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1.
Taste a-la-mode as in the year 1735 being the contrast to the year 1745 / [graphic]

Creator:
Davis, Evan, -1773, printmaker
Published / Created:
[3 January 1749]
Call Number:
749.01.03.01+
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., 'Price 6d.', Temporary local subject terms: London: St. James's Park and mall -- Crowds: pedestrians -- Domestic service: footmen -- Hats: laced cocked hat -- Laced waistcoat -- Male dress: black cravat -- Sticks: footmen's stick with carved knob -- Architectural details: cupola with clock and vane -- Courtesans -- Shawl tied at waist -- Female dress: fingerless gloves -- Walking staves -- Buildings: Buckingham House -- Snuff boxes -- Tail wigs -- Wigs: bag wigs -- Entertainment: parks., and Watermark: fleur-de-lis.
Publisher:
Publish'd according to act of Parliament, Jany. [the] 3, 1749, by Robt. Sayer, map & printseller facing Fetter lane, Fleet Street
Found in:
Lewis Walpole Library > Taste a-la-mode as in the year 1735 being the contrast to the year 1745 / [graphic]

2.
To the bold and enterprizing lads of Herfordshire and elsewhere, who prefer the good old English

Creator:
Hogarth, William, 1697-1764, printmaker
Published / Created:
[not before 1749]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Alternative Title:
Capt. Ord's Independent Company of Volunteer Rangers
Description:
Title from first line of text., Illustration at top of sheet (plate mark 9.2 x 13.8 cm) is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Ethnic stereotypes and Recruiting & enlistment
Found in:
Lewis Walpole Library > To the bold and enterprizing lads of Herfordshire and elsewhere, who prefer the good old English cheer, roast beef and strong beer, to soup maigre and wooden shoes ... Capt. Ord's Independent Company of Volunteer Rangers ...

3.
O the roast beef of old England [graphic]

Creator:
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Found in:
Lewis Walpole Library > O the roast beef of old England [graphic]

4.
O the roast beef of old England [graphic]

Creator:
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 45.7 cm, on sheet 45 x 56 cm., and Leaf 33 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Found in:
Lewis Walpole Library > O the roast beef of old England [graphic]

5.
O the roast beef of old England [graphic]

Creator:
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Sotheby 33++ Box 310
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Found in:
Lewis Walpole Library > O the roast beef of old England [graphic]

6.
O the roast beef of old England [graphic]

Creator:
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Found in:
Lewis Walpole Library > O the roast beef of old England [graphic]

7.
A suit of law fits me better than a suit of cloaths [graphic]

Creator:
Smith, James, fl. ca. 1749, printmaker
Published / Created:
publis'd [sic] according to act of Parliament, [1749?]
Call Number:
749.08.12.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Publication date extrapolated from earlier state. See Catalogue of prints and drawings in the British Museum 3047., 'Price 6d.'--Lower right corner., Four lines of verse below image: Thus blest was I before I went to law ..., Another state, with imprint burnished from plate. Cf. No. 3047 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Law and lawyers., and Watermark: Pro patria.
Publisher:
publisher not identified
Found in:
Lewis Walpole Library > A suit of law fits me better than a suit of cloaths [graphic]

8.
A piece of antiquity painted on the wall adjoining to the kitchen of Winchester College which has

Published / Created:
published according to act of Parliament, 1749.
Call Number:
749.00.00.01.2+
Image Count:
1
Resource Type:
still image
Abstract:
"Emblematic portrait of a trusty servant, with the head of a boar, padlocked lips and the tools of his profession."--British Museum online catalogue
Description:
Title from item., Originally engraved by Mosley. See Pierpont Morgan Library Peel 0455, Peel III, 67., Sheet trimmed within plate mark., Later state, with printmaker's name burnished from plate, reduction and lightening of horizontal background lines, and addition of marks outlining hills., Two columns of verse in Latin on left and English on right below title., Temporary local subject terms: Animals: boar -- Shovels -- Pitchforks -- Brooms -- Scrapers -- Shields: saucepan lid as a shield -- Padlocks -- Emblems: boar, partly human -- Borders: scrolls and flowers -- Reference to Winchester College., and Window mounted to 39 x 28 cm.
Publisher:
publisher not identified
Found in:
Lewis Walpole Library > A piece of antiquity painted on the wall adjoining to the kitchen of Winchester College which has long been preserved, &, as oft as occasion requires, is repair'd, wth [sic] the following Latin verses. [graphic]

