Leaf 41. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For original issue of the plate, published in 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 223., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and On leaf 41 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
Title etched below image., Date of publication from Grego., Plate also published in: Caricatures. [London], [1836?], page 41., Sheet trimmed within plate mark., A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on leaf 55 of volume 11 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
Title etched below image., Date of publication from Grego., Plate also published in: Caricatures. [London], [1836?], page 41., Sheet trimmed within plate mark., A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 36 cm, on sheet 28 x 39 cm., Imperfect; artist's signature erased from lower right corner of sheet., and Watermark.
Publisher:
publisher not identified
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
"Heading to (printed) verses 'Sung, with great Applause, by Mr. Henry Johnston, in Dublin, Cork, &c. &c.' A pedlar with a wooden leg stands at a street corner, singing, a bottle of 'Irish Whisky' in his left hand, another bottle in his coat-pocket. His open box is slung from his neck, showing a watch, gloves, scissors, seals, watch-keys, ribbons, &c. On the right is a barber's shop: 'T. Trim Hair . . .' with a (torn) paper-covered lamp (as in No. 7605) inscribed: 'Shave well for Penny cut for 2 . . .' In the room above a tailor holding shears and iron looks from the window; a projecting sign is inscribed 'Sam Shred Taylor'. On the pavement outside are a fat doctor, a man leading an ass with paniers, and shouting his wares, a barrister addressing a burly man with a staff. On the opposite side of the road is a puppet-show in the form of a castle, into which children are peeping. A baker's man walks past with a board on his head on which is a pie. The last of six verses: Taylors cabbage all your cloth, Shins of beef are very tough. Flummery is just like froth Mrs. Clarke is up to snuff. Jolly tars are fond of fun, "God save the king", we'll nobly shout. And now, good folks, my song is done, Nobody knows what 'twas about. Right fol de riddle del, &c."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Below title: Magna est veritas et praevalebit. Truth is great and will prevail., Three columns of verse in letterpress below title begins: Barney Bodkin broke his nose, Want of money makes us sad. Without feet we c'ant have toes, Crazy folks are always mad. A farthing rush-light's very small, Doctors wear large bushy wigs. One that's dumb can never bawl, Pickled pork is made of pigs. ..., Sheet trimmed within plate mark., Plate numbered '521' in upper right corner., and "Cork" in the title altered in ink to "Gork".
Publisher:
Published 2nd Septr., 1811 by Laurie & Whittle, 53 Fleet Strt., London
Subject (Geographic):
England.
Subject (Topic):
Bakers, Barbershops, Peddlers, British, Peg legs, Puppets, and Tailors
Leaf 40. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For original issue of the plate, published in 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 222., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], A copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 40 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
"A portrait-painter painting a family group of a man and wife and their little boy. The group (right) is raised on a low semicircular platform, the couple sit on a high-backed settee without arms, the little boy on a stool in front of his mother. The child, though in his ordinary clothes, is holding a cupid's bow and a sheaf of arrows (reminiscent of the family portrait in the 'Vicar of Wakefield'); a large quiver holding arrows is slung across his shoulders, a wreath is on his head; he yawns violently. The man, in profile to the left, is obese and wears a short bushy wig, a dove sits on his left wrist; only the toes of his shoes reach the ground. His wife sits on his right holding a dove on her right hand; she turns towards her husband, looking straight forward with a fixed and painful smile; she wears ringlets and a cap of lace and ribbons on her high-dressed hair. The artist (left) stands at his easel which supports a large canvas and is placed close to his sitters. He wears spectacles, a bag-wig, and ruffled shirt, and holds a palette in his left hand. He looks towards his sitters with an insinuating smile, which, together with his attitude and the figure of the man sketched on the canvas, shows that he is intent on flattery. High up on the wall behind him are two oval bust portraits, one (left) of a clergyman, the other of a lady. Behind the sitters is a tall screen of several leaves."--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date of publication from Grego., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?] : [publisher not identified], [1836?], p. 40., A later copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 10 of a series., Watermark: 1809., and Imperfect; artist's signature mostly erased from lower right corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Artists, Artists' materials, Doves, Easels, Families, Group portraits, Obesity, Wigs, and Yawning
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Young alderman and his nurse
Description:
Title etched below image., Printmaker and date of publication from unverified data in local card catalog record., Plate numbered "308" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: Nursemaid -- Lighting: Candlestick -- Children's nurse., Watermark: 1817., and Leaf 83 in volume 5.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., 1 print : etching ; plate mark 349 x 247 mm., and Hand-colored.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., Watermark: 1817., and Leaf 91 in volume 2.
