"Trotter walks off from the Bank of England with two sacks under his arm, one inscribed 'I [...] 000. Newland, appearing in the doorway (left), hurries after him, saying, "Hollo sir - where are you going with those bags!" On the opposite side of the street is a pawnshop where Melville, in bonnet and plaid, looks out over its half-door. Trotter answers: "I am only trotting over with them to Johnny Mac Crees Banking House!" Melville says: "Hoot awa mon! - dinna be afraid - they will be as safe with me as in your ain Strong box." On the pawnshop door are the words 'Money Lent' and the three balls or pawnbroker's sign."--British Museum online catalogue
Alternative Title:
Abraham Newland alarm'd and Abraham Newland alarmed
Description:
Title etched below image. and Questionable attribution to Isaac Cruikshank from the British Museum catalogue.
Publisher:
Pubd. April 5, 1805, by S.W. Fores, N. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Trotter, Alexander, 1750-1830, Dundas, Henry, 1742-1811, and Bank of England.
Subject (Topic):
Impeachment, Trials (Impeachment), Misconduct in office, Money, Pawnshops, and Ethnic stereotypes
"Twelve figures arranged in two rows, each representing Dundas (not caricatured) in one of his capacities, title and words etched above each. [1] 'A Governor of the Charter House'. He walks (left to right), looking down at a document in his left hand and saying: "How I venerate Charters". [2] 'Joint Keeper of the Signet in Scotland'. He holds out his left hand looking admiringly at a signet ring: "a vera pretty Seal ring worth £2000 a Year". [3] 'Chancellor of the University of St Andrew'. He sits directed to the left in a high-backed arm-chair wearing academic cap and long gown: "There is great weight and Dignity in a gown and Square Cap." [4] 'Patent Printer of the Bible in Scotland'. He sits in dressing-gown, cap, and slippers at a printing-press of the Caxton type, saying: "This printing and composing is vera tedious, but as it brings in about £6000 per Annum I must noe loose sight of it." [5] 'Custos Rotulorum for Middlesex'. He sits pompously in a high-backed chair wearing an old-fashioned cocked hat and laced coat, saying: "A little Consequence is very necessary in a custos Rotulorum". [6] 'A Treasurer of the Navy'. He sits at a table on which are money-bags and piles of coin, which he is counting: "Ah! this is pretty neat employment I love to count over the Siller." [7] 'A Governor of Greenwich Hospital'. He stands, wearing cocked hat and uniform, in profile to the right, right hand on his hip, left hand on the hilt of a sword: "a naval uniform is vera becoming." [8] 'A Commissioner of Chelsea Hospital'. He stands with arms folded, wearing cocked hat with military uniform: "As is also that of the Miliatory in due season." [9] 'A Commissioner for India Affairs'. He stands with his back to a group of barrels and chests, turning to the right: "What are ye aboot ye lazy loons, why are not these goods shipp'd off for India d'ye mean to do nothing at aw' for your money." [10] 'Governor of the Bank of Scotland'. He stands in profile to the left, 'chapeau-bras', one hand thrust under his waistcoat and wearing an old-fashioned wig: "This is what I call snug - vera little trouble." [11] 'A Secretary'. He writes busily in profile to the right at a davenport desk: "By my Sawl I care not how many Trades they make me sae that the Siller comes alang with them catch aw things is the rule in Scotland." [12] 'An Elder Brother of the Trinity House'. He stands in profile to the left, wearing a gown, bowing, cap in hand: "This concludes for the present my small portion of the Candle ends, and cheese parings" [cf. British Museum Satires No. 9038]."--British Museum online catalogue
Description:
Title etched below image., Signed in image with printmaker Isaac Cruikshank's initials in lower right corner., and Publisher's advertisement following imprint: Folio's caracatures lent out for the evening.
Publisher:
Published Feby. 5, 1798, by S.W. Fores, No. 50 Piccadilly corner of Sackville Street
Subject (Name):
Dundas, Henry, 1742-1811
Subject (Topic):
Government officials, College administrators, Documents, Academic costumes, Printing presses, Coins, Barrels, Writing materials, Desks, and Military uniforms
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. ... George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies ... The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of verse following title: Monarchs who, with rapture wild, hear their own praise with mouths of gaping wonder, and catch each crotchet of the birth-day thunder. Peter Pindar., Sheet trimmed within plate mark., and Mounted on leaf 38 of volume 7 of 12.
Publisher:
Pubd. May 10th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Dundas, Henry, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue and Wright., and Mounted to 31 x 49 cm.
Publisher:
Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The Ministry defend 'The Citadel of Office' behind a high stone wall against different Opposition groups. The chief defence is by the tiny Perceval who fires a cannon from whose muzzle issue three heads intended for Wellesley, Ryder, and Melville. In the centre the wall is breached, and Eldon looks from the gap, weeping; behind him is the Woolsack, inscribed 'Wool'. Lord Grey, on tiptoe, reaches up to seize his gown, while he flourishes a paper: 'Report of Physicians 1804'. Erskine, quite bald and with his (former) Chancellor's gown over his arm, reaches up to tug at the Chancellor's wig. Seated on the wall at the lowest point of the breach is Yorke in back view; in his pocket is a 'List of my Friends Cambridge' [see No. 11535]. He hands down a large seal bearing an anchor to Whitbread who straddles a cask floating in water which adjoins the 'Citadel' on the right. Whitbread takes this emblem of the Admiralty, flourishing a tankard (cf. No. 10414). On the left of the breach Sir Vicary Gibbs, brandishing a rolled document inscribed 'Law of Libel', defends himself vigorously against Romilly, who drags at his gown and has a similar weapon inscribed 'New Statutes'. In Romilly's pocket is a paper: 'New Bankrupt Laws'. Farther to the left the three Grenvilles, Lord Temple, the Marquis of Buckingham, and Lord Grenville, level a battering-ram against the wall. The ram has a ram's head, as in heraldry, but with a human face, and is intended for Ponsonby, leader of the Opposition in the Commons. On one horn is spiked a paper: 'Catholic Emancipation'. Between them and Romilly, little Lord Lansdowne (Petty) sits on the ground squirting a large syringe over his shoulder at the wall. Next the ram Moira, stiff and aloof, holds up a fox with the head of Lord Holland (nephew and political heir of Fox), whose fore-paws, holding a paper of 'Resolutions', have reached the top of the wall but are caught in a trap. On the extreme left. Tierney bestrides a wooden horse whose hind-legs are broken off; it is inscribed 'Finance'. A bundle inscribed 'New Budget for 1811' is strapped to his back; he fires a pistol inscribed 'Bullion Report', but he is about to be thrown, so that the pistol points backwards over his head. Between Tierney and the wall are Burdett and Wardle. The former is flinging mud at the defenders, at Moira, and at Tierney. ..."--British Museum online catalogue
Alternative Title:
Which has it?
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 1 ( March 1811), p. 175., Sheet trimmed within plate mark., Mounted to 28 x 41 cm., and Manuscript annotations on print and mount identifying place and figures.
Publisher:
Published for the Scourge, March 1st, 1811, by M. Jones, 5 Newgate Stt
Subject (Name):
Perceval, Spencer, 1762-1812, Wellesley, Richard Wellesley, Marquess, 1760-1842, Dundas, Henry, 1742-1811, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Eldon, John Scott, Earl of, 1751-1838, Yorke, Charles Philip, 1764-1834, Whitbread, Samuel, 1764-1815, Gibbs, Vicary, Sir, 1751-1820, Romilly, Samuel, 1757-1818, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Ponsonby, George, 1755-1817, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Holland, Henry Richard Vassall, Baron, 1773-1840, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Wardle, Gwyllym Lloyd, 1762?-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, and Sheridan, Richard Brinsley, 1751-1816
"The Ministry defend 'The Citadel of Office' behind a high stone wall against different Opposition groups. The chief defence is by the tiny Perceval who fires a cannon from whose muzzle issue three heads intended for Wellesley, Ryder, and Melville. In the centre the wall is breached, and Eldon looks from the gap, weeping; behind him is the Woolsack, inscribed 'Wool'. Lord Grey, on tiptoe, reaches up to seize his gown, while he flourishes a paper: 'Report of Physicians 1804'. Erskine, quite bald and with his (former) Chancellor's gown over his arm, reaches up to tug at the Chancellor's wig. Seated on the wall at the lowest point of the breach is Yorke in back view; in his pocket is a 'List of my Friends Cambridge' [see No. 11535]. He hands down a large seal bearing an anchor to Whitbread who straddles a cask floating in water which adjoins the 'Citadel' on the right. Whitbread takes this emblem of the Admiralty, flourishing a tankard (cf. No. 10414). On the left of the breach Sir Vicary Gibbs, brandishing a rolled document inscribed 'Law of Libel', defends himself vigorously against Romilly, who drags at his gown and has a similar weapon inscribed 'New Statutes'. In Romilly's pocket is a paper: 'New Bankrupt Laws'. Farther to the left the three Grenvilles, Lord Temple, the Marquis of Buckingham, and Lord Grenville, level a battering-ram against the wall. The ram has a ram's head, as in heraldry, but with a human face, and is intended for Ponsonby, leader of the Opposition in the Commons. On one horn is spiked a paper: 'Catholic Emancipation'. Between them and Romilly, little Lord Lansdowne (Petty) sits on the ground squirting a large syringe over his shoulder at the wall. Next the ram Moira, stiff and aloof, holds up a fox with the head of Lord Holland (nephew and political heir of Fox), whose fore-paws, holding a paper of 'Resolutions', have reached the top of the wall but are caught in a trap. On the extreme left. Tierney bestrides a wooden horse whose hind-legs are broken off; it is inscribed 'Finance'. A bundle inscribed 'New Budget for 1811' is strapped to his back; he fires a pistol inscribed 'Bullion Report', but he is about to be thrown, so that the pistol points backwards over his head. Between Tierney and the wall are Burdett and Wardle. The former is flinging mud at the defenders, at Moira, and at Tierney. ..."--British Museum online catalogue
Alternative Title:
Which has it?