9.
An epistle to Miss - &c, &c.

Published / Created:
[1749]
Call Number:
749.05.01.02++
Image Count:
1
Alternative Title:
Epistle to Miss - etc, etc and Miss - in the actual dress as she appear'd in ye character of Iphigenia, at ye jubilee ball or masquerade at Ranelagh
Description:
Title from item., Miss - is Miss Chudleigh., Broadside illustrated at top of sheet with an etching (plate mark 26.5 x 33.3 cm)., Two lines of verse below title : Some men to pleasure, some to bus'ness take ... Pope., Twelve lines of verse etched below caption title on the plate: What odd fantastick whimsies fill ..., and Temporary local subject terms: Allusion to Susannah Maria Ciber, 1714-1766 -- Masquerade: Punch -- Masquerade: Domino -- Masquerade: Iphigenia -- Literature: Alexander Pope, 1688-1744 -- Jubilee: masquerade ball, Ranelagh, May 1, 1749 -- Mask.
Publisher:
Printed for A. Freeman, near Charing-Cross
Subject (Name):
George II, King of Great Britain, 1683-1760 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788
Found in:
Lewis Walpole Library > An epistle to Miss - &c, &c.

10.
Arms of the Foundling Hospital [graphic].

Published / Created:
printed in the year MDCCXLIX [1749]
Call Number:
Kinnaird 73K(l) Box 115
Image Count:
1
Resource Type:
still image
Abstract:
Engraving of the coat of arms of the Foundling House used to illustrate the title page of "An account of the hospital for the maintenance and education of exposed and deserted young children". Coat-of-arms shows a naked child, a lamb holding a sprig of thyme as the crest, figures of maternal nature and Britannia as supporters, and the motto "Help".
Description:
Title from letterpress text above image., Imprint from letterpress text below image., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 230.
Publisher:
publisher not identified
Subject (Topic):
Coats of arms
Found in:
Lewis Walpole Library > Arms of the Foundling Hospital [graphic].

11.
Iphigenia [graphic].

Published / Created:
[1 May 1749]
Call Number:
Quarto 53 C46 776
Collection Title:
Opposite page 15. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, showing a scene from the Venetian Ambassadors Masquerade in which Miss Chudleigh appears wearing stockings, shoes, and a tunic, the last covering only a very small portion of her person, and taking off her mask on being seized round the waist by a gentleman. "Punch", "Judy", and another masquerader, George II?, are behind
Description:
Title from text below image., Attributed to Charles Moseley in the British Museum online catalogue, registration no.: 1868,0808.3894., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price 6 d."--Lower right corner of plate., and Bound in opposite page 15 in an extra-illustrated copy of: The trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right Honourable the House of Peers ... London : Printed for Charles Bathurst, in Fleet-Street, MDCCLXXVI [1776].
Publisher:
publisher not identified
Subject (Geographic):
England and England.
Subject (Name):
Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
Subject (Topic):
Masquerades
Found in:
Lewis Walpole Library > Iphigenia [graphic].

12.
John of Gant in love, or, Mars on his knees [graphic].

Published / Created:
publish's according to act of Parliament, July 15th, [1749]
Call Number:
749.07.15.01+ Impression 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Mars on his knees
Description:
Title etched below image., Sheet trimmed within plate mark., 'Price 6d.'--Lower right corner., Two lines of verse below title: Musick hath charms to soothe the savage breast! / To soften rocks, and bend the knotted oak. Congrave [sic]., and Temporary local subject terms: Savoyards -- Mythology: allusion to Mars -- Buildings: Eton College -- Peasants -- Royal Arms -- 'The great fat hog to be seen alive' -- Literature: quotation from The mourning bride by William Congreve, 1670-1729.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Musical instruments, Organ grinders, and Signs (Notices)
Found in:
Lewis Walpole Library > John of Gant in love, or, Mars on his knees [graphic].

