Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Two women stand on a balcony, mouths open in song and eyes cast downward at their music sheet. They wear corsetted dresses and feathered head wear. A satire of the duet performed by Harriet Abrams (1758-1821), the English soprano and composer, and her sister Theodosia (ca. 1770-1849), a contralto, on 9 May 1788 at Hanover Square Rooms. The piece performed was 'Gia che mia sposa sei' by Antonio Sacchini, and the occasion was the annual benefit concert for the tenor Samuel Harrison
Alternative Title:
Duet at the Hanover Square concert
Description:
Title etched below image., After a drawing by John Nixon, now in the Gerald Coke Handel Collection, Foundling Museum, London. The artist's "JN" monogram and "1788" date are etched within center left portion of image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the Gerald Coke Handel Collection, Foundling Museum, London., Not in the Catalogue of prints and drawings in the British Museum., and Laid down onto album paper, with a cropped portrait of an unidentified man on the verso: I. Hiresman pinx. ; M. Vdr. Guchta sculp.
"The royal party on board a vessel which, though the sail is inscribed 'Southampton Frigate', resembles a fishing-vessel. They are seated in the stern in the worst throes of sea-sickness: the King (centre), his hat tied on with a handkerchief, clasps his stomach. One of the princesses, holding a smelling-bottle, supports the Queen. The helmsman is impeded by a fat lady who drinks from a bottle. A princess (left) droops despairingly, another (right) appeals to Heaven for mercy. A sailor (left) carries off a bucket, holding his nose. Below the deck appear the heads of two beef-eaters, vomiting."--British Museum online catalogue
Alternative Title:
Southampton Frigate
Description:
Title etched below image., Attributed to Rowlandson by Grego., and Temporary local subject terms: Southampton frigate -- Naval uniforms: sailors' uniforms -- Sails -- Beefeaters -- Sea sickness.
Publisher:
Pubd. Augst. 4, 1789, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Aldermen -- Medicine bottles -- Indigestion -- Cuckolds.
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Above on the same sheet is printed the etching of bonnet rouge, the symbol of the revolutionary spirit of the sans-culottes of 1793., and Mounted to 49 x 34 cm.
Publisher:
Publ. 12th Jany, 1789, by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., Watermark: (partial) crown on top of shield with fleur-de-lis., and On verso in contemporary hand: A horse being the arms of Hanover, the horse stands for the P[rince] of W[ales], 1789. Fox, Sheridan make the P[rince] of W[ales] their stalking horse to fire at the rights of the Crown & the people.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 23.9 x 26.3 cm, on sheet 25.2 x 27.5 cm., and Mounted on leaf 47 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 65 with one other print.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
Title from item., One line of text below title: Her counters are always five Guinea Peices [sic]., Temporary local subject terms: Allusion to city assembly -- Whist -- Coins: guineas: five-guinea pieces -- Brass candlesticks -- Lighting: candlelight -- Games: whist -- Female costume: hats, 1789., and Mounted to 23 x 20 cm.
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint on wove paper ; plate mark 19.3 x 17 cm, on sheet 21.1 x 18.4 cm., and Mounted on verso of leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 68.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Note on verso in contemporary hand: Sheridan accus'd of having stopped the performance of God Save the King, in the King's illness - 1788.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
Title etched below image., Printmaker and date from British Museum catalogue and Grego., Companion print to: A sufferer for decency., Temporary local subject terms: Barber shops -- Wig blocks -- Basins -- Soap -- Flat iron., and Watermark: fleur-de-lis above armorial shield
A celebration in a sporting club. In the center of the room before a large table, a man in a hat (with a black eye?) raises a gavel in an attempt to bring order as two members begin a fist-fight and others converse and laugh. One member restrains a woman as she attempts to hit a man on the head with a tankard; the man appears already unconscious and injured. Boxing gloves, tankards and glasses, hats, and a stick are scattered on the floor in the foreground. The room is lighted by the candles in a candelier. On the walls are a clock, two pictures of fighers -- one of Humphrys and the other of Mendoza; a broadside "Rules" (damaged); a broadside entitled "Last dying speech & confession of W[...]st the Boxer" with a picture of a gallows at the head; and, a picture of two men boxing (the pictures amplifying the subject). On the table are several tankards, wine glasses and punch bowl, smoking pipes, a broadsheet torn in two (World Diary), and a book "Rules for boxing"., Title and printmaker from British Museum catalogue., The left portion of the plate was later published as 'Frontispiece' (no date) in Carlton House magazine with the title: The ending of the old year., Sheet trimmed within plate mark, with loss of title, printmaker's signature, and partial loss of imprint., Plate from: The Attic miscellany, v. 1, p. 81., Title added in a contemporary hand on the mount below the image: Odd-Fellows-Lodge., and Mounted to 24 x 32 cm.
