"Two dark-complexioned money-lenders, Eurasians or Portuguese, sit facing each other at a round table. One (left), with a cane under his arm, appears to be a visitor; he regards his vis-à-vis with a fixed and cunning grin, holding out a bill or cheque, and pointing to an open chest containing money-bags which is on the ground. The other (right) stares angrily, leaning on the table and clutching a large money-bag. He wears a shirt and waistcoat with breeches and shoes; the other wears a short jacket or long spencer, breeches, and boots. The figures are strongly lit, the room is in deep shadow. Apparently a companion plate to No. 11833. Cf. also Nos. 12164, 12165."--British Museum online catalogue
Alternative Title:
Thirty-six percent discount at Calcutta and 36 per cent discount at Calcutta
Description:
Title from caption below image., Text following imprint: of whom all the other caricatures may he had., Watermark: Turkey Mill 1825., and Publication date changed to "1803" from "1811" in manuscript.
Publisher:
Pub. Feb. 1803 by Willm. Holland No. 11 Cockspur Street
"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue and "Evidently Dubois de Chémant who introduced porcelain teeth into England (replacing those of bone and ivory) and published 'A Dissertation on Artificial Teeth in general', 1797, 4th ed., 1804. Cf. earlier prints by Rowlandson on false teeth, British Museum Satires Nos. 7766, 8174."--Curator's comments, British Museum online catalogue
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of plate number from top edge. Plate number supplied from impression in the British Museum., "Price one shilling"--Following imprint., Plate numbered "58" in upper right corner., Temporary local Medical Library subject terms: False teeth., 1 print : etching, hand-colored ; sheet 23.1 x 33.3 cm., and Sheet trimmed within plate mark with loss of plate number from upper right.
Publisher:
Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Dubois de Chémant, Nicolas, 1753-1824
Subject (Topic):
Dentures, Dentistry, Smiling, Hand lenses, and Signs (Notices)
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue, description of an earlier state
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11798 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "58" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Following imprint., Sheet trimmed to plate mark leaving thread margins on top and bottom edges., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 201., Temporary local subject terms: Lorgnette -- Teeth., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.4 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 8 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue, description of an earlier state
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11798 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "58" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Following imprint., Sheet trimmed to plate mark leaving thread margins on top and bottom edges., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 201., and Temporary local subject terms: Lorgnette -- Teeth.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
French gentleman of the Court of Egalite 1799
Description:
Title etched below image., Date assigned by cataloger., A reduced copy of a print with the same title that was etched by Gillray and published 15 August 1799 by Hannah Humphrey. Cf. No. 9410 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate numbered "98" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 40 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A barrister, haggard and exhausted, yawns over a 'Brief', reclining in an arm-chair, extending his bare legs to the fire (right) where a coffee-pot stands. Beside him is a 'Bill of Costs'. Evidence of overnight dissipation are a (Turkish) masquerade dress and mask on the floor and a young woman, partly dressed, arranging her hair at a mirror placed on the breakfast-table. Her foot rests on a large volume: 'Crim Con Cases'. The room is lined with heavy folios, a serjeant's wig hangs by the window; there is a notice: 'Term begins -- A convenient Sett of Chambe[rs] To Lett'. A bust portrait of a severe old judge is over the chimney-piece on which stand books, bottles of 'Cherry Bounce', and 'Restorative Drops'. On the ground are empty bottles, top-boots, a gun, a dog. Riding-breeches and a jockey-cap hang from a peg."--British Museum online catalogue
Description:
Title etched below image., First half of imprint statement, including date, has been burnished from plate; date of publication from British Museum catalogue., Plate numbered "76" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling.", Sheet trimmed within plate mark on top edge., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 23.5 x 33.9 cm, on sheet 25.6 x 41.8 cm., and Leaf 22 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A barrister, haggard and exhausted, yawns over a 'Brief', reclining in an arm-chair, extending his bare legs to the fire (right) where a coffee-pot stands. Beside him is a 'Bill of Costs'. Evidence of overnight dissipation are a (Turkish) masquerade dress and mask on the floor and a young woman, partly dressed, arranging her hair at a mirror placed on the breakfast-table. Her foot rests on a large volume: 'Crim Con Cases'. The room is lined with heavy folios, a serjeant's wig hangs by the window; there is a notice: 'Term begins -- A convenient Sett of Chambe[rs] To Lett'. A bust portrait of a severe old judge is over the chimney-piece on which stand books, bottles of 'Cherry Bounce', and 'Restorative Drops'. On the ground are empty bottles, top-boots, a gun, a dog. Riding-breeches and a jockey-cap hang from a peg."--British Museum online catalogue
Description:
Title etched below image., First half of imprint statement, including date, has been burnished from plate; date of publication from British Museum catalogue., Plate numbered "76" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling.", and Sheet trimmed within plate mark on top edge.
Title etched below image., Date of publication from Grego., Plate also published in: Caricatures. [London], [1836?], page 41., Sheet trimmed within plate mark., A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 36 cm, on sheet 28 x 39 cm., Imperfect; artist's signature erased from lower right corner of sheet., and Watermark.
Publisher:
publisher not identified
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
Leaf 41. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For original issue of the plate, published in 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 223., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and On leaf 41 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
"Heading to (printed) verses 'Sung, with great Applause, by Mr. Henry Johnston, in Dublin, Cork, &c. &c.' A pedlar with a wooden leg stands at a street corner, singing, a bottle of 'Irish Whisky' in his left hand, another bottle in his coat-pocket. His open box is slung from his neck, showing a watch, gloves, scissors, seals, watch-keys, ribbons, &c. On the right is a barber's shop: 'T. Trim Hair . . .' with a (torn) paper-covered lamp (as in No. 7605) inscribed: 'Shave well for Penny cut for 2 . . .' In the room above a tailor holding shears and iron looks from the window; a projecting sign is inscribed 'Sam Shred Taylor'. On the pavement outside are a fat doctor, a man leading an ass with paniers, and shouting his wares, a barrister addressing a burly man with a staff. On the opposite side of the road is a puppet-show in the form of a castle, into which children are peeping. A baker's man walks past with a board on his head on which is a pie. The last of six verses: Taylors cabbage all your cloth, Shins of beef are very tough. Flummery is just like froth Mrs. Clarke is up to snuff. Jolly tars are fond of fun, "God save the king", we'll nobly shout. And now, good folks, my song is done, Nobody knows what 'twas about. Right fol de riddle del, &c."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Below title: Magna est veritas et praevalebit. Truth is great and will prevail., Three columns of verse in letterpress below title begins: Barney Bodkin broke his nose, Want of money makes us sad. Without feet we c'ant have toes, Crazy folks are always mad. A farthing rush-light's very small, Doctors wear large bushy wigs. One that's dumb can never bawl, Pickled pork is made of pigs. ..., Sheet trimmed within plate mark., Plate numbered '521' in upper right corner., and "Cork" in the title altered in ink to "Gork".
Publisher:
Published 2nd Septr., 1811 by Laurie & Whittle, 53 Fleet Strt., London
Subject (Geographic):
England.
Subject (Topic):
Bakers, Barbershops, Peddlers, British, Peg legs, Puppets, and Tailors
"A portrait-painter painting a family group of a man and wife and their little boy. The group (right) is raised on a low semicircular platform, the couple sit on a high-backed settee without arms, the little boy on a stool in front of his mother. The child, though in his ordinary clothes, is holding a cupid's bow and a sheaf of arrows (reminiscent of the family portrait in the 'Vicar of Wakefield'); a large quiver holding arrows is slung across his shoulders, a wreath is on his head; he yawns violently. The man, in profile to the left, is obese and wears a short bushy wig, a dove sits on his left wrist; only the toes of his shoes reach the ground. His wife sits on his right holding a dove on her right hand; she turns towards her husband, looking straight forward with a fixed and painful smile; she wears ringlets and a cap of lace and ribbons on her high-dressed hair. The artist (left) stands at his easel which supports a large canvas and is placed close to his sitters. He wears spectacles, a bag-wig, and ruffled shirt, and holds a palette in his left hand. He looks towards his sitters with an insinuating smile, which, together with his attitude and the figure of the man sketched on the canvas, shows that he is intent on flattery. High up on the wall behind him are two oval bust portraits, one (left) of a clergyman, the other of a lady. Behind the sitters is a tall screen of several leaves."--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date of publication from Grego., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?] : [publisher not identified], [1836?], p. 40., A later copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 10 of a series., Watermark: 1809., and Imperfect; artist's signature mostly erased from lower right corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Artists, Artists' materials, Doves, Easels, Families, Group portraits, Obesity, Wigs, and Yawning
Leaf 40. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For original issue of the plate, published in 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 222., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], A copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 40 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Young alderman and his nurse
Description:
Title etched below image., Printmaker and date of publication from unverified data in local card catalog record., Plate numbered "308" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: Nursemaid -- Lighting: Candlestick -- Children's nurse., Watermark: 1817., and Leaf 83 in volume 5.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., 1 print : etching ; plate mark 349 x 247 mm., and Hand-colored.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., Watermark: 1817., and Leaf 91 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date assigned by cataloger., A reduced copy of a print with the same title that was etched by Gillray and published 16 May 1799 by Hannah Humphrey. Cf. No. 9386 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Seven lines of quoted verse below image in two columns, one on either side of title: "Nee'r may his whiskers loose their hue, "chang'd (like Moll Coggin's tail) to blue! ... vide Anti Jacobin., Plate numbered "99" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., and Leaf 88 in volume 2.