13.
John of Gant mounted, or, Mars on his journey [graphic].

Published / Created:
publish'd according to act of Parliament [1749]
Call Number:
749.07.00.01+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
The Duke of Cumberland rides a horse towards the left; in the distance are buildings which are labelled 'Eton College'. From his mouth come the words, "My all is in my possession, possession, possession. My all is in my posession. Mounted behind him on the horse is a pretty, young woman playing a hurdy-gurdy. From her mouth, the words, "Virgins are like [the] fair flowers in its lustre." A large belt labelled "The girdle of affection" encircles the two riders waists. A distressed young peasant, the girl's brother, chases the horse, crying, "My dear sister. Stop 'e. Stop 'e. Stop 'e. O, I fear she's gone for aye." He carries the box for the hurdy-gurdy on his back. An allusion to the Savoyards - and Mars. Quotation from Twelfth night, I.i.1, by William Shakespeare, 1564-1616
Alternative Title:
Mars on his journey
Description:
Title engraved below image., Sheet trimmed to plate mark., 'Price 6d.'--Lower right corner., One line of verse added after title: If musick be the food of love, play on. Gay., Temporary local subject terms: Savoyards -- Mythology: allusion to Mars., and Watermark: Strasburg bend with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Organ grinders
Found in:
Lewis Walpole Library > John of Gant mounted, or, Mars on his journey [graphic].

14.
No peace for the wicked, or, Wars broke out in the city : to the tune of, Under the greenwood tree

Published / Created:
printed in the year 1749.
Call Number:
749.00.00.06++
Image Count:
1
Abstract:
"A broadside satirising the Jacobite Alderman William Benn, who was involved in a drunken fight with another alderman at a London City feast because the former had proposed to the health of the Young Pretender; with an etching showing in the foreground Benn on the ground, holding in his right hand a bottle, his wig is pulled off by a dog, on the right another alderman, attacking Benn with a raised bottle, in the background a group of people looking on; with engraved title and inscriptions, and with letterpress title and verses in three columns, and with two vertical and one horizontal segment of type ornament."--British Museum online catalogue
Alternative Title:
Wars broke out in the city
Description:
Caption title., Broadside illustrated with an etching at top of sheet (plate mark 20.3 x 33.1 cm)., First line: Draw near, ye sober citizens., and Temporary local subject terms: Animals: dog wearing a collar "Charls's [sic] Breed" and chains -- Drunken battle with wine bottles -- Bottles: wine bottles used as weapons -- Hospitals of Bethlem and Bridewell -- Gold chains -- City of London feast -- Ass's ears on William Benn -- Envelope -- Aldermen.
Publisher:
publisher not identified
Subject (Name):
James, Prince of Wales, 1688-1766. and Benn, William, 1702-1755
Subject (Topic):
Caricatures and cartoons, Jacobites, Dogs, and Wigs
Found in:
Lewis Walpole Library > No peace for the wicked, or, Wars broke out in the city : to the tune of, Under the greenwood tree

15.
The arrest at the Compter a song. [graphic]

Published / Created:
[1749?]
Call Number:
749.00.00.27+
Image Count:
1
Resource Type:
still image
Abstract:
A man with his hands clasped in supplication, is seized on one side by a burly turnkey and on the other by a man wearing in a Kevenhuller hat and armed with a cudgel. A third man tries to hit the prisoner on the head with a long cudgel. A fourth man, standing near the turnkey, threatens a boy and a woman who both kneel facing the prisoner whie a little girl in front of the woman stretches her arms towards her. On the far left, a well dressed man points to the scene with his left hand, his right hand resting on his hip. To his right is an entrance to a building with a lamp in the shape of an acorn hanging above the door. On the opposite side is another building with old-fashioned casement windows with diamond panes, or possibly bars, on upper floors and modern square paned windows on the ground floor. Over the door, in lieu of a lantern, hangs a bunch of grapes. The two buildings are connected in the background by a wall with a gate with heavy grill through which two men are peeking into the courtyard. On the wall above the grill are the Royal Arms, flanked by the arms of London and Westminster
Description:
Title engraved above image., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., Sixteen lines of verse in four columns below image: Welcome, welcome, brother debtor, As an old and hearty song ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Prisons: The Compter -- Turnkeys -- Hats: Kevenhuller -- Weapons: cudgel -- Arms: royal arms -- Arms: City of London -- Arms: City of Westminster -- Emblems: grapes hanging over the dooor -- Lighting: outdoor hanging lantern., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Found in:
Lewis Walpole Library > The arrest at the Compter a song. [graphic]

16.
The bellman and the captain [graphic].

Published / Created:
[1749]
Call Number:
749.07.25.01+
Image Count:
1
Resource Type:
still image
Description:
Title etched above image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark on top edge with loss of upper part of title., Ninety four lines of verse in five columns, in letterpress, below image on the plate: An arch and sturdy bellman of the town, that us' to cry his matters up and down ..., Temporary local subject terms: LIterature: The bellman and the captain, by John Byrom, 1691-1763, The Chester Courant, July 25 1749 -- Jacobites -- Literature: Jacobitish tales -- Bells: hand bells -- Bellmen -- Trades: butcher -- Military uniforms: captain's uniform -- Signs: butcher's sign -- Male costume: butcher's outfit -- Bellman's outfit -- Harlequin -- Allusion to King George II., and Watermark.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Found in:
Lewis Walpole Library > The bellman and the captain [graphic].

