Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: No. 14., Cf. No. 10905, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of print with altered imprint statement., and Temporary local subject terms: Parson -- Male Costume: Parson -- Female Costume: 1807 -- Gin-Shop -- Pipes -- Tankards -- Glasses -- Mythology -- Bacchus.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clergy: Curate.
A clergyman in bands and gown, his hat on the pavement, squares up to a watchman holding a lantern and stick, his fists raised. He has evidently knocked out one watchman already, who lies on the ground, wig dislodged and still touching his lantern, while a third approaches from the left. Possibly from a series featuring a pugnacious parson's brushes with the law
Description:
Title etched below image., For another print featuring the same characters, see no. 5520 in the Catalogue of prints and drawings in the British Museum, v. 5., Not in the Catalogue of prints and drawings in the British Museum., and Watermark.
Publisher:
Pubd. by Darly, 39 Strand
Subject (Topic):
Clergy, Watchmen, Lanterns, Staffs (Sticks), and Fighting
"Satire: parson, with two men, exorcising ghost in field."--British Museum online catalogue
Description:
Title etched below image., Text beneath title: He donna half like it, give un a little more Maister Parson and he'll vanish!, Sheet trimmed to plate mark on three sides., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. Octr. 1, 1792, by W. Holland, No. 50 Oxford St.
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April 1829]
Call Number:
829.04.00.17+
Image Count:
1
Resource Type:
still image
Abstract:
"George IV, seated on the throne, watches a display of jovial fraternization between John Bull and Pat, who dance, holding hands, each holding up a hat decorated respectively by rose and shamrock. A lanky garland of (thornless) roses and giant shamrocks drapes the crown on the back of the throne; one end is held up by Wellington (right), on the King's left, the other by Peel on his right, so that the King is framed by it. John Bull is an obese and drink-blotched "cit", with a snuff-box inscribed 'Irish' in his waistcoat pocket. Pat is a ragged Irish peasant, his bare legs swathed by twisted straw; his shillelagh lies on the ground; he looks with a broad but appraising grin at J. B., who sings: "Together reared together grown, Oh! let us now unite in one, Let friendship rivet the decree, Nor bigots sever Pat and Me!!!" Two discomfited 'bigots' depart on the left; one is a gouty parson using a crutch, with a 'Petition against Concession' hanging from his pocket, cf. British Museum Satires No. 15661, &c. The other is a Catholic bishop in robe and mitre. They say: 'It's time for us to be off.' Above their heads flies a figure of Discord, her hair consisting of snakes which spit flame towards J. B. The King, with extended arm, says: 'No more let Bigotry distract the Nation, Nor Priestcraft nurture lawless passion, Henceforth let rage and tumult cease, As brothers live and die in peace!!!'"--British Museum online catalogue
Alternative Title:
Glorious march of intellect
Description:
Title etched below image. and Watermark: J. Budgen 1823.
Publisher:
Pubd. April 1829 by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Subject (Topic):
John Bull (Symbolic character), Anti-Catholicism, National characteristics, Irish, Irish question, Gout, Ethnic stereotypes, Thrones, Crowns, Dance, Obesity, Roses, Shamrocks, Crutches, Clergy, Petitions, Bishops, and Miters
"Interior, the Prince of Wales standing to left wearing chain and badge of the garter, right hand poised to put the ring on the finger of Princess Caroline Amelia, who kneels with hands crossed over her breast to right, a minister blessing them to right, an open book on a cushion in front of him, George III and Queen Charlotte seated in the background to left."--British Museum online catalogue
Description:
Title engraved below image., Second state, with the Prince's fob added. For descriptions of the states as recorded in the Lennox-Boyd database, see Curator's comments for British Museum online catalogue, registration no.: 2010,7081.1947., and Companion print to: The first interview of the Prince and Princess of Wales.
Publisher:
Publish'd May 16th, 1795, by John Fairburn, No. 146, Minories, London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, George III, King of Great Britain, 1738-1820,, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818,, and Moore, John, 1730-1805,
Subject (Topic):
Interiors, Chapels, Marriage, Weddings, Bishops, and Clergy
In a richly decorated and carpeted interior, an obese clergyman with his equally large, bespectacled wife sit at a dining table with their three children; on the back wall hangs a portrait of the clergyman. He raises a wineglass to his lips as a servant uncorks another bottle of wine
Description:
Title from pencil inscription on verso., Date of production based on date of published mezzotint after this design., The daughter's face has been redrawn on a small piece of paper that has been pasted over the original sheet., and For a mezzotint engraving of this design, see no. 3753 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
"Prince Leopold sits enthroned, flanked by his new subjects; he wears uniform with a crown, and sits on a two-tiered circular dais in a chair of state, the seat of which is covered with giant thorns. Punctured and frightened, he grasps the arms of his chair with crisped fingers; his toes are drawn back, touching the ground, and he looks towards a savage-looking Greek (right) who kneels before him with a long knife held behind his back. A similar ruffian kneels on the left; others approach menacingly from the left, one smoking a long pipe and grasping a knife. They wear Greek costume with embroidered jackets and full white breeches. On the right are long-robed ecclesiastics, headed by a bearded patriarch with a cross in one hand, a knife in the other."--British Museum online catalogue
"A farmyard scene, with a corner of the house on the left. A grossly fat and carbuncled parson on a quest for tithes encounters the farmer's wife, who runs towards him proffering an open bandbox, with a dangling lid inscribed 10th. A miniature hussar, very dandified in shako and pelisse, stands in it, superciliously inspecting the parson through an eye-glass. The woman, who is plump and well-dressed, wearing apron and bonnet, says: Seeing your Reverence comeing for your Tithes, I have brought you a Tenth. The parson, who holds a large book, Tithe list, and has a chicken in his capacious pocket, answers with a scowl and gesture of refusal: Take it back! take it back! good Woman; I never tithe Monkeys. The little hussar says: Eh! eh! what does that there fellow say? An amused yokel with a pitchfork leans over a gate (left). A cock crows on a dunghill, an ass brays. Corn-sheaves stand in a distant field."--British Museum online catalogue
Alternative Title:
Dandyfied coxcomb in a bandbox and Dandified coxcomb in a bandbox
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. 10th April 1824 by John Fairburn, Broadway, Ludgate Hill
Subject (Topic):
Dandies, British, Military uniforms, Clergy, England, Obesity, Boxes, Farms, Donkeys, Roosters, and Pitchforks
Title from item., Place of publication supplied by curator., Date from copy in Staatsarchiv Aargau, website viewed 3/12/2024: https://www.ag.ch/staatsarchiv/suche/detail.aspx?ID=86222, This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Forceps; Politics, Swiss; Obstetrical chair.
Publisher:
publisher not identified
Subject (Geographic):
Switzerland and Basel-Stadt (Switzerland)
Subject (Topic):
Childbirth, Abnormalities, Human, Medical equipment and supplies, Infants, Clergy, Servants, Wine, and Politics and government
Description from similar print in Lewis Walpole Library: A sleeping clergyman sits in an armchair, oblivious to a maid tickling his nose with the tail of a sucking pig, just delivered by a man standing in the open doorway. On a table is an inkstand and quill, a wine bottle, glass and candle with a book entitled "Tythe laws fully consider'd". At cat pulls from the table a paper labelled "Bans of marriage", while on the floor near a small dog a large book lies open to "Poem on good living". The clergyman's portrait and that of a woman hang on the wall behind him beside a map entitled "A Plan of the doctor's parish."
Description:
Title below image., Date supplied by curator., Below title is a poem in three columns: "The well fed rich Doctor now Dinner is o'er, In his Arm Chair gives way to an Afternoon's snore ..., In margin lower right: 102., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Printed for & Sold by Bowles & Carver, at their Map and ... Print Warehouse, No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
England. and England
Subject (Name):
Church of England
Subject (Topic):
Clergy, Tithes, Clothing & dress, Practical jokes, Dogs, and Swine
"On a grassy plateau projecting from a rocky mountain are Wellington, Peel, and an old woman, as doctor-accoucheur, apothecary, and nurse. Where mountain joins plateau there is a shallow cavity in which is a tiny mouse, 'Emancipation'. On the top of the mountain is a royal crown from which float the words: 'Its our Royal Will & pleasure to be delivered.' Wellington, in profile to the right, holds with silent concentration huge 'Ministerial Forceps'. The nurse sits on a low seat holding a spoon and a steaming bowl of 'Political Caudle'. A large open book against her knees, 'THE TIMES', and a large watch (indicating the clock device above the leading article) show that she personifies "The Times". She looks up at Wellington with bleary bonhomie, saying, 'Oh! the dear creature, how many will accompany it to Ireland, to spend thier money--no doubt Dublin will become more fashionable than Paris--now Doctor never mind the windy warfare of those Gentlemen above!' She refers to three "winds": heads issuing from clouds below the mountain-top, each inscribed 'Faction', which blow blasts towards the cavity where the mouse emerges. The centre and principal head is Eldon's; the one on the left says to the third: 'Blow away Wind-chelsea kill the Brat.' The third (Winchelsea) answers 'Aye, Aye, or Cripple it.' Peel, standing behind Wellington, holds up a big medicine-bottle; he says: 'I used to think that Paliatives were the right Medicine, but the Doctor has convinced me something more active is wanted.' In the foreground, standing just below the plateau, are the heads and shoulders of spectators. On the left are two frenzied bishops; one (? Howley) holds up a crozier to which is attached a little 'No Popery' flag; he bellows: 'Brethren, Brethren, Mother Church is in danger.' The other holds up a large mitre extinguisher-wise towards the mouse, shouting: 'Oh the imp, if we catch it we'll Burke it!' [see British Museum Satires No. 15707, &c.]. As a pendant to the bishops are two non-Anglican ministers. One, evidently Irving, in gown and bands, as in British Museum Satires No. 15658, stands with raised arms as if in the pulpit, declaiming, 'The Sword of the Lord, and of Gideon, peradventure we may destroy this fiend of Satan.' Beside him is a minister of lower status, with lank hair and a large 'Book of Faith' under his arm. He says: 'A beast of the bottomless Pit--a beast of the Seven Hills--a horned beast with fire and sword.' Facing him is a startled yokel who asks: 'Pray Sir what sort of a beast be it?' In the middle distance (left), behind the bishops, O'Connell, in wig and gown, stands on the side of the mountain, addressing a band of his followers just below him. They ask him questions, to each of which he answers 'Yes' with a bland gesture: [1] 'I say Dan, will Mancipation make the Prates grow?' [2] 'Dan, shall we get plenty of Whiskey?' [3] 'Will bogs breed Pigs & shall we all wear warm wigs & silk cloaks like you Dan?' On the opposite flank of the mountain (right), much higher up and on a smaller scale, stands Cumberland, in hussar uniform, with a handkerchief to his eye; he addresses a body of dismayed clerics, only one of whom is characterized: 'No doubt this will become a Popish Country, that is if they get the loaves & fishes.'"--British Museum online catalogue
Alternative Title:
Much ado about nothing
Description:
Title etched below image., Questionable attribution to Seymour from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Apothecaries -- Crowns -- Forceps -- Spoons -- Dishes -- Bowl -- Mice -- Croziers -- Popery -- Mitres -- Ministers -- Barristers' wigs -- Military Uniforms: Hussar's., Temporary local Medical Library subject terms: Midwives and Accoucheurs -- British politics., and 1 print : etching ; plate mark 247 x 345 mm.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Howley, William, 1766-1848, Irving, Edward, 1792-1834, O'Connell, Daniel, 1775-1847, and Ernest Augustus, King of Hanover, 1771-1851
Subject (Topic):
Clergy, Bishops, Physicians, Pharmacists, Nurses, Clocks & watches, and Medicines
Title from item., Date and place of publication supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Sheet trimmed to 14.0 x 19.9 cm.