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 1 ( March 1811), p. 175., Sheet trimmed within plate mark., 1 print : etching & aquatint on wove paper, hand-colored ; sheet 21.2 x 36.7 cm., and Mounted on leaf 87 of volume 11 of 12.
Publisher:
Published for the Scourge, March 1st, 1811, by M. Jones, 5 Newgate Stt
Subject (Name):
Perceval, Spencer, 1762-1812, Wellesley, Richard Wellesley, Marquess, 1760-1842, Dundas, Henry, 1742-1811, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Eldon, John Scott, Earl of, 1751-1838, Yorke, Charles Philip, 1764-1834, Whitbread, Samuel, 1764-1815, Gibbs, Vicary, Sir, 1751-1820, Romilly, Samuel, 1757-1818, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Ponsonby, George, 1755-1817, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Holland, Henry Richard Vassall, Baron, 1773-1840, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Wardle, Gwyllym Lloyd, 1762?-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, and Sheridan, Richard Brinsley, 1751-1816
"Melville, protected by Justice, stands on the 'Rock of Innocence' (l.) firing two cannon at a man-of-war, 'The Impeachment', which has already foundered on the 'Rocks of Honor and Justice'. In the foreground (l.) a bear, Whitbread (not Fox as Wright and Evans say), stands despairingly in his boat which is about to be swamped. It is in the form of a shallow tub (a brewing utensil), and is 'The Vanity-Cooler'. A pennant, 'Vanity', streams from the mast. The tattered sail is formed of papers patched together and inscribed 'Ist Report' ['. . . 2nd', '3d', &c] to '10th Report'. Whitbread's broken oar, inscribed 'Popular Clamour', falls from his paw. The boat will founder despite the efforts of three winds to fill the sail and take it into calmer water. These are heads with butterfly wings (l.) and are (l. to r.) Stanhope, Wilberforce, and Derby. Melville, in profile to the right., a stalwart figure in Highland dress with thistles in his feathered bonnet, holds a flaming torch in each hand, one 'Truth', the other 'Reason', and puts them to the touch-holes of two cannon, 'Adam' and 'Plomer'. He is lit by rays which descend from behind a swirling cloud, taking the form of wings, from which two arms emerge: in the r. hand is a pair of scales inscribed 'Impartiality'; a paper inscribed 'Integrity' outweighs 'Defamation'; on the left arm is a shield inscribed 'Justice' which is held over Melville. The blasts from the cannon are striking the battered ship; she heels over, still flying a tattered tricolour flag of 'Faction' [repeated thrice]. Two of the crew are in the water: Sidmouth, in the foreground (r.), clings to a 'Broad-Bottomd Goose-Coop' [cf. BMSat 10530], from which three cackling geese thrust their heads; it has a (tricolour) label inscribed (?) 'C. J Fox [scored through] Downing . . . [Street]'. Behind him Lauderdale's head and arms emerge from a wave, desperately trying to reach a floating barrel of 'East India Roupees'. In the foreground the waves are menacing; toward the horizon (r.) the sea is calm. A sun inscribed 'Posterity' is rising and irradiates the sky; other rightays descend from a point behind a cloud, forming a pyramid whose base is the irradiated horizon; across this is the word 'Pitt' in large letters."--British Museum online catalogue
Alternative Title:
Manager in distress
Description:
Title etched below image., Two lines of quoted verse following title: "So, shall my little-bark attendant sail," "pursue the triumph, and partake the gale!", and Mounted on leaf 27 of volume 6 of 12.
Publisher:
Pubd. June 20th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Whitbread, Samuel, 1764-1815, Dundas, Henry, 1742-1811, Wilberforce, William, 1759-1833, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Sidmouth, Henry Addington, Viscount, 1757-1844, and Lauderdale, James Maitland, Earl of, 1759-1839
Title from first line of letter press, above coat of arms., An admission ticket for the fifteenth day of the trial of Henry Dundas, 1st Viscount Melville; the impeachment trial took place in Westminster Hall in April-June 1806., Engraved arms of the Great Chamberlain printed in sepia at center, with title printed in letterpress above., and "Dundas" written in black ink below coat of arms on recto. The letterpress form on the verso has been annotated with the name of "Miss Dundas" on the line for "The daughter of a Peeress in her own right"; this name may refer to either Elizabeth (1766-1852) or Anne (1768-1852). One corner of ticket (5.5 x 5.5 cm) has been neatly cut away, a lacuna that is explained by a later pencil note asserting that the corner had been cut away at the door when presented. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England. and England
Subject (Name):
Dundas, Henry, 1742-1811
Subject (Topic):
Impeachment, Trials (Impeachment), Women, and Legal status, laws, etc
"Under the title, and from a separate plate, is etched in three columns: 'Description. - One French Soldier putting Hand-cuffs, and another Fetters on the Speaker, whose Mouth is gagged with a Drumstick. The rest of the Members [left], two & two, tied together by the Arms with cords, (Mr Pitt & Mr Dundas by the Leg with an Iron Chain, which has three Padlocks, but the Key-holes spiked up). They are all, dressed in the Uniform of the Convicts of Botany-Bay, to wit, Coats of two Colours, long Breeches [i.e. trousers], no Stockings, & their Heads close shaved; French Guards opposite to the Members, with their Hats on; one of whom carries an Axe, & a Blazon of a Death's Head on his Breast. Two Clerks near him with their Pens in their Ears, hanging their Heads [tied back to back]. Republicans in the Galleries waving their Hats, in which are triple-colour'd Cockades, & clapping their Hands. An English Blacksmith [right], in his Waistcoat & Cap of Liberty, breaking ye Mace in pieces with a fore Hammer, the Statutes tumbled on the Floor, the Cap of Liberty [inscribed 'Egalité'] raised high behind the Speaker's Chair, below which is painted in Capital Letters, " This House adjourned to Botany Bay - sine die." The Chaffers and burning Charcoal continuing to stand in their present places in the House, but filled with red-hot Irons, to sear One Cheek of the Members before they set off; & the Other, if they shall be found Guilty, by the Verdict of a French Jury, of returning to their own Country without Leave of the French Directory in Writing. An English Cobler in the Cap of Liberty, blowing with a Bellows one of the Chaffers the Fuel, the Journals of the House.' [Dalrymple, op. cit. inf., pp. 1-2.] The Speaker holds in his mouth a drum-stick, at each end of which is a bow of parti-coloured ribbon, adding a touch of burlesque. The table lies on its side on the ground and on the heavy cloth lie papers, ink-stand, books: 'Journals of the House' (torn), 'Declaration of Rights', 'Hanover Succession', 'Claim of Rights', 'Magna Charta'. The chained members are on the Ministerial side of the House only, the Opposition side is filled with fierce-looking French soldiers, cavalry (wearing plumed helmets) with drawn sabres, infantry (wearing cocked hats) with fixed bayonets. All have daggers in their belts, except their officer, apparently Bonaparte, who has two pistols in his sash, his hand resting on the hilt of his sword. Pitt and Dundas, chained back to back, stand slightly apart from the other members, guarded by a ruffian with axe and 'blazon' of skull and cross-bones. Three members are chained together by the front bench (left to right): Wilberforce, [?] Lord Mulgrave, Windham. The cobbler and the blacksmith are Fox and Sheridan, much caricatured and scarcely recognizable. [See Dalrymple's prospectus: 'Consequences of the French Invasion', p. vi. He charged Gillray 'not to introduce a single Caricature, or indulge a single sally that could give pain to a British Subject. I had little Occasion to repeat the Advice, for he is a Man of Genius; and, like all such Men, is fair and human'. Dalrymple wrote to Gillray: 'I beg you will not impute what I am going to mention to any Breach of my promise not to interfere in any of the prints. But I confess I wish that the Gag was out of the Speaker's Mouth. It may hurt his feelings as a Gentleman . . .' (n.d.). B.M. Add. 27337, fo. 20. The gag was Dalrymple's idea.]."--British Museum online catalogue
Alternative Title:
Consequences of a successful French invasion. No. I, plate 1st and "We come to recover your long lost liberties." Scene, the House of Commons
Description:
Title etched below image., Publisher's name and publication date in imprint are scored through with lightly etched lines., "Price, 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. One French soldier putting hand-cuffs, and another fetters on the Speaker, whose mouth is gagged ..., Temporary local subject terms: Literature: Allusion to Consequences of the French invasion, by Sir John Dalrymple -- Uniforms: Convicts of Botany Bay -- Musical instruments: Drumstick as a gag -- Interior of House of Commons -- Threat of French invasion -- Propaganda -- Declaration of rights -- Hanover succession -- Journals of the House -- Blazons: Death's head -- Branding irons -- Allusion to Botany Bay -- Clerks -- Cap of Liberty -- Blacksmiths -- Bellows -- Chafers -- Maces -- Magna Charta -- Fore hammers -- Statutes -- Cobblers -- French Republicans -- Speaker of the House -- Military: French soldiers., With: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., 2 prints on 1 sheet : etching with engraving on wove paper, hand-colored ; plate mark 26.3 x 36.4 cm and plate mark 5.8 x 36.3 cm, on sheet 36.1 x 40.5 cm., Price has been completely erased from sheet., On the verso is an impression in red ink of an earlier state of the same print., and Mounted on leaf 35 of volume 4 of 12.