Elegant and affluent customers enjoy ices in a grand room in London's fashionable St. James's. The female server behind the counter is elegantly dressed and looks with ease out of the window. A finely dressed gentleman leans against the counter at right, spooning ice cream into his mouth from a glass he holds in his left hand; his hat, gloves, and stick are carefully arranged on a chair next him. Two women are seated at the left side of the counter, one holding an ice cream glass and spoon. A classical fireplace on the right has additional glasses arranged upon it. A great craze in 18th-century Britain, amongst the wealthy, was ice cream. Establishments such as The Pineapple on Berkeley Square (close by St James’s), owned by Domenico Negri, offered "All Sorts of Ice, Fruits & Creams" (see the elaborate trade card in the British Museum). This print was intended as a companion piece to "Refreshment at St. Giles's" which, in contrast, shows two women and a man being served gin by a female proprietor from a makeshift and run-down bar
Alternative Title:
Refreshment at Saint James's
Description:
Title etched below image., Probably a later state, with remnants of a burnished imprint statement visible beneath title. Publication information inferred from imprint "London, Publish'd June 1st, 1789, by G.T. Stubbs, No. 2 Compton Street, Soho" present on companion print; see British Museum online catalogue, registration no.: 1948,0315.6.36., Companion print to: Refreshment at St. Giles's., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
G.T. Stubbs
Subject (Topic):
Interiors, Ice cream & ices, Eating & drinking, and Fireplaces
Two women stand on a balcony, mouths open in song and eyes cast downward at their music sheet. They wear corsetted dresses and feathered head wear. A satire of the duet performed by Harriet Abrams (1758-1821), the English soprano and composer, and her sister Theodosia (ca. 1770-1849), a contralto, on 9 May 1788 at Hanover Square Rooms. The piece performed was 'Gia che mia sposa sei' by Antonio Sacchini, and the occasion was the annual benefit concert for the tenor Samuel Harrison
Alternative Title:
Duet at the Hanover Square concert
Description:
Title etched below image., After a drawing by John Nixon, now in the Gerald Coke Handel Collection, Foundling Museum, London. The artist's "JN" monogram and "1788" date are etched within center left portion of image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the Gerald Coke Handel Collection, Foundling Museum, London., Not in the Catalogue of prints and drawings in the British Museum., and Laid down onto album paper, with a cropped portrait of an unidentified man on the verso: I. Hiresman pinx. ; M. Vdr. Guchta sculp.
Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
"Satire on medicine: to right, a man sits on a close stool holding a steaming glass vessel; behind him a doctor reads from a large volume propped against the lid of the stool; he wears a tall hat, large glasses and an ermine-trimmed robe which is held by a man with a moustache, hat, lace-trimmed collar and cloak who carries a sword; men in white pierrot costumes stand on either side behind the doctor each holding a large candle the smoke from which partly obscures the doctor's hat; at the end of the procession are three men in the same costumes carrying clysters on their shoulders; all are in profile to right and have large noses."--British Museum online catalogue, description of a different version of the same design
Description:
Title etched below image., Attribution to Isaac Cruikshank based on faint "I.C" signature in lower right corner of image., Copied from one of a set of satirical prints on medicine made by Desprez in Sweden in 1789; see British Museum online catalogue, registration no.: 1969,0719.2. For a different English copy of the same design, see British Museum online catalogue, registration no.: 2007,7058.4., "Dor. Bssi."--Lower left margin., "CAP: &"--Lower right margin., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Clysters -- Water closets -- Dr. Bossey., and Contemporary annotation in ink below title: 'Tis only experiences that teaches proper remedies.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Medical equipment & supplies, Physicians, and Candles
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals., and 1 print : etching, hand-colored ; plate mark 313 x 274 mm, on sheet 425 x 296 mm.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"A quack doctor (right) stands outside his house surrounded by a pyramid of bottles inscribed 'Velnos Syrup', one of which he holds up, demonstrating its virtues with a complacent smile to a band of rival practitioners (left) who are furiously threatening his barricade. Behind his head is inscribed : 'List of Cures \ In 1788,5,000 \ In 1789, 10,000'. The house is at the corner of 'Frith Street'; it has a porch inscribed in large letters 'Mr Swainson N. 21'. A surgeon threatens Swainson with a knife, raising also a leg to kick. A second surgeon kneels on one knee, also holding a knife and glaring ferociously; beside him is a basket of surgeon's instruments. Behind him is a man who directs an enormous syringe at the self-satisfied Swainson. An old man wearing spectacles holds up a 'Pill Box'. These assailants are dominated by a very stout man in the rear who holds up a pestle in one hand, in the other a mortar inscribed 'Mercury the only Specific'. Above his head is poised a nude Mercury holding a caduceus and urging on the attacking force."--British Museum online catalogue
Alternative Title:
Vegetable intrenchment and Vegetable entrenchment
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue and Grego., and Temporary local Medical Library subject terms: Proprietary medicines -- Velnos Syrup.
Publisher:
Pubd. Novr. 29, 1789, by W. Fores, No. 3 Piccadilly
Subject (Name):
Swainson, Isaac, 1746-1812
Subject (Topic):
Quacks and quackery, Interpersonal confrontation, Physicians, Mercury, Patent medicines, Bottles, Sculpture, Medical equipment & supplies, and Mortars & pestles
An obese gouty man in trouble, while his attendants cavort. The man's kettle boils over scalding his gouty foot and startling the cat, in his alarm he knocks over the table and snaps the bell-rope; the couple cavorting in the doorway are oblivious to his strife
Alternative Title:
Careless attention
Description:
Titles in French and English below image., According to Nicholas J.S. Knowles, this is a 20th century reproduction of a drawing by Rowlandson. For an etching after the same drawing, published in 1789, see The Metropolitan Museum of Art online catalog, accession no.: 59.533.327. See also: Grego, J. Rowlandson the caricaturist, v. 1, page 256., and Temporary local Medical Library subject terms: Sex behavior.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Gout, Obesity, Home accidents, Household employees, House furnishings, Fireplaces, Kettles, Cats, Servants, Women domestics, and Lust
"A fat and ugly lady (left) and a young and pretty one (right) are being dressed for a Birthday at St. James's. A huge wig decked with feathers and roses is being placed by a maid on the bald head of the elder lady, who stands holding a bouquet and looking in a mirror which reflects a delighted grin. A little black page supports the mirror; he turns to a dog which fawns on him. Another maid fastens in front a false 'derrière', which will distend her dress below the waist, see BMSat 7100, &c. The girl is seated; a friseur dresses her long hair; a man-milliner, 'chapeau-bras', prepares to adjust a 'derrière'; she touches approvingly the dress which an ugly old woman wearing a hat holds out to her. On the floor is a round box containing roses."--British Museum online catalogue
Description:
Title etched below image., Reissue, with alteration of date in printmaker's signature and addition of shading and background elements in design. For earlier state published 3 March 1789, see no. 9678 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Companion print to: Dressing for a masquerade., Temporary local subject terms: Birthday at St. James's Palace -- Female costume: Derrières -- Dressing for St. James's Birthday Ball -- Black page -- Hairdressers: Friseur -- Male milliners -- Feathered female wigs., 1 print : etching and stipple engraving on wove paper, hand-colored ; plate mark 35.8 x 50.9 cm, on sheet 36.2 x 51.5 cm., and Final two numbers of date in imprint have been erased and "90" written in manuscript.
Publisher:
Publish'd as the act directs, April 1790, by S.W. Fores, N. 3 Piccadilly
Full length figure of a man in profile facing left, with a fierce look in his face
Description:
Title etched below image., Place of publication based on printmaker's known address., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.