Publisher:
publisher not identified
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat elderly woman walks (left to right) over rough cobbles, in the teeth of a strong wind against a deluge of rain; her contour is global and fills the greater part of the design. She holds a lighted lantern and clutches a bottle of cordial and a bundle. She wears a hooded cloak, a flat straw hat over a white cap, and pattens. Near her (right) runs a shivering little chimney-sweep, bare-legged, and carrying his tools and soot-bag; he is shouting or 'crying the streets' for custom. Behind her (left) is an aged watchman, leaning with folded arms on the front of his watch-box, asleep. His lighted lantern hangs above his head."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint and price statement have been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Febry. 12th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11795 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 199., Watermark: 1817., and Leaf 73 in volume 2.
Publisher:
Thomas Tegg
Subject (Topic):
Midwives, Obesity, Rain, Winds, Lanterns, Bottles, Chimney sweeps, and Watchmen
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat elderly woman walks (left to right) over rough cobbles, in the teeth of a strong wind against a deluge of rain; her contour is global and fills the greater part of the design. She holds a lighted lantern and clutches a bottle of cordial and a bundle. She wears a hooded cloak, a flat straw hat over a white cap, and pattens. Near her (right) runs a shivering little chimney-sweep, bare-legged, and carrying his tools and soot-bag; he is shouting or 'crying the streets' for custom. Behind her (left) is an aged watchman, leaning with folded arms on the front of his watch-box, asleep. His lighted lantern hangs above his head."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint and price statement have been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Febry. 12th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11795 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 199., 1 print : etching, hand-colored ; sheet 350 x 245 mm., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Midwives, Obesity, Rain, Winds, Lanterns, Bottles, Chimney sweeps, and Watchmen
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a College cloister, indicated by a wall and Gothic vaulting. A pretty and buxom girl carrying milk-pails suspended from a yoke is embraced by a young man in cap, gown, and bands who leans towards her through a casement window. She disregards her milk-pails; one, containing two infants, tilts upwards, the other, full of milk, correspondingly descends and a spaniel greedily laps the milk. On the extreme left a lean elderly parson, hideous and grotesque, similarly dressed, watches intently."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 15th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11784 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "125" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Watermark: 1817., and Leaf 90 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hideous old miser sits between fire (right) and table (left) snuffing a candle; he ignores a man seated opposite him, who registers agonized entreaty. Both are three-quarter length. On the table is a large book: 'Table of Interest'. Over the chimney-piece is a placard, the right side cut off by the margin of the design. 'Stock Ex[change], Bank Stock, 3 Pr Cents, Imperial [Loan], Omnium [cf. British Museum Satires No. 11716], South Sea, Exchequer [Bills], Lottery Tick[ets]'. A portrait of the miser above his head shows him gleefully weighing coin, with money-bags beside him. The room is small and poverty-stricken with a casement window, and a skeleton-like rat scampering on the window-ledge. Through an open door (left) is seen the profile of a grotesquely malevolent old hag. ..."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; date has been burnished from imprint statement., Date of publication based on complete imprint on earlier state: Pubd. by Thos. Tegg, No. 111 Cheapside, April 10, 1811. Cf. No. 11804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Four lines of verse below image, two on either side of title: Iron was his chest, iron was his door; his hand was iron, and his heart was more., Plate numbered "70" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 204., and Leaf 18 in volume 2.
Title from caption below image., Printmaker description of later state in the British Museum catalogue., Early state, with publication line present and number '74' absent from upper right corner, of No. 7014A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Morals -- Surgeons instruments -- Calcutta -- India -- Slaver --Enslaved people., and Watermark: CT.
Publisher:
Pubd. May 10th, 1811, by Thos. Tegg, No. 111 Cheapside
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 10th, 1811, by Thos. Tegg, No. 111 Cheapside. Cf. Lewis Walpole Library call no.: 811.05.10.01.1+., A reduced copy of a print etched by Gillray and published 16 May 1786 by William Holland. Cf. No. 7014 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate numbered "74" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Watermark: 1817., and Leaf 20 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund clergyman stands (center) in his pulpit preaching from a book set on a plush pillow while the congregation sleeps below him. All the figures are highly caricatured except for a pretty young woman in the right foreground and a young man who is handsome but very large like most of the congregation
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg ..." in which only a lightly printed "181" is still visible., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", and Sheet trimmed within plate mark.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund clergyman stands (center) in his pulpit preaching from a book set on a plush pillow while the congregation sleeps below him. All the figures are highly caricatured except for a pretty young woman in the right foreground and a young man who is handsome but very large like most of the congregation
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg ..." in which only a lightly printed "181" is still visible., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 24.7 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 72 in volume 2.
"The Duke of Somerset in military uniform rides in profile to the left. He wears a double-peaked cocked hat with plume. In the background is a camp with tiny soldiers being drilled."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on top edge., and Leaf 69 in an album with the spine title: Characatures by Dighton.
Publisher:
Pubd. by Dighton, Spring Gardens
Subject (Name):
Somerset, Edward Adolphus Seymour, Duke of, 1775-1855
Subject (Topic):
Military uniforms, British, Military camps, and Horses
"A caricature portrait of the Marquis of Buckingham (George Grenville Nugent Temple) walking in profile to the left. He wears military uniform with cocked hat and spurred Hessians, and is enormously obese, his sword-belt grotesquely clasped across his paunch. His hand is on the hilt of his sword. He was Lord Lieutenant of Bucks. Unlike other caricatures of Buckingham."--British Museum online catalogue and "George identified the subject as George Nugent-Temple-Grenville, Marquess of Buckingham (1753-1813) but it is, rather, his son Richard Temple-Nugent-Brydges-Chandos-Grenville, first duke of Buckingham and Chandos (1776-1839), known until 1813 as Earl Temple."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Leaf 76 in an album with the spine title: Characatures by Dighton., Watermark, trimmed: [E]dmeads 1808., and Figure identified as "Marquess Buckingham" in pencil at bottom of sheet.
Publisher:
Pubd. by Dighton, Spring Gardens
Subject (Name):
Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839 and Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813,
British soldiers showing a party of civilians around their tents erected in an open space. A black boy in livery carries a folded umbrella as he walks behind two gentleman and a tall, long-chinned lady who carries her umbrella open. A soldier is being shaved outside a tent as the group looks on.
Description:
Title from captions below images., Two designs on one plate, each individually titled., Printmaker and questionable date of publication from description in Grego of design on lower half of plate., Plate measurement from later impression in bound volume., Plate also published in: Caricatures. [London], 1836?], page 76., Reduced copies of nos. 6727 and 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, v. 4., 1 print : etching on wove paper, hand-colored ; sheet 17.9 x 25.3 cm., Imperfect; lower half of sheet trimmed away, leaving only the upper design of two printed from the same plate., and Artist's signature erased from lower left corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Barbers, Equipment, Military camps, Military uniforms, British, Riding habits, Soldiers, Tents, and Umbrellas
British soldiers showing a party of civilians around their tents erected in an open space. A black boy in livery carries a folded umbrella as he walks behind two gentleman and a tall, long-chinned lady who carries her umbrella open. A soldier is being shaved outside a tent as the group looks on.
Description:
Title from captions below images., Two designs on one plate, each individually titled., Printmaker and questionable date of publication from description in Grego of design on lower half of plate., Plate measurement from later impression in bound volume., Plate also published in: Caricatures. [London], 1836?], page 76., Reduced copies of nos. 6727 and 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, v. 4., 1 print : etching on wove paper, hand-colored ; sheet 17.4 x 24.4 cm., Imperfect; upper half of sheet trimmed away, leaving only the lower design of two printed from the same plate., and Artist's signature erased from lower left corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Barbers, Equipment, Military camps, Military uniforms, British, Riding habits, Soldiers, Tents, and Umbrellas
Leaf 76. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Visit to the camp ; Recruits
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature., Attributed to Rowlandson in the Metropolitan Museum of Art online catalog., Restrike. For an earlier issue of the plate, published ca. 1811, see Metropolitan Museum of Art online catalog, accession no.: 59.533.1801., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Top image is a reduced copy of no. 6727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Bottom image is a reduced copy of no. 4766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 214., and On leaf 76 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Barbers, Equipment, Military camps, Military uniforms, British, Riding habits, Soldiers, Tents, and Umbrellas
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., 1 print : etching on wove paper, hand-colored ; plate mark 35.2 x 25.1 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 83 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A strapping young courtesan holds against her neck a ladder up which an elderly naval officer, less than half her height, begins to climb, looking up avidly. He holds a telescope, and wears a ribbon inscribed 'Death or Victory'. From her feathered hat streams a ribbon inscribed 'England expects every Man To do his Duty.' She wears a belt inscribed 'Belly Rough One' [Bellerophon] above the figure '74'. The scene is the quay-side between large cannon. A ship's boat rows out to a man-of-war at anchor."--British Museum online catalogue, description of an earlier state
Alternative Title:
Accommodation ladder
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 1st, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "85" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling cold.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 210., Temporary local subject terms: Bellerophon., and Watermark: Basted Mill.