Publisher:
publisher not identified
Subject (Topic):
Clergy, Spiritual healing, Sick persons, Priests, Bibles, and Birdcages
"Grinning yokels, burlesqued, wheel (right to left) three wheelbarrows; one (right) contains a very fat parson with a gouty leg and grog-blossom nose, who lies on his back, registering impotent rage. Next is a very thin apothecary, holding his gold-headed cane; between his legs is a pestle and mortar containing medicine-bottles, one labelled 'To be well shaken'. On the left is an angry lawyer, holding a bag from which a paper projects. Villagers stand round watching the procession, cheering delightedly. Behind, from among trees, appear a hay-stack, an antique farm or cottage, and a church tower with a large Union flag at its flag-staff."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "377" in upper right., and Temporary local Medical Library subject terms: Law -- Country Doctors -- Physicians caricatured.
Publisher:
Pubd. Decr. 15th, 1819, by Thos. Tegg, No. 111 Cheapside, London
"A series of eight violent quarrels arranged in two rows, the words (not transcribed in full) etched above the heads of the speakers. [1] An old parson threatens his footman: "If you ever dare to say I am in a passion again I'll break every bone in your skin." [2] A man and wife on the point of blows. [3] A man thrashing a dog. [4] A woman at a tea-table flinging the contents of a cup in the face of a maidservant. [5] A woman beating a prostrate man with a pair of tongs. [6] A man dragging on a boot so as to thrust his heel through it, the shoe-maker saying: "You are so hasty master you wont give the Goods fair play." [7] Two men facing each other in argument. [8] A black servant expostulates with his master for knocking down a boy who lies on the ground: "Dear Massa you have almost killed young Master." One of a set, see British Museum Satires No. 8541, &c."--British Museum online catalogue
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 2, pl. 3., Temporary local Medical Library subject terms: Marriage and married life -- Cruelty to animals., 1 print : etching, hand-colored ; sheet 320 x 349 mm., Sheet trimmed within plate mark., and Imperfect? Numbering in upper right possibly trimmed or erased from sheet.
Publisher:
Pubd. March 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackvill [sic] Street
Subject (Topic):
Black people, Anger, Aggression, Animal welfare, Marriage, Spouses, Fighting, Quarreling, Dogs, Staffs (Sticks), Clergy, Servants, Tea services, and Boys
Caption title. Without imprint., Place of publication supplied by curator., First line: Three rosy fac'd Topers as ever was known, On a Frolick one night ..., Additional two lines of music "For the German flute.", This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Staff notation., and In ink upper right: 31.
Publisher:
publisher not identified
Subject (Topic):
Drinking songs, Sheet music, Drinking of alcoholic beverages, Wine, Law, Clergy, and Songs
"Fox reclines in an armchair of Gothic shape, his vast swathed legs resting on a cushion, his head against a pillow. He wears a dressing-gown and night-cap. His friends and colleagues stand round him. On his right. is Mrs. Fitzherbert, a meretricious 'Abbess' (cf. BMSat 5181, &c), holding a rosary and placing her hand under his chin; her face and breasts are covered by a large veil of transparent black. On his left. stands a bishop in lawn sleeves and mitre, a rosary hanging from his waist; he puts one hand on Fox's arm, and raises the other in admonition, saying, "O Tempora, O Mores! - Charley! dear Charley! - remember your poor Soul! - & if you're spared this time give us Emancipation - or!!!" His head is concealed, but he is identified by Lord Holland as O'Beirne, Bishop of Meath, educated as a Catholic, and a Whig pamphleteer. Mrs. Fitzherbert says: "Do confess your Sins Charley! do take Advice from an Old Abbess [cf. BMSat 10404] & receive Absolution! - here is Bishop O'Bother, 'twill be quite snug among Friends you know!" Fox says: "I abhor all Communion which debars us the comfort of the Cup! - will no one give me a Cordial?" Facing Fox, and in back view, stands the Prince, holding a handkerchief to his face; he says: "Alas! poor Charley! - do give him a Brimmer of Sack, 'twill do him more good Abbess, than all the Bishop's nostrums!" In his left hand he holds his cocked hat; in a coat-tail pocket is a pamphlet: 'Letter from N. Jeffreys'. Sheridan on the extreme right., furtive and bloated, puts his hand on the bishop's shoulder, saying, "Emancipation! - fudge! - why Dr OBother I thought you knew better!" In his pocket is a paper: 'Scheme for a new Administra[tion]'. Behind him stands Howick, in the extremity of grief, throwing back his head, and holding his handkerchief to his face. Three men stand, on the Prince's l., looking towards Fox, all weeping with raised handkerchiefs. Their heads rise one above and behind the other from the short Petty who wears a laced coat and bag-wig and has a large roll under his arm: 'New Taxes for 1806'. He says "Ah poor me! - If my Dancing-Days are over!" Windham says: "O Lord! what side can I tack round to Now!" The tall Moira says: "I must get back to Ballynahinch! Och! Och." [The allusion is to Moira's Irish estate and to Canning's verses, 'Ballynahinch' in the 'Anti-Jacobin', 9 July 1798, cf. BMSat 9235.] The three '(Ministerial) Grenvilles stand in the doorway (l.) apart from the mourners. Lord Grenville turns to Sidmouth, who is just within the room, putting a hand on his arm, and saying, "Well Doctor, have you done his business? - shall we have the Coast clear, soon?" Sidmouth answers, with sly satisfaction, "We'll see!" He holds a bottle labelled 'Composing Draft' [cf. BMSat 9849]. The spectacled Marquis of Buckingham looks round to say "O! Such a Day as This! so renown'd so Victorious"; his son, Lord Temple, continues: "such a day as This! was never seen!" In the foreground (l.) the fat Mrs. Fox faints in a small ornate chair; under her chair is a square spirits-bottle of 'True Maidstone', with a broken glass beside it. Lord Derby, wearing top-boots, bends over her, holding a bottle to her nose. He says: "My dear old Flame Bet, dont despair! - if Charley is pop'd off - a'nt I left to Comfort you - ?" On a stool at Fox's r. hand is a urinal decorated with Britannia, standing on a scroll: 'Negotiations for Peace between Great Britain & France'. On the ground beside him are a broken dice-box and dice. Behind the back of Fox's chair heavy fringed curtains are festooned, giving an impression of ducal magnificence, the scene being the Duke of Bedford's house in Arlington Street (or Stable Yard, St. James's)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Catholics -- Furniture: Gothic armchair -- Rosaries., Temporary local Medical Library subject terms: British politics., 1 print : etching with aquatint, hand-colored ; plate mark 26.2 x 36.1 cm., and Restrike?
