"Three men sit, singing a catch, with a round table between them. A British officer (perhaps Cotton), wearing a cocked hat, sits in profile to the right, facing Dalrymple who sits (right) with tightly closed mouth, his hands on his knees. Between them, but with his chair from Dalrymple, sits a man in Spanish (here Portuguese) dress, wearing a feathered hat. The British officer sings: T'was You Sir-Hew - Twas Hew. that let the French Escape, That makes you look so blue Sir-Hew Sir Hew! He and the Portuguese (perhaps Freire) point minatory hands at Dalrymple, whose face is painted lead colour. On the wall are two pictures: (above the Portuguese) 'A correct representation of the French Plunderers stopt in their progress by the Spanish Patriots.' [at Baylen] and (above Dalrymple): 'A Correct representation of the French Plunderers quitting Portugal for France - under a British Escort.' In one a long train of wagons is stopped by armed men, in the other are ships in full sail. On the table are glasses and decanters of 'Port and Calcavella'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Watermark: E& P.
Publisher:
Pubd. Octr. 1808 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Spain. and Portugal.
Subject (Name):
Cotton, Charles, Sir, 1753-1812 and Dalrymple, Hew Whiteford, Sir, 1750-1830
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Generals, British, Military officers, Singing, Wine, Drinking vessels, and Pictures
Title from item., Place of publication based on known location of printmaker., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: E & P., and Watermark: Strasburg Lily.
Title from item., Printmaker identified in British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Allusion to Bill of Rights -- Bills: Convention Bill -- Newspapers: Telegraph -- Justices of the Peace -- Acts: Riot Act -- Sedition -- Dishes: punch bowl -- Dog muzzles -- John Bull as a dog -- William Pitt as a dog., and Watermark: (countermark) E & P.
Publisher:
Pub. No. 17, 1795, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[9 August 1797]
Call Number:
797.08.09.01
Image Count:
1
Resource Type:
still image
Description:
Title from item., Temporary local subject terms: Taxation -- Taxes: clock tax, August 1797 -- Hosiers -- Emblems: royal crown stamped on hat as proof of paid hat tax -- Male dress: stockings., and Watermark: E & P, with date mostly trimmed off (1794?).
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Interiors: House of Commons -- Currency crisis, 1797 -- Bank crisis, 1797., and Watermark: Strasburg lily with initials E & P below.
Publisher:
Pub. Mar. 8, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Wilberforce, William, 1759-1833
"Sheridan leads the forces of the professionals against the amateurs of the Pic Nic Society, who are performing on a small, elegant stage, rising (without orchestra) from the boards in the foreground where these enemies advance. He is dressed as Harlequin; the tight chequered dress (slightly torn) accentuates his obesity; an empty purse hangs from his belt; in his left hand is a hat with a tricolour cockade (emblem of Jacobinism). In his right hand he flourishes a large pen whose feather makes wide swirling curves, terminating in firework-stars, and inscribed with the names of newspapers: 'Courier', 'Morning Post', 'Morning Herald', 'Morning Chronicle'. He is masked, to indicate that he has been writing anonymous squibs against the Pic Nics. The swirls of his pen partly obscure a figure of Comedy, meretricious, and half-naked, holding up a mask which decorates the left pilaster of the proscenium. The actors follow in characteristic attitudes. Kemble (as Hamlet) wearing a ribbon, ranting in tragedy, directly behind Sheridan, staggers back with legs astride, both arms raised. On the left is Mrs. Billington, singing as in BMSat 9765, left hand on her breast. Mrs. Siddons (? as Lady Macbeth) clutches a dagger. Behind is the head of Lewis (see BMSat 9915), with a comedian's smile, wearing a cocked hat. Crowds of actors pressing on from behind (left) and in deep shadow, are indicated by arms holding up banners; the chief one with the head of 'Shakespeare', badly torn. Others are 'Otway Rowe'; 'Kotzbue', and 'Schiller', both tricolour (indicating the supposedly revolutionary tendencies of modern German drama, cf. 'The Rovers' in the 'Anti-Jacobin', and BMSat 7054); 'Jonson', 'Congreve', 'Addison'. In the foreground, through splintering boards, the ghost of Garrick rises, a mask in his hand. ..."--British Museum online catalogue
Alternative Title:
Harlequin Quixotte attacking the puppets
Description:
Title etched below image., Text following title: Vide Tottenham Street pantomime., Watermark: E & P., and Mounted on leaf 72 of volume 10 of 12.
Publisher:
Publish'd April 2d, 1802, by H. Humphrey, St. James's Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Kemble, John Philip, 1757-1823, Billington, Elizabeth, 1765-1818, Siddons, Sarah, 1755-1831, Lewis, William Thomas, 1746?-1812, Garrick, David, 1717-1779, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Mount Edgcumbe, Richard Edgcumbe, Earl of, 1764-1839
"The head of Napoleon in profile to the left, is held high on a pitchfork by John Bull, whose head and shoulders only are visible. He is a volunteer, an armed yokel, his loose hair and check neckcloth going ill with his military coat and epaulets. He wears a three-cornered hat turned up with a favour inscribed 'Britons strike home', and with a bunch of oak-leaves. A background of similar heads, fat and smiling, recedes in perspective : a crowd holding up their bayoneted muskets and looking up at the bleeding head; some wave their hats. They have a Union flag. John says: "Ha! my little Boney! - what do'st think of Johnny Bull now? - Plunder Old England! hayy? - ravish all our Wives & Daughters! hay - O Lord help that silly Head! - to think that Johnny Bull would ever suffer those Lanthorn Jaws to become King of Old England's Roast-Beef & Plumpudding!" Above the design: 'This is to give information for the benifit of all Jacobin Adventurers, that Policies are now open'd at Lloyd's - where the depositer of One Guinea is entitled a Hundred if the Corsican Cut-throat is Alive 48 Hours after Landing on the British Coast.'"--British Museum online catalogue
Alternative Title:
Buonaparte forty-eight hours after landing!
Description:
Title etched below image., Impression from a worn plate; parts of title and statement of responsibility are lightly printed and nearly illegible., Watermark: E & P., and Mounted on leaf 61 of volume 5 of 12.
Publisher:
Pubd. July 26th, 1803, by H. Humphrey, St. James's Street, London
Title from item., Attributed to Ansell in British Museum catalogue., Sheet trimmed within plate mark., Two lines of verse below title: Poor pilgrims blithe and jolly, in penance for past folly., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: -- Vagabonds -- Trades: rope making -- Scourges -- Leg irons -- Bonnets rouges -- Tools: mallets., and Watermark: Strasburg bend with initials E & P below.
Publisher:
Pubd. Novr. 20th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Norfolk, Charles Howard, Duke of, 1746-1815
"Mrs. Clarke's house is on the right. A military officer (Wardle) wrapped in a cloak slips a purse into the hand of a meretricious young woman at the door, with a belt inscribed Favorit. Mrs. Clarke, her breast much exposed, leans from a window to look down at him. Two other men look from other windows. Above the door is a lantern inscribed: Now Exhibiting Wonders upon Wonders or Mrs Clarkes Puppet Show Which has given satisn to Po[ ? pulace] and Prince. Below this is a board: All the World's a Stage and Men and Women merely Players-- some play the upper some the under part, but chief Play that--most foreign to their heart. On the door: Knock and you shall Enter. On the wall (by Mrs. Clarke) is a sign for "Globe Fire Insurance". On the right the Duke of York walks away from the house; he wears a mitre and carries a crosier; a bishop's robe, on which are the words "Men have their Entrances & their Exits". Next to him walks an elderly lawyer (Adam) and a fat parson (O'Meara) hurries after him. Facing Mrs. Clarke's house is a row of houses: Prospect Row; old women, Maiden Ladies, watch from upper windows, as does an old man with a telescope who puts a grotesque head out of an attic window inscribed Peeping Toms Observatory. He says: O the Devil choak her he's Waddling in as Im a prying Croaker. Two cats fight on the roof; words issue from one of them: "Come what come may the Cat will mew. The Dog will have his day"."--British Museum online catalogue
Alternative Title:
Croaking member surveying the inside, outside and backside of Mrs. Clarkes premises
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., and Mounted to 29 x 43 cm.