Leaf 39. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two young men and two women dressed in an approximation of seventeenth-century costume with rods and a pile of fish they have just caught."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see British Museum online catalogue, registration no.: 1935,0522.9.146.b., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published in 1811? See: Grego, J. Rowlandson the caricaturist, v. 2, pages 220-2., Companion print to: Anglers of 1811., Temporary local subject terms: Angling in hilly streams -- Costume: Anglers, 1611 -- Landscape: Hill-top -- Fish: ?Salmon., and On leaf 39 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Title from caption below image., Printmaker and date of publication from Grego., Sheet trimmed within plate mark., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. London, 1836?, p. 39., Companion print to: Anglers of 1611., Watermark: 1809., and Numbered in ms. at top of sheet: 224.
Leaf 39. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 222., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Companion print to: Anglers of 1611., and On leaf 39 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Fishing, Fishing & hunting gear, Boats, Dogs, and Brass instruments
A satire on a recent performance of Timor the Tartar depicts a horde of Tartar horsemen, wearing turbans with aigrettes and holding scimitars, as they attack a classic Apollo figure who looks back with horror as he flees, his broken bow in his left hand and his helmet and quiver at his feet. They are lead in the attack by a lady on horseback and wearing medieval-style costume. Apollo appears to be punched in the head by a man in the background, wearing boxing gloves. On the right Kemble is about to thrust a piece labelled "Cocktail ginger" into the horse's rear as he lifts its tail. In the center foreground a man shoots a blunderbuss, which is supported by a pile of books with titles: American, New Musical Pieces, Shipwreck, etc. From the muzzle issue words and papers: Plan of new tragedy, Poetry for an oratorio, Remarks on light & shade, etc
Description:
Title from item., Plate from: The Satirist, viii, p. 453., Attributed to De Wilde in the British Museum catalogue., and Sheet trimmed within plate mark resulting in loss of imprint.
Publisher:
Published for the Satirist
Subject (Name):
Kemble, Charles, 1775-1854, Lewis, M. G. 1775-1818. (Matthew Gregory),, and Apollo (Deity)
"Portrait seated almost whole-length slightly to left and reading at table, head turned to face right; wearing dark suit, frill and ruffles and his hair powdered and curled."--British Museum online catalogue, description of a print of similar composition
Description:
Title from facsimile signature below image. and Printmaker, artist, imprint, and publication date from Catalogue of engraved British portraits.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A series of six scenes arranged in two rows in which a French dancing master attempts to instruct his clumsy English students in the art of dance
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Plate numbered "87" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.1 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 30 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A series of six scenes arranged in two rows in which a French dancing master attempts to instruct his clumsy English students in the art of dance
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Plate numbered "87" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", and Number "111" written in ink at top center of sheet.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowd of elderly Fellows in cap and gown issue from the Gothic doorway of the (?) chapel (left) and turn to the left, to walk in back view under an archway below a mullioned window, towards a quadrangle which is indicated only by the windows of the (?) hall. One enters the Principal's Lodge by a Georgian door (right) facing that of the chapel. He is closely followed by a buxom girl with baskets of fruit, exciting the prurient interest of some of the Fellows. Others buy fruit from another pretty girl. All are burlesqued. The architecture is realistically drawn. On the wall of the Lodge are two placards, one upside down, inscribed 'Vice . . .' and 'Vice Chanr'. The Principal of Brazenose was Frodsham Hodson (1770-1822), Regius Professor of Divinity 1820, see British Museum Satires No. 11534."--British Museum online catalogue
Alternative Title:
Bacon faced fellows of Brazenose, broke loose
Description:
Title etched below image; letter "z" in "Brazen" is etched beackwards., Date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg, No. 111 Cheapside." Date of publication from British Museum catalogue and Grego., Plate numbered "59" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Following imprint., Temporary local subject terms: Brasenose College -- Lighting -- Oxford University -- Education., and Leaf 9 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowd of elderly Fellows in cap and gown issue from the Gothic doorway of the (?) chapel (left) and turn to the left, to walk in back view under an archway below a mullioned window, towards a quadrangle which is indicated only by the windows of the (?) hall. One enters the Principal's Lodge by a Georgian door (right) facing that of the chapel. He is closely followed by a buxom girl with baskets of fruit, exciting the prurient interest of some of the Fellows. Others buy fruit from another pretty girl. All are burlesqued. The architecture is realistically drawn. On the wall of the Lodge are two placards, one upside down, inscribed 'Vice . . .' and 'Vice Chanr'. The Principal of Brazenose was Frodsham Hodson (1770-1822), Regius Professor of Divinity 1820, see British Museum Satires No. 11534."--British Museum online catalogue
Alternative Title:
Bacon faced fellows of Brazenose, broke loose
Description:
Title etched below image; letter "z" in "Brazen" is etched beackwards., Date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg, No. 111 Cheapside." Date of publication from British Museum catalogue and Grego., Plate numbered "59" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Following imprint., Temporary local subject terms: Brasenose College -- Lighting -- Oxford University -- Education., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 36.1 cm, on sheet 25 x 37 cm., Imperfect; sheet trimmed within plate mark with loss of numbering from upper right., and Watermark: Turkey Mill.
"The Ministry defend 'The Citadel of Office' behind a high stone wall against different Opposition groups. The chief defence is by the tiny Perceval who fires a cannon from whose muzzle issue three heads intended for Wellesley, Ryder, and Melville. In the centre the wall is breached, and Eldon looks from the gap, weeping; behind him is the Woolsack, inscribed 'Wool'. Lord Grey, on tiptoe, reaches up to seize his gown, while he flourishes a paper: 'Report of Physicians 1804'. Erskine, quite bald and with his (former) Chancellor's gown over his arm, reaches up to tug at the Chancellor's wig. Seated on the wall at the lowest point of the breach is Yorke in back view; in his pocket is a 'List of my Friends Cambridge' [see No. 11535]. He hands down a large seal bearing an anchor to Whitbread who straddles a cask floating in water which adjoins the 'Citadel' on the right. Whitbread takes this emblem of the Admiralty, flourishing a tankard (cf. No. 10414). On the left of the breach Sir Vicary Gibbs, brandishing a rolled document inscribed 'Law of Libel', defends himself vigorously against Romilly, who drags at his gown and has a similar weapon inscribed 'New Statutes'. In Romilly's pocket is a paper: 'New Bankrupt Laws'. Farther to the left the three Grenvilles, Lord Temple, the Marquis of Buckingham, and Lord Grenville, level a battering-ram against the wall. The ram has a ram's head, as in heraldry, but with a human face, and is intended for Ponsonby, leader of the Opposition in the Commons. On one horn is spiked a paper: 'Catholic Emancipation'. Between them and Romilly, little Lord Lansdowne (Petty) sits on the ground squirting a large syringe over his shoulder at the wall. Next the ram Moira, stiff and aloof, holds up a fox with the head of Lord Holland (nephew and political heir of Fox), whose fore-paws, holding a paper of 'Resolutions', have reached the top of the wall but are caught in a trap. On the extreme left. Tierney bestrides a wooden horse whose hind-legs are broken off; it is inscribed 'Finance'. A bundle inscribed 'New Budget for 1811' is strapped to his back; he fires a pistol inscribed 'Bullion Report', but he is about to be thrown, so that the pistol points backwards over his head. Between Tierney and the wall are Burdett and Wardle. The former is flinging mud at the defenders, at Moira, and at Tierney. ..."--British Museum online catalogue
Alternative Title:
Which has it?
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 1 ( March 1811), p. 175., Sheet trimmed within plate mark., Mounted to 28 x 41 cm., and Manuscript annotations on print and mount identifying place and figures.
