Lord Conyngham, well dressed in a top hat and holding a pair of gloves, walks in front of a fence and the open window of a building behind it; sheets of paper inscribed "List of the Contents in the House" are on the sidewalk at his feet. George IV -- with the body, beard, and horns of a goat -- prods him from behind with his horns. A larger lady and a black man are seen laughing in the window in the background; posted on the wall to the left of the window is an advertisement for a Theatre Royal performance of "the farce of Husbands and Wives in which will be introduced a concerto of Horn's."
Description:
Title from quoted verse etched beneath image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Ld. Conyngham" identified in ink below image; date "1820" written in pencil in lower right.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Subject (Topic):
Adultery, Goats, Horns (Anatomy), Windows, and Fences
"A counterblast to British Museum Satires No. 14110, and an imitation of its manner, in the guise of a companion plate. As in that plate, a zebra with a man's head stands in an oval bandbox, but in profile to the right. The head is (presumably) Lord Conyngham; the creature is grey, scraggy rather than plump as before, and with much longer (ass's) ears. On it sits Lord Francis Conyngham; in place of the Queen's bandbox is a larger box, torn to show that it contains fur, and inscribed 'Lady Eliza[beth's] Muff Box'; this covers the rider from chest to thigh. In his right hand is a rolled document: 'Bishop [of Londo]n's golden rule Kings can do no wrong' [see British Museum Satires No. 14133]. The zebra's neck is encircled by necklaces of jewels; in place of the sieve in British Museum Satires No. 14110, a hand (the King's) from the right margin holds out a plate of jewels close to its voracious mouth. The lid of the bandbox in which it stands is inscribed 'Hertford [lightly scored through] Cunningham' [see British Museum Satires No. 13847]. The box, which is patterned with roses, is full of papers: 'Essays by exalted writers bought by the Pall Mall Booksell[er]'; 'Croker Poetical Slanders'; 'Malicious Anecdotes for John Bull', and a newspaper headed 'John Bull Sunday Mag . . .' Behind (right) is the Cottage with a group of stag, doe, and fawn, and (left) Windsor Castle."--British Museum online catalogue
Alternative Title:
Companion to the Queens ass in a band-box
Description:
Title etched below image., Attribution to Charles Williams and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement at bottom of plate: NB. In a few days will be published a companion to the Black Ram by the same author., Mounted to 58 x 39 cm., Mounted on leaf 46 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Names of "George IV" and "Ld. Conyngham" written in pencil at bottom of sheet, the former an incorrect identification. Typed extract of eighteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by S.W. Fores, corner of Sackville St., Picadilly [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876, Conyngham, Henry Conyngham, Marquess, 1766-1832, George IV, King of Great Britain, 1762-1830., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Huntly, Elizabeth, Marchioness of, 1799-1839., Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., Croker, John Wilson, 1780-1857., Howley, William, 1766-1848., and Windsor Castle,
Subject (Topic):
Adultery, Zebras, Boxes, Documents, Jewelry, Dwellings, and Castles & palaces
"Caricature of a man in top hat and coat holding gloves and passing through a door."--British Museum online catalogue
Alternative Title:
Peer of the realm starting for the Queens Trial and Pier of the realm starting at the Queens Trial
Description:
Title etched below image; the word "peer" has the first "e" etched above the line (replacing a scored-through "i"), and the word "for" is likewise etched above the line (replacing the scored-through word "at")., Sheet trimmed to plate mark leaving thread margins., Three lines of quoted text beneath title: "Cuckolds are no such monsters now-a-days ..., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 91 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Marqs. Conyngham" identified in ink below image; "very scarce; suppressed" written in ink at bottom of sheet.
Publisher:
Pubd. Octr. 1820 by H. Fores, Panton St.
Subject (Name):
Conyngham, Henry Conyngham, Marquess, 1766-1832 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"George IV stands on the doorstep of a London house, his hat under his arm. Lord Conyngham, standing beside him, and bowing low, motions him towards the open door. The King asks: Is your Wife at Home, holding up his right hand so that the fingers simulate horns above the Marquis's head. The latter, who wears a court suit, answers: At your Service! Lady Conyngham peeps from a ground-floor window, saying, He's coming 'pon my Honour. John Bull (right), a sturdy fellow in ill-fitting brown wig and gaiters, and with a heavy cudgel for walking-stick, walks towards them along the pavement. He registers astonishment, saying, Dash my Wig! A footman looks up from the area (left), saying, Cuckoo and holding up two fingers derisively. On the wall: Hamilton Place. ..."--British Museum online catalogue
Alternative Title:
Cunning condescension!!
