"Satire on Lord Bute and his political patronage. A view of a large garden with a tree at its centre at the top of which sits Bute holding two baskets of "golden pippins"; a devil with two serpentine legs sits on a low branch to right, excreting gold coins into the arms of a man with a fox's head (Henry Fox); to left, Princess Augusta climbs a ladder resting against the tree and reaches out to take an apple from the French ambassador, the duc de Nivernois, who sits beside the devil. Cumberland, wielding a large axe, is in the process of chopping down the tree saying "I'll cut you up root and branch". A group of Scots stand behind the tree waiting for fruits to fall, another stoops at the foot of the ladder to pick up an apple and glance up the princess's skirts; two prosperous gentlemen stand to the side holding baskets of fruit. A winged figure of Father Time flies towards the tree from the left while, on the right, a be-wigged devil (Mansfield) flies away squirting liquid from a clyster at a Charles Churchill who sits on the garden wall waving a stick; Temple and Newcastle climb over the wall into the garden and Pitt holding a flaming sword leaps down to attack a group of Scots. On the left of the scene, a cock standing on a dunghill is approached by a monkey (the Duke of Bedford, ambassador to Paris) carrying a paper lettered, "Articles of Agreement between John Bull & Lewis Gallus". Beyond, two further Scots carry off a bulging sack and the Union Flag. In the foreground, to left, is a barking British mastiff, and to right a sorrowful lion sits in shadow."--British Museum online catalogue
Alternative Title:
Scotch paradise and View of the Buteifull garden of Edenburg
Description:
Title from item., Title etched above image., The 'i' in Buteiful is an image of an 'eye', a rebus. "Eden" in Edenburg in all capitals., and Sheet trimmed within plate mark.
Publisher:
Sold at Sumpters political prints warehouse, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Churchill, Charles, 1731-1764, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Apple trees, Devil, Flags, Ladders, Lions, National emblems, French, British, Scottish, Paradise, and Roosters
"A complicated and fantastic design. The title implies the annual election of East India directors on the second Wednesday in April (11 Apr. in 1827). The Directors, twenty with portrait heads, with one or two shadowy heads behind, have wolves' paws, and wear, below their shoulders, sheeps' fleeces inscribed Golden Fleece or Fleece. In the middle sit the Chairman and Deputy Chairman, two profiles joined Janus-like. One (Lindsay, the Deputy), in profile to the left, says: Adsum qui feci in me convertite ferrum [sic]. The other (Sir G. Robinson, the Chairman), says: Nostrum sex sumus, discedentes lucemus et aucto splendore resurgemus [he is one of the six retiring Directors, to be re-elected after a year]. Before him are a book, Stamp Office Ledger. This could a tale unfold; a print of a man carrying a globe on his back (he was Chairman of the Globe Insurance Office), and papers: Joint Stock Companies and Morning Paper. In another presidential chair (right), at right angles to the Directors, sits a fierce-looking man with bull's horns holding a scourge inscribed The Board of Controul [showing he is Wynn, President of the Board]; he says: These wolves in sheeps cloathing must not take all the prey, give us John Bulls share. Facing him from the extreme left is a man at a slightly lower desk, who says: We care not a jot for the court of Proprietors. In the foreground are the Proprietors, grouped in three categories of animals. A pack of large dogs, 'the requisitionary pack', with human (portrait) heads, runs forward from the right, where there are circular tiers of benches (as used by the Proprietors on Court Days). The foremost is Cato, saying, Chairman you are all out of order, as to your lawyers I put them all at defiance. At his feet are papers: He gave him a Roland for his Oliver; A free Press, and Universal Knowledge. Next is Cæsar, saying, We are allowed in Parliament to ask questions Nemo nos impune lassessit [sic]. Argus [? Hume], with National reform in Church and State at his feet, asks: I am my own dog whose are you?. Cerberus answers: I am the House Dog but to your pack Adieu [perhaps James Rivett Carnac, Director-elect in place of Bosanquet]. Jason [? Capt. W. Maxfield], leaping over a paper inscribed The Bombay Marines Lamentations over their unmerited sufferings, says: I care not a fig for your majorities while truth, reason, and justice are on my side. Mad Tom says: One gymnastic leap would place me within the bar before you could say Jack Robinson. The last dog, P. Pry [see BM Satires 15138], its head obscured, barks at Wynn: Bow, Wow wow! Two other dogs with human heads are indicated, and there are also an obscure couple of normal dogs, saying, Pointers have good noses & capital eyes for fat bones. ..."--British Museum online catalogue
Alternative Title:
View of the beautiful garden of Edinburgh
Description:
Title etched below image., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Reduced copy, without plate number, of no. 4006 ("Scotch paradice") in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted to 31 x 46 cm with Bowditch's manuscript annotations on the mount.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Churchill, Charles, 1731-1764, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Apple trees, Devil, Flags, Ladders, Lions, National emblems, French, British, Scottish, Paradise, and Roosters
Title etched below image., Publication information from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Publication information from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Devils -- Monkeys.
Lord B-te & M-n-----d in the horrors, Lord Bute & Mansfield in the horrors, and Lord Bute and Mansfield in the horrors
Description:
Title from item., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 8, p. 145., and Temporary local subject terms: Allusion to prerogatives -- Allusion to the Royal Marriage Bill.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, and Struensee, Johann Friedrich, greve, 1737-1772
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: British Lion -- The White Horse of Hanover -- British territorial concessions: Cape Breton to France.
