"Three sailors ride away from the sea-shore (right) where a man-of-war is at anchor. All are in difficulties. A fourth is on his hands and knees on the extreme left; he looks up to say: "Mind what you are at Messmates for I am upset, and the frigate I came on board of--has been under weigh, without me this half hour." The foremost, clasping his rearing horse round the neck, looks back to say: "Keep more to the Star-board and be D--d, to you--dont you see how you make my vessel, run a head." The next man is tied to his galloping mount with heavy ropes; and he says: "Here I come my Hearty's --Right and tight,--smart sailing, but never mind that--I cant be cast away for my commander, Heavens bless him has lash'd me to the deck, with some tough Old Cables!" The last sailor's horse kicks with tail erect; he exclaims: "D--n me--how she heaves. Why this is worse than a Jolly Boat, in the Bay of Biscay. and what a D--d noise she makes in her poop--Signals for sailing I suppose.""--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., "Price one shilling.", Plate numbered "62" in the upper right corner., and Part of text on print erased and replaced with manuscript.
Publisher:
Pub. March 16, 1811 by Thos. Tegg No. 111 Cheapside
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1811?]
Call Number:
811.03.16.02+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Artist and publication date from unverified data from local card catalog record., and Possible copy or original of no. 11801 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9.
"Three pretty young nuns stand behind a widely spaced iron grille; one of them sells netted silk purses to a handsome young British officer in full regimentals who gazes fixedly at them. Two return his gaze. Behind and on the extreme left, an ugly old officer stares at them through a lorgnette. Beside the three nuns is a fourth, old, ugly, sour, and duenna-like. The figures are half length or three-quarter length. Behind the nuns is a background of Gothic vaulting with a crucifix."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "64" in upper right corner., Temporary local subject terms: Nuns -- Crucifix -- Lorgnette., and Watermark: [?]mead & C. 18[?].
Publisher:
Pubd. April 1, 1811, by Thos. Tegg, No. 111 Cheapside
"Below the title: " To pack up her tatters and follow the Drum. Soldiers and their wives walk in single file across a stream under trees. All except for the only officer are good-looking. The procession moves irregularly from right to left, receding in perspective. In the stream (left) are two soldiers carrying their wives on their shoulders; the second carries also kettle, frying-pan, and saucepan slung from his musket; the woman has two infants tied to her shoulders. They are followed by a young woman carrying three children on her back, her petticoats raised almost to the waist. On the brink of the stream (right) is a drummer bent under a big drum and with a sword under his arm. A soldier follows, heavily burdened with musket, knapsack, inscribed Old Buffs, rolled cloak, bottle, &c., and a pouch from which hangs the head of a goose. He looks behind him at a buxom woman carrying two lusty children, and with petticoats kilted high above bare legs and tattered shoes. Last walks a woman carrying on her shoulders an ugly officer wearing plumed bicorne and gorget. The soldiers wear plumed shakos and long gaiters."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., Variant with different publication date. Cf. No. 11104 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Temporary local subject terms: Drum -- Shakos., and Mounted to 30 x 40 cm.
Publisher:
T. Rowlandson April 1, 1811 No. 1. St. James St. Adelphi
Title from caption below image; series title appears before title, series numbering appears after the title of this part., Sheet trimmed within plate mark., Variant with imprint. Cf. No. 11785 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "69" in the upper right corner., Temporary local subject terms: Tandem., and Mounted to 29 x 39 cm.
Publisher:
Pubd. April 24, 1811 by Thos. Tegg No. 111 Cheapside
Title from caption below image., Printmaker description of later state in the British Museum catalogue., Early state, with publication line present and number '74' absent from upper right corner, of No. 7014A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Morals -- Surgeons instruments -- Calcutta -- India -- Slaver --Enslaved people., and Watermark: CT.
Publisher:
Pubd. May 10th, 1811, by Thos. Tegg, No. 111 Cheapside
"A farmer (John Bull) and his family gape in amazement at the arrangements for the Regency fête on 19 June. The narrow table extends across the design receding from left to right, the cloth hanging over the seats of chairs in the foreground. The famous canal decorates the centre of the table with its gold and silver fish, and the table is laid with gold plate, and ornate cut-glass goblets and decanters labelled 'Dry Champain', 'Claret', and 'Burgundy'. There are three-branched gold candelabra. The Prince's chair is on the extreme right; beside it stand a man in livery and an attendant in plain clothes. Behind the chair large ornate gold salvers are arranged on shelves covered with white drapery, as in No. 11729. This was 'a kind of circular buffet . . . lined by festoons and antique draperies of pink and silver' ('Ann. Reg.', 1811, p. 69). The sightseers are on the farther side of the table (left) with their backs to the windows, John in the centre; he says, pointing: "Why Odd Zookers this is marvellous fine indeed. Oh Nan how we should relish a rasher on one of they monstracious beautifull Plates, why now I think I shan't grumble to pay three or four Bank Tokens towards this grand treat - methinks I should Just like a nippikin too." His wife puts out her hands protestingly: "Oh John one of our milk white Chickens roasted by myself by our wood fire would be Luscioscious indeed." His daughter says: "La Feather do zee how they gilded Fishes be stareing at yow." There are three loutish sons; one says: "I say Sue I thinks I should not like that dry Shampain, but a Dobbin of our home brewed in that there gilded gold thing would be dreadfully noice indeed"; another (looking up at the (invisible) ceiling : "Dang it if the top 0 the pleace beant all Eel pottles I'll be hang'd."--British Museum online catalogue
Alternative Title:
John Bull in the conservatory
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark with partial loss of imprint., Watermark: NV, and Manuscript "63" in ink upper center of plate.
