Two men (half length) seated on each side of a chess-board. Their profile heads are enclosed in rhomboids resembling the diamond of a pack of cards, giving the profiles projecting noses with receding foreheads and chins. The defeated player (left) clenches his fist and raises a bare leg above the chess-board, kicking his shoe into the air. His opponent holds a cane which may indicate a doctor
Alternative Title:
Chess-players
Description:
Title supplied by cataloger. Title from British Museum: Chess-players., Dated from ms. note on Lewis Walpole Library impression., A copy after a 1788 print? Cf. [Chess-players] in the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. note added below image: 1828.
Title from British Museum catalogue., Five lines of verse below image: A fool to pleasure yet a slave to fame, say what can cause such impotence of mind? ..., Plate from: Monkey-ana or Men in miniature ... by Thomas Landseer., The respective plate mark appears on the mount directly adjacent to the adhered sheet with image., and Temporary local subject terms: Monkeys -- Animals in human situations.
Publisher:
Published 1828 by Moon, Boys, & Graves, 6 Pall Mall
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 9 in a series of 23 plates., Temporary local subject terms: Clowns -- Puppets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 8 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 7 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 6 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets -- Couples -- Fighting.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 5 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 4 in a series of 23 plates., Temporary local subject terms: Clowns -- Puppets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 3 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 23 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 22 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 21 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 20 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 2 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 19 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 18 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 17 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 16 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 15 in a series of 23 plates., Temporary local subject terms: Clowns -- Puppets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 14 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 13 in a series of 23 plates., Temporary local subject terms: Clowns -- Puppets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 12 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 11 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 10 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Numbered '1' in upper right., Number 1 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Dogs -- Puppets -- Clowns -- Stages.
Title from British Museum catalogue., Four lines of vers below image: Fools ne'er had less grace in a year for wise men are grown foppish ... Shakespeare., Plate from: Monkey-ana or Men in miniature ... by Thomas Landseer., and The respective plate mark appears on the mount directly adjacent to the adhered sheet with image.
Publisher:
Published July 1828 by Moon, Boys, and Graves, 6 Pall Mall
Title from caption below image., Imprint contains a small "th" etched above the second "2" in "Feby. 22"., Four lines of verse below title: It rain'd a deluge; poor Joseph came home late; long at the bell he tugg'd (at last out popp'd a pate) ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Feby. 22th, 1828, by S.W. Fores, 41 Piccadilly
A beautiful, fashionably-dressed young woman is seated in a chair leaning her elbow on a table as she looks out a window. On the pane abover her head is a sign "An apartment to let for a single gentleman."
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
Title from caption below image., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Kissing -- Soldiers -- City scenes.
A groggy surgeon-apothecary, awakened by knocking below, shouts down from an open window to an unseen patient requesting a night visit. He wears a nightcap and has a burning candle beside him. Two cats scurry away from the commotion, causing flower pots to tumble off the ledge. On the wall of the building, to the left of the window, is a depiction of a mortar and pestle as well as a sign reading "Hand in Hand Assurance" beneath two hands joined together (the emblem of the Hand-in-Hand Fire Office). The sign beneath the window reads "Cawdle, Accoucheur & Apothecary. NB. Bleeding, Cupping, Tooth Drawing &c. &c."
Description:
Title etched below image., 'Ego' is the pseudonym of M. Egerton. See British Museum catalogue., Date of publication from unverified data in local card catalog record., Three lines of dialogue below title: Who are you? (Damn the cats!) What d' ye want young woman, hey? Oh, Sir, master begs you'll step over directly as Missus, if you please sir, is taken very bad in a a a !!!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Apothecaries., and 1 print : aquatint and etching, hand-colored ; plate mark 333 x 205 mm.
Subject (Topic):
Pharmacists, Midwives, Obstetrics, Drugstores, Windows, Flowerpots, Cats, and Signs (Notices)
A groggy surgeon-apothecary, awakened by knocking below, shouts down from an open window to an unseen patient requesting a night visit. He wears a nightcap and has a burning candle beside him. Two cats scurry away from the commotion, causing flower pots to tumble off the ledge. On the wall of the building, to the left of the window, is a depiction of a mortar and pestle as well as a sign reading "Hand in Hand Assurance" beneath two hands joined together (the emblem of the Hand-in-Hand Fire Office). The sign beneath the window reads "Cawdle, Accoucheur & Apothecary. NB. Bleeding, Cupping, Tooth Drawing &c. &c."