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Napoleon I, Emperor of the French, 1769-1821, Wilberforce, William, 1759-1833, Mulgrave, Henry Phipps, Earl of, 1755-1831, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Under the title, and from a separate plate, is etched in three columns: 'Description. - One French Soldier putting Hand-cuffs, and another Fetters on the Speaker, whose Mouth is gagged with a Drumstick. The rest of the Members [left], two & two, tied together by the Arms with cords, (Mr Pitt & Mr Dundas by the Leg with an Iron Chain, which has three Padlocks, but the Key-holes spiked up). They are all, dressed in the Uniform of the Convicts of Botany-Bay, to wit, Coats of two Colours, long Breeches [i.e. trousers], no Stockings, & their Heads close shaved; French Guards opposite to the Members, with their Hats on; one of whom carries an Axe, & a Blazon of a Death's Head on his Breast. Two Clerks near him with their Pens in their Ears, hanging their Heads [tied back to back]. Republicans in the Galleries waving their Hats, in which are triple-colour'd Cockades, & clapping their Hands. An English Blacksmith [right], in his Waistcoat & Cap of Liberty, breaking ye Mace in pieces with a fore Hammer, the Statutes tumbled on the Floor, the Cap of Liberty [inscribed 'Egalité'] raised high behind the Speaker's Chair, below which is painted in Capital Letters, " This House adjourned to Botany Bay - sine die." The Chaffers and burning Charcoal continuing to stand in their present places in the House, but filled with red-hot Irons, to sear One Cheek of the Members before they set off; & the Other, if they shall be found Guilty, by the Verdict of a French Jury, of returning to their own Country without Leave of the French Directory in Writing. An English Cobler in the Cap of Liberty, blowing with a Bellows one of the Chaffers the Fuel, the Journals of the House.' [Dalrymple, op. cit. inf., pp. 1-2.] The Speaker holds in his mouth a drum-stick, at each end of which is a bow of parti-coloured ribbon, adding a touch of burlesque. The table lies on its side on the ground and on the heavy cloth lie papers, ink-stand, books: 'Journals of the House' (torn), 'Declaration of Rights', 'Hanover Succession', 'Claim of Rights', 'Magna Charta'. The chained members are on the Ministerial side of the House only, the Opposition side is filled with fierce-looking French soldiers, cavalry (wearing plumed helmets) with drawn sabres, infantry (wearing cocked hats) with fixed bayonets. All have daggers in their belts, except their officer, apparently Bonaparte, who has two pistols in his sash, his hand resting on the hilt of his sword. Pitt and Dundas, chained back to back, stand slightly apart from the other members, guarded by a ruffian with axe and 'blazon' of skull and cross-bones. Three members are chained together by the front bench (left to right): Wilberforce, [?] Lord Mulgrave, Windham. The cobbler and the blacksmith are Fox and Sheridan, much caricatured and scarcely recognizable. [See Dalrymple's prospectus: 'Consequences of the French Invasion', p. vi. He charged Gillray 'not to introduce a single Caricature, or indulge a single sally that could give pain to a British Subject. I had little Occasion to repeat the Advice, for he is a Man of Genius; and, like all such Men, is fair and human'. Dalrymple wrote to Gillray: 'I beg you will not impute what I am going to mention to any Breach of my promise not to interfere in any of the prints. But I confess I wish that the Gag was out of the Speaker's Mouth. It may hurt his feelings as a Gentleman . . .' (n.d.). B.M. Add. 27337, fo. 20. The gag was Dalrymple's idea.]."--British Museum online catalogue
Alternative Title:
Consequences of a successful French invasion. No. I, plate 1st and "We come to recover your long lost liberties." Scene, the House of Commons
Description:
Title etched below image., Publisher's name and publication date in imprint are scored through with lightly etched lines., "Price, 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. One French soldier putting hand-cuffs, and another fetters on the Speaker, whose mouth is gagged ..., Temporary local subject terms: Literature: Allusion to Consequences of the French invasion, by Sir John Dalrymple -- Uniforms: Convicts of Botany Bay -- Musical instruments: Drumstick as a gag -- Interior of House of Commons -- Threat of French invasion -- Propaganda -- Declaration of rights -- Hanover succession -- Journals of the House -- Blazons: Death's head -- Branding irons -- Allusion to Botany Bay -- Clerks -- Cap of Liberty -- Blacksmiths -- Bellows -- Chafers -- Maces -- Magna Charta -- Fore hammers -- Statutes -- Cobblers -- French Republicans -- Speaker of the House -- Military: French soldiers., With: Gillray, J. "We come to recover your long lost liberties": scene, the House of Commons. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., and Watermark: 1794.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Napoleon I, Emperor of the French, 1769-1821, Wilberforce, William, 1759-1833, Mulgrave, Henry Phipps, Earl of, 1755-1831, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Pitt is borne upwards (left to right) in a chariot of swirling clouds of flame drawn by four horses abreast, and snorting fire, while his eyes are fixed on a broad beam of light inscribed 'Immortality'. He flings down his mantle, which his disciples below hold up their arms to receive. The mantle is blue faced with red (the colours of the Windsor uniform); on it a flaming sword lies across a pair of balanced scales, symbolizing Justice. Rays from the mantle strike down on the disciples; thunderbolts radiate from it, against the 'Republican-Mantle' with which the ghost of Fox tries to shelter the Opposition, and also against a tiny Napoleon. The disciples are grouped on a cliff, 'The Rock of Ages', rising from the sea. They surround a rectangular altar, of quasi-classical shape: 'The Altar of the Constitution'. Its two pilasters are 'Prudence' and 'Fortitude'. On this is a book inscribed 'Truth' on which is a royal crown. At its base lies 'Magna Charta'. The central and most prominent of the disciples, in the place of Elisha, is Canning, as the pupil of Pitt (see BMSat 10972); he stands behind the altar. Before it kneel Eldon (left) in Chancellor's wig and gown with the Purse of the Great Seal, and Perceval (right) in the gown of the Chancellor of the Exchequer. Next to Eldon (left) kneels Portland. On each side of Canning stand Hawkesbury (left) and Castlereagh (right). Behind are (?) Camden (left) and Melville (right). The four peers wear peer's robes. On the right, and in the foreground, separated from the 'Rock of Ages' by a narrow chasm, is the 'Broad-Bottom-Dunghill' [cf. BMSat 10530]. On this are the Opposition fleeing in terror from the thunderbolts from the Mande despite the gigantic figure of Fox who flies over them, protectingly spreading his cloak. Fox is naked under his cloak, except for a bonnet rouge, and a shroud which floats back from his head. He has webbed wings and a cloven hoof, and he looks up at the Mantle in angry terror. His cloak is set on fire by a thunderbolt. The most prominent of the 'Priests of Baal' is Grenville, who stoops, clutching at his rent breeches; a cardinal's hat flies from his head (cf. BMSat 10404), and over his coat he wears a short cope-like garment with a large cross on it. ..."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 55 of volume 6 of 12.
Publisher:
Publish'd June 25th, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Napoleon I, Emperor of the French, 1769-1821, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dundas, Henry, 1742-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sidmouth, Henry Addington, Viscount, 1757-1844, Lauderdale, James Maitland, Earl of, 1759-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Grattan, Henry, 1746-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Holland, Henry Richard Vassall, Baron, 1773-1840, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Whitbread, Samuel, 1764-1815, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Perceval, as Don Quixote, stands in front of the Treasury, giving his orders for the forthcoming session. Facing him, Ministerial members (right) stand at attention, clasping rolled documents, all inscribed 'Ministerial Military Exercise Aye & No', as if they were muskets; one is in Highland dress. A further phalanx in the background is on Perceval's left. He wears armour, with Mambrino's helmet (the barber's basin) and holds erect a tilting-lance, which serves as staff for the Royal Standard. His left hand, holding a 'Muster Roll', rests on his hip. Behind him, pen in hand, and with a pen behind the ear, the two Treasury Secretaries stand stiffly, each with a large book, one 'Names of Staunch Men', the other 'Names of Deserters'. On the extreme left and in the foreground George Rose stoops over a large 'Military Chest', filled with bank-notes, which he holds out towards the Ministerial troops. On the ground beside him lies a rose labelled 'A Rose in January'. Behind him, lurking in a gateway, is Melville, in Highland dress, with two similarly clad Scots peering over his shoulder. He says: "An Ye should want a set of braw fellows fit for ony service, I ha them here ready for ye". On Perceval's left is a mounted officer (Montrose) holding a paper inscribed 'Treaty for an Armistice for 14 days if Necessary'. Beside him is a mounted trumpeter. Perceval says: "Now my Lads lets see if you are perfect in your Exercise!!! You will stick close right or wrong". All answer "Aye. Nor refuse a good place when it is offered". All answer "No. Of course all I say is truth". All answer "Aye, Nor you wont let the Enemy Contradit me". All answer "No". Perceval: "That will do very well and my Aid de Camps shall register you accordingly remember there is something good at the bottom of the Ches [sic]". ..."--British Museum online catalogue
Alternative Title:
Don Quixote, comander in chief, reviewing his troops previous to the campain and Don Quixote, commander in chief, reviewing his troops previous to the campaign
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 1810 by Walker, 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Rose, George, 1744-1818, Dundas, Henry, 1742-1811, Montrose, James Graham, Duke of, 1755-1836, Quixote, Don (Fictitious character), and Great Britain. Treasury
Subject (Topic):
Buildings, Ethnic stereotypes, Military officers, Armor, Flags, Trumpets, Chests, and Money
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ..., and Sheet trimmed to plate mark.