Publisher:
Pubd. March 4, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, Croker, John Wilson, 1780-1857, Adam, William, 1751-1839, and Wardle, Gwyllym Lloyd, 1762?-1833
"Mrs. Clarke's house is on the right. A military officer (Wardle) wrapped in a cloak slips a purse into the hand of a meretricious young woman at the door, with a belt inscribed Favorit. Mrs. Clarke, her breast much exposed, leans from a window to look down at him. Two other men look from other windows. Above the door is a lantern inscribed: Now Exhibiting Wonders upon Wonders or Mrs Clarkes Puppet Show Which has given satisn to Po[ ? pulace] and Prince. Below this is a board: All the World's a Stage and Men and Women merely Players-- some play the upper some the under part, but chief Play that--most foreign to their heart. On the door: Knock and you shall Enter. On the wall (by Mrs. Clarke) is a sign for "Globe Fire Insurance". On the right the Duke of York walks away from the house; he wears a mitre and carries a crosier; a bishop's robe, on which are the words "Men have their Entrances & their Exits". Next to him walks an elderly lawyer (Adam) and a fat parson (O'Meara) hurries after him. Facing Mrs. Clarke's house is a row of houses: Prospect Row; old women, Maiden Ladies, watch from upper windows, as does an old man with a telescope who puts a grotesque head out of an attic window inscribed Peeping Toms Observatory. He says: O the Devil choak her he's Waddling in as Im a prying Croaker. Two cats fight on the roof; words issue from one of them: "Come what come may the Cat will mew. The Dog will have his day"."--British Museum online catalogue
Alternative Title:
Croaking member surveying the inside, outside and backside of Mrs. Clarkes premises
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., 1 print : etching on wove paper, hand-colored ; sheet 25.1 x 34.5 cm., Sheet trimmed within plate mark., Watermark: E & P., and Mounted on verso of leaf 36 of volume 10 of 14 volumes.
Publisher:
Pubd. March 4, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, Croker, John Wilson, 1780-1857, Adam, William, 1751-1839, and Wardle, Gwyllym Lloyd, 1762?-1833
"An elderly parson (right) capers wildly, arms outstretched, wig flying off, his hat on the floor. On the left a comely wife and two boys watch him with astonishment. They sit by a table on which are wine and fruit. She says: "Why my Dear-you are quite frantic, what is the matter with you". He answers: "Frantic-I believe I am,-I have been preaching before Royalty, our Fortunes are made,-such a Sermon-neat text-quarter of an hours discourse-appropriate prayer at the conclusion,-O, to see them cry, it would have melted an heart of Stone,-Oh bless that Mrs Clarke I shall never forget her"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Watermark: E & P., and Mounted on leaf 43 of volume 10 of 14 volumes.
Publisher:
Pubd. April 1st, 1809, by Thos. Tegg, No. 111 Cheapside
Bell's and beau's of 1799 and Belles and beaus of 1799
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Printmaker from British Museum catalogue., and Temporary local subject terms: Female dress: high-waisted transparent dresses, 1799 -- Bonnets -- Parasols -- Male dress: tasselled boots -- Jean de Bry coat -- Kensington Gardens? -- Eyeglasses: quizzing glass.
Publisher:
Pubd. July 1st, 1799, by S.W. Fores, 50 Piccadilly
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Cards: faro -- Pillory -- Mrs. Sturt, fl. 1796 -- Mrs. Concannon, fl. 1796., Watermark: countermark E & P., and Printseller's stamp in the lower right of plate: S.W.F.