Publisher:
Published for the Scourge, March 1st, 1811, by M. Jones, 5 Newgate Stt
Subject (Name):
Perceval, Spencer, 1762-1812, Wellesley, Richard Wellesley, Marquess, 1760-1842, Dundas, Henry, 1742-1811, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Eldon, John Scott, Earl of, 1751-1838, Yorke, Charles Philip, 1764-1834, Whitbread, Samuel, 1764-1815, Gibbs, Vicary, Sir, 1751-1820, Romilly, Samuel, 1757-1818, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Ponsonby, George, 1755-1817, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Holland, Henry Richard Vassall, Baron, 1773-1840, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Wardle, Gwyllym Lloyd, 1762?-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, and Sheridan, Richard Brinsley, 1751-1816
Title from text below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The little King of Rome sits in his cradle, between the proudly protecting arms of Marie Louise, who kneels behind him. The infant has an adult head resembling that of his father, and a tail; he wears a replica of Napoleon's cocked hat. He holds out his arms to Napoleon, who sits by the fire, holding out a napkin to dry. The Emperor looks fondly at the child, saying, "Rejoice O ye Frenchmen, the Fruits of my Labour has produced a little Image of myself, I shall for the love I owe to your Country instill in my Noble Ofspring the same principles of Lying thieving treachery Letchery Murder and all other foul deeds for which I am now Worshipped and Adored". Behind and between the Emperor and Empress, a bishop (? Cardinal Fesch) kneels over the infant, his hands folded as if in prayer; he repeats the words of Henry VI to Gloucester before his murder by the latter: "The Owl shriek'd at thy Birth, an evil Sight. The Night Crow cry'd foreboding luckless Time. Dogs howl'd and hideous Tempests shook down Trees. The Raven rook'd her on the Chimney Top And chattering Pies in Dismal Discord sung." ['3 Henry VI', v. 6.] On the fire (left) boils a saucepan inscribed 'French Blood'; little demons ascend in the steam rising from it. The mantelshelf is supported by carved demoniac creatures, one having a satyr's head, the other that of a Fury with snaky locks. A similar creature supports the bars of the grate. On the mantelshelf are imperial crowns, the iron crown of Italy (as in British Museum Satires No. 10432), and a papal tiara. The cradle has a crown at the head, and at the foot a grotesque mask inscribed 'Devils Darlind' [sic]. Behind (right), a lady, evidently Josephine, sits up in bed, holding a wine-glass; she looks towards the child quoting Ophelia's words: "Ah Woe is me, seeing what I have seen and seeing what I see". Near her stands an ugly old nurse, holding a syringe; an infant's chair is beside her; it is ornamented with a crown and inscribed 'Prince Skinny Boneys Caching Chair'. On the ground (left) is a sauce-boat inscribed 'Bitter Cup'."--British Museum online catalogue
Alternative Title:
Little babboon created to devour French monkies
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "66" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., and Leaf 14 in volume 2.
Publisher:
Pubd. April 9t[h], 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, and Fesch, Joseph, 1763-1839
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A young couple, fashionably dressed, embrace, seated in a summer-house on the bank of a stream. Beside the summer-house is a notice-board inscribed 'Man Traps'. Across the water is an ugly elderly man who leans forward, gaping with agonized intentness at the pair. There is a landscape background, the winding stream receding in perspective under trees."--British Museum online catalogue
Alternative Title:
Rural sports. Buck hunting
Description:
Title etched below image., Possibily a later state; a previous imprint statement might have been removed from plate., Publisher and date of publication from British Museum catalogue., Series title precedes print title below image., Plate numbered "73" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., and Leaf 19 in volume 2.
A theatre scene; a man on stage holding a long cane leans towards the box stage left saying: 'Bucks of the Boxes, sneer and talk aloud! I don't mean you.' The rotund young man at the front of the box says 'Boo Boo'; he holds an unfurled sheet of paper headed 'Fair Penitent. Lothario, by the amateur who murdered Romeo ...'
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With watermark: J Whatman 1806?
Publisher:
Pubd. Decemr. 10th, 1811, by Wm. Holland, No. 11 Cockspur St.
Subject (Topic):
Actors, Theater audiences, Staffs (Sticks), and Stages (Platforms)
Title from caption below image; series title appears before title, series numbering appears after the title of this part., Sheet trimmed within plate mark., Variant with imprint. Cf. No. 11785 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "69" in the upper right corner., Temporary local subject terms: Tandem., and Mounted to 29 x 39 cm.
Publisher:
Pubd. April 24, 1811 by Thos. Tegg No. 111 Cheapside
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene by a roadside pond opposite a picturesque inn (right). A few country-people watch a distressed cat in a bowl which floats precariously. An angry old woman strides into the water to rescue the animal, but is restrained by a friend. Other spectators watch with amused delight; they wear holiday finery, imitating fashionable dress. A boy, holding back a dog, and a girl sit together on the bank. A young couple in a gig at the inn-door watch the cat. Behind the pond (left) a tandem runs away overturning a gig."--British Museum online catalogue
Alternative Title:
Rural sports. Cat in a bowl. No. 1
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. April 24, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. Lewis Walpole Library call no.: 811.04.24.01.1+., Series title precedes print title below image; series numbering follows print title., Plate numbered "69" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 205-6., Watermark: 1817., and Leaf 17 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two fat elderly parsons in cap and gown walking together along the side-aisle of a large Gothic church fall violently over a rope stretched across the aisle and held by two groups of undergraduates, also in cap and gown. With the group on the right is a buxom young woman, pulling the rope. Two undergraduates flourish long-lashed whips, one aims a squirt, another lets off a squib. The aisle is divided from the nave by an iron railing; on the ground is a stone or brass with a mitre and crosier inscribed 'Here Lies the Body of Bishop Blear eyes'."--British Museum online catalogue
Alternative Title:
Crabbed fellow's taught to caper on the slack rope
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Watermark: J. Whatman 1812., and Leaf 5 in volume 2.
Publisher:
Pubd. Janry. 28, 1811, by Thos. Tegg, No. 111 Cheapside
"Two fat elderly parsons in cap and gown walking together along the side-aisle of a large Gothic church fall violently over a rope stretched across the aisle and held by two groups of undergraduates, also in cap and gown. With the group on the right is a buxom young woman, pulling the rope. Two undergraduates flourish long-lashed whips, one aims a squirt, another lets off a squib. The aisle is divided from the nave by an iron railing; on the ground is a stone or brass with a mitre and crosier inscribed 'Here Lies the Body of Bishop Blear eyes.'"--British Museum online catalogue
Description:
Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed leaving thread margins., "Price one shilling coloured.", Variant without publication date of no. 11781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Watermark: Charles Wise., and 1 print on wove paper : etching, hand-colored ; sheet 25 x 35 x cm.
Title from caption below image., Printmaker and questionable date of publication from Grego., Description based on imperfect impression; sheet trimmed within plate mark on lower edge, and statement of responsibility erased from lower left corner of sheet., and A reduced copy of no. 6141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Tom Cribb stands in the foreground, full-face, in a sparring attitude, but holding a bottle whose cork he has just drawn. In the bottle is a negro's face; the contents explode violently, with inscriptions in the explosion: 'a Jaw breaker--Fibbing--Fibbing--More Punishment, A Floorerer, --A Nobber A Doubler, --Want of Wind A Left Flush, --A Rally Sparring for Wind.' Behind him is a table round which sit and stand raffish-looking men, drinking, cheering, and smoking. A punch-bowl is on the table, empty bottles on the floor. Captain Barclay stands with one foot on the table raising his glass, to give the toast: "Gentlemen--the Milling Champion at Thisselton Gap." Six others shout: "Bravo, Capn--"; "Bravo Barclay for ever."; Bravo, Milling for ever."; "Bravo,--Bravo,--Scotch Training for ever."; "Crib, and Barclay for ever."; "Bravo Capn--Huzza"."--British Museum online catalogue
Alternative Title:
Cribb uncorking blackstrap
Description:
Title etched below image., Date precedes publisher's statement in imprint., Plate numbered "98" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shillin [sic] coloured.", and Leaf 87 in volume 2.
Publisher:
Publd. by Thos. Tegg - 111 Cheapside, London
Subject (Name):
Cribb, Tom, 1781-1848, Molyneux, Tom, 1784-1818, and Barclay, Captain 1779-1854 (Robert),
A grotesque-looking cook with a huge nose and a wart-covered head uses a rolling pin to roll out dough on a table with his knobby hands as mucus drips from his nose and drool streams from his gapping mouth. Behind him, a pretty maid leans against his back as she reaches up to a shelf to bring down a full platter of food as a mouse scampers off. On the table are two jars labeled "Minc'd meat for savoury pattes" and "Snuf box".
Description:
Title from item., Sheet trimmed within plate mark., Publication line from Grego., Numbered in upper right corner: 112., "Price one shilling coloured.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J [illegible] 1823., and Printing date not before 1823.