Publisher:
Published as the act directs, by Bentley & Co.
Subject (Name):
Topham, Edward, 1751-1820, Mendoza, Daniel, 1764-1836, and Humphries, Richard, d. 1827
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Partial wigs: false curls -- Naval uniforms: sailors' uniform -- Guns: pistols -- Duels: Duke of York and Lt.-Col. Lennox, May 26, 1789 -- French hairdressers -- Hairdressing implements -- Military uniforms: lieutenant-colonel, 35th Foot -- Furniture: chairs -- Tables.
Publisher:
Pubd. by W. Dent
Subject (Name):
George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Winchilsea, George Finch, Earl of, 1752-1826, and Weltje, Louis, 1745-1810
"A satirical representation of the duel between the Duke of York and Lennox. The Duke (left), calm and dignified, fires his pistol in the air; Lennox (right), his knees bending in obvious alarm, holds a pistol in each hand, saying, "I hope your H--gh--ss is satisfied now that I am a Man of Honor, by my firing thro' your hair? & that you will retract the opinion of my being a Coward". The Duke, whose hat is on the ground, answers, "Satisfied? yes I am satisfied! that your whole race are a set of dastards! - & you may fire at me till the day of Judgment, e'er I will retract my opinion - or honor a Coward, by putting him out of the World!" The seconds stand behind their principals: 'Lord Raw--n', in profile to the right, a pistol in each hand, says, "Gunpowder is disgrae'd when used upon such reptiles! make them eat their own words, till they are choak'd, thats the way to quiet Charles's-bastard-brood" (cf. BMSat 7507); 'Lord Wine--l--a' (right), looking very frightened, holds an arsenal of pistols under his left arm, a blunderbuss in his right hand, saying, "Would that I had not meddl'd in the business, or, that I could get over to the other side." All wear military uniform; Winchilsea was a Lord of the Bedchamber, Lennox Lt.-Col. in the Coldstream, the Duke's regiment. In the background stands an empty post-chaise."--British Museum online catalogue
Alternative Title:
Prince and a poltron
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 1 s./6 plain.", Sheet trimmed within plate mark., Temporary local subject terms: Duels: Duke of York and Lt.-Col. Lennox, 26 May, 1789 -- Guns: pistols -- Blunderbuss -- Military uniforms: lieutenant colonel, 35th Foot -- Military uniforms: Lord of the Bedchamber -- Coaches: post-chaise -- Poltroon: coward --Allusion to Charles II., and Watermark: countermark S. Lay.
Publisher:
Pubd. May 27th, 1789, by J. Aitken, Castle Street, Leicester Field
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Winchilsea, George Finch, Earl of, 1752-1826
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; plate has been slightly cut down with removal of imprint statement from bottom edge, and plate number has been added to upper right corner., Date of publication inferred from imprint on earlier state: Pubd. as the Act directs June 20, 1789, by Mrs. Lay, on the Steine, Bright-helmstone. Cf. No. 7604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate numbered "63" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Companion print to: A penny barber., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 257., 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 35.8 x 23.3 cm, on sheet 41.8 x 25.6 cm., and Leaf 75 in volume 2.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Barbershops, Shaving equipment, Signs (Notices), and Wigs
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; plate has been slightly cut down with removal of imprint statement from bottom edge, and plate number has been added to upper right corner., Date of publication inferred from imprint on earlier state: Pubd. as the Act directs June 20, 1789, by Mrs. Lay, on the Steine, Bright-helmstone. Cf. No. 7604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate numbered "63" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Companion print to: A penny barber., and Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 257.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Barbershops, Shaving equipment, Signs (Notices), and Wigs
A tour guide leading two men with astonished looks on their caricatured faces (one holds a simple walking stick and his hat) and a fashionably dressed women through Westminster Abbey, points to a monument decorated with the effigies of three knights
Description:
Title etched below image., Former questionable attribution to Newton from local card catalog record., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Publisher's advertisement below title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints. Admitce. 1 shillg., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 43 x 30 cm., and Watermark: countermark W.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Westminster Abbey.