Publisher:
Pubd. July 28th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
O'Beirne, Thomas Lewis 1748?-1823, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Elizabeth, 1750-1842, and Smith-Stanley, Edward, 1752-1834
"Six pairs of persons converse, arranged in two rows, words etched above the head of the speaker. A plebeian-looking young man, fashionably dressed, and an elderly Scot sit facing each other. The former says: "You mun know Sir I have an idera [sic] of being made a member of Parlymint, so I wants to larn a little Horotry". The answer: "Depend upon it Mon while ye hae such a t'wang [sic] with you--you'l nere proo-noonce the angligh [sic] tongue as I do, wi awe purity". A dwarfish officer wearing an enormous cocked hat looks up at a corporal, saying, "As I am shortly to have a company--I want to know something about my Exercise". Corporal: "I'll soon set your eminence to rights in that respect, but I think your honor had better first take a little practice, as a Grenadier in the prussian service". A slim man in black bows to a clumsy fat parson, saying, "Sir as I am about to enter into Orders I wish to have a few lessons on the graces of the Pulpit". Answer: "Depend upon it I will make you perfect from the unfolding a white cambric, to the display of a diamond ring". A young man addresses an Irish barrister in wig and gown: "As I expect to be immediatly to be [sic] call'd to the Bar--I have waited on you Mr Sarjant O Brief, for a little instruction in the first rudiments of Law". Answer: "Upon my conscience Honey you could not come to a better parson I'll tache you to Bodder-em". ['Bother', an Anglo-Irish word meaning (inter alia) to confuse and to blarney or humbug. Cf. British Museum Satires No. 8141.] A yokel in top-boots and a London apothecary sit side by side. The former says: "You must know Sir I keeps a little Potticarys shop in our willage--but does not know how to make up the stuffs, I gives one thing for another, so hearing you be dead hands at Physic here in Lunon I be come to ax your advice". The answer: "Never fear I'll put you in the right way your patients shall never complain". A loutish countryman addresses an insinuating well-dressed man who holds a large volume: "Register for [Pla]ces: My Feather saw your Advartisement about pleaces--and has sent me up to you to provide for, as to my sen--I should like to be a Butcher has I always had a turn to somat genteel". The answer: "You have only a shilling to pay Sir, call again in a day or two and you may depend upon something in the genteel line that will suit you"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Imperfect; sheet trimmed within plate mark with loss of series statement from upper right. Missing text supplied from impression in the British Museum.
Publisher:
Pubd. April 1810 by Ts. Tegg, 111 Cheapside
Subject (Topic):
Pharmacists, Ethnic Stereotypes, Military officers, British, Clergy, and Lawyers
"An imitation of British Museum Satires No. 8913, by Woodward. A fat parson sits drinking beside a small round table. His face is fiery and carbuncled. He wears gown and bands, with unbuttoned waistcoast, and ungartered stocking; his wig is back to front. Opposite him, on a round stool sits Care, a naked man, grotesque, aged, emaciated, with a scraggy beard and long grey hair, and talons on hands and feet; he registers gloomy terror. The parson, with a contemptuous smile, snaps his fingers at Care. On the table are decanter, pipe, tobacco-box, and lemon. On the wall (left) is a 'List of the Tythes for the Parish of Guttledown'. A patterned carpet completes the design. An illustration of the song (illustrated also by R. Cruikshank in 'The Universal Songster', ii, 1826, page 129)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local Medical Library subject terms: Depression -- Songs., 1 print : etching with engraving, hand-colored ; sheet 208 x 250 mm., and Sheet trimmed within plate mark.
Publisher:
Publishd. June 16th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Topic):
Clergy, Alcoholic beverages, Pipes (Smoking), and Lemons
"An elderly parson embraces indecorously an elderly woman who stands beside the bed where her husband sleeps. A dog watches them. The scene is a poverty-stricken room with a raftered roof."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of a later state of the print. Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 83., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Architectural details: windows with diamond pattern -- Furniture: chairs -- Pets., Temporary local Medical Library subject terms: Sex behavior -- Marriage & married life., 1 print : etching, hand-colored ; sheet 23 x 29., and Sheet trimmed within plate mark.
Publisher:
Published Novemr. 25th, 1785, by S.W. Fores at the Caracature [sic] Warehouse, No. 3 Piccadilly
"An elderly invalid sits in an armchair, his gouty legs swathed, a shawl over his head, a pair of bands shows that he is a parson. He turns to his visitor, an elderly lady seated next him in a similar armchair, wearing a hooded cloak over her cap, and holding a muff. Both talk emphatically, their faces and gestures rendering the subject very expressively. An elderly footman (left) hands two glasses of wine on a salver. Beside the host is a circular table with a bowl; behind the armchairs is a folding screen. Two windows, an oval mirror, a chair and low circular table (left) complete the design. In the manner of a pen drawing."--British Museum online catalogue
Alternative Title:
Comfort & relief often found in relating one's complaints and Comfort and relief often found in relating one's complaints
Description:
Title etched below image., Text in bottom part of image: Comfort & relief often found in relating one's complaints., "Possibly etched by Rowlandson"--Curator's comments, British Museum online catalogue, registration no.: 1932,0226.13., Sheet trimmed within plate mark., and For a probable earlier state, before the title "How d'ye do?" was etched in lower margin, see no. 7088 in the Catalogue of prints and drawings in the British Museum, v. 6.
Publisher:
Publish'd 20 Octr. 1786 by E. Jackson, Mary-le bone Street, Golden Square
Subject (Topic):
Gout, Visiting the sick, Muffs, Older people, Clergy, Sick persons, Visiting, Complaining, Servants, Interiors, Screens, and Mirrors
After page 16. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
Image Count:
1
Resource Type:
still image
Abstract:
Elizabeth Chudleigh, Duchess of Kingston, attending her trial for bigamy. The maids of honour hold a bottle marked "cordial". They are followed by a fat chaplain, a physician with a bigwig and sword, and a lean apothecary with a big enema syringe and "Seven figures walk from left to right. First is the (so-called) Duchess of Kingston, short and stout. She is saying "By God and", and holds out her hands with a gesture of affirmation. Behind her walk three young women, her 'maids of honour', who are tall and slim in contrast with their mistress. One carries a large square bottle inscribed "cordial". All four ladies are dressed alike in the fashion of the day with low bodices and high coiffures decorated with feathers and flowers. Next comes a fat clergyman, his mouth open as of shouting. He is followed by the physician wearing a big-wig and sword. Last walks the apothecary, lean and bent, also wearing a sword, and carrying an enormous and ornately decorated syringe which rests on his right shoulder."--British Museum online catalogue
Description:
Elizabeth Chudleigh married the Hon. Augustus John Hervey secretly in 1744; the marriage was not registered until 1759. In 1769 a consistory court declared her unmarried, after which she married Evelyn Pierrepoint, 2nd Duke of Kingston, in 1770. She was tried and convicted for bigamy in 1776, the surgeon Caesar Hawkins having testified to the birth of her son by Hervey. She left England immediately and lived thereafter in Paris, St Petersburg and Rome., Title engraved above image., Printmaker from British Museum catalogue., Later state, with text added below image. For an earlier state lacking this text, see National Portrait Gallery, London, NPG D32146., Date of publication based on date of newspaper citation below image., Text below image: Then the Duchess was brought into court attended by her chaplain, physician, apothecary, & three maids of honor. Morning post, May 16, 1776., "Price 1 sh."--Lower right, below image., Temporary local subject terms: Medical: Syringe -- Apothecary -- Medows, Philip, 1708-1781., Temporary local Medical Library subject terms: Apothecaries -- Clyster., 1 print : etching, on laid paper ; sheet 30.4 x 37.7 cm., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
Subject (Topic):
Pharmacists, Physicians, pharmacists, physicians, chaplains, Chaplains, Trials (Bigamy), Hairstyles, Clothing & dress, Wigs, Medical equipment & supplies, and Clergy
"The doctor, mounted on Grizzle, is beside a four-direction signpost on an open heath with a group of asses in the middle distance."--British Museum online catalogue, description of a later version of the design
Alternative Title:
Doctor Syntax losing his way
Description:
Title etched below image., Attribution to Rowlandson from Grego., Sheet trimmed within plate mark., Plate from: Combe, W. The tour of Dr. Syntax in search of the picturesque. London: R. Ackermann's Respository of Arts, 1812., "Plate 2"--Upper right corner., For an early version of the design, published in 1809 in Ackermann's The Poetical magazine, see no. 11508 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. See also: Grego, J. Rowlandson the caricaturist, v. 2, page 176. For a later version of the design, published in 1813, see British Museum online catalogue, registration no.: 1866,1114.848., and Temporary local Medical Library subject terms: Doctor Syntax.
Publisher:
Published 1 May 1812, at R Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Clergy, Teachers, Horseback riding, Traffic signs & signals, and Donkeys
"A woman in an advanced stage of pregnancy stands with folded hands, laughing, close to an elderly parson (right) of Dr. Syntax type who recoils in angry horror. Behind them is a high garden wall, with a notice: 'Man Traps laid in these Grounds'. Behind the woman (left) is a hole in the wall, through which looks the grinning head of a black servant. 'Broad Grins' is a collection of coarse comic songs by Colman, 1802, cf. British Museum Satires No. 11941."--British Museum online catalogue
Alternative Title:
Black joke
Description:
Title etched below image.
Publisher:
Publd. June 4th, 1812, by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Black people, Pregnancy, Laughing, Clergy, Garden walls, Signs (Notices), Servants, and Smiling
An obese man and a tall lean woman, symbolical figures of 'dropsy' and 'consumption', flirting outside a mausoleum; another couple promenade before a statue of Hercules in the background and "A grotesquely obese man (his hat placed under his plump knees) kneels at the feet of an ugly and bedizened woman, fantastically lean and tall. She holds up a fan, and looks down alluringly at her lover to whom she gives her left hand. They are in the circular portico of a 'Mausoleum' (right). In the background is an avenue and a statue of Hercules, towards which a fat woman and a lean parson of the Dr. Syntax type are walking arm-in-arm. The muscular Hercules is contrasted with the four other types of physique represented."--British Museum online catalogue
Description:
Title etched below image., "Price one shilling coloured.", and Temporary local Medical Library subject terms: Dropsy -- Consumption.
Publisher:
Pubd. October 25th, 1810, by Thos. Tegg, No 111 Cheapside
Duchy of Braunschweig. General in informal uniform. Clergyman and doctor
Description:
Title from item., Translated title supplied by curator., From: Das deutsche Bundesheer in charakteristischen Gruppen, Würzburg, Weiss, 1838-1843., Date and place of publication from other items in series held by Deutsche Digitale Bibliothek., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Blind stamp.