"Three old men with grotesque and hideously carbuncled faces look into a cask of 'Double Rectified Spirits', streaming copiously from nose and mouth. Their heads and shoulders almost fill the design. On the left is a still with a pipe leading into the cask."--British Museum online catalogue
Description:
Title from caption below image., Imprint from British Museum catalogue., Sheet trimmed within plate mark., "Price one shililng coloured.", Variant without publication date of no. 11813 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "100" in upper right corner., and Temporary local subject terms: Cask -- Still -- Carbunkles.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A actor in a costume that includes a large bow at his waist, a cape, and a hat with large plumes demonstrates six positions to convey dramatic emotion, each of the six appear in separate boxes with captions
Alternative Title:
Hamlet's advice to players, suit the action to the word, and the word to the action
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Possibly a later state; beginning of imprint statement appears to have been burnished from plate., Text following title: Dedicated to the celebrated amateur of fashion., Plate numbered "196" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price 1/ color'd."--Following imprint., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.1 cm, on sheet 25.6 x 41.8 cm., and Leaf 51 in volume 3.
Publisher:
Thos. Tegg, 111 Cheapside
Subject (Name):
Coates, Robert, 1772-1848
Subject (Topic):
Movement (Acting), Study and teaching, and Costumes
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A actor in a costume that includes a large bow at his waist, a cape, and a hat with large plumes demonstrates six positions to convey dramatic emotion, each of the six appear in separate boxes with captions
Alternative Title:
Hamlet's advice to players, suit the action to the word, and the word to the action
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Possibly a later state; beginning of imprint statement appears to have been burnished from plate., Text following title: Dedicated to the celebrated amateur of fashion., Plate numbered "196" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and "Price 1/ color'd."--Following imprint.
Publisher:
Thos. Tegg, 111 Cheapside
Subject (Name):
Coates, Robert, 1772-1848
Subject (Topic):
Movement (Acting), Study and teaching, and Costumes
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Shon ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image., Date assigned by cataloger., A reduced copy of a print with the same title that was etched by Gillray and published 30 June 1796 by Hannah Humphrey. Cf. No. 8818 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate numbered "81" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Orders: Garter, Ribbon, and Star -- Jersey -- Reference to George III -- Mountains of Wales., and Leaf 26 in volume 2.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Jersey, George Bussey Villiers, Earl of, 1735-1805, Jersey, Frances Villiers, Countess of, 1753-1821, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827.
On the left under the title "England" a bear sits at a table enjoying a hearty meal of roast beef and plum pudding while across from him sits a frog in a French uniform with a sword at his waist, a plate of only sauce before him and two turnips to the side. The fox toasts his companion with a glass while the bear holds up a large frothing mug of beer. A wine cooler in the foreground holds four bottles of wine. On the wall behind each figure is a round framed image: two birds above the bear and a woman holding a cross (a saint?) above the frog
Description:
Title from caption above image., Picture caption: England with roast beef & plumb pudding supplies, ... France with her frogs has very fine sauce., Publication date from unverified data from local card catalog record., Description based on imperfect impression; sheet trimmed within plate mark with loss of text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Sold by [...]
Subject (Topic):
Animals in human situations, Bears, Eating & drinking, Frogs, National emblems, British, and French
Grimaldi's bang up in the popular pantomime of golden fish
Description:
Title from caption below image., Sheet trimmed leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: E & [?]
Titles from captions below images., Four images separately titled in one plate, each signed and dated in image by printmaker., Sheet trimmed within plate mark on two sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An obese 'cit' and his wife sit side by side at a small round breakfast-table, facing a tall handsome young woman who stands before them. The wife, registering surprise, asks: "What Situation in my Family woud you wish to undertake Young Woman." She answers demurely: "Ma'am I should like to be under Your Man Cook by Way of Improvement." The 'cit', excited and angry, exclaims: "What's that you say I'll be D--nd If you shall be under my Man Cook or any other man in my house." The fat cook, outside the open door (right), laughs uproariously. A large fierce cat advances towards the girl. On the table are tea-things, a large urn, and boiled eggs."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Beginning of imprint, including date, has been removed from plate; date of publication from British Museum catalogue and Grego., Plate numbered "124" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling cold.", Watermark: 1817., and Leaf 63 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two figures face each other made of tools, implements, &c. A carpenter, very thin and erect, is composed of a straw tool-bag, placed vertically and containing saw, plane, &c., supported on a pair of compasses for legs. The head is a mallet on which is a glue-pot, with gimlet, chisel, &c. An axe serves as arm. The gardener bends politely; the body is a watering-pot supported on a pair of shears. The head is a nosegay of roses, &c. tied to a spade; roses and lavender lie in a piece of drapery that serves as apron. A rake and hoe are thrust through the handle of the watering-pot. Below the Carpenter: 'With Bowels lank and Head of Mallet, The Joiner longs to taste a Sallad.' Below the gardener: 'Old Nosegay quite alert and busy, Has one to sell and asks a tizzey.'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "89" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling colourd.", and Leaf 32 in volume 2.
Publisher:
Pubd. Septr. 1811 by Thos. Tegg, 111 Cheapside, London
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two figures face each other made of domestic utensils. A housemaid (left), very erect, has a wooden bucket for a body supported on a mop and a long-handled floor-polisher, and is also concocted of a broom, a dust-pan, a brush, and a hearth-brush, with a check duster, &c. A cook (right) seems to bow courteously towards the housemaid. She is made of a 'Flour' barrel supported on a large ladle and two-pronged fork; a covered pot with pot-hooks hanging from the handle, a rolling-pin (as right arm) to which a colander is attached. There are also a grid-iron (or save-all), a small saucepan, a salt-box, and dangling metal skewers."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Septr. 1811 by Thos. Tegg, 111 Cheapside. Cf. No. 11823 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Verses etched below image, to the left of title: Proud of imaginery [sic] plume, let none o'er modest worth presume., Verses etched below image, to the right of title: Some shew airs where e're they got e'm, tho nothing but a scrub at bottom., Plate numbered "88" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling colourd.", and Leaf 31 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor stands full-face, legs astride, hands plunged through the bottomless pockets of his jacket; he squints violently, one eye turned on an uproar (left), the other on two termagants (right). His broken pipe, still smoking, lies at his feet. He says: "I am hardup--not a Quid left, or Shot in the Locker--to pay the Fiddler--Mi Eyes--what a Squall, how it whistles trough the Ratlines I must Braill up and Scudd under Bare Poles." A prostitute with a patched face (left) kicks him and is about to bring down a fiddle with broken strings on his head. This she has snatched from a man with a wooden leg and patched eye-socket who lies on the ground at her feet. Another woman (right) yells at him, holding out an enormously long bill on which are such items as 'D°', often repeated, and 'Sundreys', 'Lodgings', 'Grog', 'Fidler'. Behind her an old bawd in the bar points to a chalked-up score, where signs for guineas are marked. On the left a watchman with a lantern enters, springing his rattle, which is inscribed 'St C'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed with the pseudonym "X.Y.Z." Printmaker identified as William Elmes in the British Museum catalogue., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. Augt. 16th, 1811, by Thos. Tegg, No. 111 Cheapside, London. Cf. No. 11826 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "79" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Watermark: 1817., and Leaf 25 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor with a hideously carbuncled face lies in a hammock wearing a striped shirt and night-cap. Beside him is his sea-chest, the open lid inscribed 'Sea Stock', from which he has taken a bottle of 'Grogg'. He shakes his fist at an old-fashioned doctor, lean and grotesque (left), who stoops towards him proferring a box of 'Pills' and holding a long bottle labelled 'A Sweat'. Under the doctor's arm is a gold-headed cane, and from his coat-pocket project a 'Clyster' [pipe] which is exploding, and a bottle of 'Jollop'; beside him are a 'Pestel' and 'Mortar'. He says: "hold--I must stop Your Grog Jack--it excites those impulces, and concussions of the Thorax, which acorn pany Sternutation by which means you are in a sort of a kind of a Situation--- that Your head must be--shaved--I shall take from you only--20os of Blood-- then swallow this Draught and Box of Pills, and I shall administer to you a Clyster." Jack answers angrily: "Stop my Grog.--Belay there Doctor--Shiver my timbers but your lingo bothers me--You May batter my Hull as long as you like, but I'll be d--'nd if ever You board me with your Glyster pipe." In his chest are bottles inscribed 'Brandy', 'Rum', and 'Gin', a large twist of 'Pig tail' [tobacco], a 'True Love Token', and a miniature (cf. British Museum Satires No. 10894). He is covered with a gaily patterned coverlet inscribed 'P R'. His jacket and breeches are on the deck beside him, and close by (left) are a cannon and cannon-balls."--British Museum online catalogue
Description:
Title etched below image., Print signed with pseudonym "XYZ", with the letter "Z" etched backwards. Printmaker identified as William Elmes in the British Museum catalogue., Reissue, with date removed from imprint statement., Date of publication based on complete imprint on earlier state: Pubd. Augt. 12, 1811, by Thos. Tegg, No. 111 Cheapside, opposite Bow Church, London. See British Museum catalogue., Plate numbered "78" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Temporary local subject terms: Carbuncle -- Thorax -- Hammock -- Eyeglasses., and Leaf 24 in volume 2.
