulson., Plate number below image, lower right., Date range for publication based on form of publisher's name in imprint. "Robt. Sayer & Co." is found on prints published during Robert Sayer's final business period (1785-1794), following the Sayer & Bennett partnership (1774-1784) and preceding his death in 1794. See British Museum online catalogue., Cf. Catalogue of prints and drawings in the British Museum, v. 3, no. 2212, and Matted to: 34 x 46 cm.
Publisher:
Printed for Robt. Sayer & Co., Fleet Street, London
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title, state, and series title from Paulson., Restrike; probaby a plate issued in: The original works of William Hogarth. [London] : Sold by John and Josiah Boydell ..., 1790 [that is 1795]., and Third in a series of four: The four stages of cruelty.
Publisher:
Invd. & publish'd by Wm. Hogarth and John and Josiah Boydell
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, Pregnant women, and Rake's progress
"The interior of Dulwich College Chapel. A stout man, probably the Master, wearing a gown, stands in a pulpit or desk (left), a large book before him, his eyes and mouth twisted in a sly leer. Below him (right) the figure of Edward Alleyne has risen from a tombstone and stands (half length) holding up the horizontal stone. He is surrounded by clouds. He wears hat, ruff, and a gown which differs from that of the living man chiefly in being furred. The figure is copied (in reverse) from the whole length portrait of Alleyne at Dulwich College. On the stone, beneath a coat of arms, is the inscription, a strip along the left being cut off by the lower margin of the print: 'Sacred | the Memory of | Edward Alleyne | Founder of this | College | Life Nov 26 | 1626 Æ 63 | Likewise | Joan his Dear | Wife who F | race 28 June 1623.' Next the Master is a sour-looking profile, and, below, three choristers (full-face), are grinning broadly."--British Museum online catalogue
Description:
Title etched below image. and Place of publication based on location of printmaker John Nixon.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Alleyn, Edward, 1566-1626., Alleyn, Thomas, -1805., and Dulwich College
The scene is the interior of a gothic church, with a view of part of a lateral gallery, the tower arch, and west door (on the right). The foreground and the gallery are filled with couples, in general elderly, ugly, and fashionably dressed, in conversation or bowing to each other. An unicorn on a monument holding an escutcheon is conspicuous. On the right the congregation is crowding towards the open door
Description:
Title etched below image., Numbered 'Plate 80' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Year in imprint erased from this impression.
Publisher:
Published by Allen & Co., 15 Paternoster Row
Subject (Topic):
Churches, Clothing & dress, Couples, Interiors, and Monuments
Structural drawing of the church and chancel at Croome, in black in with scale and some additions in purple ink. Square section in upper left corner cut out
Description:
Title devised by cataloger. and Inscribed at top of page: "Section of [the] Church and Chancel for Ld. Coventry at Croome, Worchestershire."
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Hogarth 751.02.01.05.1+ Box 200
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching on laid paper ; plate mark 383 x 319 mm, on sheet 473 x 380 mm., and Pencilled note on verso: '2nd state'.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
"Scene outside a country church, with the departing congregation in the background. In the foreground a very fat parson addresses a neatly dressed countryman; the latter's wife and boy stand stiffly behind. Below: How do you do John? what has become of your neighbour Ashfield? I have not seen him these two months, I hope it is not Socinianism, or Deism, or Atheism, that keeps him from Church?--O no your Reverence! it be far worse than any of they complaints it be Rheumatism!"--British Museum online catalogue
Description:
Title etched below image. and Printmaker and date of publication from the British Museum catalogue.
Publisher:
Published by John Fairburn, Broadway, Ludgate Hill