Publisher:
Christian Weiss
Subject (Topic):
Medicine, Military, Communications, Military, Soldiers, Correspondence, Physicians, Clergy, and Military uniforms
Autograph letter, signed, from Edward Otho Cresap Ord to Jefferson Davis, then Secretary of War of the United States. Ord describes the reaction in California and Mexico to the Gadsden Purchase, including American filibusters in Mexican territory and the negative perception of the sale by Mexican citizens, particularly clergy, who were concerned that their land would be taken and distributed to American settlers. Ord also describes a topographical survey of the newly acquired territory and the possibility of constructing a railroad in the new territory
Description:
Edward Otho Cresap Ord (1818-1883) was an engineer and officer in the United States Army stationed in California and New Mexico Territory, circa 1839-1854. and In English.
Subject (Geographic):
Mexico., Arizona., New Mexico., Mexico, United States., and United States
Subject (Name):
Davis, Jefferson, 1808-1889. and Ord, Edward Otho Cresap, 1818-1883.
Subject (Topic):
Clergy, Filibusters, Gadsden Purchase, Land grants, Railroads, Surveying, and Foreign relations
"An elderly man of clerical appearance, stands in profile to the right knees slightly flexed, right hand resting on a heavy cane, left hand raised in an expository gesture. He wears an ill-fitting powdered wig with a curl at the back, a round hat with the brim turned up at the side, long buttoned coat, wrinkled stockings, high-quartered buckled shoes, and gloves. Identified as Dr. John Shepherd."--British Museum online catalogue
Description:
Title etched below image. and Leaf 56 in an album with the spine title: Characatures by Dighton.
Portrait of Gilbert Wakefield with a plain background, seated to the left, looking right, arms resting on a table in front of him, right hand resting on papers/a book. Balding, wearing a white stock(?), dark waistcoat and jacket with edged cuff
Description:
Title engraved below image., Frontispiece to v. 1 of: Wakefield, G. Memoirs of the life of Gilbert Wakefield. London : J. Johnson, 1804., Sheet trimmed within plate mark., "Civis erat qui libera posset verba animi proferre, et vitam impendere vero. Juv. Sat. IV. v. 90"--Beneath title., This image resembles a larger print portrait of Gilbert Wakefield made by Robert Dunkarton, also after William Artaud, and published by Hannah Macklin in 1802 (see e.g. British Museum 1870,1008.2735)., Window mounted to 51 x 36 cm., and Mounted opposite page 589 (leaf numbered '20' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 117 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 41.2 x 56.7 cm., and Sheet trimmed within plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Parsons., Leaf 54 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.5 x 21.0 cm, on sheet 31.1 x 25.5 cm., and Watermark, trimmed: [Ed]meads 1808.
"Archbishop Moore stands in profile to the left, holding his episcopal tricorne in his (gloved) left hand. He wears a short bushy powdered wig, episcopal waistcoat and apron, with stockings and buckled shoes."--British Museum online catalogue
Description:
Title etched below image., Leaf 37 in an album with the spine title: Characatures by Dighton., and Watermark, trimmed: [E]dmeads 1808.
"Dr. John Smith, portly and very round-shouldered, stands in profile to the right, wearing mortar-board, gown, and cassock, with bands. An eye-glass hangs from a ribbon. Smith (1744-1809), B.D. and D.D. 1796, was Rector of Fairford, Glos., 1768-1809, and Master of Pembroke College 1796-1809."--British Museum online catalogue
Description:
Title etched below image., Leaf 47 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 20.5 cm, on sheet 31.1 x 25.5 cm.
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 20.1 cm, on sheet 32.2 x 25.1 cm., Window mounted to 51 x 36 cm., and Mounted opposite page 560 (leaf numbered '154' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., and Leaf 38 in an album with the spine title: Characatures by Dighton.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Carington Bowles?
Subject (Topic):
Clergy, Courtesans, Interiors, Sofas, Mirrors, and Draperies
Page 244. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate from: The new wonderful magazine, and marvellous chronicle. London : Published by Alex. Hogg, v. 3 (1794)., "Wonderful magazine"--Above image., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Irish wakes -- Drunkenness., 1 print : etching and engraving on laid paper ; sheet 10.8 x 15.3 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge and periodical name from top edge., Mounted to 32 x 26 cm; a small newspaper clipping (3.9 x 6.2 cm) is mounted below print, dated "1773" in ink., and Mounted on page 252 (misnumbered '244') in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. by C. Johnson
Subject (Geographic):
St. Giles in the Fields (London, England),
Subject (Topic):
Interiors, Churches, Wake services, Dead persons, Ethnic stereotypes, Alcoholic beverages, Intoxication, Drinking vessels, Vomiting, Clergy, and Fans (Accessories)
Title from item., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877) v. i, no. 30., Numbered in lower right of plate: 30., and Temporary local subject terms: Weapons: Maces.
After page 16. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
Image Count:
1
Resource Type:
still image
Abstract:
Elizabeth Chudleigh, Duchess of Kingston, attending her trial for bigamy. The maids of honour hold a bottle marked "cordial". They are followed by a fat chaplain, a physician with a bigwig and sword, and a lean apothecary with a big enema syringe and "Seven figures walk from left to right. First is the (so-called) Duchess of Kingston, short and stout. She is saying "By God and", and holds out her hands with a gesture of affirmation. Behind her walk three young women, her 'maids of honour', who are tall and slim in contrast with their mistress. One carries a large square bottle inscribed "cordial". All four ladies are dressed alike in the fashion of the day with low bodices and high coiffures decorated with feathers and flowers. Next comes a fat clergyman, his mouth open as of shouting. He is followed by the physician wearing a big-wig and sword. Last walks the apothecary, lean and bent, also wearing a sword, and carrying an enormous and ornately decorated syringe which rests on his right shoulder."--British Museum online catalogue
Description:
Elizabeth Chudleigh married the Hon. Augustus John Hervey secretly in 1744; the marriage was not registered until 1759. In 1769 a consistory court declared her unmarried, after which she married Evelyn Pierrepoint, 2nd Duke of Kingston, in 1770. She was tried and convicted for bigamy in 1776, the surgeon Caesar Hawkins having testified to the birth of her son by Hervey. She left England immediately and lived thereafter in Paris, St Petersburg and Rome., Title engraved above image., Printmaker from British Museum catalogue., Later state, with text added below image. For an earlier state lacking this text, see National Portrait Gallery, London, NPG D32146., Date of publication based on date of newspaper citation below image., Text below image: Then the Duchess was brought into court attended by her chaplain, physician, apothecary, & three maids of honor. Morning post, May 16, 1776., "Price 1 sh."--Lower right, below image., Temporary local subject terms: Medical: Syringe -- Apothecary -- Medows, Philip, 1708-1781., Temporary local Medical Library subject terms: Apothecaries -- Clyster., and Tipped in after page 16 in an extra-illustrated copy of: The trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right Honourable the House of Peers ... London : Printed for Charles Bathurst, in Fleet-Street, MDCCLXXVI [1776].
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
Subject (Topic):
Pharmacists, Physicians, pharmacists, physicians, chaplains, Chaplains, Trials (Bigamy), Hairstyles, Clothing & dress, Wigs, Medical equipment & supplies, and Clergy
"Mansel, Bishop of Bristol and Master of Trinity (from 1798), walks from left to right, and slightly towards the spectator, head in profile, and thrown back, his mortar-board in his left hand. His voluminous, inflated, and much convoluted gown covers a bulky figure. He wears a clerical wig."--British Museum online catalogue
Description:
Title etched below image., Printmaker tentatively identified as Dighton in the British Museum online catalogue., Leaf 52 in an album with the spine title: Characatures by Dighton., Watermark, trimmed: [Ed]meads 1808., and Figure identified as "Bishop of Bristol" in pencil in lower left corner of sheet.
Publisher:
Pubd. Jany. 10th, 1810, by Dighton, 6 Charg. Cross
Subject (Geographic):
England.
Subject (Name):
Mansel, William Lort, 1753-1820
Subject (Topic):
Bishops, Clergy, College administrators, and Obesity
publish'd according to act of Parliament, June 1st 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; sheet 22.5 x 34.2 cm, folded to 22.5 x 24.8 cm., Imperfect; sheet trimmed within plate mark with loss of publication line from bottom edge., Mounted to 26 x 32 cm., and Mounted on page 61 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
Volume 1, page 10a. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: two figures on the left side of the plate, the right half being empty."--British Museum online catalogue
Alternative Title:
Peasant in sabots walking with priest and Peasant and monk
Description:
Title devised by curator., Initial letters of printmaker's name in signature form a monogram., Proof state?, Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Priests., Mounted on page 115 of: Bunbury album., 1 print : drypoint on laid paper ; sheet 14.5 x 16.5 cm., and Sheet trimmed to plate mark.
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., and Mounted.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Date of publication inferred from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. Cf. Plomer., Numbered '348' in lower left corner., and Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original print was published by Carington Bowles in 1760 and 1785.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
"An elderly parson embraces indecorously an elderly woman who stands beside the bed where her husband sleeps. A dog watches them. The scene is a poverty-stricken room with a raftered roof."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of a later state of the print. Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 83., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Architectural details: windows with diamond pattern -- Furniture: chairs -- Pets., Temporary local Medical Library subject terms: Sex behavior -- Marriage & married life., and Watermark: fleur-de-lis on a crowned shield.
Publisher:
Published Novemr. 25th, 1785, by S.W. Fores at the Caracature [sic] Warehouse, No. 3 Piccadilly
Title etched below image., Sheet trimmed within plate mark with loss of imprint statement; imprint from Beinecke Library impression., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. For later version etched by Rowlandson, see no. 9681, v. 7., and Temporary local subjects: Gout -- Food -- Suckling pig -- Pluralists.