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate marks., Twenty-four lines of verse are engraved on a second plate printed below; they begin "My island home dear Frank you know, is here thy smiling looks ..." and end "Thy charms will make each place appear, to me my island home.", Mounted to 58 x 39 cm., Mounted on leaf 77 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "Geo. IV," and "Ld. Conyngham" identified in ink below title; date "1820" written in lower right corner of sheet. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Conyngham, Henry Conyngham, Marquess, 1766-1832
Subject (Topic):
John Bull (Symbolic character), Adultery, Dwellings, Doors & doorways, Bowing, Windows, and Staffs (Sticks)
"An adaptation of British Museum Satires No. 11904 (1812), by Cruikshank, reversed, with Lady Conyngham replacing Lady Hertford. The open barouche, with four galloping horses and the Cupid postilion, is closely copied. Behind the carriage, as footman, General Bloomfield replaces McMahon. Conyngham replaces Hertford on the donkey, with the antlers, dress, and (incorrectly) the staff of office of his predecessor. He says: "How fortunate am I to have a Handsome and Cunning wife or I should not wear those marks of Distinction!" Lady Conyngham repeats Lady Hertford's words: "We have had a glorious ride my Love! It is worth Half a Crown" [cf. British Museum Satires No. 13826]. George IV: "My Cunning-one I have not Half a Crown to give thee, Would that I had." The Devil drives, as before, but sits alone, instead of beside Lord Yarmouth; a long barbed tail has been added. The 'Female Asylum' (for discarded mistresses) is similarly drawn but less ramshackle; the women looking from the windows are altered; Lady Hertford replaces Mrs. Fitzherbert: the words are as before, but '. . . his Poor F' becomes 'his Poor H'. On the roof, in place of two cats as supporters of the inverted feathers and coronet, are three cats with a (heraldic) scroll and a chamber-pot. The tail of the procession (Sheridan and the wagon 'For Yarmouth . . .') is omitted. The signpost points 'To Brighton'; Ragley is replaced (left) by the domes and minarets of the Pavilion, burlesqued."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Three lines of quoted text following title: "For trifling sports I quitted grave affairs," "And let not wine or anger wrest," "Th' intrusted secret from your breast.", Mounted to 39 x 58 cm., Mounted on leaf 16 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Geo. IV," and "[Lady] Conyngham" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of twenty-six lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Royal Pavilion (Brighton, England),
Subject (Topic):
Adultery, Mistresses, Carriages & coaches, Donkeys, Antlers, Devil, Pitchforks, Asylums, Cats, Chamber pots, Traffic signs & signals, and Official residences
"George IV, dressed as a monk, stoops over Lady Conyngham (right), placing a hand on her breast. He is clean-shaven, his whiskers, inscribed 'Transferred Whiskers', form a border to a bald head, giving the effect of a tonsure. She is décolletée, dressed in white, with white drapery from her head, suggesting a travesty of a nun (cf. British Museum Satires No. 5177). He says: "Speak freely thou Cunning-one, and by St George, I will give thee Absolution--(let me see) a Faux-Pas, is no deadly sin, and loving other men, it is our duty to love each other." She says: "Since my Conversion (Holy Father) I feel much lighter you have put a new conscience into me." They are large half length figures, hiding much of the background. Behind the King (left) on a table are wine-bottle of 'Holy Water', goblet, open book, and crucifix. Above this is a picture of asses at table, drinking wine: 'Feast of Asses in honour of Balaam's a[ss]'. Behind Lady Conyngham (right) is a picture of a monk birching the bare back of her husband, who kneels, holding up a cross; on his forehead are large antlers: 'St Francis Doing Penance', placarded 'NB The origin of this Picture may be seen at Hamilton Place' [see British Museum Satires No. 13848]."--British Museum online catalogue
Alternative Title:
Anticipation of the Catholic Emancipation
Description:
Title etched below image., Approximate date of publication from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 3 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Geo. IV", "Lady Conyngham", and "Ld. Conyngham" are identified in ink above title. Typed extract of one line from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, No. 163 Piccadilly, 2 doors form [sic] St. James's Stree[t]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Conyngham, Henry Conyngham, Marquess, 1766-1832
Subject (Topic):
Adultery, Monks, Drinking vessels, Crucifixes, Donkeys, and Antlers