Subject (Topic):
Staffs (Sticks), Tombs & sepulchral monuments, Tour guides, and Tourists
A young woman and young man stand full-length in the latest fashion, enormous hats, high hairstyles, exaggerated cravats, etc
Description:
Title etched below image., Sheet trimmed partially within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark (partial) on right edge center: fleur-de-lis on shield.
An air balloon with the basket in the shape of a boat; two passengers on the left, one on the right holding an oar; four balloons surround the mast with a fully rigged sail
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: The European magazine, 1789, opp. p. 96., Mounted to 24 x 16 cm., and Publication year erased and written in manuscript.
A very plain, elderly man peers through a quizzing glass at an upright Egyptian mummy. He gapes in astonishment at finding the mummy grinning at him. The mummy case is on the left. Below in front of it are a tall vase and a recumbent Sphinx with a very pretty contemporary face and hair-do.
Description:
Title from caption etched below image., Sheet trimmed within plate mark., Publisher's announcement at bottom of plate: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints. Admit. 1 shillg., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Printmaker's name partially erased from this impression; matted to 62 x 47 cm.
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., 1 print : etching on laid paper ; plate mark 30.1 x 34 cm, on sheet 32 x 36.6 cm., and Mounted on leaf 51 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., and Mounted on page 69.
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., and Watermark: fleur-de-lis
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"Thurlow (right), in profile to the right, kneels in prayer at a table on which the head of the mace is visible. He wears his Chancellor's robes and says, "When I forsake my King, May God forsake me". A demon, clutching his shoulder, says, "Well said Old Boy! You're a true Disciple". Two smaller imps, flying above his head, say, "Oh! rare! he is a precious Brother", and, "How well he has learned his Lesson". Behind him are seated eight bishops, as if in the House of Lords, they say (left to right): [1] "Who w'od have ever thought to have heard him pray"; [2] "What a Hypocrite! a second Cardinal Wolsey!"; [3] "I thought he never called on God but to curse Mankind!" [cf. British Museum Satires No. 7320]; [4] "One wo'd almost think he was in earnest"; [5] "Yes if it did not seem so odd To hear him talking about God"; [6] "Surely he thinks to reform"; [7] "Pshaw! Pshaw! he means only to serve this Turn"; [8] "This Farce wo'nt do in these Enlightned Days." A panelled wall forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Clergy: bishops -- Demons -- Prayers -- Allusion to Regency crisis -- Allusion to negotaitions between Thurlow and the Prince of Wales, 1788 -- Debates: quotation from Thurlow in House of Lords, Dec. 15, 1788 -- Maces -- Allusion to Thomas Wolsey., and Watermark: countermark initial W.
Publisher:
Pub. April 1, 1789, by S.W. Fores, N. 3 Piccadilly
"Pitt in the guise of a robber who is about to be hanged. He aims a pistol at the head of a cobbler, saying, "You Rascall, You keep a Shop, and shall pay for it". The cobbler, kneeling hat in hand, in profile to the left, says, "Lord Sir, mines only a Stall, Have mercy on my Wife & Family". Part of his bulk or stall appears behind him (right). Behind Pitt (left) Richmond kneels on the ground, holding out his cocked hat for the coins which the former drops into it; he points to houses of playing-cards which are round him on the ground and represent his scheme of fortifications ..."--British Museum online catalogue
Alternative Title:
Billy the Bamboozler robbing the cobbler
Description:
Title etched above image., Caption below image: Some account of the life and behavior of William Pett alias Billy the Bamboozler., Sheet trimmed within plate mark., DeGrey's manuscript note on verso., and Watermark: initials F N D [...]
Publisher:
Publishd. January 9th 1789 by H. Humphries, New Bond Street, London
Subject (Geographic):
England.
Subject (Name):
Pitt, William, 1759-1806 and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Title etched below image., Temporary local subject terms: Medical: quacks -- Crutches -- Medicine bottle -- Diseases: gout -- Pictures amplifying subject: portrait of Lord Chatham -- Allusion to Sir Robert Walpole -- Allusion to James Graham -- Allusion to Gustavus Katterfelto -- Conjured: bottle conjurer -- Taxes: satire on excise tax as gout bootiken -- Amputees., and Watermark: fleur-de-lis on crowned shield.