Publisher:
Pubd. April 15th, 1799, by H. Humphrey, 27 St. James Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Sinclair, John, Sir, 1754-1835, Bedford, Francis Russell, Duke of, 1765-1802, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Jekyll, Joseph, 1754-1837, Walpole, George, 1761-1830, Pulteney, William, Lauderdale, James Maitland, Earl of, 1759-1839, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, and Grattan, Henry, 1746-1820
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ..., Sheet trimmed to plate mark., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 36.9 x 44.9 cm, on sheet 38.8 x 47.2 cm., and Mounted on leaf 10 of volume 5 of 12.
Publisher:
Pubd. April 15th, 1799, by H. Humphrey, 27 St. James Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Sinclair, John, Sir, 1754-1835, Bedford, Francis Russell, Duke of, 1765-1802, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Jekyll, Joseph, 1754-1837, Walpole, George, 1761-1830, Pulteney, William, Lauderdale, James Maitland, Earl of, 1759-1839, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, and Grattan, Henry, 1746-1820
Title from item., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii., and Numbered in lower right of plate: 211.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Carlyle, Alexander, 1722-1805, and Grieve, Henry, 1736-1810
Title etched below image., Place and date of publication conjectured from imprint of book., and Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.).
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Carlyle, Alexander, 1722-1805, and Grieve, Henry, 1736-1810
Farmer George delivered of a most greivous speech with the cruelty of the gossips
Description:
Title from item., Temporary local subject terms: Games: Tug-of-war -- Interior of the House of Commons -- Allusion to the trial of Warren Hastings -- George III's speech to the House of Commons, January 23, 1787 -- Opening of Parliament -- Gossips., and Watermark in center of sheet.
Publisher:
Pub'd Jany. 23, 1787, by S.W. Fores, No.3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, and North, Frederick, Lord, 1732-1792
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to the abolition of the slave trade -- Loss of trade -- Boycotts: sugar -- Food substitutes: salt for sugar -- Food: water-gruel -- Dishes -- Utensils: salt shovels -- Dialects: Scottish dialect -- Female fashion: court feathers as headdress -- Antisaccharites -- Eating -- Swearing., and Watermark.
Publisher:
Pub. by W. Dent
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Dundas, Henry, 1742-1811, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., and Numbered "117" in lower right of plate.
"Portrait of Henry Dundas, 1st Viscount Melville, after Lawrence (Garlick 554); head and shoulders to front, looking to right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 614 (leaf numbered '49' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Sep. 6, 1810, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Dundas, Henry, 1742-1811, and Dundas, Henry, 1742-1811.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered '48' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811 and Dundas, Robert, 1758-1819
"Portrait after Lawrence (Garlick 554); standing three-quarter length holding a brief in his right hand, with his left hand on a paper."--British Museum online catalogue, description of a later state
Description:
Title etched below image., State from: Whitman, A. Charles Turner., A proof state, before horizontal line-tint ruled over inscription space (State 3) and before letters of title strengthened and made thick and thin (State 4). The word "Proof" is etched above imprint statement to the left., Imperfect; sheet trimmed within plate mark on two sides, resulting in loss of imprint statement from bottom edge. Imprint supplied from Whitman., and Mounted opposite page 568 (leaf numbered '161' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pub. Decr. 1, 1810, by C. Turner, No. 50 Warren Street, Fitzroy Square; Mr. Colnaghi, Cockspur Street, Hay Market; Mr. Molteno, Pall Mall; & Mr. Hatton, Princes Street, Edinburgh
"The resigning Ministers issue from the arched gateway of the 'Treasury', led by Pitt (right) who, with an oratorical gesture, holds out a document: 'Justice of Emancipating ye Catholicks'. Behind him is Dundas (Secretary of State for War), holding Pitt's right arm, and not in the usual Scottish dress (though he wears a tartan waistcoat). He holds a document: 'Advantages of the Union'; from his coat pocket issues a paper: 'Successes in the East'. Next walks Grenville (Foreign Secretary) in peer's robes holding a paper: 'Acquisitions from ye War. Malta, Cape of Good Hope, Dutch Islands' [Ceylon captured 1796]. Behind him walk Spencer (First Lord), holding 'Enemies Ships taken & Des[troyed]', and Loughboroug in his Chancellor's wig. Three heads are dimly visible in the shadow of the archway. From the left the Opposition, in the guise of a plebeian rabble, advance towards the Treasury gate but are held back by a sturdy grenadier sentry at the point of the bayonet. He is back view, with 'G.R' on his busby, and is probably George III, possibly Addington. Facing him, against the Treasury wall, is his sentry-box, placarded: 'G.R Orders for keeping all improper Persons out of the Public Offices'. The rabble are led by Sheridan and Tierney; the former a butcher with cleaver raised to strike, the latter a ragged cobbler wearing a bonnet rouge; he is about to fling a cat which he holds by the tail. Behind them are Jekyll, as a chimney-sweep with brush and shovel, but wearing a barrister's wig and (tattered) gown, Bedford dressed as a jockey and holding out whip and cap (cf. BMSat 9261, &c), Nicholls and Tyrhwitt Jones, both holding up hats with tricolour cockades. At the back are Norfolk, about to hurl a bottle of wine, and Burdett. There is also raised above the crowd an arm which has just hurled a full tankard of 'Whitbread's Entire' [see BMSat 10421]. Other missiles include a lighted squib, a bludgeon, vegetables, and a book: 'Jacobin Charges, Speeches Essays'. Bedford cries: "Push on, dam'me! - work 'em! - its our Turn now!" The sentry answers: "Your Turn! - no, no! - whoever goes out You'll not come in!" In the foreground, on the extreme left, are two dwarfish and ragged little newsboys blowing their horns; on the cap of one is 'Morning Chronicle' [see BMSat 9240]. Below the design: "Men in conscious Virtue bold! "Who dare their Honest purpose hold. "Nor heed the Mob's tumultuous cries; "And the vile rage of Jacobins - despise.""--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 37 of volume 5 of 12.
Publisher:
Pubd. Feby. 24th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Nicholls, John, 1745?-1832, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Jones, Thomas Tyrwhitt, Sir, 1765-1811, Burdett, Francis, 1770-1844, and Jekyll, Joseph, 1754-1837
"John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville's plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: "Indeed Mr Bull - I knaw nae more aboot it - than Johnny Groat o'the Highlands." Trotter lurks behind him (left) furtively twitching his superior's kilt, and jerking his thumb to the left.; he says: "Take my advice - and let us Trot off while we are well, he looks confounded inquisitive." John scowls and glares pugnaciously, saying, "Why Look ye - de ye see - I dont come for to go for to say - exactly, that you sack'd the cole - all I say is the Shiners set sail - and as you had the care of the Hatches - it is, likely, you should know what Port they steer'd into! I say let's look at your log book Old one." He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins."--British Museum online catalogue and A satire on Henry Dundas, 1st Viscount Melville, who was accused of appropriating funds for non-naval purposes during his tenure as Lord of the Admiralty. Dundas was the most prominent Scottish politician of his era and instrumental in the progress of the Scottish Enlightenment. He is controversial today through his delaying the abolition of slavery for several years
Alternative Title:
Iohn Bull makeing a naval enqury and John Bull making a naval enquiry
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement in lower right: Folios of caracatures lent out for the evening.
Publisher:
Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly
Subject (Name):
Dundas, Henry, 1742-1811, Dundas, Henry, 1742-1811., and Trotter, Alexander, 1750-1830
Subject (Topic):
John Bull (Symbolic character), Sailors, British, Thrones, Ethnic stereotypes, and Pleading (Begging)
"Two elderly Scots discuss the Melville case; one, wearing old-fashioned court dress with a sword, takes snuff from the other's ram's-horn mull; he says: "Touch the Sillar!!! - T'is a on disgrace on aw Scotland!" They have sly, twisted expressions. Melville (left), weeping, clutches the back of the speaker's coat. He wears Highland dress, and says: "What my ain Countrymen turn their backs on me! then tis aw up with Johny Mac-cree [see British Museum Satires No. 10378]". On the right, Pitt runs off furtively to the right, saying, "I must cut out this Connexion - & leave him to his fate"."--British Museum online catalogue
Alternative Title:
Johny Mac-Cree in the dumps!! and Johnny Mac-Cree in the dumps!!
Description:
Title etched below image. and Watermark: C. Wilmott 1801.
