Title from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. Manchester : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Frenchmen -- Money: bags of money., and Mounted on verso is description in verse of the image: Plate 18. Here English beef and pudding lolls at ease, whilst French soup-meagre dupes him in the peace ...
Title from British Museum catalogue., Tim Bobbins the pseudonym of John Collier., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Philosophers -- Literature: reference to Plato's Dialogues., and Mounted on verso is description in verse of the image: Plate 20. The querest [sic] contrast which my fancy uet / Hath sketched out, is here before you set ...
Publisher:
John Heywood?
Subject (Name):
Banks, Joseph, 1743-1820 and Solander, Daniel Charles, 1733-1782
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Fops -- Toupée wig with club., 'June' missing in original imprint due to a poorly mended tear in the sheet., and Publication date from watermark on plates 12, 24 ,30, and 32 in the series: 1816.
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Officer of the Exchequer's -- Money: bags of money., and Mounted on verso is description in verse of the image: Plate 25. This heart of oak, who in the storm at the Havanna did perform ...
"Plate numbered 3 of Tim Bobbin [pseudonym of John Collier], "Human Passions Delineated", 1773, with a wife pulling her husband's hair as he attacks her with a ladle."--British Museum online catalogue
Description:
Title assigned by cataloger., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sanders., Plate from: Human passions delineated. Manchester : Printed and published by John Heywood, 1773., and Not in the Catalogue of prints and drawings in the British Museum.
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Title assigned by cataloger., Plate from: Human passions delineated in above 120 figures, droll, satyrical, and humourous ... by Timo. Bobbin. Manchester : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Envy -- Facial features., and Mounted on verso is description in verse of the image: Plate 31. Here Yeddart with his little nose doth envy Hodge his great one ...
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military officers -- Cowardice., and Mounted on verso is description in verse of the image: Plate 35. Adjutant: The Prince commands that you bring up the horse. General: Ah, Lord! what mean you by this strange discourse? ...
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. Manchester : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms Glass: wine bottles and wine glass -- Containers: tobacco -- Old women., and Mounted on verso is description in verse of the image: Plate 34. Thus plenty sits with pipe and liquor, in look and dress much like a vicar ...
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sanders., Plate from: Human passions delineated ... by Timo[thy] Bobbin. [Manchester] : Printed and published by John Heywood, Manchester, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Confessions -- Monks -- Lust -- Rosaries., Possible a restrike; other plates in this series on watermarked paper with date of 1816., and Mounted on verso is description in verse of the image: Plate 11. Here the fair humble penitent behold, To the good father all her sins unfold ...
Title assigned by cataloger., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Rustics -- Glass: liquor bottle -- Male dress: nightcap., Watermark: 1816., and On verso, a description in verse of the image: Plates 12, 3, 14 and 30. See how these rustics liquor love to quaff. They cry, who want it; having it they laugh ...
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 15 May 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the dog-dealer James Moss; whole length, walking to left on a road beside a wooden fence, carrying two puppies inside his coat, holding hat in his right hand, the left in his pocket; he appears to be blind or very short-sighted; the towers of Westminster Abbey in the background."--British Museum online catalogue, description of a later state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on later state: HWBunbury del. ; J. Bretherton f., Early (proof?) state, before lettering and before drypoint shading added to image. For a later state, published 15 May 1773 by J. Bretherton and bearing the dedication "To all encouragers of arts & sciences this portrait of the inimitable Mr. James Moss ..." below image, see no. 4721 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, page 287., and Mounted on page 113 of: Bunbury album.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 15 May 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the dog-dealer James Moss; whole length, walking to left on a road beside a wooden fence, carrying two puppies inside his coat, holding hat in his right hand, the left in his pocket; he appears to be blind or very short-sighted; the towers of Westminster Abbey in the background."--British Museum online catalogue, description of a later state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on later state: HWBunbury del. ; J. Bretherton f., Early (proof?) state, before lettering but after drypoint shading added to image. For a later state, published 15 May 1773 by J. Bretherton and bearing the dedication "To all encouragers of arts & sciences this portrait of the inimitable Mr. James Moss ..." below image, see no. 4721 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, page 287., and Mounted on page 113 of: Bunbury album.