"Lord Conyngham stands by the counter of Benbow's shop holding out an open book to the shopman with a terrified gesture: "Mr Benbow, Pray who is this!" Benbow, behind the counter, touches the antlered figure of British Museum Satires No. 14029, and one of the fat ladies, answering, "This is Lady H----d and this is Lady C----m." His right hand rests on a pile of caricatures on the counter. A grinning shopman behind the L-shaped counter (right) holds up two fingers to simulate horns above Lord Conyngham's head. The walls of the shop are lined with books; by the counter three bills are displayed, one above the other: [1] 'Just Published 1s 6d Sultan Sham and his Seven Wives' [British Museum Satires No. 14029]; [2] 'Cobbett's Register Sold here also Peep at the Peers' [? British Museum Satires No. 14108]; [3] 'The K. the determiner of the Q'; [4] 'Queen & her Pawns agains the King and his Pecc' [sic, British Museum Satires No. 13946]."--British Museum online catalogue, description of a different version of the same design
Alternative Title:
Cuckold Cunningham frightened at his wife's caricature
Description:
Title etched below image; the word "Cuckold" is partially scored through., Date from that assigned in the British Museum catalogue to another version of the same design., Sheet trimmed within plate mark., Four numbered stanzas of verse below title: 1. Twas the eye of a cucold [sic] of fame and renown ..., For another version of the same design, etched by J.L. Marks and published by W. Benbow, see No. 14030 in the Catalogue of prints and drawings in the British Museum, v. 10., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and "Ld. Conyngham" identified in pencil below image; date "1820" written in ink beneath lower right corner of image.
Publisher:
publisher not identified
Subject (Name):
Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861., Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., and Benbow, William, 1787-1864.
Subject (Topic):
Adultery, Stores & shops, Interiors, Counters, Caricatures, Bookcases, and Books
The King sits on a couch with Lady Conyngham on his left knee, the large feathers of her headdress extending over their heads. The couple gaze at each other amourously as a woman holding a candle (a maid?) enters through a doorway on the left. On the wall behind the woman hangs a picture of an estate with the name "[C]unningh[am]" written on the frame. Another picture on the wall to the right shows a man, probably Lord Conyngham, full-length and facing away from the viewer, antlers on his head and the speech bubble "I dont see it" in the upper left. A document on the floor to the right of the couch reads "Hertford," with a speech bubble to the immediate left reading "The right owner is." A canopy bed is seen through the open door on the left side of the design
Alternative Title:
Cunningham outwitted, Conygnham outwitted, and Fair play at Brighton
Description:
Title etched below image., Description based on an imperfect impression; sheet trimmed within plate mark and also mutilated in lower right corner, with portions of the imprint statement lost. Missing text supplied from ink annotations on the repaired corner., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 24.1 x 34.1 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 49 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Lady Conyngham" and "Ld. Conyngham" are identified in ink at bottom of sheet; date "24 July 1820" written in lower right corner.
Publisher:
Pubd. July 24, 1820, by Be[nbow], corner of St. Clements Church [Yard]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Adultery, Mistresses, Couches, Candles, Headdresses, Feathers, Antlers, and Canopy beds
"Two figures, over life-size, on a low pedestal embrace; the King as Bacchus, nude except for a girdle of vine-leaves and grapes, and a wig decked with leaves; Lady Conyngham as Ariadne, a more classic figure, with drapery hanging from the hips. Against the pedestal leans a portfolio: Lady C------s Attitudes Suppressed. A connoisseur (right) gazes up through an eye-glass, saying, Bacchus was the God of Wine and good cheer, his 'favourite was Cxxxxxxm [lightly scored through] Ariadne, she was another mans Wife. Lord Conyngham (left), with antlers sprouting from his forehead, looks up at the statues; he says, Poh! Poh! this is never meant for Bacchus and Ariadne, It's more like my Wife and the * * * * or I'm no Cunning-sure I mean Connoisseur."--British Museum online catalogue
Description:
Title etched below image., Publisher's statement etched within bottom part of image, on portfolio leaning against pedestal of statue., Date of publication from British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 4 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Conyngham" and "Lady Conyngham" identified in ink below image, with the additional identification of "George IV" written in pencil at bottom of sheet; the word "Suppressed" has been added in ink in the lower right, followed by the date "Nov. 1820."