Publisher:
Published April 12 - 1805 by S.W. Fores, 50 Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Dundas, Henry, 1742-1811 and Pitt, William, 1759-1806
Title from caption etched below image., Reduced copy of a print of the same title by Cawse, published by Fores on January 1, 1800. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9508., Publication information from periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1800, v. 5., p. 252., Numbered 'No. VIII' in upper right corner., Temporary local subject terms: Buildings: Treasury -- Elections: Westminster election, 1800 -- Literature: allusion to Sheridan's Pizarro -- Lighting: watchman's lantern -- Animals: watchdog -- Thieves -- Bags of money -- Cap of liberty as bonnet rouge., and Mounted to 27 x 37 cm.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Dundas, Henry, 1742-1811, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"Dundas (right) turns the handle of a machine in which two cylinders revolve in contact. Pitt (left) drags out by the wrists the flattened and elongated body of John Bull from between the cylinders where his ankles are still confined. The upper cylinder is marked 'LOAN LOAN'; the lower, 'SUBSIDY TAX'. Pitt says: "He'll come out a great deal further yet turn the loan stone again he is not half flat enough!!" John Bull turns his eyes despairingly towards Pitt. Both his tormentors have discarded their coats; Dundas wears a plaid over his shirt."--British Museum online catalogue
Description:
Title etched at base of image., Attributed to West in British Museum catalogue., Sheet trimmed to plate mark on sides., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Loans -- Subsidies: allusion to the subsidy for Austria -- Mills: hopper., Watermark: Strasburg bend., Mounted to 27 x 46 cm., and Printseller's stamp in lower right of sheet, partially cut off: S.W.F.
Publisher:
Pub. May 25, 1796, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
Subject (Geographic):
Great Britain.
Subject (Name):
Pitt, William, 1759-1806 and Dundas, Henry, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Taxation, and Finance, Public
"Melville, in Highland dress (left), stoops, holding open a sack from which issues an endless procession of pigmy Scots, receding in perspective to disappear under a high Gothic doorway, inscribed 'Saint Stephens'. The little Scots march out of the bag like an army of occupation, with an eager, hungry air. Some wear plain, others feathered, bonnets; one has bagpipes under his arm, another a broad-sword. John Bull (right), a yokel in shirt and breeches, holding a cudgel, looks down at them, saying, "Dang it, what a swarm of them there be - enough to cause a famine in any christian country." Melville says: "There ye are my bonny Lads - mak the best o' your way the door is open - and leave a Scotsman alaine to stick in a place gin he once gains an entrance!" Saint Stephens, the House of Commons, is between a high crenellated wall (right) and the façade of a neo-Gothic building with crenellated roof, oriel windows above an arcade, and turrets."--British Museum online catalogue, description of alternate state
Alternative Title:
Johnny Maccree, opening his new budget
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., For variant state with price and plate number, see no. 10746 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Line of text written in contemporary hand above imprint: (Lord Melville - 1st Lord of the admirals)., and Mounted on leaf 58 of volume 8 of 14 volumes.
Publisher:
Pubd. 1st July, 1807, by Thos. Tegg, N. 111 Cheapside
Subject (Geographic):
Scotland.
Subject (Name):
Saint Stephens (ed. and Dundas, Henry, 1742-1811
Subject (Topic):
John Bull (Symbolic character) and Clothing & dress
Napoleon Bonaparte presents his respects to the worthy electors of Great Britain
Description:
Caption title., Dated from references to the 1806 election., and Watermark: 1806. For further information, consult library staff.
Publisher:
S. Gosnell, printer, Little Queen Street
Subject (Name):
Great Britain. Parliament, Napoleon I, Emperor of the French, 1769-1821., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., Canning, George, 1770-1827., and Dundas, Henry, 1742-1811.
Title from caption below image., Questionable attribution to Newton from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Allusion to Buckinghamshire, Albinia (Bertie) Hobart, countess of, 1738-1816 -- Wars -- Allusion to Mysore War -- Swallow Packet -- Allusion to East India Company -- Bellows -- Allusion to Isle of Skye -- Bristol Channel., and Watermark: G.R.
Publisher:
Pubd. Jany. 31, 1792, by W. Holland, No. 50 Oxford Street
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, George III, King of Great Britain, 1738-1820, and Dundas, Henry, 1742-1811
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
John Bull giving his breeches to save his bacon
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 8836 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 50 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Burke, Edmund, 1729-1797
Title etched below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Restrike of No. 8118 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Allusion to Dundas's opposition to the reform of the Royal Burghs, 1792 -- Allusion to Edinburgh riots, 1792 -- Male costume: cloak., and Imperfect; sheet trimmed within vertical plate lines, with minor loss to the statement of responsibility.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811 and Stirling, James, Sir, 1740 or 1741-1805
Title from item., Numbered '150' in lower right of plate., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Place and date of imprint conjectured from that of book., Restrike of No. 8118 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Allusion to Dundas's opposition to the reform of the Royal Burghs, 1792 -- Allusion to Edinburgh riots, 1792 -- Male costume: cloak.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811 and Stirling, James, Sir, 1740 or 1741-1805
"John Bull, an ungainly yokel, short and stout, stands between Melville (left) and Pitt (right). Melville, wearing Highland dress, sits full face, vomiting a shower of guineas (as in British Museum Satires Nos. 10392, 10400) into a tub. Pitt, rather behind and in profile to the right, rests his elbow on a table and supports his head; a similar tub is before him on the ground. On the table are two large books, 'Debates' and 'Interest Tables'. In the foreground lies a large tankard inscribed 'Whtbr[ead]'. John holds a decanter of 'Conscience Emetic'; he grins, saying, "It do work em rarely to be zure it be better zo than having a continual load on the Stomach tho!" Melville says: "Mercy on me now sick I am! curse this Whitbreads Porter oh Billy, Billy, how is it we you Mon I shall disgorge every thing to the last Baubee!" Pitt, who is desperately thin, looks far more ill and miserable but is not vomiting; he answers: "O Lord afraid I shall reach my heart up by and bye! I never was so sick in all my life.""--British Museum online catalogue
Alternative Title:
John Bulls recipe
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Temporary local Medical Library subject terms: Politics, British -- Emetics.
Publisher:
Pubd. by R. Rapine, Great Knaves Acre, Golden Square
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, and Whitbread, Samuel, 1764-1815
Subject (Topic):
John Bull (Symbolic character), Vomiting, Coins, Sick persons, Books, Wash tubs, and Drinking vessels
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date assigned by cataloger., Two lines of text below title: And eer the last days began, I look'd & behold, a white horse, & his name who sat upon it was Death ..., A reduced copy of a print with the same title that was etched by Gillray and published 4 June 1795 by Hannah Humphrey. Cf. No. 8655 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate numbered "50" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Sheet trimmed within plate mark on top and bottom edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 1 in volume 2.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Wilberforce, William, 1759-1833, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Dundas, Henry, 1742-1811, Burke, Edmund, 1729-1797, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"French troops march with fixed bayonets up St. James's Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are 'White's' and 'Brookes's'. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. In the centre foreground a 'tree of Liberty' (see BMSat 9214, &c.) has been planted: a pole garlanded with flowers and surmounted by a large cap of 'Libertas'. To this pole Pitt, stripped to the waist, is tied, while Fox (left) flogs him ferociously, a birch-rod in each hand. Between Fox's feet lies a headsman's axe, bloodstained; on it stands a perky little chicken with the head of M. A. Taylor (see BMSat 6777). On the right is an ox, his collar, from which a broken cord dangles, inscribed 'Great Bedfordshire Ox' (the duke of Bedford); it is tossing Burke, goaded on by Thelwall, who holds its tail, and flourishes a document inscribed 'Thelwals Lectures' (see BMSat 8685). Burke flies in the air, losing his spectacles, and dropping two pamphlets: 'Letter to the Duke of Bedford', see BMSat 8788, &c, and 'Reflections upon a Regicide Peace', see BMSat 8825. Behind the ox, Lord Stanhope holds up a pole to which is tied, by a ribbon inscribed 'Vive l'Egalite', the beam of a pair of scales; this is balanced by the body of Grenville, suspended by his breeches, and by his head, suspended by the hair; both drip blood. Stanhope, in profile to the left, looks up with a pleased smile; Lauderdale stands facing him, raising his arm to applaud. Behind is an advancing band of British Jacobins waving bonnets-rouges. Sheridan, with furtively triumphant smile, enters the door of Brooks's; a large porter's knot on his head and shoulders supports a sack: 'Remains of the Treasury £'; under his arm is another: 'Requisition from the Bank of England'. Beside the door (right) stands a pestle and mortar inscribed 'J. Hall Apothecary to the New Constitution Long Acre'; the mortar is filled with coronets. On the balcony above the door, Lansdowne, with his enigmatic smile, is working a guillotine; his left hand is on the windlass, in his right he holds up (towards Erskine) Loughborough's elongated wig; the purse of the Great Seal is attached to a post of the guillotine. On the left corner of the balcony rests a dish containing the heads of (left to right) Lord Sydney, Windham, and Pepper Arden, 'Killed off for the Public Good'. Behind stands Erskine, leaning forward and holding up in triumph a firebrand composed of 'Magna Charta', and a 'New Code of Laws'. On the right corner of the balcony four men stand watching the guillotine with quiet satisfaction: Grafton, in profile to the left; Norfolk, clasping his hands, and Derby. Only the hat and eyes of the fourth are visible. In the club windows behind, staring faces are indicated. The lamp beside the door is crowned with a bonnet-rouge. On the door-post a broadside, 'Marsoiles[e] [sic] Hymn', is placed above 'Rule Brit[annia]' (torn). In the street outside and in the foreground (right) is a basket containing the head of Dundas and a set of bagpipes; it is labelled 'To the care of Citizen Horne Tooke'. Beside it lies a bundle of documents labelled 'Waste Paper 2d pr £6'; they are 'Acts of Parliament, Bill of Rights, Statutes.' The left (east) side of the street is filled with goose-stepping republican soldiers, headed by a grotesque and ferocious officer, a drawn sword in his hand, who strides past the decollated head of Richmond, beside which lies a paper: 'Treatise upon Fortifying the Coast' (see BMSat 6921, &c). A grotesque and dwarfish drummer marches in front (left); on his drum is the cap of Liberty and the motto 'Vive la Liberté'. He is immediately outside the door of White's, up the steps of which French officers with fixed bayonets are pressing; one tramples on a prostrate and bleeding body, another transfixes the throat of a member; behind are the hands of members held up to beg for mercy. Other soldiers have reached the balcony and are using daggers; they push over the bleeding body of the Duke of York, indicated by his ribbon and the dice-box and dice which fall from him. The Prince of Wales falls head first, the Duke of Clarence is about to be stabbed. From a projecting lamp-bracket beside the door hang the bodies of Canning and Hawkesbury, tied back to back. Their identity is shown by a placard: 'New March to Paris by Betty Canning (an allusion to Elizabeth Canning, convicted of perjury, cf. BMSat 7982) & Jenny Jenkison'. The (broken) lamp is surmounted by a broken crown. On the club steps and in the street lie a broken 'EO' (roulette) board and playing-cards. The street is filled with close ranks of French soldiers, except for the small body of British Jacobins on the right."--British Museum online catalogue
Alternative Title:
Promised horrors of the French invasion, or, Forcible reasons for negociating a regicide peace, Forcible reasons for negociating a regicide peace, and Forcible reasons for negotiating a regicide peace
Description:
Title etched below image. and 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 32.2 x 43.3 cm, on sheet 42 x 54.4 cm.