Description:
Title etched below image., 'Ego' is the pseudonym of M. Egerton. See British Museum catalogue., Date of publication from unverified data in local card catalog record., Three lines of dialogue below title: Who are you? (Damn the cats!) What d' ye want young woman, hey? Oh, Sir, master begs you'll step over directly as Missus, if you please sir, is taken very bad in a a a !!!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Apothecaries.
Subject (Topic):
Pharmacists, Midwives, Obstetrics, Drugstores, Windows, Flowerpots, Cats, and Signs (Notices)
Title from caption below image., Date of publication from unverified data from local card catalog record., Five lines of text below title: A a y'r place 'll not do for me Mum the bed's not long enough! ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Hunt, 18 Tavistock Street, Covent Garden
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Text on either side of title: Blush not flower of modesty. Shakspear. 'Tis manners makes the gentleman and want of them the fellow. Pope., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A scene in a restaurant: A large, red-faced landlord in an apron stands before a man who is about to eat his meat. A little dog eats his meat at the side of the customer. Below the image: Capital Joint this Landlord 'pon my Soul, Here's Cut and Come again. Yes, Sir ther's Cut, to be sure, but I'll be--- if ever You shall Come again
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Six lines of text below title: Capital joint this landlord 'pon my soul ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Hunt, 18 Tavistock Stt., Covent Garden
Title from caption below image., Text above image: I'd be a butterfly., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below images., Design composed of two panels separated by a space with text: Wide as the poles asunder., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Reference to temperance -- Representation of evils -- Virtues., and Numbered in ms. at top of sheet: 70.
Publisher:
publisher not identified and A. Ducotè lithog. 10, St. Martin's Lane
Subject (Topic):
Devil, Families, Fish, Fishing, Gin, Vice, and Water
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"A man in quasi-fashionable dress with spurred top-boots and knee-breeches gapes oafishly at a print-shop window, while a little boy, respectably dressed, takes a purse from his breeches-pocket, having already twitched a handkerchief from the coat-tail pocket which hangs inside out. Behind (right) a lady stares through an eye-glass. In each pane of the curved window of a corner-shop (Berthoud's?) is a print. One of the Devil faces a portrait of the 'Duke of Wellington'; these are 'The Pair Half a Crown' [cf. BM Satires Nos. 13826, 15646]; 'Up to every thing' is a tall soldier, taking the hand of a woman at a first-floor window; 'A Loan' is BM Satires No. 14993; 'Man of Taste' is a man at the counter of a ham and beef shop (cf. BM Satires No. 13127); 'Remember the Post Boy your Honor', scene in an inn yard. There are other prints, one is a double sheet: 'Joe Lisle Play upon words'. There is a Paul Pry (not resembling Liston, cf. BM Satires No. 15138), and against the pickpocket's head is a print of an empty gibbet."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
Published by Berthoud & Son, 65, Quadrant
Subject (Geographic):
England and London
Subject (Topic):
Boys, City & town life, Merchandise displays, Pickpockets, Prints, Stores & shops, and Witnesses
"Codrington, wearing the star of the Bath, sits on a gun-carriage on the deck of his ship, looking sternly up at an old scarred and pigtailed sailor who addresses him with an expression of consternation: Please your Honor's Glory there's something wrong in the wind, for they've clapt a Marine at the Helme of Old England, and He and the other lob lollies have made Sombody (God bless Him) to call our Glorious Victory an UNTOWARD EVENT And when they where told to belay their jawing tackel they shifted the wind and began to blow another way. Codrington answers Aye Aye Jack they or we must be fools. In his right hand is his sword, the point resting on the deck, the blade inscribed with Nelson's Trafalgar signal: England expects every Man to do his duty. He holds a document: Treaty of London. His back is to the sea where a rocky promontory (right) forms Wellington's profile, looking towards Codrington, a row of tiny gun-emplacements forming a grim smile (cf. BM Satires No. 15691); on the rock is a flag at half-mast, topped by a spurred Wellington boot, upside down."--British Museum online catalogue
Alternative Title:
Royal speech
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Publication date from British Museum catalogue., Sheet trimmed to plate mark., and Numbered in ms. at top of sheet: 221.
