"Bookplate of Sir Foster Cunliffe; coat-of-arms charged with three rabbits and a hand, crest with a horse and motto, supported by two putti: the one on the right blowing a trumpet; the other one on the left seated, seen from behind; proof before letters."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. Museum registration no. 1868,0822.1279., and On leaf numbered 29 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"Bookplate of John Currer; in an oval within a rectangle; a woman in ancient dress, seated in front of pyramids, holding a book in her left hand, her right hand on her cheek; at bottom right, an escutcheon with four fields, charged with lions; proof before letters."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1897,1231.236., Sheet trimmed to plate mark., and On leaf numbered 26 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"The interior of the House of Commons showing part of the Speaker's chair on the extreme left, and the adjacent Opposition bench on the right with a corner of the gallery. On the floor between the table and the front Opposition bench a large cask, resting on trestles, is exploding violently from the bung-hole. The inscription on the cask forms the only title to the print. In the explosion are the words: 'Reform', 'Peace', 'Liberty', 'Equality', 'no Slave Trade', 'Peace'. Part only of the Speaker's hat and wig are visible; his left hand is extended and the words 'Order Order' issue from his (invisible) mouth. Three occupants of the front Opposition bench cover their faces, two others flee from the explosion."--British Museum online catalogue
Description:
Title from text in image., Signed with the monogram of James Sayers., Third of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "3" in upper left corner., Temporary local subject terms: Opposition -- Motion for peace with France, 27 May 1795 -- Containers: Casks., and Mounted on leaf 68 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Whitbread, Samuel, 1764-1815. and Great Britain. Parliament. House of Commons,
"The interior of the House of Commons showing part of the Speaker's chair on the extreme left, and the adjacent Opposition bench on the right with a corner of the gallery. On the floor between the table and the front Opposition bench a large cask, resting on trestles, is exploding violently from the bung-hole. The inscription on the cask forms the only title to the print. In the explosion are the words: 'Reform', 'Peace', 'Liberty', 'Equality', 'no Slave Trade', 'Peace'. Part only of the Speaker's hat and wig are visible; his left hand is extended and the words 'Order Order' issue from his (invisible) mouth. Three occupants of the front Opposition bench cover their faces, two others flee from the explosion."--British Museum online catalogue, description of a variant state
Description:
Title from text in image., Signed with the monogram of James Sayers., Third of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "3" etched in upper left corner, see no. 8638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Interiors: House of Commons -- Motion for peace with France, 27 May 1795 -- Allusion to Samuel Whitbread, 1764-1815 -- Containers: Casks., and Mounted on page 85 with one other print.
"The interior of the House of Commons showing part of the Speaker's chair on the extreme left, and the adjacent Opposition bench on the right with a corner of the gallery. On the floor between the table and the front Opposition bench a large cask, resting on trestles, is exploding violently from the bung-hole. The inscription on the cask forms the only title to the print. In the explosion are the words: 'Reform', 'Peace', 'Liberty', 'Equality', 'no Slave Trade', 'Peace'. Part only of the Speaker's hat and wig are visible; his left hand is extended and the words 'Order Order' issue from his (invisible) mouth. Three occupants of the front Opposition bench cover their faces, two others flee from the explosion."--British Museum online catalogue, description of a variant state
Description:
Title from text in image., Signed with the monogram of James Sayers., Third of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "3" etched in upper left corner, see no. 8638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Opposition -- Interiors: House of Commons -- Motion for peace with France, 27 May 1795 -- Allusion to Samuel Whitbread, 1764-1815 -- Containers: Casks.
Title etched below image., Printmaker identified in British Museum catalogue., Sheet trimmed mostly within plate mark., Publisher's advertisement following imprint: NB [B etched over N] folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Male fashion, 1795: cropped hair -- Allusion to the Bedford Level -- Allusion to the Duke of Bedford -- Allusion to freemasonry -- Glass: decanter with a label., and Watermark: countermark E & P.
Publisher:
Pub. Nov. 20, 1795, by S.W. Fores, No. 50 Piccadilly
"Lord Howe sits full-face in an armchair, reading a 'Gazette' headed 'June Ist 1795'. He wears naval uniform, with a hat, smokes a long pipe and scowls meditatively. A dog with the head of Sir Roger Curtis grovels at his feet, kissing his right toe; he has a collar inscribed 'Black Dick's Dog'. Behind Howe is a row of windows close together, with a view of the sea and ships. Beneath the windows is a broad shelf on which are wine-bottles, a sextant, and a punch-bowl. On a table at Howe's right hand are a glass of wine and a plan of Torbay."--British Museum online catalogue
Alternative Title:
What a Curtis
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Done from an original drawing by a British officer & publish'd as a guide to preferment., Sheet trimmed within plate mark., and Temporary local subject terms: Interiors: ship cabin -- Newspapers: Gazette -- Glass: wine bottles -- Glass: wine glasses -- Dishes: punch bowl -- Naval instruments: sextants -- Maps: map of Torbay -- Chamber pots -- Pets: dogs -- Smoking: pipes -- Naval uniforms: admiral's uniform -- Furniture: armchair.
Publisher:
Pubd. June 9th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799 and Curtis, Roger, Sir, 1746-1816
Title from item., Sheet trimmed to plate mark., Variant state, without words "Ich dien" on Princess of Wales's headdress. Cf. No. 8667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Reference to mulatto -- Furniture: dressing table -- Pictures amplifying subject: miniature of the Prince of Wales -- Emblems: Prince of Wales's feathers -- Dishes: water bowls., Watermark: Strasburg lily., and Printseller's stamp in lower right corner of plate, mostly cut of: S.W.F.
Publisher:
Pub. by S.W. Fores, N. 50 Piccadilly, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Jersey, Frances Villiers, Countess of, 1753-1821
"Four ladies stand displaying burlesques of the most recent fashions; their dresses all hang from a line slightly below the neck and, though varying in length, display the ankles. That of a very fat lady has a globular contour. The sleeves, all long, vary considerably; two have large puffs to the elbow. Hats and hairdressing are also satirized, showing the fashion for hair hanging down the back, or falling on the shoulders and looped up. Bunches of straw (see BMSat 8756) trim two of the hats. The slippers are heelless or low-heeled. A lady (left) whose dress reaches only to the calves and defines her legs, wears cross-gartered stockings, imitating the French shoes 'en cothurne'"--British Museum online catalogue
Alternative Title:
No bodys of 1795 and Nobodies of 1795
Description:
Title etched below image., Printseller's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Nobodies -- Female dress, 1795: high-waisted dresses -- Headdresses, 1795 -- Allusion to frocks of waggoners., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. Augst. 4, 1795, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
"Half length portrait, scarcely caricatured, of a woman in profile to the right, smiling. She has a long nose and projecting chin, and wears a muslin cap, her hair hangs down her back with the ends looped beneath its heavy mass. Her neck is much swathed and she wears a fichu over her dress."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Female dress: fichu -- Cap.
Publisher:
Pubd. June 22d, 1795, by H. Humphrey, No. 37 New Bond Street