Publisher:
Thos. Tegg, No. 111 Cheapside, opposite Bow Church, London
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor with a hideously carbuncled face lies in a hammock wearing a striped shirt and night-cap. Beside him is his sea-chest, the open lid inscribed 'Sea Stock', from which he has taken a bottle of 'Grogg'. He shakes his fist at an old-fashioned doctor, lean and grotesque (left), who stoops towards him proferring a box of 'Pills' and holding a long bottle labelled 'A Sweat'. Under the doctor's arm is a gold-headed cane, and from his coat-pocket project a 'Clyster' [pipe] which is exploding, and a bottle of 'Jollop'; beside him are a 'Pestel' and 'Mortar'. He says: "hold--I must stop Your Grog Jack--it excites those impulces, and concussions of the Thorax, which acorn pany Sternutation by which means you are in a sort of a kind of a Situation--- that Your head must be--shaved--I shall take from you only--20os of Blood-- then swallow this Draught and Box of Pills, and I shall administer to you a Clyster." Jack answers angrily: "Stop my Grog.--Belay there Doctor--Shiver my timbers but your lingo bothers me--You May batter my Hull as long as you like, but I'll be d--'nd if ever You board me with your Glyster pipe." In his chest are bottles inscribed 'Brandy', 'Rum', and 'Gin', a large twist of 'Pig tail' [tobacco], a 'True Love Token', and a miniature (cf. British Museum Satires No. 10894). He is covered with a gaily patterned coverlet inscribed 'P R'. His jacket and breeches are on the deck beside him, and close by (left) are a cannon and cannon-balls."--British Museum online catalogue
Description:
Title etched below image., Print signed with pseudonym "XYZ", with the letter "Z" etched backwards. Printmaker identified as William Elmes in the British Museum catalogue., Reissue, with date removed from imprint statement., Date of publication based on complete imprint on earlier state: Pubd. Augt. 12, 1811, by Thos. Tegg, No. 111 Cheapside, opposite Bow Church, London. See British Museum catalogue., Plate numbered "78" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Temporary local subject terms: Carbuncle -- Thorax -- Hammock -- Eyeglasses., 1 print : etching on wove paper, hand-colored ; sheet 25 x 34 cm., Imperfect; sheet trimmed within plate with loss of plate number from upper right, and sheet mutilated on bottom edge with partial loss of title. Pencil annotations complete lost portion of title., and Mounted to 27 x 38 cm. On back of mount, a possible proof state in sepia stipple by C.M. Metz (delineavit) and J. Barrow (sculp.) labelled "Plate II."
Publisher:
Thos. Tegg, No. 111 Cheapside, opposite Bow Church, London
"Lovegrove as Jeremiah Babble stands hat in hand before a solid rail, behind which is a grotesquely fat woman, dressed in her best, with a rope round her neck, at whom he points. Three other men stand by, one with a hand on Lovegrove's shoulder, the others inspecting the woman. The verses relate that Hobbs, 'a jolly Shoe-Maker', having 'caught a Tartar' for his wife tried to sell her at Smithfield, but the wife-dealing fellows, were all of them 'sellers'., Hobbs thereupon tried to hang himself with the rope, but his wife cut him down and: They settled their troubles, like most married couples, John Hobbs, John Hobbs, Oh, happy shoe-maker John Hobbs. Such wife-selling was a common practice, popularly believed to be a legal method of divorce (and so reported by foreign visitors). 'Any Thing New' was a musical farce by Pocock, first played by the English Opera Company at the Lyceum on 1 July 1811. The song illustrated was the chief hit, being twice encored, then a remarkable event; it is printed in full in the 'Europ. Mag.' lx. 43."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Publication statement from letterpress portion of sheet., Three columns of verse in letterpress below title: A jolly shoe-maker, John Hobbs, John Hobbs a jolly shoe-maker, John Hobbs ..., Sheet trimmed within plate mark., and Temporary local subject terms: Wife selling.
Publisher:
Published 12th August 1811 by Whittle and Laurie, No. 53 Fleet Street
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Patent sticks for family correction, warranted lawfull!
Description:
Title etched below image., Date assigned by cataloger., A reduced copy of a print with the same title that was etched by Gillray and published 27 November 1782. Cf. No. 6123 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "133" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 94 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome young courtesan sits by the fire, her legs crossed indecorously, her breast bare; she has a decanter at her elbow, and holds a glass of wine. Standing on each side of her are her jailor, holding a bunch of keys, and a hideous old woman; both drink. Over the chimney-piece is a placard: 'Mac Nab Sherrifs Officer for the County of Middlesex--Genteel Accomodation for Ladies and Gentlem[en]'. The door (left) is heavily bolted, and has an iron grille; the large, partly curtained window is massively barred."--British Museum online catalogue, description of an earlier state
Alternative Title:
Waiting for Jew bail
Description:
Title etched below image., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. March 28th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11802 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "65" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 202-3., and Leaf 76 in volume 2.
"A grotesquely fat woman, much decolletee, sits at a piano (left) singing and playing, her left foot on the pedal. With upturned eyes and gaping mouth she sings: "Just like love ..." [three times]. Her music book is open at: 'Just like Love a Favorite Song Sung by Mr Braham'. A fat man in old-fashioned dress, standing just behind her, his hands raised in surprise, turns to address two younger men who are fashionably dressed. He asks: "Don't my Lady play and Sing delightfully? she was finished under the famous Sigr Squawlletti." The man on the extreme right, holding his friend's arm, says: "By G- if the Signior had been under my Lady she would have finish'd him! would'nt She Sir Thomas." The other laughs: "Ha! Ha! Ha! come that's a good one!"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on one side., and Watermark: Cansell 1822.
"A very stout elderly man in old-fashioned dress holds on his knee a slim and elegant courtesan, who holds out her dress to receive the guineas which he pours into her lap. Beside them (right) is a table laid with knife, fork, and lamb chop (?)."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., and Sheet trimmed leaving thread margins.
Publisher:
Pub. March 1811 by Wm. Holland No. 11 Cockspur St.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Titles etched below images., Date of publication from unverified data in local card catalog record., Two designs arranged horizontally on one plate; each design has an individual title below and a series title with numbering above., Series title above leftmost design entitled "Le ministre d'etat en grand costume": Habits of new French legislators and other public functionaries. No. 1., Series title above rightmost design entitled "Les membres du Conseil des Anciens": French habits. No. 2., Reduced copies of two prints by Gillray with the same titles that were published 18 April 1798 by Hannah Humphrey. Cf. Nos. 9196 and 9197 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate numbered "93" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 36 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of six scenes in compartments arranged in three pairs. [1] A foal lies beside its dam. [2] The owner leads the high-stepping animal across a race-course; behind (right) is the weighing-post. [3] Ridden by a huntsman he takes a flying leap over a wall; hounds run beside the animal. [4] He is one of a pair of galloping horses in a post-chaise, ridden by a postilion. An ugly couple sleep uneasily in the chaise. [5] As an emaciated pack-horse he plods along a rough track, thrashed by a coarse old peasant woman. [6] A huntsman stands on his dead body, cutting off the flesh for the hounds; carrion birds hover."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Septr. 25th, 1811, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11811 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "90" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 211-2., Watermark: 1817., and Leaf 84 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An ugly old man wearing night-cap, dressing-gown, and slippers stands at an open window gazing up through a spy-glass at a comet shaped like a large shuttle-cock. Keys hang from his waist. Behind him (left) sits a pretty young woman, turning her head to look at the comet, but giving her right hand to a young man who kneels beside her, while she presses her foot on his. She wears a long fur boa over her evening dress."--British Museum online catalogue, description of an earlier state
Alternative Title:
Looking at the comet till you get a criek in the neck and Looking at the comet till you get a crick in the neck
Description:
Title etched below image., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. Septr. 20th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11810 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "91" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling colour'd.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 210-11., Temporary local subject terms: Comet -- Spy glass -- curtains., and Leaf 85 in volume 2.
"An ugly old man wearing night-cap, dressing-gown, and slippers stands at an open window gazing up through a spy-glass at a comet shaped like a large shuttle-cock. Keys hang from his waist. Behind him (left) sits a pretty young woman, turning her head to look at the comet, but giving her right hand to a young man who kneels beside her, while she presses her foot on his. She wears a long fur boa over her evening dress."--British Museum online catalogue
Description:
Title from caption below image., Publication date from the British Museum online catalogue., State in the British Museum online catalogue numbered '91'., Sheet trimmed leaving thread margins., "Price one shilling coloured.", and Variant without publication date and series number. Cf. No. 11810 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9.
