"A plebeian family of 'cits' drive in a rough two-wheeled cart (aping a fashionable gig) drawn by a clumsy carthorse. The man drives, wearing cocked hat and top-boots; his wife, wearing large feathers in her small straw cap, holds up a fan. Both are absurdly complacent. A boy and girl are crammed in. Behind rides a fat and grinning footman, with plodding dog. On the extreme right a newsboy with the 'London Gazette' blows his horn. Behind (left) is an open doorway inscribed 'Mash Brewer'; within are casks. The wall is inscribed 'Puddle Dock', and on it are two bills: 'Theatre Royal Covent Garden the Comedy of the Bankrupt with High Life Below Stairs and A House to be let in Grosvenor Square Suitable for a Genteel Family' (they appear to be bound for this house). Houses form a background."--British Museum online catalogue
Alternative Title:
Road to ruin in the east
Description:
Title etched below image., Temporary local subject terms: Vehicles: carts -- Breweries -- Mash -- Newsboys -- Literature: reference to High Life Below Stairs by James Townley (1714-1778) -- Reference to The Bankrupt by Samuel Foote ( 1720-1777)-- Puddle Dock -- Female dress: plumed hats -- Expressions of speech: 'road to ruin'., 1 print : etching on wove paper ; plate mark 23.4 x 34.8 cm, on sheet 24 x 37 cm., Printmaker's name burnished from plate., and Watermark: Russell & Co 1797.
The interior of the 'Cave of Despair', with demons put to flight by a ray of divine light from the letters 'I A H' in a triangle in the upper left corner of the design. Three wizards (right) in monkish robes tend a boiling cauldron inscribed: 'Eye of Straw & toe of Cade ... For the ingredients of our cauldron'. Facing them (right) sits the Devil enthroned, holding a trident, with a three-headed scaly monster beside him; he says: "Pour in Streams of Regal Blood Then the Charm is firm & good." Burning pamphlets feed the fire under the cauldron; they are being heaped up by Horne Tooke, from whose mouth issues a label: 'H - T. Tis time tis time tis time'. The next, stirring the contents, says "Thrice! and Twice King's Heads have fallen". The third (? Dr. Towers), [Perhaps Dr. Parr; Towers died 20 May 1799.] flourishing a broom-stick, says, "Thrice the Gallic Wolves have bayed"; he holds an open book: 'Lying Whore \ False Swearing'. Behind the wizards is a procession of the Opposition. The first three (abreast) are Bedford, Norfolk, and Lord Derby. They say respectively: "Where are they! - gone Pocketed the Church and Poorlands The Tythes next" ..."Oh fallen Sovereingty degraded Counseller" ...; "Poor joe is done No test or Corporation Acts" ... The next three are Fox, Erskine, and Tierney; they say respectively: "Where can I hide my secluded Head" ... "Ah woe is me - poor I" ... "Would I had never spoke of the Licentiousness of the Press". Behind them is Burdett, saying, "What can I report to my Friends at the Bastile" .... Behind there is an undifferentiated crowd entering the cave and headed by Thelwall holding a volume of 'Thelwalls Lectures' ... exclaiming, "Tm off to Monmouthshire". The procession is watched by a snaky monster (left). Above their heads and resting on clouds are small figures: the King, allegorically depicted, holding a serpent in each hand. Behind him are Pitt, saying, "Suspend their Bodies", (?) Grenville, (?) Windham, saying "Almighty God has been pleased to grant us a great Victory", and Kenyon, saying "Take them to the Kings Bench & Cold Bath fields" ... The divine ray is inscribed: 'Afflavit Deus et dissipantur \ Your Destruction cometh as a Whirlwind \ Vengeance is ripe.' Four winged demons fly off (right) in the smoke of the cauldron, three have collars on which their names are engraved: 'Robesp[ierre]', 'Voltaire', and 'Price'. An ape dressed as a newsboy, with 'Courier' on his cap (..., blows his horn towards the cauldron. Behind him, in the extreme right corner, is an open book: 'Analitical Review \ Fallen never to rise again.' The seditious papers which feed the fire are: 'Equali[ty]'; 'Blasphemy Sedition'; 'Sophims' [sic]; 'Heresy'; 'Atheism'; 'Resistance is Prudence'; 'Belshams History'; 'Whig Club'; 'The Vipers of Monarchy and Aristocracy will soon be strangled by the Infant Democracy' ... 'Fraud'; 'Third of September' [see BMSat 8122]; 'Rights of Nature' [by Thelwall, attacking Burke, 1796]; '21st of January' ... 'Frends Atheism'; 'Quigleys Dying Speech'... 'O'Connors Manifesto' ... 'Oakleys Pyrology'; 'Deism'; 'Kings can do good Joel Barlow'; 'Uritaranism' [sic]; 'Sedition'; 'France is free'; 'Duty of Insurrection'; 'Darwins topsy turvy Plants and Animals Destruction' [cf. BMSat 9240]; 'Kings are S------TS' [serpents, as in Barlow's 'Conspiracy of Kings', pub. J. Johnson, 1792]; 'Political Liberty'. 1 February 1799 Etching and Temporary local subject terms: Opposition -- Press: attack on radical press -- Potions -- Allusion to the Whig Club -- Reference to Kosciuszko uprising, Poland, 1794 --Reference to Jack Cade's Rebellion, 1450 -- Reference to Jack Straw and Wat Tyler -- Reference to the Great Rebellion, 1381 -- Reference to the Duke of Bedford's family
Description:
Title etched below image., Imprint altered: 'J. Wright, Piccadilly' after publication date burnished from plate., Frontispiece from: The Anti-Jacobin Review and Magazine. London, 1799, v. 2., and Sheet trimmed to plate mark.