"The nurse, a respectable-looking woman wearing a cap and apron, stands in profile to the right beside an open coffin placed on trestles; she rests her left hand on a shrouded protuberance. In her right is a glass filled from a bottle of 'Gin' on a table (left). The coffin lid rests against the wall: 'Gabl Paunch Citizen and Alderman of Gobble Ward Obeit [sic] Novr 10th 1810 Ætat 45 Years'. A plate on the ornate coffin is decorated with a bottle, bird, glass, &c. On a chest of drawers are many medicine-bottles all labelled: 'Opening draught Aldn Paunch'. An alderman's gown hangs on the wall. Torn papers lie beside a chair: 'List of City Feasts for the Year 1810' and 'Swan Hop'. [Upping]. A round bath or tub is on the floor (left). The nurse says: "Ah! all the good things of this world wont save us e'faith!! this belly I warrant you has held as many bottles of wine in it's time as ever a Getter in the City, well poor Mr Alderman Paunch! God rest his Soul! he was a good creature! He never grudged the poor what he didn't love himself. Oh those poor pale lips! where's all the Chickens, and all the Capons, and all the Ducks, and all the turkeys, and all the pullets, and all the fowls, and all the game, and all the hams, and all chines, and all the haunches of Venison, and all the turbot, and all the Salmon, and all the fish, and the beef and the turtle, and the marrow-pudding, and the pies, and the Custards, and all the dainties, it has cost the City so much money for, what will he do poor soul if there's no such good things where he is gone too.""--British Museum online catalogue
Alternative Title:
Sic transit gloria city and Old nurse's meditation
Description:
Title from caption below image; "mundi" scored through and replaced by "city.", Printmaker from British Museum catalogue., and Sheet trimmed to plate mark on one side.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor with a hideously carbuncled face lies in a hammock wearing a striped shirt and night-cap. Beside him is his sea-chest, the open lid inscribed 'Sea Stock', from which he has taken a bottle of 'Grogg'. He shakes his fist at an old-fashioned doctor, lean and grotesque (left), who stoops towards him proferring a box of 'Pills' and holding a long bottle labelled 'A Sweat'. Under the doctor's arm is a gold-headed cane, and from his coat-pocket project a 'Clyster' [pipe] which is exploding, and a bottle of 'Jollop'; beside him are a 'Pestel' and 'Mortar'. He says: "hold--I must stop Your Grog Jack--it excites those impulces, and concussions of the Thorax, which acorn pany Sternutation by which means you are in a sort of a kind of a Situation--- that Your head must be--shaved--I shall take from you only--20os of Blood-- then swallow this Draught and Box of Pills, and I shall administer to you a Clyster." Jack answers angrily: "Stop my Grog.--Belay there Doctor--Shiver my timbers but your lingo bothers me--You May batter my Hull as long as you like, but I'll be d--'nd if ever You board me with your Glyster pipe." In his chest are bottles inscribed 'Brandy', 'Rum', and 'Gin', a large twist of 'Pig tail' [tobacco], a 'True Love Token', and a miniature (cf. British Museum Satires No. 10894). He is covered with a gaily patterned coverlet inscribed 'P R'. His jacket and breeches are on the deck beside him, and close by (left) are a cannon and cannon-balls."--British Museum online catalogue
Description:
Title etched below image., Print signed with pseudonym "XYZ", with the letter "Z" etched backwards. Printmaker identified as William Elmes in the British Museum catalogue., Reissue, with date removed from imprint statement., Date of publication based on complete imprint on earlier state: Pubd. Augt. 12, 1811, by Thos. Tegg, No. 111 Cheapside, opposite Bow Church, London. See British Museum catalogue., Plate numbered "78" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Temporary local subject terms: Carbuncle -- Thorax -- Hammock -- Eyeglasses., 1 print : etching on wove paper, hand-colored ; sheet 25 x 34 cm., Imperfect; sheet trimmed within plate with loss of plate number from upper right, and sheet mutilated on bottom edge with partial loss of title. Pencil annotations complete lost portion of title., and Mounted to 27 x 38 cm. On back of mount, a possible proof state in sepia stipple by C.M. Metz (delineavit) and J. Barrow (sculp.) labelled "Plate II."
Publisher:
Thos. Tegg, No. 111 Cheapside, opposite Bow Church, London