"A country dance; eighteen couples in a strip design in the manner of the 'Long Minuet' (No. 7229), dance with awkward vigour; one of the most active ladies has a wooden leg. The first couple (left) face each other, the lady squinting violently. On the right a man turns eagerly from his elderly and offended partner to a young lady, whose partner also holds the hand of another lady, while an elderly man stands alone on the extreme right, holding his wig, and mopping his bald head. The elder men wear powdered hair with small pigtails, the younger ones have frizzed hair without powder, short or with small tails. Only one or two wear wigs. The women wear simple high-waisted gowns with elbow sleeves and long gloves; one wears a hat and long sleeves. All wear flat-heeled shoes, and have frizzed hair, short, or piled on the head; a few wear feathered bandeaux; one lady only has powdered hair. Some have strange hair ornaments: a fat and very decolletee lady with a lap-dog under her arm wears round her erect bush of hair a circlet from which project barbed zigzags, like lightning flashes. A youngish lady has on her head a bird with a barbed fang; an older one in spectacles wears a small windmill behind two drooping aigrettes. The neglected lady wears a tiny wheat-sheaf, her pretty rival a ship in full sail. Below the title: 'What an elegant Set-What a bustling of Rumps! What a Sweet Toe to Toe-ing of Slipers and Pumps! At the sight my Old Drumsticks are ready to Prance There is nothing I love so as seeing Folks Dance.'':--British Museum online catalogue
Description:
Title from caption etched below image on third sheet., Artist's signature from impression in the British Museum., Four lines of verse below title: What an elegant set, what a bustling of rumps! What a sweet toe to toe-ing of slipers [sic] and pumps! ..., One continuous design on five plates., Description based on imperfect impression; sheets trimmed within plate mark and artist's signature erased from lower left corner of first sheet., and BAC: British Art Center copy is the Abbey copy. Untrimmed. Artist's signature visible on lower left corner of first sheet. Hand-colored.
Publisher:
Published Aug. 15, 1811, by Robinson, 5 Margaret Street, Cavindish Square & Calnaghi, Cockspur Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Caricatures and cartoons, Social aspects, English wit and humor, Pictorial, Social life and customs, and Dance
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Masqueraders stand closely grouped. A centre figure is an obese, aged, and capering Punch, playing a guitar. Two women are prominent, both are in profile to the left, and wear small masks which frame their eyes. One holds a wand and a book inscribed 'Magi', the other wears breeches and is very décolletée. Behind her is an ugly coarse-looking man, wearing a domino with a naturalistic mask resembling his own features. A man wears a bag-wig with large horns and carries a placard inscribed 'Horns to Sell'. One figure wears two realistic and complete masks, Janus-like--one that of a handsome woman, the other of an ugly man. The background is an arc of a rotunda, with Ionic pillars framing curtains and decorated with fairy lights."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. August 30th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "84" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 209-11., and Leaf 82 in volume 2.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A collection of antiques, real or faked, Egyptian and classical. A buxom young woman opens a hinged mummy-case (left) to embrace a handsome young officer in regimentals who stands within it. An aged man crouching down (right) glares at them through an eye-glass in frenzied malevolence. Another mummy has a realistic head, and there is a life-like statue of an Egyptian wearing a head-dress and loin-cloth. There are also a satyr and smaller figures of Egyptian gods. On the wall are grotesque satyrs' masks and on a high shelf are Greek or Etruscan vases. On the ground is a book: 'Loves of the Gods Embelld with Cuts'."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Plate numbered "3" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark on two sides., Temporary local subject terms: Antiques -- Military officer -- Military uniforms: Regimentals -- Eye-glass -- Egyptian mummies -- Satyrs -- Vases: Greek, Etruscan., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.9 x 24.8 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 83 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A collection of antiques, real or faked, Egyptian and classical. A buxom young woman opens a hinged mummy-case (left) to embrace a handsome young officer in regimentals who stands within it. An aged man crouching down (right) glares at them through an eye-glass in frenzied malevolence. Another mummy has a realistic head, and there is a life-like statue of an Egyptian wearing a head-dress and loin-cloth. There are also a satyr and smaller figures of Egyptian gods. On the wall are grotesque satyrs' masks and on a high shelf are Greek or Etruscan vases. On the ground is a book: 'Loves of the Gods Embelld with Cuts'."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Plate numbered "3" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark on two sides., Temporary local subject terms: Antiques -- Military officer -- Military uniforms: Regimentals -- Eye-glass -- Egyptian mummies -- Satyrs -- Vases: Greek, Etruscan., and Mounted to 62 x 49 cm.
Title etched below image., Publication date from unverified data from local card catalog record., Advertisement below title: Of Mr. Holland may be had a number of other East and West India caricatures., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: India.
Title from captions below images., Printmaker and questionable date of publication from Grego., Two designs on one plate, each individually titled., Description based on imperfect impression; artist signatures mostly erased from sheet., Reduced copies of nos. 5919 and 5920 in in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Food: Roast pig -- Hall clocks with numbers counter-clockwise., Window mounted to 41 x 30 cm., Watermark: 1809., and Shading in pencil added to areas from which the artist signatures were erased, and ink lines added to the right and left edges of each design.
"Portrait; half length, seated to left; elbow resting on ledge; wearing hat and cloak tied around neck; vignette; after J Jackson."--British Museum online catalogue
Description:
Title from caption below image., "Pl. to Contemporary portraits; pub. Cadell & Davies 1811."--Catalogue of engraved British portraits., and Sheet trimmed to plate mark on left and right.
Publisher:
Published Dec. 21, 1811, by T. Cadell & W. Davies, Strand, London
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Marie Louise shrinks in terror from her baby son, seated on her knee, who threatens her with a dagger. In his left hand is the orb which he seems about to hurl at her. He wears a cocked hat and has the features of his father in profile to the left. Napoleon draws aside a curtain (right); his profile (to the right), expression, and cocked hat resemble those of his son, as in British Museum Satires No. 11719. The Empress: "There's no Condition sure so curst as mine--Day and Night to dandle such a Dragon--The little Angry Cur snarls while it feeds--See how the Blood is settled in his Scarecrow Face--what brutal mischief sits upon his Brow--Rage and Vengeance sparkle in his Cheeks--the very spawn and spit of its Tyrant Father--Nay now I look again he is the very Picture of his Grandfather the Devil". In her alarm she kicks over a child's commode (right); a saucepan and spoon lie on the floor. On the extreme left appears the head of a mitred bishop (probably Fesch), who raises an arm, as if from the floor or below it, holding up to the Empress a goblet inscribed 'Composing Draught'. Beside him, a sinister face, behind the Empress's chair, looks up to say: "Send him to his Grand Pappa as quick as possible"."--British Museum online catalogue
Alternative Title:
Frenchmen sick of the breed
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "68" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., and Leaf 77 in volume 2.
Publisher:
Pubd. April 14th, 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, and Fesch, Joseph, 1763-1839
"The 'Q' of the title is a letter formed of acanthus scrolls surrounding the head in profile to the left of the Duke of Queensberry. The head, in which the right eyelid is visible, appears to be copied and enlarged from that in Gillray's 'Push-Pin' (British Museum Satires No. 9082). A sprig of (?) box projects from the upper part of the conventional scroll."--British Museum online catalogue
Description:
Title from text and design contained within image. The 'Q' is formed from ancathus scrolls arranged around the figure's head; see British Museum catalogue. and Mounted to 37 x 31 cm.
"Three pretty young nuns stand behind a widely spaced iron grille; one of them sells netted silk purses to a handsome young British officer in full regimentals who gazes fixedly at them. Two return his gaze. Behind and on the extreme left, an ugly old officer stares at them through a lorgnette. Beside the three nuns is a fourth, old, ugly, sour, and duenna-like. The figures are half length or three-quarter length. Behind the nuns is a background of Gothic vaulting with a crucifix."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "64" in upper right corner., Temporary local subject terms: Nuns -- Crucifix -- Lorgnette., and Watermark: [?]mead & C. 18[?].
Publisher:
Pubd. April 1, 1811, by Thos. Tegg, No. 111 Cheapside
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Three pretty young nuns stand behind a widely spaced iron grille; one of them sells netted silk purses to a handsome young British officer in full regimentals who gazes fixedly at them. Two return his gaze. Behind and on the extreme left, an ugly old officer stares at them through a lorgnette. Beside the three nuns is a fourth, old, ugly, sour, and duenna-like. The figures are half length or three-quarter length. Behind the nuns is a background of Gothic vaulting with a crucifix."--British Museum online catalogue, description of an earlier state
Alternative Title:
Visit to the nunnerys
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. April 1, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "64" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 203., Watermark: 1817., and Leaf 12 in volume 2.