Publisher:
Pubd. by W. Dent
Subject (Name):
Pitt, William, 1759-1806, Loutherbourg, Philippe-Jacques de, 1740-1812, and Pitt, William, Earl of Chatham, 1708-1778
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia
Description:
Title etched below image. and In paper frame: 450 x 330 mm. Stamped in upper right corner: "84."
Publisher:
Publish'd May 20th 1804 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character) and Politics & government
"A pugilistic encounter between the Duke of York (left) and Lt.-Col. Charles Lennox (right), both stripped to the waist. The Duke stands with both fists clenched, saying, "Come on my Lad! don't fall without a Blow! I'll tickle your Mazzard, if you dare to stand up like a Man!" Lennox, on one knee, clutches the arm of his second, the Duke of Richmond, saying, "O save me Nunkle! - O Lord! - O Lord! - O Lord! Your H--h--ss is above my Match! - O Lord - I'm not fit to fight any body above your Footman". Richmond puts out a hand to restrain his nephew, saying with an expression of alarm, "For heavens sake, forbear! we are nothing but a brood of Bastards! Bastards begot - Bastards instructed - Bastards in Mind - Bastards in Valour - in every thing illegitimate - we are neither of Blood, or of Honor, to cope with your Hi-h--ss!!" The Prince of Wales, on the extreme left, is his brother's second; he says, with a contemptuous expression, "Fredrick! cant you tip his bottle holder a sly plump in the Bread-basket?" Behind him is a Union flag; behind Richmond are fortifications flying a French flag, symbolizing his French descent and title ..."--British Museum online catalogue
Alternative Title:
Battle of the bloods, pure & contaminated and Battle of the bloods, pure and contaminated
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of verse below image, following title: Oft have I seen a hot o'erweening cur, run back & bark because he was with-held, who being suffer'd in the bears fell paw, hath clap'd his tail between his legs & cry'd., "Price 1 sh.", Sheet trimmed mostly within plate mark., Temporary local subject terms: Duels: Duke of York and Lt.-Col. Lennox, May 26, 1789 -- Duke of Richmond's fortifications -- Allusion to Charles II -- Flags -- Union Jack -- French flag -- Boxing., and Watermark: countermark S. Lay.
Publisher:
Pubd. May 23d, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Richmond and Lennox, Charles Lennox, Duke of, 1764-1819
An obese gouty man in trouble, while his attendants cavort. The man's kettle boils over scalding his gouty foot and startling the cat, in his alarm he knocks over the table and snaps the bell-rope; the couple cavorting in the doorway are oblivious to his strife
Alternative Title:
Careless attention
Description:
Titles in French and English below image., According to Nicholas J.S. Knowles, this is a 20th century reproduction of a drawing by Rowlandson. For an etching after the same drawing, published in 1789, see The Metropolitan Museum of Art online catalog, accession no.: 59.533.327. See also: Grego, J. Rowlandson the caricaturist, v. 1, page 256., and Temporary local Medical Library subject terms: Sex behavior.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Gout, Obesity, Home accidents, Household employees, House furnishings, Fireplaces, Kettles, Cats, Servants, Women domestics, and Lust
Title from caption etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Debates: Stanhope, House of Lords, June 9, 1789 -- Bills: defeated bill for relieving members of the Church of England, June 9, 1789 -- Furniture: chairs -- Coronets -- Fool's cap -- Pictures amplifying subject -- Parody of a schoolroom -- Clergy: bishops -- Lawyers: chancellors -- Wheelbarrows -- Spades -- Pick-axes., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Published June 18, 1789, by S.W. Fores, No. 23 Piccadilly
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Stanhope, Charles Stanhope, Earl, 1753-1816
"Satire against England: Pitt strides forward holding a flag next to a crown, while chained figures cringe at his feet, and a scaffold and executioner occupy the background."--British Museum online catalogue
Description:
Title etched below image., Title continues: ... ou le triomphe du ministre Pitt, foulant aux pieds la couronne d'Angleterre, d'une main il tient une hache et les chaines dont il a su charger la Nation et le Roi, de l'autre il porte le drapeau de l'esclavage; les impots et les echafauds sont les moyens qu'il employe pour soutenir son pouvoir chancelant., French original, later copied by Gillray, dated 1789 by the Bibliotheque Nationale presumably based on its place in a collection by an artist who gathered prints at the time, Michel Hennin., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