Publisher:
Publisher not identified
Subject (Name):
Edward III, King of England, 1312-1377, Henry V, King of England, 1387-1422, Cromwell, Oliver, 1599-1658, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Treaty of Aix-la-Chapelle, Devil, Hostages, Military uniforms, British, National emblems, and Hanoverian
"The Knave of Clubs, 'Pam', sits in state in a ramshackle attic, one foot resting regally on a footstool. He is faint-hearted and melancholy and turns to a dapper little man (Sir Walter Stirling) at his right hand, who is supported by the Devil. He says: "I'm going to Hastings give me some Sterling No Tokens." Stirling, who holds an open book and is prompted by the Devil, says: "Let Us Pray," with a cynical smile. The Devil says: "Honestly if you Can?!!--but get Money." A hideous old woman, grotesque and ragged, offers him a glass, saying, "Try if Brandy won't save you." Behind the Devil, and on the extreme left, stands a burlesqued, knock-kneed lawyer, closing one eye in a cynical grimace; he holds a large pen and a paper headed 'The Last Will & Testement [sic] of Pam'. The room has the signs of squalor characteristic of the period: bricks showing through broken plaster, raftered roof, check bed-curtains, a broken chair, with broken jug and plate on the floor. Ragged stockings and a night-cap, &c. hang from a string across the fireplace (right), and on the mantelshelf are a candle in a bottle, a saucepan, medicine-bottle, teapot, and cup. Above it are a gallows broadside, and a print of a seated demon holding a small pair of scales."--British Museum online catalogue
Alternative Title:
Pam be civil
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local Medical Library subject terms: British politics -- Law -- Games.
Publisher:
Published September 1812 by Y.Z. & sold by Clinch, Princes Street, Soho
Subject (Name):
Stirling, Walter, 1758-1832 and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
Subject (Topic):
Devil, Interiors, Attics, Fireplaces, Medicines, Alcoholic beverages, Bottles, Lawyers, Wills, and Law & legal affairs
"Satirical broadside: an etching of a scene in Hell with the Devil playing a violin while devils and judges dance around the Green Bag, and the Cabinet roast; surrounded on all sides by letterpress."--British Museum online catalogue
Alternative Title:
There never were such times!!
Description:
Title from letterpress text above image., Date of publication from the British Museum online catalogue, registration no.: 1990,1109.62., One column of verse printed on either side of plate; the heading "The Devil's ball" is printed at head of leftmost column, beneath which are the instructions "Devil. -- Recitative accompanied." The verses begin: Huzza! There never were such times, not even in th' infernal climes ..., Imperfect; sheet trimmed with minimal loss of letterpress text from lower left corner., "(Entered at Stationers' Hall)"--Lower left., Publisher's advertisement and price statement above imprint: The new version of The cradle hymn, with a humourous engraving representing Goody Sid rocking the great baby! The Devil's ball, 1s. 6d. coloured. -- The cradle hymn, 1s. coloured., Publisher's announcement below imprint: N.B. More "good things" are in preparation. The next will be "John Bull and the gamblers, or, The King, the knave, and the Queen of Hearts," with some humourous poetry by the author of the "Cradle hymn" and the "Devil's ball.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 15 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With the figures of "Sidmouth, Liverpool, Eldon, Londondery [sic]" identified in black ink below image. The text "2d." in price statement has been crossed out in black ink. Various blank spaces in the printed verses have been filled in using red or black ink, to complete the censored names and to write out the word "Hell" in the intended spot.
Publisher:
Published by T. Dolby, 299, Strand, and 34, Wardour Street, Soho
Subject (Geographic):
Great Britain.
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"The Devil (right), in the foreground and much larger than the other figures, stands Asmodeus-like on a house-top (cf. British Museum Satires No. 16160), overturning with a long pole a dinner-table and upsetting the guests who fall on clouds of Dust. He is a grotesque muscular creature with goat's legs, barbed wings and tail, and looks round with a triumphant grin at the spectator. The guests are also assailed by harpies, little winged men, whose bodies terminate in barbed and scaly tails. One of these (Corder), holding a long bill which rises into the air above him, assails a man (Roach) mounted on a cockroach and holding up a book inscribed Parish Acct; he is The Grand Carver mounted on his Cockroach.; from the cockroach's antennae hang two big keys, and it emits a tail-blast inscribed We are of the Select, against his assailant. The latter holds out a paper inscribed Majority 7 and says am I not the Elect. Another harpy holding out a constable's staff flies menacingly towards the cockroach, saying, By St Thomas I cheque this. Roach exclaims: I tell you it's all a farce so we have taken the liberty to Cribb the Books Keep the Keys tight Cockey. A third harpy threatens the feast with a pair of spurred cavalry boots, saying you will Do-Well to give in, showing he is T. W. Dow (a boot-maker of York Street, Covent Garden. P.O. London Directory, 1822), see British Museum Satires No. 15528. A fourth has seized a paunchy Vestryman by the nose; the victim screams Oh my Nose--Rose Water rose water--oh oh oh-- From the table fall birds, hare, tureen, decanter, pineapple, &c. The dust forms a background, and is inscribed Dust for the Eyes of the Parishioners; looming through it is the façade of St. Paul's, Covent Garden. The bill held by Corder is headed Dinners. The items are Richardson £8-5, Hodgson & Gan £47-11-0, wine 5. 3. 0. Hodgson & Gan[n] Venison feast 30. 3- 6--Dinner on auditing Accounts £11- 4- 0, Hodg & Gann Ditto £40 4-0, Richardson Visitation Din . . £22. 7. 6, Joys St Thomas Day Dinner £20-10-0---&c &c."--British Museum online catalogue
Alternative Title:
Cruel radical harpies destroying a feast
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Text beside artist's device, meant to be words spoken by the man with an umbrella?: They seem to be introding [sic] here., Date of publication from the British Museum catalogue., Imprint continues: ... where political & other charicatuers [sic] are daily brought out., Sheet trimmed within plate mark., and Text above image: "now by St. Paul's the work goes bravely on -.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Paul's Church (Covent Garden, London, England)
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