Publisher:
Pubd. Feby. 25, 1786, by H. Brookes, Coventry Street
Subject (Geographic):
England. and England
Subject (Topic):
Tithes, Church of England, Gout, Clergy, and Swine
A jolly fat parson,with an egg basket over his right arm and chicken, pigs, and geese bursting from his pockets and the tops of his boot, rides a horse to the right towards a sign that reads "120 Miles to London." On the extreme left a pig walks from a thatched cottage, following the parson who has apparently taken one of her young
Alternative Title:
Country parsons return from tithing
Description:
Title etched below image. and Sheet partially trimmed within plate mark.
Publisher:
Publish'd & sold by W. Humphrey, No. 3 Lancaster Street
Sketches of the heads and shoulders of clerics. The five at the top, labelled 'London Clergy' are in clerical clothes and full of white wigs. Some of the heads are shown sideways, some full face. Below are five heads labelled 'Country Clergy', not in strictly clerical garb. One man has a hat on and a turban under it. Another wears a turban, still another has long natural hair
Alternative Title:
Country clergy
Description:
Title from text within image., Attribution to Rowlandson from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Wigs -- Clerical garb -- Turban., and Watermark centered on lower edge: T French.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3, Piccadilly
Five men, heads and shoulders only. Three of the men face each other. The man on the top left wears a nightcap and pince-nez on the tip of his long, hooked nose. The man on the top right looks down and wears the garb of a clergyman with a bishop's mitre on his head. The man on the bottom left wears a wig, a high stock and jabot and has a long nose. The man in the bottom center looks cross-eyed at the other men. The man on the bottom right has a very bulbous nose and face
Alternative Title:
Good morning to your nightcap
Description:
Two heads on left were copied for a print: Good Morning to your Nightcap. See Lewis Walpole Library impression (786.07.07.01)., Inscription in graphite pencil on verso: Original drawing for 'Good Morning to Your Nightcap' Pubd by S.W. Fores July 7, 1786., and Henry Kingsbury, British painter and engraver, fl. 1775-1804 (see Brisith Museum online catalogue).
"A cart has been upset into the river close to Putney Bridge. The head and shoulders of a stout man, one hand raised sanctimoniously, emerge from the water; his fat wife falls head-foremost on his back, her legs much displayed; she clutches the queue of his wig. The horse (left) stands quietly in the water behind the cart (right) which is tilted into the water at a steep angle. In the background is Putney Bridge (left) and the tower of Fulham or Putney church (right)."--British Museum online catalogue
Alternative Title:
Symptoms of ducking
Description:
Title etched below image., Tentatively attributed to Edy by British Museum catalogue., Temporary local subject terms: Putney Bridge., and Partial watermark: Top center of sheet.
Publisher:
Pubd. by S.W. Fores October 20, 1786 at the Caricature Warehouse, No. 3 Piccadilly
A pretty young girl with long hair under a huge mob cap sits on the knees of a fat clergyman who in turn sits astride a cart made from a cask of ale marked 'October'. One of the wheels of this cart is labelled "Cheshire"; the cart is being pulled by a sow whose three babies are suckling her. The clergyman is kissing the girl and holding a glass in his right hand. A devil stands on the back of the cask looking over the clergyman's head and the tip of his tail is in the glass. A signpost to the right reads "To the Bottom". A boar follows the cart at a distance. In the distant background on the left is a church
Description:
Title from item., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
1787 Published by Boyne & Walker, March 16 Gr. Turnstile
An old soldier in uniform carrying a cudgel importunes a clergyman for alms, without success; a broadside with thirty lines of engraved verse in two columns, containing a dialogue between the soldier and the pluralist
Description:
Caption title below image., All engraved., Copy of a print by Tim Bobbin, published by Darly in 1762. Cf. British Museum catalogue., Sheet trimmed to plate mark., Print is an enlarged copy of no. 3994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: Strasburg bend with initials GR below.
Publisher:
Pubd. according to act of Parlt. by M. Darly, facing New Round Court, the Strand
Subject (Topic):
English West Indian Expedition, 1759, Beggars, Clergy, Military uniforms, Pluralism (Social sciences), and Veterans
Caption title below image, above verses., All engraved., Originally published by Darly in 1762. See Stephens., Sheet trimmed to plate mark., Plate numbered '30' in upper left corner., Later state, with plate number added. Cf. No. 3994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: countermark W.
Publisher:
Pubd. according to act of Parlt. by M. Darly, facing New Round Court, the Strand
Subject (Topic):
English West Indian Expedition, 1759, Beggars, Clergy, Military uniforms, Pluralism (Social sciences), and Veterans
"A smaller copy of a satire on the repeal of the Stamp Act and the administration of George Grenville (First Lord of the Treasury, April 1763-July 1765)."--British Museum online catalogue
Description:
Title etched at top of image., Publication date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Reduced copy of The repeal by Benjamin Wilson, with several alterations and a key to persons numbered within image added below the design., "Price only six pence"--Following imprint., Temporary local subject terms: Merchant ships -- Skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Design attributed to Wilson and subjects identified in contemporary hand below print on mounting sheet. Mounted to 38 x 51 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
"An illustration to the Oxford Magazine, July 1768: satire on unequal marriage, showing the interior of a church in which an old man and a much younger woman stand before the altar; a clergyman stands behind the communion rail holding open a large book and saying “Thy Wife shall be as the fruitful Vine” . The man says “With my Body I thee Worship”. The tops of two bottles protrude from his pocket, one labelled “T[incture] of Cantharides” and the other “Viper Drops”, both reputed aphrodisiacs. Behind the couple stand a woman holding up a bottle of “Mrs Gibson’s Blessed Medicine” and a lawyer carrying under one arm a “Deed of Settlement Provision for Younger Children”, behind him two young men snigger, one pointing towards the bottles in the bridegroom’s pocket. On the wall at the back of the church is a tablet lettered “Near this Place lies the Body of Thos Steril, Esq Aged 92, who died of a Broken Heart a few Days after his Marriage with a Young Lady”."--British Museum online catalogue
Description:
Title from item., Publication place and date inferred from that of the magazine for which this plate was engraved., One of text below image: Last Saturday was married at Horn-church, Thos. Feeble, Esqr. aged 90, to Miss Frisky, aged 16. -- Daily adv., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 1 (1768), p. 37., and Watermark.
Publisher:
Oxford magazine
Subject (Topic):
Altars, Churches, Clergy, Couples, Lawyers, Marriage, and Medicines
Title from caption etched below image., Place and date of publication inferred from the periodical in which this print was published., Illustration to: Letters between two celebrated beauties., Plate from: The universal museum, or, The entertaining repository for gentlemen and ladies ... Coventry [England] : T. Luckman, v. 5 (1769), p. 517., Temporary local subject terms: Costumes: clergy., and Window mounted to 25 x 20 cm.
A squel to the print "The Battle of Cornhill", showing an eastern view of Temple Bar and a view of Fleet Street showing the exterior of Nando's Coffee House and The Devil Tavern; the gates of Temple Bar are closed; at the top of the bar are the heads of Fletcher and Townely, the Jacobites executed for the part if the Scottish raid of 1745-1756 ...
Description:
Title etched above image., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 38 (1769), p. 166., Temporary local subject terms: Edward Boehm., and Mounted to 16 x 24 cm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fletcher, George, -1745., Towneley, Francis, -1745., and Temple Bar (London, England)
Subject (Topic):
Jacobites, Bird's-eye views, Carriages & coaches, City & town life, Clergy, Crowds, Coffeehouses, Decapitations, Executions, Riots, and Taverns (Inns)
Title from text below image., Publication place and date inferred from those of the periodical for which the edition of this plate including the statement of responsibility was engraved., Later state. Orginally published in: The Oxford magazine or, Universal museum ... London : Printed for the authors ... 1768-[1776], v. 2, page 90., Cf. No. 4268 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Middlesex elections, 1768 -- Animals.
Publisher:
publisher not identified
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Glynn, John, 1722-1779, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Tooke, John Horne, 1736-1812, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, and Wilkes, John, 1725-1797
Subject (Topic):
Political elections, Bloodhounds, Clergy, and Judges
Kings armns in an uproar, King's Arms in an uproar, and Enchanted castle
Description:
Title etched above image., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark, and sheet mutilated on top edge with loss of the final letters "g" and "s" in "Kings" in title. Missing text supplied from impression in the British Museum., Following imprint: Price sixpence., Six columns of verse below image: I sing the bloody fight & dire alarms, twixt London Tavern and Kings Arms ..., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Tooke, John Horne, 1736-1812
Subject (Topic):
Clergy, Eating & drinking, Fighting, and Taverns (Inns)
publish'd according to act of Parliament, June 1st 1769.
Call Number:
769.06.01.01+
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 27 x 39 cm.
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 3 (1769), p. 18., and Temporary local subject terms: Elizabeth Wrottesley, Duchess of Grafton -- Gertrude Russell, Duchess of Bedford -- Allusion to adultery.
Publisher:
publisher not identified
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Maynard, Annabella Parsons, Viscountess, d. 1814 or 15, Upper Ossory, John Fitzpatrick, Earl of, 1745-1818, and Upper Ossory, Anne Liddell Fitzpatrick, Countess of, d.1804
Title etched below image., Publication place and date inferred from those of the periodical for which this plate was engraved., Text above image: Engrav'd for the Political Register., Sheet partially trimmed within plate mark., Plate from: The Political register and London museum. London : J. Almon, v. 5 (1769), p. 55., and Temporary local subject terms: Military uniforms: 3rd Regiment Foot Guards -- Riots: reference to St. George's Fields, May 1768 -- Furnishings: carpet -- Chains -- Prelate.
Publisher:
publisher not identified
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811 and Bath, Thomas Thynne, Marquis of, 1734-1796
Subject (Topic):
Britannia (Symbolic character), Clergy, Shackles, and Guards
Volume 1, page 10a. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: two figures on the left side of the plate, the right half being empty."--British Museum online catalogue
Alternative Title:
Peasant in sabots walking with priest and Peasant and monk
Description:
Title devised by curator., Initial letters of printmaker's name in signature form a monogram., Proof state?, Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Priests.
publish'd according to act of Parliament, December 10, 1746.
Call Number:
746.12.10.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Orator Henley preaching in his chapel in Newport Market which crowded with listeners, male and female intermingled, some standing, some seated in pews, and others in a gallery; in the foreground stands a drover with his dog. Henley to the left wearing a wig standing in a pulpit hung with a cloth bearing three fleurs-de-lis, with a devil hovering above him holding a noose and a Jesuit cap. At the foot of the steps to the gallery an additional figure has been added in graphite; this appears as "Jack Ketch", the public hangman, in the finished print. The whole composition is placed within a scrolled and foliated border including rosary beads hanging on either side."--British Museum online catalogue
Alternative Title:
Popish incendiary, Brazen faced orator, and Temple of Rebellion
Description:
Title etched within banner above image., Ten lines of verse, entitled "The Temple of Rebellion," etched below image: H----y [i.e, Henley] exalts his voice, his arms extends, and blasphemy & treason madly blends ..., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: church -- Preacher -- Rosaries -- Emblems: fleur-de-lis on altar cloth -- Hats: cardinal's scarlet -- Tricornes hanging on pegs -- Male dress: surplice -- Trades: butchers -- Allusion to popery -- Expressions of speech: coup de grace -- Congregations -- Emblematic borders -- Allusion to Jacobites., Watermark: fleur-de-lis., and Window mounted to 27 x 31 cm.
"Satire on three bishops competing to become Archbishop of Canterbury in succession to William Wake."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum catalogue., 'Price 6d.'--Lower right corner of plate., Temporary local subject terms: Buildings., and Watermark: countermark IV.
publish'd according to act of Parliament 1 Nov. 1748.
Call Number:
748.11.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
On the left James II, seated on a throne of "hereditary right" and holding manacles, turns left to shake the hand of a monk who tramples on an open volume labeled "Holy Bible". From under the throne dragons or serpents devour the "Magna Carta", "Toleration Act", "Common and Statute Law" and "Acts of Parliament" while slaves bow before the King and Furries with torches and whips dance before him. On an obelisk is inscribed: "The Foundation of the Roman Hierarchy; implicit faith; apostalical succession; infallibility; pardons and indulgences; decrees of council; massacres; private murders; perjury and the inquisition ..." At foot of the obelisk is the Pope preaching "Hereditary indefeasible right and my bull to sanctify thy claim" addressed to the Pretender ...
Description:
Title engraved in cartouche below image., Later state, with publisher's address erased and date altered to 1748. Originally published by J. Collyer in Ludgate Street, 1 November 1745., Sheet trimmed to plate mark on sides., and Mounted to: 31 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, George II, King of Great Britain, 1683-1760, James, Prince of Wales, 1688-1766, Louis XV, King of France, 1710-1774, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Britannia (Symbolic character), Animals, Clergy, Demons, Justice, Martyrs, Monks, Shackles, and Enslaved people
Inside a humble house, a man and woman standing together at right, the woman with hand on hip and leaning against the man, both looking towards a cleric at left who turns away with a rod in his hand, a tankard resting on a table before him, the door opens onto a street behind. In the center of the room is a cobbler's bench with some tools of the trade. Against the back wall is a large cabinet with substantial pillars and with plates lined against the back. See British Museum nline catalogue
Alternative Title:
Humorous farce of Jobson and Nell
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
Title etched below image and two lines of verse., Publication date inferred from Overton's death date., Eight lines of verse in two columns below image and above title: Two men there are the inward & the out, whom Satan to insnare [sic] still hovereth about ..., Two lines of verse below title: Sing Whitfield and Webber, for ever and ever., Subject identified in a note in 18th-century hand at bottom of sheet as Rev. George Whitefield., Not in the Catalogue of engraved British portraits ... in the British Museum., and Temporary local subject terms: Wall-eyed.
"Satire on the clergy; a farmer and his wife offering their tythe to a clergyman by the tithe barn at the gate of his rectory; the man holds a sucking pig, the woman holds out an infant, saying that if the clergyman wants the former he must also take the latter; the clergyman turns away looking back over his shoulder in distaste."--British Museum online catalogue
Alternative Title:
Tithe pig and Dime
Description:
Title engraved below image., Caption at top of image: La dime., Two columns of verse below title: In country village lives a vicar, fond--as all are!--of tythes and liquor ..., 'Price 6d.', and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title engraved below image., Publication date inferred., Two columns of verse below title: In country village lives a vicar, fond--as all are!--of tythes and liquor ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Strasburg lily with initials L V G below., and Mounted to 34 x 23 cm.
A farmer and his wife stand in a yard; a parson stands on the right. The wife, on the left, holds a sheath of wheat under one arm and a sucking pig under another; next to her and addressing the parson is the farmer with a baby in his arms. The parson leans on a walking stick as he gives a blessing with his right hand but his facial expression suggests greed. In the background is a large house, a dovecote, and a deer; a peacock sits perched on an iron fence. In the far left background is a church
Alternative Title:
Tithe pig
Description:
Title engraved below image., Description based on imperfect impression; sheet within plate mark with loss to image on the left side and part of the printmaker's signature., Eight lines of verse in two columns on either side of title: Ralph's wife and sow as gossips tell ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 30 x 26 cm. On the verso, a map: Operations of the siege of the Citadel of Antwerp ... London : M. Colnaghi, Decr. 1832., and Loss of 1.5 cm of image on the left; inked in on the mounting sheet in a later hand. Inking partially obscures printmaker's name below the image.
A satire on the British response to the Lisbon earthquake
Alternative Title:
Britannia's maternal call to her children to deep humiliation
Description:
Title from caption etched below image., Sheet trimmed within plate mark., Following imprint: Price 6d., Publisher's statement following price: Where may be had a print on the earthquake., Four columns of verse below image: [The] offspring of my favour'd isle attend, hear in my voice the parent & the friend ..., Temporary local subject terms: Allusion to general fast, 1756 -- Enumeration of sins -- Repentance for sins -- Magistrates -- Britannia's shield -- Destiny of English citizens --Britannia's prophecy., and Watermark.
Publisher:
Publish'd according to act of Parliamt., Jany 17th, 1756, by T. Kitchin at the Star opposite Ely House, Holborn Hill, London
Subject (Topic):
Lisbon Earthquake, Portugal, 1755, Britannia (Symbolic character), and Clergy
Title from caption etched above image., Sheet trimmed within plate mark., Temporary local subject terms: Harlequin -- Personifications: Death -- Dr. Richard Rock, fl. 1731-1769., and Mounted to 34 x 45 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760 and William Augustus, Prince, Duke of Cumberland, 1721-1765
"Satire on the election of April 1754; the elected candidates chaired to Guildhall; the first state without the results of the poll in the foreground."--British Museum online catalogue
Alternative Title:
Some folks at Guild-Hall
Description:
Title from item., Sheet trimmed to plate mark., Earlier state, without "Ministers of propagation" inscribed below a group of clergymen in upper left background., Eight stanzas of verse in four columns below title: O! see my raree shew good folks, all you who love election jokes ..., Plate numbered 'No. 3' on lower right., and Temporary local subject terms: Lottery: allusion to profits from lottery -- Shows: allusion to raree show -- Bills: Jews Naturalization Bill, 1753 -- Societies: Propagation of the Gospel -- Silversmiths: B. Jiffles -- Buildings -- Trades: butchers -- Newspapers: The Public Advertiser -- City of London: contest for representation of the City -- Quackery -- Livery of London: address to the Livery of London by A. Freeport, Feb. 1754 -- Literature: Address to the Livery of London by Andrew Freeport, 1754 -- Elections: parliamentary elections, 1754 -- Bridges: allusion to the Blackfriars Bridge -- Armine Wodehouse, 5th bt., ca. 1714-1777
Publisher:
Sold by John Smith at Hogarths Head, opposite Wood Street, Cheapside
"An engraving, which represents a clergyman (? Jeremy Taylor) showing to a lady (? Lady Carberry) a mirror, in which she is reflected as a skeleton; by her side is a child, who points to the mirror; and behind her stands an old man, lifting up his hands in astonishment. On the table, which sustains the mirror, is written "Fades natiuitatis suae, James 5. 23"; and on a scroll on the ground, "Vigilate et Orate quia nescitis horam"."--British Museum catalogue
Description:
Title and printmaker from the British Museum catalogue., Publication place and date inferred from other states described in the British Museum catalogue., Sheet trimmed to plate mark., Cf. No. 821 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., Later annotations in an unidentified hand on verso, partially trimmed off and covered by mounting sheet., and Window mounted to 23 x 14 cm.
Publisher:
publisher not identified
Subject (Topic):
Mirrors, Clergy, Skeletons, Children, and Older people
"A version of British Museum Satires No. 1231 with the additon of, to left behind the pulpit, a table on which lies a bag from which fall a bishop's mitre, papal tiara, cross, orb, broken sceptre and a divided crown, and at the foot of the pulpit, an open copy of the Book of Common Prayer."--British Museum online catalogue
Description:
Title and publication date from British Museum catalogue., Six lines of verse below image: A true blew priest a Lincey Woolsey brother ..., and Subject identified in pencil below plate line.
Publisher:
publisher not identified
Subject (Name):
Burnet, Gilbert, 1643-1715
Subject (Topic):
Clergy, Bags, Pulpits, Miters, Scepters, Crowns, and Wash tubs
Title from item., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Temporary local subject terms: Royal bedchamber at Richmond Lodge(?) -- Domestic service: black footboy -- Royal arms -- Royal beds -- Crowns -- Courtiers -- Carpets.
Publisher:
P. Schenk?
Subject (Name):
George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., William Augustus, Prince, Duke of Cumberland, 1721-1765., and Suffolk, Henrietta Hobart Howard, Countess of, 1688?-1767.
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 44 cm., and Dated '1722' in unknown contemporary hand after title.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
"Satire on the professions of medicine, law and the church with three practitioners in a well furnished interior disputing which is the superior; each wears the dress of his profession. The lawyer holds a sealed document; the clergyman a book letterd "Bals. Soul" and the physicial a phial lettered, "Bals. Life". Pictures on the wall show, men rushing to separate two fighting dogs, men and women bringing tythes to a clergyman, and two doctors quarreling at a bedside. Verses below with scrolling calligraphic decoration."--British Museum online catalogue
Description:
Title from item., Publication date from from British Museum catalogue., and Sixteen lines of verse in two columns below title: Law, physick, and divinity, contend which shall superior be ...
published according to act of Parliament, [approximately 1736]
Call Number:
736.11.08.01.2+
Image Count:
1
Resource Type:
text
Abstract:
An ass with panniers, driven by Wake, Archbishop of Canterbury who carries a whip in one hand and a book in the other. The ass has the face of Dr. Lynch, Dean of Canterbury, son-in-law of Wake who bestowed manu preferments on the Dean. A poorly fed and clothed clergyman kneels on one knee before the ass and salutes the beast, who turns his face away. In the pannier, which is marked "Sinecure of Bray", lie many labels or packages inscribed with the names of Dr. Llynch's preferments
Alternative Title:
Ass loaded wth church preferments and Ass loaded with church preferments
Description:
Title from item., Publication date inferred from dated impression of this print in the Pierpont Morgan Library., Publication date in British Museum catalogue: ca. 1735., The word 'church' in title is represented by an image of a church building., Bowditch's ms. annotations on the mounting sheet., and Mounted to 34 x 42 cm.
Publisher:
publisher not identified
Subject (Name):
Wake, William, 1657-1737 and Lynche, John, 1697 or 1698-1760
Burford, Thomas, approximately 1710-approximately 1779, printmaker
Published / Created:
[between 1752 and 1764]
Call Number:
741.00.00.15+
Image Count:
1
Resource Type:
still image
Abstract:
"A cleric taking tea with a young woman in morning dress, who sits on a sofa pouring the tea for him, while a maid stands on the left holding a piece of lace ready to help dress her mistress; after Lancret; from a set of the four Times of Day."--British Museum online catalogue, description of an earlier state
Description:
Title from item., Later state with altered imprint statement. For an earlier state from 1741 with the publication line "Sold by I. Bowles at the Black Horse in Cornhill, London," see British Museum online catalogue, registration no.: 2010,7081.2718., Date of publication based on publisher's name in imprint; John Bowles partnered with his son Carington Bowles and traded as "John Bowles & Son" from approximately 1752 to 1764. See British Museum online catalogue., Four lines of verse in two columns on either side of title: This early visit to the beauteous fair ..., and One of four plates in an untitled series on the times of the day.
Publisher:
Sold by I. Bowles & Son at the Black Horse in Cornhil [sic]
"Satire on Robert Walpole, showing the grounds for the Motion to remove him from office. In the foreground an extravagantly dressed young woman, representing bribery and corruption, distributes lucrative offices to the clergy, judges, army officers and members of parliament all of whom wear yokes about their necks and profess their loyalty to her and to Walpole's policies including, in the case of the politicians, a general Excise. At her feet is a pile of money bags, coronets, orb and sceptre, bank bills and pensions. In the background Walpole rides on a wagon in the form of a large money chest labelled "for the word "king" has been added here in a later hand] /For Secret Services /For [th]e Projector / for Friends and Assistants"; its wheels are labelled "Expence of Law &c./Penal Laws/G[i]n A[c]t/Debts/Civel List/Taxes" crush men representing "Manufactures/Trade/Honesty/Liberty"; penants attached to the waggon name taxes levied under Walpole's ministry, "Malt Ale/Tobacco Wine/Leather/Gin/Stamp/Land Tax/Candles/Soap/Salt/Coals". Walpole himself, lettered, "Volpone the Projector", stands on top of the waggon saying "Whoever flinches I'll discard"; he slices open an infant ("Sinking Fund") with a sword so that coins from its belly fall into the money chest, at the same time he blows French and Spanish ships out of Brest and Ferol into the Atlantic to frustrate Admiral Vernon's efforts in the Caribbean, while breaking wind that holds British ships in Torbay; a devil flying above, observes, "this wind is strong agt. them). The waggon is driven by "Volpone Junior" (Robert, Baron Walpole) and drawn by six yoked placemen, while the "Balance Master" (Horatio Walpole) sits on the back exclaiming, "Lawful plunder". Bishop Herring (labelled "Salty") follows the waggon acting as a recruiting officer holding a spear and encouraging, "All B[isho]ps, P[ee]rs, C[ommon]ers or others, willing to List in Projectrs Service. repair thither & meet with suitable Encouragemt."; a pamphlet of 1740, "Letter to a Member [of Parliament concerning the present state of affairs at home and abroad]" protrudes from his pocket; he is accompanied by two journalists, "Freeman" (Raphael Courteville) playing the drum and "Sidney" blowing the horn each has a copy of the "Gazeteer" in his pocket
Description:
Title etched above image., Description based on imperfect impression; sheet trimmed to plate mark resulting in loss of imprint and verse in letterpress below the plate., Publication date from variant state described in the British Museum Catalogue., Variant state of no. 2484, with additional words added to the back left wheel of the wagon. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Truman's notes about the print are shelved as: LWL Mss Group 1 File 3., and Watermark: Pro Patria.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Herring, Thomas, 1693-1757, and Courteville, Raphael, -1772
Subject (Topic):
Taxation, Misconduct in office, Great Britain, Politics and government, Clergy, Corruption, Lawyers, and Politcians
"Satire on the ambitions of European powers ranged against Maria Theresa in the early stages of the War of Austrian Succession, and on Robert Walpole's preoccupation with his own precarious position as well as his lack of support for Austria; an adaptation of British Museum Satires No. 2463. The ships at sea in the foreground of the earlier state have been replaced by the naked figure of Maria Theresa (then Queen of Hungary) sitting on a chair, one leg having been amputated and replaced by a wooden stump; a cloth around her hips is lettered, "Hungary & Lindtz". Her clothing has been pulled off by her enemies: Frederick the Great of Prussia pins down her cap, labelled "Silesia", with his halberd; the figure on the ground, previously identified as Theodore of Corsica holds her necklace labelled "Buta" [Buda]; the King of Spain holds a string by which he has pulled off her shift, labelled, "Just Rights"; the word "Doteingness" has been removed from Cardinal Fleury's walking frame and a string attached to his wrist has pulled off the Queen's petticoat, labelled "Austria/Netherlands" which she tries to hold on to; Walpole's paper is now lettered, "Place Bill", he now says "King LOGG listen to the Cardinal" a label at his feet reads, "If I get off now thanks to ye Priest Successor of Richlieu", and his string is now attached to the foot of the City of London alderman, whose label "Sturdy Beggar" has been removed; the Dutchman holds a string to which is attached the Queen's tippet labelled "Munich"(?) and he now says, "But We Design to be on our Guard & remain neuter"; the labels "Bohemia" and "Grand Duke" have been removed from two figures in the background; The figure formerly identified as Austria is now "Bohemia" and holds a string pulling the Queen's robe which is labelled "Prague", "Sultzback" and "Breslau". The verses below have been erased and replaced by twelve stanzas. The lettering is otherwise unchanged."--British Museum online catalogue
Alternative Title:
Queen of Hungary stript
Description:
Title from item., Also attributed to George Bickam the Younger., Bickham's name and date burnished from plate and replaced with that of Richardson's, along with alterations to design. See British Museum catalogue nos. 2463 and 2512., Image enclosed within decorative scroll., Twelve lines of verse in four columns below image: Who are all these that look so fine-a 'Tis P-----a, R----a, F----e, H-L---d and Spine-a ..., and Temporary local subject terms: War of the Austrian Succession, 1740-1748: stripping of the Hungarian Empire -- Birds: goose -- Go-carts -- Male dress: royal robes -- Female dress: royal robes -- Furniture: chair.
Publisher:
Sold at [the] Blackmoos head, Exeter Change
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles VI, Holy Roman Emperor, 1685-1740, Elizabeth, Empress of Russia, 1709-1762, Peter III, Emperor of Russia, 1728-1762, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Elizabeth Farnese, consort of Philip V, King of Spain, 1692-1766, Fleury, André Hercule de, 1653-1743, and Neuhof, Théodore-Antoine, baron de, 1690-1756
Subject (Topic):
Austrian Succession, War of, 1740-1748, Geese, Clergy, and Seesaws
Title from caption above image., Publication date from British Museum catalogue., 'Price 6d.'--Below verse., Twenty lines of verse in two columns below image: When bold rebellion armd by Spain & France, does thro' the land with hasty strides advance ..., Temporary local subject terms: Bishop's mitre -- Reference to the Jacobite Rebellion, 1745-46., and Mounted to 32 x 25 cm.
