Title caption above image., Date based on the date of the Battle of Dettingen: June 17, 1743., Sheet trimmed within plate mark., Eight lines of text below image describing the scene: Belgrade, so called for being in the noted Battle of Belgrade in Hungary : She came to the Brigade of English Horse Guards at Waesbaden on the Rhine in Germany, and continued faithfully serving them with provisions &c. : And was remarkable for exposing her person even in the very heat of action, by assisting the wounded and distressed : Clumsey (her dog) is remarkable that being at the Battle of Dettingen when the two Armies faced each other a few minutes before the attack begun there came a French dog from the enemies front and immediately our English dog met it in the interval fell upon him and beat him back into his line after which he quietly return'd to us., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Reduced copy in Portraits, memoirs, and characters, of remarkable persons, from the revolution in 1688 to the end of the reign of George II. Collected from the most authentic accounts extant / by James Caulfield ... London, H. R. Young and T. H. Whitely, 1819-20., Temporary local subject terms: Reference to the Battle of Belgrade, 1739 -- Liquers: barrels of brandy carried on the battlefield -- Uniforms: army nurse's uniform., and Mounted to 37 x 25 cm.
Publisher:
publisher not identified
Subject (Name):
Great Britain. Army
Subject (Topic):
Dettingen, Battle of, Karlstein, Unterfranken, Germany, 1743, Austrian Succession, War of, 1740-1748, Campaigns, Mascots, and Rescue dogs
In an inn, a parson snores while his table companion, an old soldier with a wooden leg, recounts animatedly the battle of Dettingen, the map of which hangs on the wall behind them. Next to him, a dog sleeps by the roaring fireplace above which hangs a portrait, a carbine and a sword. The inn maid approaches the table with a roast on a platter
Description:
Title etched below image., Attributed to Rowlandson by Grego., The digit "4" in "1784" in imprint statement is etched backwards., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Leaf 60. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
In an inn, a parson snores while his table companion, an old soldier with a wooden leg, recounts animatedly the battle of Dettingen, the map of which hangs on the wall behind them. Next to him, a dog sleeps by the roaring fireplace above which hangs a portrait, a carbine and a sword. The inn maid approaches the table with a roast on a platter
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 389., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], The digit "4" in "1784" in imprint statement is etched backwards., and On leaf 60 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. Feby. 11, 1784, by W. Humphey [sic], Strand and Field & Tuer
"Satire on disagreements within the Pragmatic Army in the aftermath of the battle of Dettingen suggesting that George II as nominal commander had bowed to Hanoverian interests, failing to drive home the victory. The king, having let the sash of "Poor E[n]g[lan]d" fall to the ground, and wearing the Hanoverian sash marked "16 thousand pounds" (suggesting the British subsidy) raises his arm and orders, "Noli Prosequi" in response to the dominant figure of the moustachioed Hanoverian general Baron Ilton who says, "I must preserve ye K[in]gs Troops"; an astonished young officer, to the right, exclaims, "What preserve & Conserve too". To the left of the king, the Earl of Stair, commander of the British troops, complains, "Would to God he had is Desert", the Duke of Arenberg, commander of Austrian troops, asks "Why don't you lead us on?", and another general says, "Damn such Confectioners". On the far left, John Carteret leans through the window of a coach the wheel of which carries a label reading, "I'm in a Cottage near ye field of Battle"; he says, "God be praised a great Victory" and a young black footman, sitting at the back of a coach wearing a slave collar, agrees, "Amen & they were the aggressors". On the right "The Tribe of Benjamin" (Hanoverian troops), labelled "4 Pounds a Man p[er] Month", lounge and eat beside a gun carriage on which is written, "A Considerable Share in the Victory"; one soldier wears an oak leaf in his hat in reference to the incident during the battle when George II is said to have sheltered under an oak after falling from his horse and to have presented an oak leaf to the soldiers who looked after him; a Hanoverian grenadier in the foreground, exclaims, "Plague of all cowards Say I!". In the background, the British cavalry are ordered to halt while in pursuit of the French."--British Museum online catalogue
Description:
Title engraved below image., Date from British Museum catalogue., and With spine title: Caricatures anglaise 1740.
A satirical representation of the Battle of Dettingen, 1743. Overturned canons are piled in a ditch with fascines in the foreground; a large dead limb of a tree separates it from the battle ground. In the left corner the word 'Steelingensat' suggests the scene is a view from the fortress. In the center George II as the white horse of Hanover rides a British lion from whose mouth come the words "Starv'd on Bon pour nicole". The Hanoverian general Otto Christian von Ilten (nicknamed "Confectioner General") confronts the lion and his rider. Also depicted are the French and Austrian generals who shout encouragement to the troups
Alternative Title:
Hanoverian Confectioner General
Description:
Title etched above image., Publication date based on event depicted., Sheet trimmed within plate mark., Sixteen lines of verse in four columns below image, with title: A song sung by [the] soldiers in [the] B-h [i.e., British] camp to [the] tune of [the] Cucco., Truman's notes about the print are shelved as: LWL Mss Group 1 File 6., Short description by Bowditch in upper right of mounting sheet., Watermark., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Stair, John Dalrymple, Earl of, 1673-1747, and Ilten, Otto Christian von, ca. 1687- 1749
Boitard, Louis-Philippe, active 1733-1770, printmaker
Published / Created:
[1767]
Call Number:
767.00.00.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashionable life described in a sub-title as "Address'd to the Professors of Driving, Dressing, Ogling, Writing, Playing, Gambling, Racing, Dancing, Duelling, Boxing, Swearing, Humming, Building, &c. &c. &c." with broad space flanked by large buildings leading down to the sea. On the left, "The Academy for the Noble Art of Boxing NB Mufflers provided for delicate Constitutions" through the windows of which a pugilist can be seen addressing a yong nobleman, and two men boxing. Beside this a theatre into which a large crowd enters via a staircase, encouraged by a zany standing on a balcony with three actresses, two actors wearing turbans and another dressed as a soldier; the sign above refers to notorious hoaxes of the earlier part of the century: "Britannia Humm'd Or the Tragedy of the Secret Expedition [presumably the Expedition on Rochefort, 1757], A Mock Tragedy to which is added a Farce call'd The Pregnant Rabit Woman [i.e., Mary Toft], Together with the Adventures of the Bottle Conjurer [see BM Satires 3022, 1868,0808.3875], and Polish Jew [Henry Simons]. As likewise the taking ye Standard at the Battle of Dittingen." The next house is built in a variety of styles; beyond, the sea the sun rises "for the Vigilant". In the foreground fashionable people are shown as described in a key below: 1. "British Nobility disguis'd", three women dressed in French style in an open carriage are bowed to by 2. a foppish young man "Return'd from the Polite Tour"; behind him 3. "Foreign Insolence [is] express'd by the French Valet de Chambre daring to Insult 4. English Bravery in Distress [an old sailor with a wooden leg], reduc'd to ask Alms in his Native Country, after having courageously lost his limbs in Defence of it on board a Privateer & unjustly kept out of his Prize-money"; next is 5. "The Optical Ogle, or polite Curiosity", a young gentleman peering at the women in the carriage through an eye-glass; 6. "An Author", a miserable gentleman with his hands tucked into the breast of his coat who is barked at by two dogs; by contrast, 7. "A Player" reclines comfortably in a sedan chair, a footman walking before him; 8. describes a scene at the door of the house on the right, "The Industrious Tradesman thrust off with Contempt, expecting a just Debt to be paid, to make room for a high Life Gambler [also in a sedan chair], politely usher'd in to receive his Debt of Honour"; behind this group is, 9. "A Feather of the Turf", a man mounted on a high gig drives two horses, and 10. "The Balance of Merit in this happy Climate for useless Exotics, [where] A French Dancing Master obtains 300£ pr. Ann. & a clear Benefit worth near 300£ more, while the Ingenious English Shipwright, tho' Assistant to the Honour Profit & Defence of his Country, by hard Labour barely obtains 40£ pr. Ann."; on the left, 11. a hearse drives into the scene with "The Corps[e] of a Blood, conveying to Interment, who boldly lost his Life in a Duel defending the Reputation of a Prostitute"; 12. is the house beside the sea, "Modern Architecture The Corinthian, Venetian, Gothic & Chinese huddled in one Front,"; 13. an old woman leaning out of an upper window calling to a woman and two men at the door represents "Modern Hospitality in the Character of Old Age, left to take care of Furniture, & answer Duns that the Family is in the Country"; 14. fishing boats at sea are reminders that "One British Buss [fishing boat] of more service to the Community than ten Italian Singers"."--British Museun online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Eight lines of text below image: Explanation. 1 British Nobility disguis'd, 2 Return'd from the Polite Tour, 3 Foreign Insolence express'd by the French valet de chambre daring to insult 4 English Bravery in distress ..., and Mounted to 26 x 35 cm., window mounted to 29 x 41 cm.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill & Carington Bowles in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Name):
Garrick, David, 1717-1779 and Toft, Mary, 1703-1763