Publisher:
Pubd. J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, Dionysus (Greek deity), and Ariadne (Greek mythological character)
Subject (Topic):
Adultery, Mistresses, Sculpture, Portfolios, Hand lenses, and Antlers
"George IV, as Falstaff, sits in a high-backed chair with a grotesquely fat Doll Tearsheet (Lady Conyngham) on his knee. He holds a large glass of wine and looks at her with appraising melancholy. She pouts her lips to kiss. Their words are engraved below: Falstaff--hou dost give me flattering busses. Doll Nay, truly; I kiss thee with a constant heart. Fal-I am old, I am old. Doll-I love thee better than I love e'er a scurvy young boy of them all. --vide Shakspeare ['II Henry IV, II. iv.] Behind (right) stands Bardolph, with the head and nose of Curtis, talking to a lean Mrs. Quickly, who has the unmistakable profile of Lord Conyngham, behind whom a huge antlered stag's head looks down from the wall. Both women wear steeple-crowned hats, but the dress of one is flamboyant and ornate, of the other demure. A man looks in cautiously from the doorway. On the wall is a hanging on which is depicted the Prodigal Son turning his back on trough and swine to receive his father's embrace."--British Museum catalogue
Description:
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Text below image begins: Falstaff: Thou dost give me flattering busses. Doll: Nay, truly; I kiss thee with a constant heart ..., Sheet trimmed within plate mark., Numbered in ms. at top of sheet: 173., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
Pub. by Thos. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Curtis, William, Sir, 1752-1829
"Heading to an engraved broadside. A servants' ball in the Pavilion, the musicians in the gallery being Ministers (left to right): Sidmouth and Liverpool play a duet at a square piano, gaping at each other; Eldon blows bagpipes; Castlereagh plays a harp. George IV waltzes with a fat, plainly dressed cook; he says: "How poor a thing may do a noble office!" A black footman dances with a fat lady; another lady dances amorously with a fat footman. One courtier (Bloomfield) dances with and embraces a fat cook, another has a more elegant partner. In the foreground stands Lady Conyngham (left), distressed and alarmed, her husband's antlered profile is just behind her; both wear coronets. She says: "Ah! with his scullion! Titles & rank are my defence But what can save her insolence!" He says: "If he has turn'd up my Wife I indeed may say--[citing Wolsey] "Farewell a long farewel to all my greatness!"" The wall and gallery are patterned with Chinese figures. The verses begin: 'Releas'd from all the toils of State . . .' The 4th, 5th, 6th, and 10th of 12 verses: '"I've supp'd within my kitchen range, "But I'll descend no more;* "The scene this night I'll wholly change, "Upstairs--invite uproar. "No virtuous women visit me-- "They dread to lose their name-- "I'll condescend--with those make free "Who never blush'd with shame. "Twas wrong when C--e eat perchance, With Vassali and Bergami-- "I'll eat with Cooks, with Scullions dance-- "I can't do wrong [see British Museum Satires No. 14133], G--d d--n me." . . . And Cunning-one moved not a limb, But stood amazed with wonder! To see the K--g's disgraceful whim, And, Vow'd she'd pull 'm asunder. . . ."--British Museum online catalogue
Alternative Title:
Humours of the great baby at B***ht*n and Humours of the great baby at Brighton
Description:
Title etched in center of plate, below image and above verses., Printmaker attribution to Marks from the British Museum catalogue., Twelve stanzas of verse in two columns below title, beginning: Releas'd from all the toils of state, From care and sorrow free ..., Text in lower margin, beneath verses: *See Marks's caricature of "He stoops to conquer, or, R-l George sunk" [British Museum Satires No. 13210]., Mounted to 58 x 39 cm., Mounted on leaf 48 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "Ld. Bloomfield," and "George IV" identified in pencil at bottom of image; figures of "Sidmouth," "Liverpool," "Eldon," and "Londonderry" idenfied in pencil above print on mounting sheet. Date "24 Jan. 1821" written in ink in lower right corner of sheet. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. by J.L. Marks, No. 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Royal Pavilion (Brighton, England),
Subject (Topic):
Interiors, Balls (Parties), Adultery, Musicians, Servants, Dance, and Antlers
Lady Conyngham sits at a table in front of a fireplace, quill pen in hand, writing a letter by candlelight; her large figure is exaggerated and her legs are spread far apart, causing her nightgown to billow. A clock sits on the mantle in front of her. In the background on the right, a bed in which Lord Conyngham sleeps can be seen beyond a curtain; a cloud of dreams rises from his head, filled with a crown and the word "Sinecures." A cat sleeps on a stool beside the bed
Alternative Title:
Expanded sentiments of Liddy Cunning-game
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 24 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Conyngham" identified in ink below image; date "Nov. 1820" added in lower right corner, preceded by the word "Suppressed" written in pencil.