History, Public opinion, Foreign relations, Axes, Calumets, Chains, Crowns, Gallows, Punishment devices, and Shackles
"Burke, as a lunatic, is seated on straw dressed only in breeches, but wearing a rosary and crucifix round his neck; Major Scott stands behind him, shaving his head. His right wrist and left ankle are chained to a staple in the floor, the chains being inscribed 'The Censure of the Commons' and 'The Contempt of the Lords'. He clenches his fists and turns his head in profile to the right, towards a vision of Hastings, saying, "Ha! Miscreant! Plunderer! Murderer of Nundocomar! where wilt thou hide thy head now ?" Hastings walks in profile to the right, carrying a sack over his shoulder inscribed '£4000000'; he is about to enter the gate of 'St James's' from which two hands emerge to receive him labelled (in reversed characters) 'Welcome'. Clouds surround Hastings and the Palace, showing that this is a vision. In the background (left) is a gibbet from which hangs a figure rudely drawn, as if chalked on awall, representing 'Nundocomar'. ..."--British Museum online catalogue
Alternative Title:
Little major shaving the shaver
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Three columns of verse below image, following title: Madness, thou chaos of the brain; what art, that pleasure, giv'st & pain? ..., Publisher's advertisement above image: Aitken's exhibition room in Castle Street, Leicester Fields, is now open'd for the inspection of the nobility, & the public in general, containing the only compleat assortment of satiric, humourous & caricature productions now extant. Admittance gratis., "Pr. 1 sh. plain, 1 s. / 6 cold.", Temporary local subject terms: Warren Hastings trial, 1789 -- Executions: hanging of Nuncomar, 1775 -- Burke's chains: Parliamentary rebuke -- Literature: quotation from John Hoadly, 1711-1776 -- Burke's politics during Regency crisis -- Military uniforms -- Major's uniform -- Bag of money -- Allusion to St. James's Palace -- Allusion to Queen Charlotte -- Crucifixes -- Spectacles -- Razors -- Oriental costume -- Lunatics -- Visions., and Watermark: countermark S Lay.
Publisher:
Pubd. May 8th, 1789, by J. Aitken, Castle Street, Leicester Square
Subject (Name):
Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Scott, Major 1747-1819 (John),, and Nandakumara, Mahārāja, d. 1775
Title from item., Sheet trimmed within plate mark., Three lines of verse below title: The bloom of op'ning flowers, unsullied beauty ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Literature: quotation from Nicholas Rowe -- Young women -- Furniture: sofas.
Publisher:
Pubd. by Wm. Holland, Garrick's Richard, No. 50 Oxford Street
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored; sheet 21 x 26 cm., and Imperfect; only lower left design entitled "After dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
Title from item., Attribution to Cruikshank in British Museum catalogue., Twelve lines of verse in six columns below image: Hatfields fair hostess prompt by wit, To arch'ry chosen few ..., and Matted to 47 x 72 cm. ; several of the subjects identified on mat in an unknown hand.
"A fat and ugly lady (left) and a young and pretty one (right) are being dressed for a Birthday at St. James's. A huge wig decked with feathers and roses is being placed by a maid on the bald head of the elder lady, who stands holding a bouquet and looking in a mirror which reflects a delighted grin. A little black page supports the mirror; he turns to a dog which fawns on him. Another maid fastens in front a false 'derrière', which will distend her dress below the waist, see BMSat 7100, &c. The girl is seated; a friseur dresses her long hair; a man-milliner, 'chapeau-bras', prepares to adjust a 'derrière'; she touches approvingly the dress which an ugly old woman wearing a hat holds out to her. On the floor is a round box containing roses."--British Museum online catalogue
Description:
Title etched below image., Reissue, with alteration of date in printmaker's signature and addition of shading and background elements in design. For earlier state published 3 March 1789, see no. 9678 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Companion print to: Dressing for a masquerade., Temporary local subject terms: Birthday at St. James's Palace -- Female costume: Derrières -- Dressing for St. James's Birthday Ball -- Black page -- Hairdressers: Friseur -- Male milliners -- Feathered female wigs., 1 print : etching and stipple engraving on wove paper, hand-colored ; plate mark 35.8 x 50.9 cm, on sheet 36.2 x 51.5 cm., and Final two numbers of date in imprint have been erased and "90" written in manuscript.
Publisher:
Publish'd as the act directs, April 1790, by S.W. Fores, N. 3 Piccadilly
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Conversing.