17.
The bottle conjurer, from head to foot, without equivocation [graphic].

Published / Created:
Jan. 24th 1749.
Call Number:
749.01.24.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title etched above image., Publisher indentified from address., Four columns of verse below image: When conjurers [the] quality can bubble, and get their gold w[i]th very little trouble ..., Temporary local subject terms: Haymarket Theatre: burning of stage properties -- Bottles: conjurer in a bottle -- Watch: Military uniforms: Grenadier, Foot Guard -- Sticks -- Placards: Foote gives tea., and Watermark: countermark IV.
Publisher:
Sold in Mays Building, Covent Garden
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Foote, Samuel, 1720-1777, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Bonfires, Butchers, Cats, Chandeliers, Signs (Notices), Taverns (Inns), and Theater curtains
Found in:
Lewis Walpole Library > The bottle conjurer, from head to foot, without equivocation [graphic].

18.
The conduct of the two b*****rs [graphic].

Published / Created:
[1749]
Call Number:
749.01.18.01 Impression 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Conduct of the two brothers
Description:
Title from item., The 'u' in 'conduct' etched backwards., Publisher tentatively attributed to Bickham in an unverified card catalog record., Publication place and date inferred from British Museum catalogue., Twelve lines of verse in two columns below image: O England, how revolving is thy state! How few thy blessings! How severe thy fate ..., Temporary local subject terms: Britannia (Symbolic character) as St. Erasmus -- Martyrdom of St. Erasmus -- Dissections -- Emblems: the White Horse of Hanover -- Baron Ilton., and Watermark: countermark IV.
Publisher:
G. Bickham?
Subject (Name):
George II, King of Great Britain, 1683-1760, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Pelham, Henry, 1695?-1754
Found in:
Lewis Walpole Library > The conduct of the two b*****rs [graphic].

19.
The contrast 1749 [graphic].

Published / Created:
[1749]
Call Number:
749.04.00.01
Image Count:
1
Resource Type:
still image
Description:
Title from item., Publisher identified from address., Caption below image: No money, with fireworks. Money, with commerce., Temporary local subject terms: Wars: War of the Austrian Succession -- Treaties: Aix-la-Chapelle, 1748 -- London: St. James's Park -- Fairs: British Jubilee, 1749 -- Fireworks: exhibition of fireworks -- Ships -- Money -- Lighting: Sun -- Swords -- Walking staves -- Male dress: Dutch, 1749 -- Personifications: empty-pocketed England -- Personifications: full-pocketed Holland., and Watermark: countermark IV.
Publisher:
Accordg. to act in May's Buildings [that is, Bickham, George]
Found in:
Lewis Walpole Library > The contrast 1749 [graphic].

20.
The cropper [graphic].

Published / Created:
[June 1749]
Call Number:
749.06.01.01
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the 9 June 1749 order from His Royal Highness the Duke of Cumberland to have the uniforms of three regiments of footguards shortened some three inches for the sake of convenience on marches. The group of guards are shown protesting (most with speech bubbles above their heads) in an open space with the Banqueting House, Whitehall, and Holbein's Gate, Westminster forming the perimeter
Description:
Title from caption below image. and Publication date from British Museum catalogue: [1 June 1794].
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Great Britain. Army.
Subject (Topic):
Military uniforms and Military personnel
Found in:
Lewis Walpole Library > The cropper [graphic].

21.
The humours of the fleet [graphic].

Published / Created:
publish'd according to act of Parliament, [not before 1764]
Call Number:
764.00.00.73+
Image Count:
1
Resource Type:
still image
Description:
Title engraved below image., Later state, with new imprint statement, of a print published in 1749 by B. Dickinson. Cf. No. 3049 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Publication date inferred from Carington Bowles's separation of his business from his father's in 1764. Cf. Ian Maxted's London book trades, 1775-1800, page 25., "Price 6d."--Following imprint., Four columns of verse below title: Welcome, welcome, brother debtor, to this poor but merry place ..., and Temporary local subject terms: Prison courtyard -- Debtors -- Trades: goal-keeper -- Trades: prison cooks -- Games: racket -- Containers: broken pitcher -- Birds.
Publisher:
Printed for Carington Bowles, next Chapter House in St. Pauls Church Yard, London
Subject (Name):
Fleet Prison (London, England),
Subject (Topic):
Prisons, Courtyards, Prisoners, Crows, and Snakes
Found in:
Lewis Walpole Library > The humours of the fleet [graphic].