Publisher:
publisher not identified
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and George IV, King of Great Britain, 1762-1830.
"In a room filled with bales, chests, and plunder the Conyngham family prepare to depart. Lord Conyngham (left), in shirt-sleeves but elegant, tugs at the cord of an enormous bundle. Lady Conyngham struggles with the lock of a treasure-chest, saying, 'There is no such thing as getting those Devilish Locks of Bramahs open'. Her daughter carries on her shoulder the skeleton of the giraffe (see British Museum Satires No. 16108). A cupboard topped with the Royal Arms displays bare shelves; plate is heaped on the floor."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Quoted text below image: "Had sly Ulysses at the Sack - of Troy, brought thee his pedler's pack - vide Cleaveland., and Offset of another impression on verso.
Publisher:
Pub. July 1st, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Athlumney, Harriet Maria Somerville, Lady, -1843
Subject (Topic):
Giraffes, Skeletons, Luggage, Clothes chests, and Cupboards
"Sir Watkin Williams Wynn (Taffy), Lord and Lady Conyngham, and the King all approach the door of Wynnstay, part of the façade of which is accurately depicted on the left Lady Conyngham rides a stag with the head of her husband; she wears a coronet in which are the feathers of the Prince (or Princess) of Wales. Sir Watkin, in the foreground, gallops up on a goat with a collar inscribed Wynn St[ay]; he wears a leek in his hat and is further identified by a letter in his pocket: To Sir Wat ... He shouts to the porter: Porter! Shut all the W .... s out!! The man obeys by closing the door, saying, You shan't come in I tell you!! She answers: What do you mean fellow I belong to the Family. Just behind are the four horses of the King's travelling chaise. He looks from the window to ask: What's the matter?--but on hearing Sir Watkin's words, adds: I say Coachee! turn about and drive me to Plymouth! There is a background of trees and mountains."--British Museum online catalogue
Alternative Title:
Hint to well regulated families
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Printed on watermarked paper., Window mounted to 24.1 x 34.2 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 104 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sir W.W. Wynn" and "Geo. IV" identified in ink below image; date "Sept. 1821" written in lower right corner. Typed extract of sixteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. Septr. 1821 by S.W. Fores, Picadilly [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Williams-Wynn, Watkin, 1772-1840, Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wynnstay Theatre,
"A fashionably dressed man, walking in (?) Hyde Park, draws back in astonishment on meeting Lord Conyngham, riding a spirited horse and wearing a marquess's coronet, surmounted by antlers with bells. The former says: "Why my Lord I never saw you so Gracefully set off in my Life before, where the Devil did you get that beautiful Charger." Conyngham: "It was a present from the - to my Wife & a rare Stallion it is, he has also presented my Daughter with a similar Poney." Answer: "Indeed!!! Why I never heard before that he had mounted them both!!!" Conyngham: "And this foraging Cap he made himself on purpose for me, d'ont you think it becoming?""--British Museum online catalogue
Alternative Title:
New Windsor uniform
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Printed on watermarked paper., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 98 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lord Conyngham" identified in pencil at bottom of sheet; date "11 Oct. 1820" written in ink in lower right corner. Typed extract of seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. Oct. 11th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England and London.
Subject (Name):
Conyngham, Henry Conyngham, Marquess, 1766-1832 and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Adultery, Parks, Horseback riding, Crowns, Antlers, and Bells
"George IV sits on Lady Conyngham's lap, kissing her amorously; he wears a dressing-gown with ungartered stockings. Lady Elizabeth (right) bends over him, supporting his elbow, while her sister, Lady Maria Harriet, stands behind the sofa, close to her mother. All three women are in evening dress. In the foreground (right) Lord Francis, tall and fashionable, stands directed to the right, looking furtively over his right shoulder. He holds a large purse, and is slipping coins from it into his trouser-pocket; he says: Well as this Purse must go to Knight-on [the K scored through] I'll make the most of it. At his feet is an open book: Lord C . . . Advice to his Son * Get money . . . it Honest if you can--. The words are partly hidden by a smaller book: Cunningham Poems. Behind, on the extreme left, and directed to the left, Lord Conyngham, with small horns and large ass's ears, sits on a chamber-pot inscribed Chamberl . . . [ain], holding a long wand of office. He scowls over his shoulder at his family, saying, It's a Blessing to be Happy and Contented. Behind him is a (pictorial) fire-screen mounted on a pole which terminates in a crown: Conyngham crawls on hands and knees, blindfolded and bound; his wife sits on his back, with the King on her lap, embracing her. Behind the closely grouped heads of the King and the three ladies are hanging bookshelves, two of the books being open: A Lecture upon Horns facing a stag's antlers, and Jerry Sneak [the hen-pecked husband in Foote's Mayor of Garratt]. On the floor in the foreground are an open book: A Mothers advice to her Daughters [cf. British Museum Satires 14401] and a paper: A List of Choice Plays She stoops to Conquer. All in the Wrong. Bold stroke for a Wife. Every Man in his Humour--Careless Husband. Way to keep Him, Tender Husband, School for Wives [scored through], Inconstant &c &c &c."--British Museum online catalogue
Description:
Title etched below image., Imprint truncated; publisher's name possibly erased from plate., Date of publication from the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 25 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Lady Conyngham," and "Geo. IV" identified in ink below image; date "Nov. 1820" written beneath lower right corner of image.