Publisher:
Published April 7th, 1789, by Jno. Matthews, No. 441 Strand
Title from item., Printmaker from British Museum catalogue., Engraved text "W. Holland , No. 50 Oxford Street" following the date "March 10th" crossed out and Humphrey's name supplied in manuscript on right below image., Sheet trimmed within plate mark., and Temporary local subject terms: Allusion to Regency crisis -- Thrones -- Crowns -- Pictures amplifying subjects -- Homage.
Publisher:
Pubd. March 10th 1789 as the act directs H. Humphrey, No. 51 New Bond St.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Alvanley, Richard Pepper Arden, Baron, 1745-1804
"A lady, partly hidden by a sheaf of corn, reclines against a tree. The Duke of York, wearing regimentals and a mitre, prods her with the end of his crozier. She holds an open book inscribed 'Monody on the Death of the D- of R-d' [Rutland]. In the middle distance and on the extreme left a military officer stands on guard holding a sword and pistol: he says, "I am allways ready to Pimp or Bully."--British Museum online catalogue
Alternative Title:
Babes in the wood with Rawheadon, bloody bones
Description:
Title etched below image., Sheet trimmed within plate mark at bottom., and Matted to 47 x 62 cm.
Publisher:
Pubd. by W. Fores, No. 3 Piccadilly
Subject (Name):
Rutland, Mary Isabella Manners, Duchess of, 1756-1831, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Rawdon-Hastings, Francis, Marquess of Hastings, 1754-1826.
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., and Watermark: countermark S. Lay.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Imprint supplied from impression in the Library of Congress., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Regency crisis -- George III's prerogative, protected by British Lion -- Emblems: crown and scepter, prerogative -- British Lion: vigilant of prerogative -- Implements of execution -- Figure of Justice -- Emblems: Prince of Wales's feathers -- Whig frogs -- Double entendres -- Puns: "Son" -- Literature: Aesop fables -- Allusion to George III -- Dormant George IV., Watermark: S. Lay., and Mounted to 35 x 42 cm.
Publisher:
Pub. by J. Aiken, the corner Bare Street, Leicester Square
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Regency, Britannia (Symbolic character), Justice, and Frogs
"Political satire; under a sinking sun in which is drawn a crown, with the words "Obscured, not lost", a masked figure with a crow-bar labelled "Begum Sophistry" and the Prince Regent with a broken axe labelled "Presumptive Rights" try to break down the door of the Treasury, while another picks the lock, labelled "G R" with keys labelled "Tropes"; behind them stands a man in black with a lantern labelled "Loyalty", a belt labelled "Truth" and a clapper labelled "Vox Populi"; from the window of the Treasury, Pitt attacks the house-breakers with a blunderbuss labelled "Constitution"."--British Museum online catalogue
Alternative Title:
Housebreaking before sunset
Description:
Title etched below image., "Pr. 1s."--Below image, lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Pick axes -- Padlocks -- Swords -- Masks -- Guns -- Setting sun -- Watchman's lanterns -- Emblems: King's monogram on the padlock., Watermark: Fleur de lis on crowned shield, with initials G R below., and Mounted to 44 x 29 cm.
Publisher:
Published Jany. 6t 1789 by R. Butters, 79 Fleet Stt
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Thurlow, Edward Thurlow, Baron, 1731-1806, and George III, King of Great Britain, 1738-1820.