Publisher:
Pub. May 16, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Kenyon, Lloyd Kenyon, Baron, 1732-1802, Fox, Charles James, 1749-1806, and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
"A British sailor, firmly planted astride the globe, is severely punishing Bonaparte, who, with one knee precariously on 'Turk[ey]' (Egypt), is about to fall backwards into space. Bonaparte wears a huge cocked hat, is naked from the waist, but wears sleeve-ruffles, according to the old gibe on the beggarly French fop. He is much emaciated, and gashed with wounds; 'Nelson' is inscribed on his solar plexus. Blood gushes from his nose. Jack Tar's right leg stretches across central Europe, the toe supported on 'Malta'. Clouds form a background."--British Museum online catalogue
Alternative Title:
Jack Tar settling Buonaparte
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Boxing -- Maps: globes -- Uniforms: sailor's uniform -- Jack Tar (Symbolic character)., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 20th, 1798, by H. Humphrey, St. Jamess [sic] Street
"A British sailor, firmly planted astride the globe, is severely punishing Bonaparte, who, with one knee precariously on 'Turk[ey]' (Egypt), is about to fall backwards into space. Bonaparte wears a huge cocked hat, is naked from the waist, but wears sleeve-ruffles, according to the old gibe on the beggarly French fop. He is much emaciated, and gashed with wounds; 'Nelson' is inscribed on his solar plexus. Blood gushes from his nose. Jack Tar's right leg stretches across central Europe, the toe supported on 'Malta'. Clouds form a background."--British Museum online catalogue
Alternative Title:
Jack Tar settling Buonaparte
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Boxing -- Maps: globes -- Uniforms: sailor's uniform -- Jack Tar (Symbolic character)., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 26.0 x 36.3 cm, on sheet 29.2 x 40.6 cm., Watermark: E & P., and Mounted on leaf 73 of volume 4 of 12.
Publisher:
Pubd. Novr. 20th, 1798, by H. Humphrey, St. Jamess [sic] Street
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Fictitious societies.
Title from item., Sheet trimmed to plate mark on top and sides., Text following publisher's statement: Folios of careatures [sic] lent out for the evening., Temporary local subject terms: Taxes: Dog Tax, April 1796 -- Excise: duty on sherry and port -- Budgets: Pitt's budget, 1796 -- Gibbets., Watermark: Strasburg bend; initials below obscured by coloring in the design., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. May 10, 1796, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
Title from item., Printmaker identified in the British Museum online catalogue., Four lines of verse in two columns below title: There was a laugh & a craw ... ., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Variant state, with verse below title, of No. 8785 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Nurseries -- Pets -- Furnishings: window curtain tassles., and Watermark: E & P 1794.
Publisher:
Pub. Febry. 13, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte Augusta, Princess of Great Britain, 1796-1817
Military squabble about dress and Heroes in council
Description:
Title from item., Curator attribution: Possibly by Ansell., Printseller's announcement following publication statement: Folios of caracatures [sic] lent for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military: soldiers -- London hussar -- Knight -- Roman soldier -- Light Horse -- Guns: blunderbuss -- Emblems: dragon -- Allusion to Marc Anthony, 83-30 B.C. -- Allusion to Cleopatra, Queen of Egypt, 69-30 B.C. -- Allusion to William Stewart, Viscount Mountjoy, 1653-1692 -- Allusion to Adonis., and Watermark: E & P.
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on sides and bottom., Publisher's statement following imprint: ... wher [sic] may be had compleat sets of caracatars [sic] on the French Revolution., and Temporary local subject terms: Reference to Holland -- Barrels -- Pipes -- Guns: bayoneted muskets -- Cartouche boxes -- Swords -- Rivers: Scheldt -- Dutch towns -- Ships -- Military: sentry -- Allusion to French Revolution -- Dutchmen.