22.
The peace offering [graphic].

Published / Created:
[1749]
Call Number:
749.01.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
The King of France is seated on his throne in front of the tent surmounted by a large fleur-de-lis. His feet rest on the head of the British Lion whom he is pushing to the ground. Two guards with pikes stand on either side of him. He is pointing with his scepter to two kneeling men in peers' coronets who have hooks in their noses and are led on a string by another man, probably Lord Sandwich, British negotiator at Aix-la-Chapelle. The two peers are probably the Earl of Sussex and Baron Cathcart, offered as hostages at the time of signing the Treaty. They carry scrolls and a fishnet with three fishes in it, probably alluding to the fisheries of Cape Breton. The scrolls convey promises to wear French cambric, as well as surrender of newly discovered coal mines. A fortress with breached walls is visible in the background. On the right, sits Britannia weeping. Behind her, three men, probably English merchants, express their disappointment with the terms of the Treaty. A scroll in the upper right corner, above a ship on turbulent seas, lists the concessions made by English negotiators
Description:
Title from caption above image., Sheet trimmed within plate mark., Six lines of text below image: [The] Gods! Is is possible are these the brave E--- [i.e., Englishmen] who so lately professed 'emselves in such strong terms to be my friends! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
Found in:
Lewis Walpole Library > The peace offering [graphic].

23.
The trusted servant [graphic].

Published / Created:
[1749?]
Call Number:
749.00.00.04
Image Count:
1
Resource Type:
still image
Description:
Title from item., Sheet trimmed within plate mark., Two columns of verse in Latin on left and English on right, separated with a decorative border: Effigiem servi si vis spectare probati, quisquis as hoec oculos pascat Image tuos ..., Copy, slightly reduced, with different background imagery and arms of William of Wykeham in upper left corner, of No. 3045 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Arms: William of Wykeham -- Arms: ?Wichester College -- Mottoes: Manners makyth man -- Reference to William of Wykeham, 1324-1404 -- Animals: boar -- Shovels -- Pitchforks -- Brooms -- Scrapers -- Shields: saucepan lid as a shield -- Padlocks -- Emblems: boar, partly human., and Probably a late 18th century restrike.
Publisher:
publisher not identified
Found in:
Lewis Walpole Library > The trusted servant [graphic].

24.
The wheel-barrow crys of Europe, in 1748-9 [graphic].

Published / Created:
[1749]
Call Number:
749.01.10.01
Image Count:
1
Resource Type:
still image
Alternative Title:
Wheel-barrow cries of Europe, in 1748-9
Description:
Title from item., Publication information from British Museum online catalogue., Temporary local subject terms: Violin -- Treaties: Aix-la-Chapelle, 1748 -- Personifications: nobles and wheelbarrow vendors -- Hostage: British hostages to France -- Emblems: fool's head -- Hanover turnips., and Watermark: Strasburg lily with initials L V G below.
Publisher:
G. Bickham
Subject (Name):
Louis XV, King of France, 1710-1774, Fredrik I, King of Sweden, 1676-1751, George II, King of Great Britain, 1683-1760, Maria Theresa, Empress of Austria, 1717-1780, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Klemens August, of Bavaria, 1700-1761, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Cathcart, Charles Schaw Cathcart, Lord, 1721-1776
Subject (Topic):
Flags, Musical instruments, National emblems, Hanoverian, and Wheelbarrows
Found in:
Lewis Walpole Library > The wheel-barrow crys of Europe, in 1748-9 [graphic].

25.
To the bold and enterprising lads of Great-Britain

Published / Created:
[not before 1749]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Description:
Caption title., Illustration at top of sheet is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
Publisher:
Printed by R. Shaw, Silver-Street, White-Friars, Fleet-Street
Subject (Topic):
Ethnic stereotypes and Recruiting & enlistment
Found in:
Lewis Walpole Library > To the bold and enterprising lads of Great-Britain