"A man supposed to be dead arising from his coffin and surprising his wife (?). The coffin is placed on trestles next to a four-poster bed (the deathbed of a rich man?). The lid of the coffin bears an elaborate brass plaque inscribed "Mr Gripe departed this life Ague" (last word indistinct). Arising from out of the coffin, Mr. Gripe disturbs the woman who was reading a large book (presumably a business ledger). On the ground, a soup bowl, a bottle and a glass, suggesting that she had poisoned him."--Wellcome Library online catalogue, no. 533361i
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., First of two plates with the same title, both etched by Rowlandson after Wigstead; see Grego. For the second plate, see British Museum online catalogue, registration no.: 1947,1215.2., "Plate 1"--Lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: stage scenes -- Ghosts -- Literature: scene from John O'Keeffe's The Dead Alive! -- Furniture., and 1 print : etching and aquatint, hand-colored ; design 230 x 302 mm.
Volume 2, page 89. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two designs on one plate: [1] A short, corpulent, and gouty officer with closed eyes hobbles (left to right) on crutches. Behind him (left) a taller and younger officer stands in back view. [2] An elderly officer, wearing spectacles, looks admiringly at a pretty girl (left) holding a basket of fruit."--British Museum online catalogue
Description:
Titles from text below images., Sheet trimmed to plate mark., and Mounted on page 89 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd by W. Dickinson &c. Feby. 23d, 1795, No. 53 next York House, Piccadilly
"Social satire; Pitt the Younger portrayed as a monkey, with regalia and his crown hanging on a chain around his neck, in a field labelled "Windsor Park"; below the image a text explains that this animal is confounding naturalists, who suppose it to be an offspring of the devil."--British Museum online catalogue
Description:
Title etched below image., Signed at bottom of image with printmaker W. O'Keeffe's monogram; see British Museum online catalogue, registration no.: 1991,0720.19., Sheet trimmed to plate mark in lower right corner., Three lines of text below title: The naturalist's of this country is [sic] at a loss how to give an account of this extroardionary [sic] animal ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Edmeads & Pine 1797.
Publisher:
Pubd. by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Pitt, William, 1759-1806 and George III, King of Great Britain, 1738-1820.
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher. In the lower right corner, an image of a cross-section of brain, labeled below frame "A Methodist's brain"
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched either side of title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend to the left of the title: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.
Publisher:
Published Novr. 12th, 1795 by John Ireland, No. 3 Poets Corner, Palace Yard, Wesminster
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
"An obese butcher (three-quarter length), in profile to the left, leans back from the waist, sucking a long pipe held in his right hand. His ill-fitting wig is perched on a bald head. He wears apron and oversleeves, a steel hanging from his waist."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Temporary local subject terms: Trades -- Dutchmen -- Tools: butchers' steel., Leaf 5 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 19.8 x 14.9 cm, on sheet 31.1 x 25.5 cm.
A watercolor drawing of a scene in Westminster Hall with three judges presiding over a crowded courtroom
Alternative Title:
Lawyers all alive in Westminster Hall and Peep into the Court of Kings Bench
Description:
Title "A peep into the Court of Kings Bench" written in lower margin but scored through; a new title "Term time or The lawyers all alive in Westminster Hall" is written below in the same hand., Signed by the artist in lower right corner of image., Date from: Padbury, D. View of Dightons., and Numbered "557" beneath lower left corner of image.
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Courtrooms, Judicial proceedings, Lawyers, Judges, and Juries
"A lean and elderly virago (three-quarter length, after Lady Cecilia Johnston) with straggling hair, wearing a handkerchief which scarcely covers her breast, stands in profile to the left, glaring fiercely. Her arms are bare to the elbow; she holds her thumb and second finger together, her left hand is on her hip. She says: "What do you know, you B-? --every one knows I am a - & a -, and setting that aside who can say Black to my eye?" Her profile is that of Lady Cecilia Johnston as caricatured by Gillray. She had a bitter tongue ..."--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of eight satirical portraits issued as a set on one sheet., Three lines of text below image: What do you know, you B-? Every one knows I am a - & a -, and setting that aside who can say black to my eye?, and On same sheet: Ministerial eloquence; Opposition eloquence; Naval eloquence; Military eloquence; Fools eloquence; Pulpit eloquence; Bar eloquence.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street
"Three-quarter length portrait of a plainly dressed man standing in profile to the right, holding a purse in his right hand. He says: "I will hold you Ten Guineas of it". He resembles caricatures of Lord Lauderdale."--British Museum online catalogue
Alternative Title:
Fool's eloquence
Description:
Title etched above image., By Gillray using pseudonym 'A.S'. See British Museum catalogue., One of eight satirical portraits issued as a set on one sheet., One line of text below image: I will hold you ten guineas of it., and On same sheet: Ministerial eloquence; Opposition eloquence; Naval eloquence; Military eloquence; Billingsgate eloquence; Pulpit eloquence; Bar eloquence.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street
"An officer (three-quarter length, after the Duke of York) in regimentals stands in profile to the left, his right arm raised and fist clenched in angry protest. He says: "You Lie, by G------.!""--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of eight satirical portraits issued as a set on one sheet., One line of text below image: You lie, by G-!, and On same sheet: Ministerial eloquence; Opposition eloquence; Naval eloquence; Fools eloquence; Billingsgate eloquence; Pulpit eloquence; Bar eloquence.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
"The Duke of Clarence (three-quarter length), dressed as a rough sailor, stands full-face with folded arms, looking to the right with a belligerent stare. He wears a shapeless hat, a naval coat, striped trousers, a handkerchief knotted round his neck. He says: "Damn all Bond St Sailors I say, a parcel of smell smocks! they'd sooner creep into a Jordan than face the French! dam me!""--British Museum online catalogue
Description:
Title etched above image., One of eight satirical portraits issued as a set on one sheet., Two lines of text below image: Damn all Bond St. sailors I say, a parcel of smell smocks! They'd sooner creep into a jordan than face the French! Dam me!, and On same sheet: Ministerial eloquence; Opposition eloquence; Military eloquence; Fools eloquence; Billingsgate eloquence; Pulpit eloquence; Bar eloquence.
Publisher:
Publd. Jany. 6th, 1795, by H. Humphrey, 37 Old Bond Strt