Publisher:
Publish'd February 1st, 1799, for the Anti Jacobin Review, by T. Whittle, Peterborough Court, Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Voltaire, 1694-1778, Robespierre, Maximilien, 1758-1794, Price, Richard, 1723-1791, Pitt, William, 1759-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Thelwall, John, 1764-1834, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Caves, Devil, Demons, Monkeys, Monsters, Vice, and Wizards
Title etched below image., Series title and number etched above image., Two lines of text within image: That's for comtempt in court you scoundril ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress: riding habit -- Yokels., 1 print : etching and aquatint on wove paper, hand-colored ; sheet 23 x 30 cm., Sheet trimmed within plate mark with loss of series title and number., and Printmaker's name erased from this impression.
Title from item., From Laurie and Whittle series of drolls., Plate numbered '227' in lower left corner., and Temporary local subject terms: Street scenes -- Seasons: winter -- Female dress: fur muffs -- Male dress: great coat with capes -- Skates -- Trades: cook's boys -- Food: sucking-pig -- Buildings: lottery office -- Lottery tickets.
Publisher:
Pubd 12th Feby. 1799 by Laurie & Whittle, 53 Fleet Street, London
Criminal portrait; three-quarter length with hands to side wearing a hat. Gibbs was tried twice in the autumn of 1799 for falsely accusing men of robbing her; After making many similar attempts, being recognized, assaulted by the mob, and protected by constables, she was at last found to be insane. See British Museum catalogue
Description:
Title etched below image., Six lines of text below title: She addresses herself to decent dressed men, as a servant out of place, or a Quaker, pretends a deal of modesty, and if she cannot prevail by these means, she then accuses them of having robbed her ..., and Printseller's stamp in lower right corner: S.W.F.
"A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut."--British Museum online catalogue
Description:
Title etched below image. and Series title and number etched above image.
A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in publication line. Cf. No. 9627 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16.
Publisher:
Pubd. October 1st, 1799, by R. Akerman, 101 Strand
Title etched below image., Sheet trimmed within plate mark., Cited in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.7, as a companion print to no. 9466., Temporary local subject terms: Vehicles: dasher -- Military: cavalry officers -- Placards -- Playbills -- Literature: Reference to Bon Ton by David Garrick (1717-1779) -- Reference to A New Way to Pay Old Debts by Philip Massinger (1583-1640) -- Reference to Bow Street -- Dress: driving dress, 1799 -- Parks: reference to Rotten Row, Hyde Park -- Prisons: reference to King's Bench -- Offices: sheriff's officer's office -- Expressions of speech: 'road to ruin'., 1 print : etching on wove paper, hand-colored ; plate mark 23 x 34.7 cm, on sheet 24 x 37 cm., Printmaker's name burnished from plate., and Watermark: E & P 1797.
Publisher:
Pubd. Novr. 5, 1799, by R. Ackermann, N. 101 Strand
A fat parson sits on a settee with a young courtesan on each knee
Description:
Title etched below image., Sheet trimmed within plate mark on sides., Two lines of verse below title: The business of his church he did by proxy and loved all doxies but the ortho-doxy., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. Cf. For a later copy, see no. 10671, v. 8., and Watermark: T Edmonds 181[...].
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand