A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
A fat lawyer clutching a purse is sped toward the flames of hell on a skeletal horse ridden by Death who is depicted as a skeleton carrying a scythe. A naked long-haired devil holding snakes pursues them on a snorting white horse, while in the foreground, beside a chained Cerberus, jubilant demons welcome the new arrival
Description:
Title from words etched in banner at top of image., Date of publication from British Museum catalogue., Copy, after No. 6128 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Sheet trimmed within plate mark.
Publisher:
Published by E. King, Chancery Lane and Printed by N. Chater
Subject (Topic):
Cerberus (Greek mythology), Lawyers, Hell, Horses, Horseback riding, Devil, Demons, and Death
A design with nine compartments depicting Charles James Fox and Lord North, (as a fox and badger respectively), in a series of scenes beginning with the fox beating the badger in a fight, and culminating in their wedding dance in the last compartment. The Devil is present in several frames, encouraging the union, meant to satirize the coalition
Alternative Title:
Coalition wedding
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 40 cm.
Publisher:
Pubd. Iany. 7th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, John Bull (Symbolic character), Foxes, Badgers, and Devil
Leaf 25. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A design with nine compartments depicting Charles James Fox and Lord North, (as a fox and badger respectively), in a series of scenes beginning with the fox beating the badger in a fight, and culminating in their wedding dance in the last compartment. The Devil is present in several frames, encouraging the union, meant to satirize the coalition
Alternative Title:
Coalition wedding
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6369 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 112-4., and On leaf 25 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Iany. 7th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, John Bull (Symbolic character), Foxes, Badgers, and Devil
"A big cauldron rests on the bent backs of Wellington (left), supporting himself on his sword, Sidmouth, knock-kneed and holding a clyster-pipe, and Castlereagh (right), dandified and bland. From their mouths floats a scroll inscribed: "O is not this a Dainty Dish to set before a King." They are on a much smaller scale than the cooks, who stand one on each side, stirring the brew. One (left) is fashionably dressed, and stalwart, with brown complexion and negroid hair. He holds a green bag inscribed 'Rakings of Italy' and uses a spoon. A winged demon whispers in his ear: "Never mind the dirty work my boy it won't spoil your Complexion." He says: "It wants more seasoning master Cook." The other, pale and emaciated, and wearing barrister's wig and bands, stands on a large dispatch-box in order to reach the pot; this is inscribed 'G.R Milan Commission'. He stirs with a rolled document, and answers: "Indeed Mungo it must be warmer to be relished." Behind him and clutching his shoulder stands a large Devil, who says: "This beats the black Broth of Satan." The steam from the pot forms a background for a large fantastic face or mask, George IV, saying: "The Odour of this Cookery is exquisite! How Invigorating!! How Reviving!""--British Museum online catalogue and "A satire on the Milan Commission, instructed by Leach in 1818 to go abroad to procure evidence against the Princess of Wales, its report to the Cabinet in July 1819 forming the contents of the Green Bags, see British Museum Satires No. 13735. The barrister is William Cooke, his companion is his assistant, Lt.-Col. Browne (residing in Milan): Mungo (from Bickerstaffe's comic opera 'The Padlock') was a generic term for a negro, the name also implying one who does dirty jobs, cf. British Museum Satires No. 5030. There was also a solicitor, Powell, called 'the Rat' because he had acted for Burdett in election business. See British Museum Satires No. 10708 and 'Examiner', 1820, p. 540. ..."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 24 of: George Humphrey shop album.