Three elderly citizens in a punt which is propelled by a boy (left) wearing trousers. Two are fishing: one stands, 'chapeau-bras', the other, who is obese, sits in a chair. The third (right) sits in a chair smoking, his back to the others. The standing fisherman, who wears spectacles, has hooked a small dog
Description:
Title etched below image., Printmaker and date of publication from Grego., Plate also published in: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?] : [publisher not identified], [1836?], page 43., Sheet trimmed within plate mark., A reduced copy of no. 8206 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 36 cm, on sheet 27 x 38 cm., Imperfect; artist's signature erased from lower right corner of sheet., and Watermark.
Publisher:
publisher not identified
Subject (Topic):
Boats, Dogs, Eyeglasses, Fishing, and Pipes (Smoking)
Leaf 43. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Three elderly citizens in a punt which is propelled by a boy (left) wearing trousers. Two are fishing: one stands, 'chapeau-bras', the other, who is obese, sits in a chair. The third (right) sits in a chair smoking, his back to the others. The standing fisherman, who wears spectacles, has hooked a small dog
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For possible original issue of the plate, published in 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 222., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 8206 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and On leaf 43 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Boats, Dogs, Eyeglasses, Fishing, and Pipes (Smoking)
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Three elderly citizens in a punt which is propelled by a boy (left) wearing trousers. Two are fishing: one stands, 'chapeau-bras', the other, who is obese, sits in a chair. The third (right) sits in a chair smoking, his back to the others. The standing fisherman, who wears spectacles, has hooked a small dog
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For possible original issue of the plate, published in 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 222., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 8206 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Boats, Dogs, Eyeglasses, Fishing, and Pipes (Smoking)
"A close-up view of the heads of a man and woman asleep in bed, with their arms round each other. They have grotesquely long and turned-up noses. Similar in character to British Museum satires nos. 11128-30."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. Octob. 1811 by Wm. Holland No. 11 Cockspur St.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A close-up view of one of the 'pigeon holes' which flanked the upper gallery at Covent Garden. Heads closely packed together are framed in the lunette opening, six or seven rows receding one above the other in the centre. Most seem suffering from heat or discomfort, and except for one or two pretty young women are grotesquely caricatured. The centre figure in the front row, leaning on the parapet and apparently asleep, is a fat coachman in livery. An old man leans over, bleeding copiously at the nose. In the spaces left by the curve of the lunette in the upper corners of the design are groups symbolizing Comedy (left) and Tragedy (right): comic mask, pan-pipes, &c."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. Febry. 20th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11797 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed to plate mark on bottom edge., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 200-1., Temporary local subject terms: Covent Garden gallery., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 7 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A close-up view of one of the 'pigeon holes' which flanked the upper gallery at Covent Garden. Heads closely packed together are framed in the lunette opening, six or seven rows receding one above the other in the centre. Most seem suffering from heat or discomfort, and except for one or two pretty young women are grotesquely caricatured. The centre figure in the front row, leaning on the parapet and apparently asleep, is a fat coachman in livery. An old man leans over, bleeding copiously at the nose. In the spaces left by the curve of the lunette in the upper corners of the design are groups symbolizing Comedy (left) and Tragedy (right): comic mask, pan-pipes, &c."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. Febry. 20th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11797 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed to plate mark on bottom edge., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 200-1., and Temporary local subject terms: Covent Garden gallery.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A bedroom scene. A lean and elderly man stands just within the open door (left), holding a lighted candle, and bowing hat in hand to one of the occupants of the bed, who sits up, doffing his nightcap with equal ceremony. The woman is defined by the bed-clothes; she lies on her face clutching the pillow. The visitor wears slippers with un gartered stockings and breeches open at the knee; in his pocket is a book 'Chesterfields Letters'. He says: "I am sorry Sir to intrude in this abrupt manner,-- but do you know Sir you are in bed with my Wife?" The other answers: "Sir, I beg you ten thousand pardons! let me request you will be seated, and she shall be at your service in the course of half an hour!" The men gaze at each other, warily intent, hostility predominant in the husband, alarm in his rival."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Later state; imprint has been completely burnished from plate., Publication information based on imprint on earlier state: London, Pubd. May 6th, 1811, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11821 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered in upper left corner: No. 14., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., and Leaf 13 in volume 1.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Publisher and date of publication from Grego., Plate numbered "118" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Racing., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 57 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Publisher and date of publication from Grego., Plate numbered "118" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Racing.
Title from text below image, centered., Text on either side of title: Sound wind and limb; Bang up to the mark., Publication date from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plebeian crowd, much caricatured, cheers the majestic ascent of a balloon. On the right is part of an old-fashioned gabled building with a large projecting sign, 'Mermaid': a mermaid emerges from the sea holding up a comb and a wine-bottle. Two men and a woman sit on the beam of the sign, two other men climb up to it. In the foreground a fat woman has fallen over a sow and her litter. A sailor carries astride his shoulders a stout woman, who waves frantically. The roofs of coaches are crowded with cheering spectators. Others wave from distant roofs and from the square tower of Hackney Church. Two tiny aeronauts wave flags from the car of the balloon, which is vertically striped, with cross-bands round its circumference inscribed 'G. P. W', a crown, and 'P R'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Peep at the balloon 12th Augt
Description:
Title etched below image., Probably a later state; first half of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue., Plate numbered "80" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on three sides., and Temporary local subject terms: Hackney church -- Balloon -- Tavern sign.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plebeian crowd, much caricatured, cheers the majestic ascent of a balloon. On the right is part of an old-fashioned gabled building with a large projecting sign, 'Mermaid': a mermaid emerges from the sea holding up a comb and a wine-bottle. Two men and a woman sit on the beam of the sign, two other men climb up to it. In the foreground a fat woman has fallen over a sow and her litter. A sailor carries astride his shoulders a stout woman, who waves frantically. The roofs of coaches are crowded with cheering spectators. Others wave from distant roofs and from the square tower of Hackney Church. Two tiny aeronauts wave flags from the car of the balloon, which is vertically striped, with cross-bands round its circumference inscribed 'G. P. W', a crown, and 'P R'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Peep at the balloon 12th Augt
Description:
Title etched below image., Probably a later state; first half of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue., Plate numbered "80" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on three sides., Temporary local subject terms: Hackney church -- Balloon -- Tavern sign., 1 print : etching on wove paper, hand-colored ; plate mark 35.2 x 24.9 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 80 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A comely florid woman, girding up the skirts of her decolletee dress, has dressed up in the cocked hat, jack-boots, and sword-belt of General Junot, and gaily marches beside his bed, flourishing his sword in a gauntleted hand, while she looks over her shoulder for admiration. Junot (right) sits up in bed looking at her angrily, and clutching his breeches, as if afraid she would don those too: her legs are bare above the spurred boots. A cat miaows at her. The bed is curtained and canopied, but a military saddle, hanging from a peg, and a musket show that the general is campaigning."--British Museum online catalogue, description of an earlier state
Alternative Title:
General Junot taken by surprise
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. April 12, 1811, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11720 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "71" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 204., Watermark: 1817., and Leaf 78 in volume 2.
"A farmer (John Bull) and his family gape in amazement at the arrangements for the Regency fête on 19 June. The narrow table extends across the design receding from left to right, the cloth hanging over the seats of chairs in the foreground. The famous canal decorates the centre of the table with its gold and silver fish, and the table is laid with gold plate, and ornate cut-glass goblets and decanters labelled 'Dry Champain', 'Claret', and 'Burgundy'. There are three-branched gold candelabra. The Prince's chair is on the extreme right; beside it stand a man in livery and an attendant in plain clothes. Behind the chair large ornate gold salvers are arranged on shelves covered with white drapery, as in No. 11729. This was 'a kind of circular buffet . . . lined by festoons and antique draperies of pink and silver' ('Ann. Reg.', 1811, p. 69). The sightseers are on the farther side of the table (left) with their backs to the windows, John in the centre; he says, pointing: "Why Odd Zookers this is marvellous fine indeed. Oh Nan how we should relish a rasher on one of they monstracious beautifull Plates, why now I think I shan't grumble to pay three or four Bank Tokens towards this grand treat - methinks I should Just like a nippikin too." His wife puts out her hands protestingly: "Oh John one of our milk white Chickens roasted by myself by our wood fire would be Luscioscious indeed." His daughter says: "La Feather do zee how they gilded Fishes be stareing at yow." There are three loutish sons; one says: "I say Sue I thinks I should not like that dry Shampain, but a Dobbin of our home brewed in that there gilded gold thing would be dreadfully noice indeed"; another (looking up at the (invisible) ceiling : "Dang it if the top 0 the pleace beant all Eel pottles I'll be hang'd."--British Museum online catalogue
Alternative Title:
John Bull in the conservatory
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark with partial loss of imprint., Watermark: NV, and Manuscript "63" in ink upper center of plate.
Title from caption below image., Printmaker and questionable date of publication from Grego., Sheet trimmed within plate mark., A reduced copy of no. 6143 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Another version of this print was published 1 March 1803 by R. Ackermann. Cf. Grego, J. Rowlandson the caricaturist, v. ii, p. 42.