Publisher:
Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Thelwall, John, 1764-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dundas, Henry, 1742-1811, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Canning, George, 1770-1827, and Jenkinson, Charles, 1727-1808
Subject (Topic):
Napoleonic Wars, 1800-1815--Proposed invasion of England, 1793-1805, Foreign public opinion, France, and Foreign public opinion, Great Britain
"French troops march with fixed bayonets up St. James's Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are 'White's' and 'Brookes's'. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. In the centre foreground a 'tree of Liberty' (see BMSat 9214, &c.) has been planted: a pole garlanded with flowers and surmounted by a large cap of 'Libertas'. To this pole Pitt, stripped to the waist, is tied, while Fox (left) flogs him ferociously, a birch-rod in each hand. Between Fox's feet lies a headsman's axe, bloodstained; on it stands a perky little chicken with the head of M. A. Taylor (see BMSat 6777). On the right is an ox, his collar, from which a broken cord dangles, inscribed 'Great Bedfordshire Ox' (the duke of Bedford); it is tossing Burke, goaded on by Thelwall, who holds its tail, and flourishes a document inscribed 'Thelwals Lectures' (see BMSat 8685). Burke flies in the air, losing his spectacles, and dropping two pamphlets: 'Letter to the Duke of Bedford', see BMSat 8788, &c, and 'Reflections upon a Regicide Peace', see BMSat 8825. Behind the ox, Lord Stanhope holds up a pole to which is tied, by a ribbon inscribed 'Vive l'Egalite', the beam of a pair of scales; this is balanced by the body of Grenville, suspended by his breeches, and by his head, suspended by the hair; both drip blood. Stanhope, in profile to the left, looks up with a pleased smile; Lauderdale stands facing him, raising his arm to applaud. Behind is an advancing band of British Jacobins waving bonnets-rouges. Sheridan, with furtively triumphant smile, enters the door of Brooks's; a large porter's knot on his head and shoulders supports a sack: 'Remains of the Treasury £'; under his arm is another: 'Requisition from the Bank of England'. Beside the door (right) stands a pestle and mortar inscribed 'J. Hall Apothecary to the New Constitution Long Acre'; the mortar is filled with coronets. On the balcony above the door, Lansdowne, with his enigmatic smile, is working a guillotine; his left hand is on the windlass, in his right he holds up (towards Erskine) Loughborough's elongated wig; the purse of the Great Seal is attached to a post of the guillotine. On the left corner of the balcony rests a dish containing the heads of (left to right) Lord Sydney, Windham, and Pepper Arden, 'Killed off for the Public Good'. Behind stands Erskine, leaning forward and holding up in triumph a firebrand composed of 'Magna Charta', and a 'New Code of Laws'. On the right corner of the balcony four men stand watching the guillotine with quiet satisfaction: Grafton, in profile to the left; Norfolk, clasping his hands, and Derby. Only the hat and eyes of the fourth are visible. In the club windows behind, staring faces are indicated. The lamp beside the door is crowned with a bonnet-rouge. On the door-post a broadside, 'Marsoiles[e] [sic] Hymn', is placed above 'Rule Brit[annia]' (torn). In the street outside and in the foreground (right) is a basket containing the head of Dundas and a set of bagpipes; it is labelled 'To the care of Citizen Horne Tooke'. Beside it lies a bundle of documents labelled 'Waste Paper 2d pr £6'; they are 'Acts of Parliament, Bill of Rights, Statutes.' The left (east) side of the street is filled with goose-stepping republican soldiers, headed by a grotesque and ferocious officer, a drawn sword in his hand, who strides past the decollated head of Richmond, beside which lies a paper: 'Treatise upon Fortifying the Coast' (see BMSat 6921, &c). A grotesque and dwarfish drummer marches in front (left); on his drum is the cap of Liberty and the motto 'Vive la Liberté'. He is immediately outside the door of White's, up the steps of which French officers with fixed bayonets are pressing; one tramples on a prostrate and bleeding body, another transfixes the throat of a member; behind are the hands of members held up to beg for mercy. Other soldiers have reached the balcony and are using daggers; they push over the bleeding body of the Duke of York, indicated by his ribbon and the dice-box and dice which fall from him. The Prince of Wales falls head first, the Duke of Clarence is about to be stabbed. From a projecting lamp-bracket beside the door hang the bodies of Canning and Hawkesbury, tied back to back. Their identity is shown by a placard: 'New March to Paris by Betty Canning (an allusion to Elizabeth Canning, convicted of perjury, cf. BMSat 7982) & Jenny Jenkison'. The (broken) lamp is surmounted by a broken crown. On the club steps and in the street lie a broken 'EO' (roulette) board and playing-cards. The street is filled with close ranks of French soldiers, except for the small body of British Jacobins on the right."--British Museum online catalogue
Alternative Title:
Promised horrors of the French invasion, or, Forcible reasons for negociating a regicide peace, Forcible reasons for negociating a regicide peace, and Forcible reasons for negotiating a regicide peace
Description:
Title etched below image. and Identifications in contemporary hand written below and to the right of plate mark.
Publisher:
Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Thelwall, John, 1764-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dundas, Henry, 1742-1811, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Canning, George, 1770-1827, and Jenkinson, Charles, 1727-1808
Subject (Topic):
Napoleonic Wars, 1800-1815--Proposed invasion of England, 1793-1805, Foreign public opinion, France, and Foreign public opinion, Great Britain
"French troops march with fixed bayonets up St. James's Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are 'White's' and 'Brookes's'. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. In the centre foreground a 'tree of Liberty' (see BMSat 9214, &c.) has been planted: a pole garlanded with flowers and surmounted by a large cap of 'Libertas'. To this pole Pitt, stripped to the waist, is tied, while Fox (left) flogs him ferociously, a birch-rod in each hand. Between Fox's feet lies a headsman's axe, bloodstained; on it stands a perky little chicken with the head of M. A. Taylor (see BMSat 6777). On the right is an ox, his collar, from which a broken cord dangles, inscribed 'Great Bedfordshire Ox' (the duke of Bedford); it is tossing Burke, goaded on by Thelwall, who holds its tail, and flourishes a document inscribed 'Thelwals Lectures' (see BMSat 8685). Burke flies in the air, losing his spectacles, and dropping two pamphlets: 'Letter to the Duke of Bedford', see BMSat 8788, &c, and 'Reflections upon a Regicide Peace', see BMSat 8825. Behind the ox, Lord Stanhope holds up a pole to which is tied, by a ribbon inscribed 'Vive l'Egalite', the beam of a pair of scales; this is balanced by the body of Grenville, suspended by his breeches, and by his head, suspended by the hair; both drip blood. Stanhope, in profile to the left, looks up with a pleased smile; Lauderdale stands facing him, raising his arm to applaud. Behind is an advancing band of British Jacobins waving bonnets-rouges. Sheridan, with furtively triumphant smile, enters the door of Brooks's; a large porter's knot on his head and shoulders supports a sack: 'Remains of the Treasury £'; under his arm is another: 'Requisition from the Bank of England'. Beside the door (right) stands a pestle and mortar inscribed 'J. Hall Apothecary to the New Constitution Long Acre'; the mortar is filled with coronets. On the balcony above the door, Lansdowne, with his enigmatic smile, is working a guillotine; his left hand is on the windlass, in his right he holds up (towards Erskine) Loughborough's elongated wig; the purse of the Great Seal is attached to a post of the guillotine. On the left corner of the balcony rests a dish containing the heads of (left to right) Lord Sydney, Windham, and Pepper Arden, 'Killed off for the Public Good'. Behind stands Erskine, leaning forward and holding up in triumph a firebrand composed of 'Magna Charta', and a 'New Code of Laws'. On the right corner of the balcony four men stand watching the guillotine with quiet satisfaction: Grafton, in profile to the left; Norfolk, clasping his hands, and Derby. Only the hat and eyes of the fourth are visible. In the club windows behind, staring faces are indicated. The lamp beside the door is crowned with a bonnet-rouge. On the door-post a broadside, 'Marsoiles[e] [sic] Hymn', is placed above 'Rule Brit[annia]' (torn). In the street outside and in the foreground (right) is a basket containing the head of Dundas and a set of bagpipes; it is labelled 'To the care of Citizen Horne Tooke'. Beside it lies a bundle of documents labelled 'Waste Paper 2d pr £6'; they are 'Acts of Parliament, Bill of Rights, Statutes.' The left (east) side of the street is filled with goose-stepping republican soldiers, headed by a grotesque and ferocious officer, a drawn sword in his hand, who strides past the decollated head of Richmond, beside which lies a paper: 'Treatise upon Fortifying the Coast' (see BMSat 6921, &c). A grotesque and dwarfish drummer marches in front (left); on his drum is the cap of Liberty and the motto 'Vive la Liberté'. He is immediately outside the door of White's, up the steps of which French officers with fixed bayonets are pressing; one tramples on a prostrate and bleeding body, another transfixes the throat of a member; behind are the hands of members held up to beg for mercy. Other soldiers have reached the balcony and are using daggers; they push over the bleeding body of the Duke of York, indicated by his ribbon and the dice-box and dice which fall from him. The Prince of Wales falls head first, the Duke of Clarence is about to be stabbed. From a projecting lamp-bracket beside the door hang the bodies of Canning and Hawkesbury, tied back to back. Their identity is shown by a placard: 'New March to Paris by Betty Canning (an allusion to Elizabeth Canning, convicted of perjury, cf. BMSat 7982) & Jenny Jenkison'. The (broken) lamp is surmounted by a broken crown. On the club steps and in the street lie a broken 'EO' (roulette) board and playing-cards. The street is filled with close ranks of French soldiers, except for the small body of British Jacobins on the right."--British Museum online catalogue
Alternative Title:
Promised horrors of the French invasion, or, Forcible reasons for negociating a regicide peace, Forcible reasons for negociating a regicide peace, and Forcible reasons for negotiating a regicide peace
Description:
Title etched below image., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 32.4 x 43.5 cm, on sheet 37.0 x 48.1 cm., and Mounted on leaf 11 of volume 4 of 12.