Publisher:
Pubd. by [...]
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Huntly, Elizabeth, Marchioness of, 1799-1839, Athlumney, Harriet Maria Somerville, Lady, -1843, Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876, Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861., Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876., and George IV, King of Great Britain, 1762-1830.
"A section cut from British Museum Satires No. 11888, with alterations. The King (apart from the removal of the coral and bells), Lord and Lady Hertford, and Yarmouth are as before, though the former Hertfords now stand for Conynghams (see British Museum Satires No. 13847), and Yarmouth (presumably) becomes Lord Francis Conyngham. The other adjacent figures are removed. The pavilion is still inscribed 'He[rtford] Nursery'. The design extends from the middle of the left support of the pavilion, which is however removed, except for the head and shoulder of the woman supporting the drapery, to the right edge of the right support of the pavilion, which is as before, with satyrs, infant Bacchus, and nude women; the emblem of fool's cap, &c., is unaltered. The King says to Lady Conyngham: "My dear Coney you are my life, my soul, my only Joy if business did not call me from hence--I would never leave you, what with my Wife and the Cabinet together I have no peace except in your dear arms." She answers: "Really my love you give way to fear take another glass--you have nothing to dread, we shall soon dispose of that vile woman--in my arms you are safe, continue with me at the Nursery, and we will soon form a new Cabinet if it is necessary." The antlered Lord Conyngham, grovelling on the ground behind his wife, says: "I have got into snug quarters, Lady C-- knows how to manage him--he is welcome to occupy my premises as long as he pleases.""--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Printed on watermarked paper., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Lady Conyngham," and "George IV" identified in pencil at bottom of sheet; date "1821" written in ink in lower right corner. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876
"George IV, dressed as a Turk, marches arrogantly past a row of ladies of his harem, holding a large goblet whose contents are spilling. He wears a jewelled turban with the high peak of a fool's cap, terminating in a bell. The end of his long furred robe is held by a thin man (left) wearing a turban decorated with antlers to indicate Lord Conyngham; the latter's arms and legs are bare, and he shambles along, carrying a decanter. The King says: "Variety is charming. Constancy is not for me, so Ladies pray take warning." The seven ladies, all fat and all in quasi-Turkish dress with turbans, watch him intently."--British Museum online catalogue and "Illustration to a verse satire on the life of George IV, in which the villain is Queen Charlotte. The design may derive from prints of the Prince and Lord Jersey in 1796, especially Gillray's 'Grand-Signior retiring' (British Museum Satires No. 8807). In British Museum Satires No. 8809 there is a picture of the Prince as a Turk among his harem. Among the seven here depicted, but scarcely characterized, are probably, besides Lady Conyngham and Lady Hertford, the Duchess of Richmond, and Mrs. Quentin. The print appears in British Museum Satires No. 14030; a similar print is in British Museum Satires No. 14049."--Curator's comments, British Museum online catalogue
Description:
Title from British Museum catalogue., Frontispiece to: Hudibras, the younger. Sultan Sham, and his seven wives. London : Printed and published by W. Benbow, 1820., Mounted to 58 x 39 cm., Mounted on leaf 5 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript title "Front. to Sultan Sham & his seven wives" written in ink at bottom of sheet. Figures of "Ld. Conyngham" and "Geo. IV" identified in ink below image; date "Nov. 1820" written in lower right. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by W. Benbow, 269 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., Richmond and Lennox, Charlotte, Duchess of, 1768-1842., Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Quentin, Georgina.