Publisher:
Pubd. July 1820 by Benbow, St. Clements Church Yd., Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cooke, William, 1757-1832, and Browne, Thomas Henry, active 1820
Subject (Topic):
Politicians, Cauldrons, Daggers & swords, Medical equipment & supplies, Cooks, Cookery, Cooking utensils, Demons, Devil, Documents, Boxes, and Bags
"A big cauldron rests on the bent backs of Wellington (left), supporting himself on his sword, Sidmouth, knock-kneed and holding a clyster-pipe, and Castlereagh (right), dandified and bland. From their mouths floats a scroll inscribed: "O is not this a Dainty Dish to set before a King." They are on a much smaller scale than the cooks, who stand one on each side, stirring the brew. One (left) is fashionably dressed, and stalwart, with brown complexion and negroid hair. He holds a green bag inscribed 'Rakings of Italy' and uses a spoon. A winged demon whispers in his ear: "Never mind the dirty work my boy it won't spoil your Complexion." He says: "It wants more seasoning master Cook." The other, pale and emaciated, and wearing barrister's wig and bands, stands on a large dispatch-box in order to reach the pot; this is inscribed 'G.R Milan Commission'. He stirs with a rolled document, and answers: "Indeed Mungo it must be warmer to be relished." Behind him and clutching his shoulder stands a large Devil, who says: "This beats the black Broth of Satan." The steam from the pot forms a background for a large fantastic face or mask, George IV, saying: "The Odour of this Cookery is exquisite! How Invigorating!! How Reviving!""--British Museum online catalogue and "A satire on the Milan Commission, instructed by Leach in 1818 to go abroad to procure evidence against the Princess of Wales, its report to the Cabinet in July 1819 forming the contents of the Green Bags, see British Museum Satires No. 13735. The barrister is William Cooke, his companion is his assistant, Lt.-Col. Browne (residing in Milan): Mungo (from Bickerstaffe's comic opera 'The Padlock') was a generic term for a negro, the name also implying one who does dirty jobs, cf. British Museum Satires No. 5030. There was also a solicitor, Powell, called 'the Rat' because he had acted for Burdett in election business. See British Museum Satires No. 10708 and 'Examiner', 1820, p. 540. ..."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.9 x 35 cm, on sheet 25.4 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 41 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Wellington," "Sidmouth," "Londondery [sic]," and "Cooke" identified in black ink in lower margin; date "July 1820" written in lower right corner. Typed extract of seventeen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. July 1820 by Benbow, St. Clements Church Yd., Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cooke, William, 1757-1832, and Browne, Thomas Henry, active 1820
Subject (Topic):
Politicians, Cauldrons, Daggers & swords, Medical equipment & supplies, Cooks, Cookery, Cooking utensils, Demons, Devil, Documents, Boxes, and Bags
A nude couple (Mrs. Fitzherbert and the future George IV) in enormous wigs stands under the "Tree of Life." A sheet of paper covering the man's hips is inscribed "Mr. Rock." In his left hand he holds a ticket to a masquerade at Pantheon, in the right a walking stick. A serpent, inscribed "Modern gap of honour" glides between his legs and next to a saddle, whip and a riding hat inscribed "Furniture for saddling an estate." Next to the woman who holds a fan in front of her thighs, with a dog climbing up her knee, lie on the ground a staff and a comedy mask, a ticket and a letter addressed "To Belinda." Behind the woman a monkey is holding a mirror. Playing cards and dice fall off the tree which is hung with cards advertising fashionable places in London such as the Carlisle House, Pantheon, White's Club, Ranelagh and Almack's, among others. On the left a devil is walking away from her toward a roaring fire saying "I'll even back to Hell again, for these must be too knowing for me by the Size of their Heads." On the right in the background two men, identified as "Cain and Abel" are dueling. Another man lies on the ground having fallen off a galloping horse. The explanation below reads "For the benefit of the next heir."
Alternative Title:
Adam and Eve regenerated
Description:
Title etched below image., Formerly dated as 1780 because a portion of the ascender in the '6' (and the upper portion of the '8') is missing., and Sheet trimmed within plate mark.
Publisher:
Pubd Novr. 24, 1786 by W. Humphrey, No. 227 Strand, London
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Adam (Biblical figure), and Eve (Biblical figure)
Subject (Topic):
Biblical events, Tree of life, Gambling, Wigs, Hairstyles, Devil, Hell, Dueling, and Horseback riding
"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
Volume 2, page 45. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty and obese man (right) seated in a chair plays the 'cello. Both legs are swathed, the feet wrapped in slashed coverings; the right leg rests on a stool. The Devil (left), hat in hat, holds in a pair of tongs a cinder against the right knee. Bottles and glasses stand on a table. A pair of crutches lean against the chair. The hands of a wall-clock point to 12.25."--British Museum online catalogue, description of a proof state
Description:
Title etched below image., Lettered state of no. 6881 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark leaving thread margins., Temporary local subject terms: Music: Cello -- Furniture: Wall clock -- Medical disease -- Wine glasses -- Decanters., and 1 print : etching with stipple ; plate mark 22.6 x 26.2 cm.
Publisher:
Publish'd as the act directs, April 20th, 1785, by J. Jones, Great Portland Street
Volume 2, page 45. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty and obese man (right) seated in a chair plays the 'cello. Both legs are swathed, the feet wrapped in slashed coverings; the right leg rests on a stool. The Devil (left), hat in hat, holds in a pair of tongs a cinder against the right knee. Bottles and glasses stand on a table. A pair of crutches lean against the chair. The hands of a wall-clock point to 12.25."--British Museum online catalogue, description of a proof state
Description:
Title etched below image., Lettered state of no. 6881 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark leaving thread margins., Temporary local subject terms: Music: Cello -- Furniture: Wall clock -- Medical disease -- Wine glasses -- Decanters., 1 print : etching with stipple, hand-colored ; sheet 23 x 29.9 cm., and Imperfect; a thin strip of the sheet below title has been removed and the remaining parts of the sheet glued back together, with loss of the statement of responsibility.
Publisher:
Publish'd as the act directs, April 20th, 1785, by J. Jones, Great Portland Street