Volume 2, page 12. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Alternative Title:
From an original drawing by Isaac Ostade
Description:
Title devised by curator., Mounted on page 12 in volume 2 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality., and Pasted beneath print is a strip of paper, likely trimmed from the verso of the same sheet, which bears a note in the printmaker's hand: The drawing with a pen by I. Ostade in possion. of J.T.
Publisher:
publisher not identified
Subject (Geographic):
Netherlands.
Subject (Topic):
Country life, Interiors, Fireplaces, Barrels, Pitchers, Cats, Violins, Brooms & brushes, and Hygiene
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 July 1801]
Call Number:
Bunbury 801.07.01.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on an unidentified man strolling in the countryside carrying a stick."--British Museum online catalogue, description of an earlier state
Alternative Title:
Unknown satirical portrait
Description:
Title supplied from British Museum online catalogue, registration no.: J,6.102. Alternative title from description of an earlier state in the British Museum catalogue., Reissue, with different imprint statement, of a print originally published 23 December 1773. Cf. No. 4762 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on lower edge., Temporary local subject terms: Male costume, 1773 -- Country walking., and Watermark, trimmed: [...] 1799.
Publisher:
Pubd. July 1, 1801, by S.W. Fores, 50 Piccdilly [sic]
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 91. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from later state., Artist and printmaker from signatures on later state: HWBunbury delin. ; J. Bretherton f., Proof state, before any lettering and before additional shading added to the design. For the lettered state, see no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Publisher and date of publication inferred from imprint statement on later state., Sheet trimmed within plate mark., Temporary local subject terms: Medical: Cataplasm -- 'Dr. Slop' -- Dishes: Bowls -- Lighting: Long handle candlesticks -- Domestic service: Maid -- Furniture: Hall clock -- Folding screen., and Mounted on page 91 of: Bunbury album.
Publisher:
J. Bretherton
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, Servants, and Women domestics
"Satire on connoisseurs: a man holds up a candle to examine a painted landscape in a heavy frame, which is held up for him by a yawning boy; the candle flame is shielded by the man's hand."--British Museum online catalogue, description of a later state
Alternative Title:
Connoisseur
Description:
Title from later state described in the British Museum catalogue., Early state. No title is present; the names of the artist, publisher, and printmaker are engraved directly beneath image; and the publication line with date is at the bottom of the plate. For a later state with title added and artist and printmaker names removed, published in 1776 by Sayer & Bennett, see No. 4621 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Lighting: candlestick -- Yawns -- Painting: frame -- Candle lighting picture., and Matted to 72 x 56 cm.
Title assigned by cataloger., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Rustics -- Drinking -- Containers: tankard.
Title assigned by cataloger., Plate numbered "21" in upper right corner., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Restrike of a plate from: Human passions delineate ... by Timo[thy] Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Money lenders -- Macaronies -- Property deeds., and Mounted on verso is description in verse of the image: Plate 21. My lord at Arthur's sharp'd of all his store, I 'th' morning quested how to finger more ...
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... design'd in the Hogarthian style ... by Timo[thy] Bobbin. [Manchester] : John Heywood, 1773., Plate numbered '24' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Toupée wigs -- Club wigs -- Nosegays -- Female dress, 1773.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Corsages, and Flowers
publish'd as the act directs June 1773. and [printed 1816]
Call Number:
773.06.00.24.1
Image Count:
1
Resource Type:
still image
Description:
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Wigs: toupée wigs -- Wigs: club wigs --Nosegays -- Female dress, 1773.., and Watermark: 1816.