Publisher:
Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Thelwall, John, 1764-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dundas, Henry, 1742-1811, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Canning, George, 1770-1827, and Jenkinson, Charles, 1727-1808
Subject (Topic):
Napoleonic Wars, 1800-1815--Proposed invasion of England, 1793-1805, Foreign public opinion, France, and Foreign public opinion, Great Britain
"The Prince of Wales lies on his back on an operating-table (cf. BMSat 7512), wearing his feathers as a coronet. Members of the Ministry holding knives surround the Prince; their operations are directed by Pitt, who is seated in a throne-like chair raised above the others. He points with a long wand at the Prince's star, saying to Dundas, "The good Qualities of his heart will certainly ruin our plan therefore cut that out first". Dundas holds a knife, looking up at Pitt, as if to read a paper which he holds out: 'Thanks from the City of London with £50,000'. Next Dundas, and at Pitt's feet, sits Sydney, holding a knife, and looking ferociously at the Prince. In an armchair by the Prince's feet sits Grafton, staring fiercely at the Prince, and holding a knife in each hand. His left foot rests on a basket containing surgeon's tools; a pair of shears and a saw lie beside it. Beside Grafton and on the extreme left stands Richmond, also glaring fiercely at the Prince; he holds a headsman's axe. At the Prince's head, seated with folded arms and closed or lowered eyes is Thurlow (right), his position indicative of his temporizing attitude, see BMSat 7377. The Prince's left arm droops over blank papers, which appear to be intended for some inscription."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 70 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sydney, Thomas Townshend, Viscount, 1733-1800
"Fox (right), a news-boy (as in BMSat 8458), ragged and unshaven, stands in profile to the left, his right hand on the knocker of the gate of the 'Treasury'. He wears a bonnet-rouge on the front of which is a tricolour placard: 'Daily Advertiser' (like those worn by news-boys); his horn is thrust through his belt. He shouts: "Bloody-News! - Bloody-News! - Bloody-News!! - glorious-bloody News for old-England! - Bloody News! - Traitrous- Taxes! - Swindling-Loans! - Murd'ring-Militia's.' - Ministerail-Invasions! - Ruin to all Europe! - alarming - bloody - News! - Bloody-News!!!" The knocker is a ring in the mouth of a Medusa head with the face of Pitt. From above the spiked bars of the closed gate issues a label: 'Lord! Fellow! - pray don't keep such a knocking & Bawling there; - we never take in any Jacobin papers here! - & never open the doors for any, but such as can be trusted: True-Briton's & such!' Under Fox's left arm is a roll of 'Paris-Papers'; in his left hand a large sheet of the 'Daily Advertiser' with three columns of advertisements, headed, 'Places Wanted, Wants Places', and 'Wanted: Wanted, - a Place in the Treasury. Wanted, an Appointment in the Exchequer. Wanted, a Situation at St James's. Wants a Place a thorough-bred Secretary. Wants a Place. A Man of all Work. Wants Employt a true Greek-Patriarch. Wanted, a Place in the Pension-List. Wanted, a comfortable Annuity for Life. Wanted, a snug Sinecure for Life. N.B: The above Mouth-stoppers will be purchas'd upon any Terms; - !!! For particulars apply to the Fox & Grapes in Starvation Lane - or, at the Box & Dice in Knave's Accre'. On the wall behind his head (right) is posted a bill: 'Just Publish'd a new Edition The Cries of the Opposition, or, the Tears of the Famish'd Patriots, dedicated to the consideration of the Ministry.' After the title: 'Vide, Dundas's Speech in the House of Commons. - "for a dozen Years past, he has follow'd the business of a Daily-Advertiser, - daily stunning our Ears with a noise about Plots & Ruin & Treasons & Impeachments; - while the Contents of his Bloody-News turns out to be, only a Daily Advertisement for a Place & a Pension.'"--British Museum online catalogue
Description:
Title etched below image., Imprint from untrimmed impression in Caricatures of Gillray. Cf. Yale Center for British Art L296.32 (Folio A)., Date of publication inferred from John Miller's entry in P.A.H. Brown's London publishers and printers. London: British Library, 1982., Plate from: Caricatures of Gillray. London: John Miller, [ca. 1824-1827]., Reduced copy of a print with the same title etched by Gillray and published by Hannah Humphrey in 1797., Letter 'R' in 'Treasury' etched as 'P'., Three lines of text below title: "for a dozen years past he has follow'd the business of a Daily Advertiser ... . Text differs slightly from the original 1797 Gillray print and another reduced copy., Temporary local subject terms: Treasury -- Newspapers: allusion to French newspapers-- Speeches: Dundas's speech in the House of Commons, 30 Dec., 1796 -- Bonnet rouge -- Door knockers., and Mounted to 37 x 30 cm.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Dundas, Henry, 1742-1811
"Pitt rides (right to left) a zebra; he sits on the animal's hind quarters, flourishing a whip; before him are two panniers filled with jewels, one inscribed 'Rights and Wrongs'. From the zebra's neck hangs a large jewel inscribed 'Bulse'. He says, "I have thrown off the Mask. I can blind the people no longer and must now carry every thing by my bought Majority." The zebra (the Queen) is led by Dundas (left) [Identified by Miss Banks as Thurlow: the resemblance to either is inconclusive, though pointing to Thurlow, but the inscription indicates Dundas.] and urged on by Richmond (right), who prods it with a goad. It says, "What are Childrens rights to Ambition - I will rule in spite of them if I can conceal things at Q." [Kew.] In front of Dundas (left) is a signpost: "To Tower Hill by B------m [Buckingham] house". Dundas turns his head to shout at Pitt: "So many Scotchmen have left their heads behind in this d------d tower for treason I begin to tremble as much as thief in the rear for my own." Richmond, noted for his unfailing support of Pitt, says, "Skulking in the rear out of sight suits best my character." Behind him (right) is a cannon."--British Museum online catalogue
Alternative Title:
Queen's ass loaded with the spoils of India and Britain
Description:
Title etched below image., Printmaker and date fom British Museum catalogue., Grego suggests a publication date of March 6, 1788., and Mounted on leaf 18 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818.
"Melville and Trotter, both in Highland dress, rush into each other's arms. Trotter waves his bonnet, that of Melville falls off. Behind Trotter (left) John Bull, an obese carbuncled 'cit', with a bludgeon under his arm, and wearing a hat, watches them in sour disapproval, saying: "I say Nothing." Trotter, his eyes turned toward John, says: "Ill trot for you - Ill gallop for you all over the globe - Oh happy day for Scotland - and see how pleas'd John Bull looks - ah Johny, Johny, this is indeed a glorious triumph!" Melville says ecstatically: "What is life without a Friend". In his exuberance he kicks over an enormous tankard inscribed with the Royal Arms and 'Whitbreads Intire Butt' ... which stood on a low table. Its contents pour to the ground: 'Impeachment', 'High Crimes', 'Misdemeanors', 'Peculation'."--British Museum online catalogue
Alternative Title:
Up setting the porter pot and Upsetting the porter pot
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 39 of volume 8 of 14 volumes.
Publisher:
Pubd. June 20th, 1806, by T. Rowlandson, No. 1 James St., Adelphi
Subject (Geographic):
Scotland.