"A satire on Thomas Herring, Archbishop of York, and the enthusiastic part he played in raising volunteer troops to resist the Jacobite rising. He is shown dressed partly as a bishop and partly as a military officer his episcopal gown tucked up over a lace-edged military coat and waistcoat beneath, he has lawn sleeves but wears gaiters and a gorget, on his back is a knapsack with his mitre on top. He shoulders a gun from the trigger of which is a ribbon lettered O Lord open thou my Lips & my Mouth shall show forth thy Praise. He says 'My [mitre] My Lands My Gold, Church'. A fish is shown above his lace cocked hat in allusion to his name. Behind him are a group of less keen volunteers, on the left lay men march with armed clergy, one saying 'May [he] Starve with us' another carries a standard (large flag?) a cleric says 'I'm a Canon', another claims 'I’ll be Vicar of Bray still', two clerical soldiers on the right complain one saying 'I've 12 Children but no Lands' the other 'Fight I have but 20£ a Year'."--British Museum online catalogue
Alternative Title:
Church militant
Description:
Title from text below image., Publication date from British Museum catalogue., The following words within title are represented by a rebus: 'mitred' by a bishop's mitre, 'church' by an image of a church building., Temporary local subject terms: Clergymen -- Emblems: crowned herring for Bishop Herring -- Literature: reference to the song The Vicar of Bray -- Knapsacks -- Church buildings -- Portrayal of a church militant., and Watermark: countermark IV.
Title etched above image., Sixteen lines of verse in four columns below image: I Perkin young and bold, my father me has sent here ..., Temporary local subject terms: Military -- Weapons: espontoons -- Military uniforms -- Cardinal -- Playing cards: Nine of Diamonds (Curse of Scotland)., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Geographic):
Tweed River (Scotland and England),
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Tencin, Pierre Guérin de, 1679-1758, and Edinburgh Castle (Edinburgh, Scotland),
Subject (Topic):
Britannia (Symbolic character), Neptune, Jacobite Rebellion, 1745-1746, Bulls, Devil, and Clergy
Title from item., Publisher identified from address., Printseller's announcement following imprint: ... where may be had veriety [sic] of political prints. Likewise old prints bought and sold. And Jappaning prints., Twelve lines of verse in two columns below image: Priest: To you, my lord, I thus confess, I've been a slave, without success ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Garden -- Clergy: Jesuits -- Popery -- Popes: Benedict XIV(?) -- Pictures amplifying subject: executions -- Satan -- Jacobites: Jacobite Rebellion, 1745-46 -- Rosaries., Watermark: Strasburg bend., and Mounted.
"Satire on Lord Bute in the form of a reply to Henry Howard's bawdy ballad, "The Queen's Ass" (BM Satires 3870): the zebra kicks Howard, who has fallen to the ground, behind him a group of men comprising John Fielding, the three Cherokee chiefs who visited London in 1762, and another who may be identified as the man referred to in the verse below as "M-re [who] sally'd forth the fair Sex to relieve"; on the right, Bute, dressed in tartan and wearing a boot, riding a tamed British Lion; a Jewish stockbroker in the stocks; and George Whitfield looking into a mirror which reflects the image of an ass. In the background Charles Churchill, wielding a stick, chases off Bute's supporters, the journalists Arthur Murphy and Tobias Smollett, who raise their hands in surprise. Engraved inscriptions, title and verses in two columns by "Fartinando", to be sung to the tune of "The Ass in the Chaplet"."--British Museum online catalogue
Alternative Title:
Answer to Harry Howard's ass
Description:
Caption title below etching., Engraved broadside poem illustrated with etching at top of sheet (late mark 30.1 x 20 cm). Etching signed: J. Jones delin et sculpt., Harry H----d's = Henry Howard., Publication date from British Museum catalogue., The lion bears some resemblance to those designed by Jefferyes Hamett O'Neale for the Ladies Amusement (first published by Sayer in 1760), especially plate 108, and was perhaps copied from his work. Cf. British Museum online catalogue., Ten stanzas of verse below title: Permit me good people (a whimsical bard) and snarl not [the] critical class ..., and Mounted to 35 x 41 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Whitefield, George, 1714-1770, Fielding, John, Sir, 1721-1780, Murphy, Arthur, 1727-1805, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Cherokee Indians, Jews, Clergy, England, National emblems, British, Stocks (Punishment), and Zebras
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
"Satire on Samuel Martin's duel with Wilkes. On the left, two Scotsmen support Lord Sandwich who is holding up a copy of Wilkes's Essay on Woman saying, "This will do for him I warrant ye". In front of them the diminutive figure of Samuel Martin fires a shot at a mouse representing Wilkes. In the centre, behind Martin, a group of four men express their horror at the Essay: Kidgell proclaiming, "I'll publish a Narrative about it", Bishop Warburton holding up a copy and condemning it as blasphemy, and Lord Lyttleton crying, "O 'tis so shocking I can't bear it." In the centre, a Scot (Bute?) wearing a bonnet with a feather draws his sword at the mouse. To the right, Britannia, naked to the waist, swoons as a rat representing Bute attacks her heart; she is attended by Newcastle, Temple, Pitt and Cumberland. Engraved inscriptions and speech-balloons, letterpress title and verses in two columns, and one vertical and one horizontal segment of type ornament."--British Museum online catalogue
Alternative Title:
Great ***** in an uproar and Great house in an uproar
Description:
Caption title in letterpress below image plate mark (17.5 x 23.5 cm)., Publication date from British Museum catalogue., Two columns of verse in letterpress below title, separated vertically with an ornamental border. When a certain great ***** was alarm'd at a mouse, they vow'd that they'd quickly ***** him ..., and Publisher's advertisement below verses, following imprint: ... where may be had, The British antidote to Caledonian poison, 2 vols. Price 5s.
Publisher:
Sold by E. Sumpter, three doors from Shoe-Lane, Fleet-Street
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Martin, Samuel, -1788., Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Wilkes, John, 1725-1797, Warburton, William, 1698-1779, and Lyttelton, George Lyttelton, Baron, 1709-1773
Title from item., Sheet trimmed to plate mark at top., See no. 2617 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3 for another state by different publishers., Publication date inferred from Carington Bowles's separation of his business from his father's in 1764. See The London book trades, 1775-1800 / Ian Maxted, p. 25., Three columns of verse below image: Mark, hovering how the fat incumbebt lies, and like a bird of prey the quarry eyes ..., Temporary local subject terms: Canon -- Pluralists -- Buildings: churches., and Watermark: countermark W.
Publisher:
Printed for John Bowles in Cornhill, and Carington Bowles in St. Paul's Church Yard, London
Seven figures walking toward the right, the Duchess of Kingston leading the way and uttering the words "By God and ...", with three fashionably dressed young women behind her, one carrying a bottle labelled "Cordial." Following them are a very corpulent clergyman, a physician wearing wig and sword, and an apothecary carrying a large and ornate syringe on his shoulder
Description:
On lower right beneath design: "Price 1 sh.", Attributed to Mortimer in the British Museum catalogue., and Earlier state, without inscription under the design. Cf. No. 5362 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
Subject (Topic):
Hairstyles, Clothing & dress, Wigs, Pharmacists, Physicians, and Clergy
A Methodist minister standing before a building, possibly meant to represent Whitefield's tabernacle in Tottenham Court Rd., is confronted by two women, an older one who gestures toward the church and a young one, fashionably dressed and pulling him toward the public house on the right. The sign on the latter reads "The old goat new Reviv[ed]" and before it stands a donkey between two bales of hay
Alternative Title:
Divinity in danger
Description:
Title from item. and A reduced and reversed copy of The spirit is willing but the flesh is weak (George 4609) designed by J. Collet.
Publisher:
Printed for R. Sayer & J. Bennett No. 53 Fleet Street, as the act directs
"Six scenes from the parable: 'The Prodigal Son Receives his Patrimony'; 'The Prodigal Son Taking Leave'; 'The Prodigal Son in Excess'; 'The Prodigal Son in Misery'; 'The Prodigal Son Returns Reclaim'd'; 'The Prodigal Son Feasted on his Return'."--British Museum online catalogue
Description:
Title from text engraved above images., Six images in two rows on one plate, each with caption., Plate numbered(?) in lower right corner., Temporary local subject terms: Bible: parables, Prodigal son, St. Luke, XV -- Clergymen -- Domestic service -- Food: meat -- Farms -- Feeding pigs -- Clarinet -- viola -- Violin -- Furniture -- Table settings -- Chippendale mirror -- Pictures amplifying subject -- Architectural details -- Carpets -- Wall paneling -- Bags of money -- Patrimony -- Valises -- Money chests -- Female costume, 1776 -- Male costume, 1776., and Watermark: Strasburg bend on the right side of sheet, countermark I V on the left.
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Prodigal son (Parable), Parables, Clergy, Servants, Musical instruments, Prostitutes, and Poor persons
On the right, a lady (Mrs. Catherine Macaulay) with an aquiline profile and wearing a morning gown, sits at a dressing-table; she is dipping a brush into a pot marked 'Rouge', other toilet implements and a looking-glass on the table. Her hair is in a grotesquely caricatured erection, with side curls, intended to ridicule the fashions of the day; on the top of it is a hearse drawn by six horses, decorated with enormous ostrich-feathers. Similar feathers adorn the heads of the horses. On the left behind the lady, a skeleton stands at a rectangular table grasping with both hands an hour-glass whose sands have run into the lower glass out the bottom onto the table. On the table there is also a knife. The base of the skeleton's spine is transfixed by a large arrow. On the wall behind the lady's dressing-table is a portrait bust of a clergyman, in profile to the right (Dr. Wilson).
Alternative Title:
Speedy and effectual preparation for the next world
Description:
Title from item., MD of publisher's name forms a monogram., and Numbered in plate at top: 3, v.2.
Publisher:
Pub May 1, 1777 by MDarly 39 Strand
Subject (Geographic):
England
Subject (Name):
Macaulay, Catharine, 1731-1791. and Wilson, Thomas, 1703-1784.
In outdoor setting, a full length depiction of a clergyman in black dress and bands, with long unkempt hair and glaring expression. In his hands he holds open a book which reads "Spirituous Hymns to be sung or said standing, sitting or lying mornings or evening."
Description:
Title from item., Early state, without volume and page numbers. Cf. Library of Congress copy of the later state., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.