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate numbered '26' in upper right corner., Restrike of a plate from: Human passions delineated in above 120 figures, droll, satyrical, and humourous: design'd in the Hogarthian style ... By Timo[thy] Bobbin. [Manchester] : Printed and published by John Heywood, Manchester, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old women -- Farmers -- Itinerant vendors -- Wares: wooden spoons -- Tools: rakes., and Mounted on verso is description in verse of the image: Plate 26. Old squint-ey'd Nan, who by the paltry trade, oOf selling wooden-spoons and ladles, made ...
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Clergy: vicar -- Lawyers -- Wine: claret., and Mounted on verso is description in verse of the image: Plate 27. A well-fed vicar tir'd with thinking, and faily overcome by drinking ...
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate numbered '28' in upper right corner., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. Manchester : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old men -- Ear boxing., and Mounted on verso is description in verse of the image: Plate 28. Quoth Hal to Dick, I know its true, thou courted Doll, my wife ...
Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Title assigned by cataloger., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Old men -- Old women -- Expressions of speech: Darby and Joan.
Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Title assigned by cataloger., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. Manchester : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fighting -- Containers: jug., and Watermark: 1816.
Title devised by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. Manchester : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Beverages: ale -- Practical jokes -- Containers: jugs -- Tankards -- Food: cheese -- Utensils: knives., and Mounted on verso is description in verse of the image: Plate 32. A pitcher fill'd with nappy ale old Hodge and Roaf did hide ...
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old women -- Drinking -- Beverages: gin -- Punch -- Beverages: flip -- Dishes: punch bowl -- Glass: wine glasses., Watermark: 1816., and Mounted on verso is description in verse of the image: Plate 33. What various ways we diff'rent mortals press, to that fam'd goal, the world calls hapiness ...
publish'd as the act directs, June 1773. and [printed 1816]
Call Number:
773.06.00.37
Image Count:
1
Resource Type:
still image
Description:
Title from item., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Printing date of 1816, based on watermark., Plate from: Human passions delineated in above 120 figures ... by Timo[thy] Bobbin. Manchester : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Drinking -- Contentment -- Glass: wine bottle -- Corkscrews -- Containers: jug., and Mounted on verso: description in verse of the image: Plate 37. Behold, ye wordlings! whence true pleasure springs not from much wealth, or from the smiles of kings ...
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Opulence -- Poverty., and Mounted on verso is description in verse of the image: Plate 38. The court and country here depicted are; one's fat and jolly; t'other's poor and bare ...
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1773]
Call Number:
Bunbury 773.02.03.05.1+
Image Count:
1
Resource Type:
still image
Alternative Title:
Overthrow of Doctor Slop
Description:
Title, printmaker, artist, and publication information from lettered state in the British Museum catalogue., Early state before letters. For a later state published 3 Feb. 1773, see no. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Sheet trimmed within plate mark.
On a street in front of a church (right), possibly referencing the one built by George Whitfield in Tottenham Court Road and a tavern (left)with a sign identifying it as "The Old Goat New Revived", a make follower of Whitefield dressed in a quasi-Puritan dress, is assailed by two women. On the right an old woman touches his arm and points to the church with a volume, unlabeled in this working proof but later lettering "Whitefield's Hymns". On the left, a pretty, young woman lures him toward the public house. He eyes the young woman as he holds up his one hand deprecatingly toward the older woman
Description:
Title and date from British Museum catalogue., Finished print lettered with title and inscriptions: "J. Collet pinxt. / J. Goldar sculpt. / London, Printed for Robt. Sayer No. 53 Fleet Street & Jno. Smith No. 35, Cheapside, as the Act directs Jan. 1. 1773.", Sheet trimmed to plate mark., No. 52 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Robt. Sayer & Jno. Smith
Subject (Name):
Whitefield, George, 1714-1770.
Subject (Topic):
Churches, Temptation, Signs (Notices), and Taverns (Inns)