Two sailors, one in uniform, fall from a horse, its reins caught on a post on the road, causing both it and the riders to collapse
Description:
Title etched below image., Sheet trimmed within plate mark., Text below title: A horse running away with two sailors, the lad who rode behind, exclaim'd run her aground, run her a ground, avast reply'd the other, I can throw out the grapples. He accordingly manag'd to throw the reins over a post by the road side & so came safe to land., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Publish'd May 7, 1789, by J. Kendal Bury
Subject (Topic):
Sailors, Horses, Horseback riding, Accidents, and Falling
"A cavalcade of ladies and gentlemen on horseback riding close together, the legs of the horses being cut off by the lower margin of the print. Beneath the title is etched: 'The World - and all the great "which it inherit" - was there - Equestrian motion, universal - we saw all - mark'd all! - the Duelist with one Curl, & the Fraternal, one degree higher, down to the intelligencers of the Low-Pnnts (who cast their eyes around, that witness'd huge affliction & dismay); all was splendid - who (& what dignity but contained in that monosyllable?) not present? - Becky - was there!! - attraction spontaneous! - Old Quiz, cast a single glance! - "O the days when I was young! - one pang arose! - we view'd the field - captivating - beautiful - most beautiful! - but - Bunbury - where was Harry Bunbury? - we return'd - as (craving appetites of Cheapside satisfied) cent. pr cent. Citz: - Mans-mercers & Womens-mercers, were arriving, to inhale the clouded Air - Heat - Dust - Ibid - Ibidem. -" Topham rides (left to right) in the foreground, enormously fat, looking through a quizzing-glass. Next him is a stout lady probably intended for 'Becky' (Mrs. Wells) though resembling Mrs. Fitzherbert; she wears a hat with a floating veil. Queensberry (left) rides behind her, holding up a bunch of reins in his right hand. The other persons mentioned, the Duke of York (the duellist, see BMSat7531, &c.) and the Prince, are not depicted, unless a very stiff and erect officer (right) is intended for the Duke. The shoulders of the ultra-fashionable Topham are sprinkled with powder, cf. BMSat 8190."--British Museum online catalogue
Alternative Title:
Both hemispheres of the world in a sweat
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 1 sh./6.", Sheet trimmed within plate mark., Temporary local subject terms: Satire on newspapers -- Newspapers: World, or Fashionable Intelligencer -- Horsemanship -- Cavalcades -- 'Cits' -- Hyde Park -- Costume: riding habits -- Allusion to the Prince of Wales -- Allusion to the Duke of York -- Allusion to Henry William Bunbury, 1750-1811 -- Wells?, Mary (Davies), fl. 1781-1812., and Watermark: Armorial shield with crown above and monogram SL below.
Publisher:
Pubd. June 1st, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Topham, Edward, 1751-1820, Fitzherbert, Maria Anne, 1756-1837, and Queensberry, William Douglas, Duke of, 1725-1810
"Fox rises from a close-stool; Sheridan (left) is about to apply a syringe, inscribed 'R------ts [Regent's] Clyster', to his rectum. Burke (right), wearing a Jesuit's biretta (cf. British Museum Satires No. 6026), gropes in the close-stool, holding in his left hand its lid, inscribed 'Not searching from Precedents but Consequences' (a characteristic dictum); he says, "To Ordure - Ordure" (Burke was often called to order for his speeches on the Regency, cf. British Museum Satires No. 7499, &c). Fox says, "Exegi Monumentum cere perennias, or the finishing Stroke" (perhaps an allusion to the revolution Pillar, see British Museum Satires No. 7396). In his hand is a paper inscribed 'Magna Charta Non Posteris sed Posterioribus'; his posterior is inscribed 'Patriotic Bum' and 'Vox Populi'. He stands on a paper inscribed 'Resolutions of P------l------t.' Sheridan is 'Principal Promoter of loose Principles'; under his right foot is an open book: 'Congreve Plays School for Scandal', probably implying plagiarism by Sheridan (cf. Moore, 'Life of Sheridan', p. 180, where resemblances between 'The School for Scandal' and 'The Double Dealer' are noted). The background is a library wall: a book-case containing folio volumes in some disorder is flanked by scowling busts of 'Wat Tyler' and 'Jack Kade'. The books are inscribed: 'The Laws of Pharaoh' (Faro, cf. British Museum Satires No. 5972), 'Political Prints', 'Life of Oliver Cromwell' (cf. British Museum Satires No. 6380, &c), 'Cataline' (cf. British Museum Satires No. 6784), 'Memoirs of Sam House'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., The number "3" in publisher's street address in imprint is etched backwards., 1 print : etching on laid paper, hand-colored ; plate mark 24.5 x 35.1 cm, on sheet 25.5 x 36.6 cm., and Mounted on card backing to 28 x 39 cm; matted to 33 x 43 cm.
Publisher:
Pubd. Jany. 21, 1789, by S. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
Subject (Topic):
Regency, Defecation, Medical equipment & supplies, and Bookcases
From a sign on the back wall, a scene in the 'Grand Imperial Lodge of Odd Fellows" in which Burke, Norfolk, Sheridan, and Fox smoke and dance amongst the other club members some of whom wear swords. One man plays the fiddle. A chandelier hangs from the ceiling. In the corner is a dais under a canopy. A dog sits on his hind legs in the foreground
Description:
Title engraved below image., Sheet trimmed within plate mark., Frontispiece to: Attic miscellany, v. 1., and Mounted to 28 x 35 cm.
Publisher:
Publish'd as the act directs by Bentley and Co.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Sheridan, Richard Brinsley, 1751-1816