Subject (Name):
Dundas, Henry, 1742-1811 and Whitbread, Samuel, 1764-1815
Subject (Topic):
Impeachment, John Bull (Symbolic character), and Clothing & dress
"A close parody of West's picture, 'The Death of Wolfe' (1771). The three officers supporting the mortally wounded Pitt are (left to right) Burke, Pepper Arden (Master of the Rolls), and Dundas. From Burke's pocket projects a paper 'Reflections upon £3700 Pr Ann.' (The policy indicated by his famous book, see BMSat 7675, &c, had been rewarded by two pensions, see BMSat 8654.) Dundas, wearing a kilt, offers Pitt a glass of wine (in place of stanching his wound); a bottle of 'Port' projects from his coat-pocket. The officer behind holding the British flag is identified by Lord Holland as Chatham and the man who supports him as Powys, noted for his propensity to tears (see BMSat 6642). The White Horse of Hanover (cf. BMSat 8691, &c.) on the flag is more conspicuous than in West's picture, and a scroll inscribed 'Magna Chart[a]' has been added. In the group facing Pitt the place of the Mohawk Indian seated on the ground is taken by Loughborough, half-naked, the purse of the Great Seal replacing the Indian's beaded bag, the mace that of his musket, a bloodstained headsman's axe that of his tomahawk. In place of the beaded headdress is the Chancellor's wig surmounted by a monster with the head of a cock, whose limbs are snakes. The two men who lean forward to Wolfe, pointing back to the messenger with the news of victory, are dressed as running-footmen in livery and hold the long sticks with the head enclosing an egg carried by these men. Ink-pots are slung across their shoulders by bands inscribed 'Ist Treasury Runner' and '2d Tre . . .', showing that they are the two Secretaries to the Treasury, George Rose and Charles Long. Grenville, in peer's robes, stands between Lord Mansfield and Windham, who supports him. In place of West's handsome young officer who runs up with the French flag is a man with the face of a demon holding a tattered tricolour flag inscribed 'Libertas', its shaft broken. A large bonnet-rouge lies on the ground. The couple who stand on the extreme right watching Pitt with clasped hands are Richmond and a man with a wooden leg. Richmond, in general's uniform, his bald head contrasting with the luxuriant hair of West's corresponding figure, has a cannon slung to his back to indicate his Mastership of the Ordnance (cf. BMSat 6921, &c.) in which, however, he had been succeeded by Cornwallis (Feb. 1795), see BMSat 8341. His weeping companion has been identified as Wilberforce, though his wooden leg might indicate Brook Watson, Commissary-General (see vol. vi). The background differs from West's picture. In place of the confused fighting and the smoke which surrounds the Heights of Abraham, the Ministerial cavalry advance in even line, rank upon rank, and put to flight a small body of sansculottes with bonnets-rouges (left). They have a standard on which is a crown. ..."--British Museum online catalogue
Description:
Title etched below image., Text below title: "We have overcome all opposition!, exclaimed the messengers. "I'm satisfied," said the dying hero, & expired in the moment of victory., Text at botton of plate: To Benjn. West Esqr., President of the Royal Academy, this attempt to emulate the beauties of his unequal'd picture ..., Sheet trimmed within plate mark on upper and lower edges., and Temporary local subject terms: Emblems: White Horse of Hanover -- Purse of the Seal -- Allusion to French Revolution -- Treasury -- Bills: Sedition Bill.
Publisher:
Pubd. Decr. 17th, 1795, by H. Humphrey, 37 New Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, Dundas, Henry, 1742-1811, Mansfield, David Murray, Earl of, 1727-1796, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Windham, William, 1750-1810, Rose, George, 1744-1818, Wilberforce, William, 1759-1833, Long, Charles, 1760-1838, Lilford, Thomas Powys, Baron, 1743-1800, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Chatham, John Pitt, Earl of, 1756-1835, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Watson, Brook, 1735-1807, Wolfe, James, 1727-1759., and West, Benjamin, 1738-1820.
"A close parody of West's picture, 'The Death of Wolfe' (1771). The three officers supporting the mortally wounded Pitt are (left to right) Burke, Pepper Arden (Master of the Rolls), and Dundas. From Burke's pocket projects a paper 'Reflections upon £3700 Pr Ann.' (The policy indicated by his famous book, see BMSat 7675, &c, had been rewarded by two pensions, see BMSat 8654.) Dundas, wearing a kilt, offers Pitt a glass of wine (in place of stanching his wound); a bottle of 'Port' projects from his coat-pocket. The officer behind holding the British flag is identified by Lord Holland as Chatham and the man who supports him as Powys, noted for his propensity to tears (see BMSat 6642). The White Horse of Hanover (cf. BMSat 8691, &c.) on the flag is more conspicuous than in West's picture, and a scroll inscribed 'Magna Chart[a]' has been added. In the group facing Pitt the place of the Mohawk Indian seated on the ground is taken by Loughborough, half-naked, the purse of the Great Seal replacing the Indian's beaded bag, the mace that of his musket, a bloodstained headsman's axe that of his tomahawk. In place of the beaded headdress is the Chancellor's wig surmounted by a monster with the head of a cock, whose limbs are snakes. The two men who lean forward to Wolfe, pointing back to the messenger with the news of victory, are dressed as running-footmen in livery and hold the long sticks with the head enclosing an egg carried by these men. Ink-pots are slung across their shoulders by bands inscribed 'Ist Treasury Runner' and '2d Tre . . .', showing that they are the two Secretaries to the Treasury, George Rose and Charles Long. Grenville, in peer's robes, stands between Lord Mansfield and Windham, who supports him. In place of West's handsome young officer who runs up with the French flag is a man with the face of a demon holding a tattered tricolour flag inscribed 'Libertas', its shaft broken. A large bonnet-rouge lies on the ground. The couple who stand on the extreme right watching Pitt with clasped hands are Richmond and a man with a wooden leg. Richmond, in general's uniform, his bald head contrasting with the luxuriant hair of West's corresponding figure, has a cannon slung to his back to indicate his Mastership of the Ordnance (cf. BMSat 6921, &c.) in which, however, he had been succeeded by Cornwallis (Feb. 1795), see BMSat 8341. His weeping companion has been identified as Wilberforce, though his wooden leg might indicate Brook Watson, Commissary-General (see vol. vi). The background differs from West's picture. In place of the confused fighting and the smoke which surrounds the Heights of Abraham, the Ministerial cavalry advance in even line, rank upon rank, and put to flight a small body of sansculottes with bonnets-rouges (left). They have a standard on which is a crown. ..."--British Museum online catalogue
Description:
Title etched below image., Text below title: "We have overcome all opposition!, exclaimed the messengers. "I'm satisfied," said the dying hero, & expired in the moment of victory., Text at botton of plate: To Benjn. West Esqr., President of the Royal Academy, this attempt to emulate the beauties of his unequal'd picture ..., Sheet trimmed within plate mark on upper and lower edges., Temporary local subject terms: Emblems: White Horse of Hanover -- Purse of the Seal -- Allusion to French Revolution -- Treasury -- Bills: Sedition Bill., 1 print : etching on wove paper, hand-colored ; plate mark 33.9 x 44.6 cm, on sheet 37.8 x 48.5 cm., and Mounted on leaf 70 of volume 3 of 12.
Publisher:
Pubd. Decr. 17th, 1795, by H. Humphrey, 37 New Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, Dundas, Henry, 1742-1811, Mansfield, David Murray, Earl of, 1727-1796, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Windham, William, 1750-1810, Rose, George, 1744-1818, Wilberforce, William, 1759-1833, Long, Charles, 1760-1838, Lilford, Thomas Powys, Baron, 1743-1800, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Chatham, John Pitt, Earl of, 1756-1835, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Watson, Brook, 1735-1807, Wolfe, James, 1727-1759., and West, Benjamin, 1738-1820.
Title from item., Attribution to Dent from British Museum catalogue., Temporary local subject terms: Taxes -- Literary allusion to Bible: Parable of the loaves and fishes -- House of Commons -- Pensions., and Watermark in center of sheet: J Whatman.
Publisher:
Pub'd as the act direts [sic] by J. Brown, Rothbone Place
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Title engraved below image., Publication information from periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1800, v. 5, page 252., Reduced copy of a print of the same title by Cawse after Woodward, published by Hixon on 27 January 1800. See No. 9511 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Numbered 'No. VII' in upper right corner., Temporary local subject terms: Interiors: House of Commons -- Opposition: return to Parliament., and Mounted to 29 x 34 cm.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Dundas, Henry, 1742-1811, and Great Britain. Parliament. House of Commons,
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., Framed to 31 x 216 cm., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., 1 print on 4 sheets : etching on wove paper, hand-colored ; sheets 30 x 60 cm or smaller., and Mounted on leaves 39 to 42 of volume 2 of 12.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
Pitt and Fox stand square-off, fists raised in the House of Commons at the height of the Regency Crisis, just before the passage of the Regency Bill, 1789
Alternative Title:
Humphreys & Mendoza fighting for a crown and Humphreys and Mendoza fighting for a crown
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 27 x 38 cm., and Watermark.
Publisher:
Pub'd by W. Dent December 22 1788 and Sold by W. Moore, Oxford Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, and Great Britain. House of Commons,
Title etched below image., Restrike, with corrections to the plate, of No. 9166 in the British Museum. Division I, political and personal satires, v. 7., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., Three lines of text below title: O, Harrie, whether shall I fly! I am this day a murderer of thousands ..., and Temporary local subject headings: French invasion -- Military uniforms.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, 1759-1806 and Dundas, Henry, 1742-1811