Publisher:
Pub. by T. McLean Haymarket
Subject (Name):
Codrington, Edward, Sir, 1770-1851 and Wellington, Arthur Wellesley, Duke of, 1769-1852
A caricature of a man astride a steam-generated, three-wheeled vehicle shaped like the body of a horse. Two fashionably dressed ladies in elaborate hats look on with disgust at the exhaust. In the background (left) a man leans on his shovel in front of three bags of coal labelled "Feed". In the background (center) a man feeds coal into the furnace of another vehicle
Alternative Title:
H. Alken's Illustration of modern prophecy, or Novelty for the year 1829 and Illustration of modern prophecy, or Novelty for the year 1829
Description:
Title from item., Title above image: H. Alken's Illustration of modern prophecy, or Novelty for the year 1829., and Quote above title, below image: Faugh the filthy fellow my Dear, the wretch feeds his horse with common coal.
Publisher:
Pub'd Jany. 1828 by S. & J. Fuller, 34 Rathbone Place
A satire on Wellington's dismissal of the Duke of Clarence. A pyramid built of large stones stands in a open field. At the apex is inscribed the word "King" at the base left "Lords" and right "Commons". Kneeling on either side in his robes is a peer facing a simply dressed M.P. Between them on the ground are the heads of a unicorn and a lion which is being gnawed by a crow and a rat. Wellington in full uniform straddles the two men who support him. Between his legs a plaque on the pyramid reads: "Multum in parvo, or the British Constitution formerly consisting of the three estates, King, Lords, Commons, abridged into an elegant extract in one volume!"
Description:
Title from caption etched below image. and Attributed to Charles Williams in the Brit Mus. Cat.
Publisher:
Pubd. Sepr. 1828 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, William IV, King of Great Britain, 1765-1837., and Great Britain. Admiralty.
Titles from text above each design., Six designs on one plate, each individually titled., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Animals in human situations -- Pharmacies -- Bottles -- Herbs -- Skeletons.
Publisher:
Published by T. Flint, 28 Burlington Arcade and Rittner Boulevard, Montmarte Paris and Printed by C. Hullmandel
Title from text above center design., Five designs on one plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication from unverified data from local card catalog record., Plate from book with the same title published by Tregear., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Mirrors -- Dandies -- Fashion.
An aspirational dustman in ragged clothes, a monocle hanging from his hat, and smoking a cigar, sits in a chair before the hearth reading a book, "An introduction to the pleasures of ... schince by Barnart Botherum [...] dedicated to the majesty of the people". On the table are bowl, a goblet and a bottle of Port. On the wall hangs a landscape and on the mantel a bust of Shakespeare. The dog at his feet stares at the fire, the bones of fish dinner on a plate beside him. A large bell sits on the floor beside the dustman
Description:
Title etched below image., Sheet trimmed within plate mark., "Plate 1"--Upper right corner., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published April 1828 by S. Maunder, 10 Newgate Street
Subject (Topic):
Dustmen, Chimney sweeps, Dogs, Interiors, Fireplaces, Smoking, and Reading
"Fantastic scene at a London street corner which abuts on open country, the roadway deep in mud. A coach and pair advances left to right; the coachman has laid down reins and whip to read the Times through spectacles, the footman standing behind is deep in a book. A ragged but monocled street-sweeper on stilts sweeps towards a small child half-submerged in mud, and a lady in a monstrous hat who picks her way through the slough. On the foreground pavement a butcher and a dustman play chess, holding the board between them. One sits on a great joint of beef, the other on a bag; a dog runs off with a bullock's heart. A ragged ballad-singer plays a guitar, screeching operatically; her small child holds up a parasol. Two climbing boys with misshapen legs argue with each other, one uses a handkerchief. Two servants in livery walk arm-in-arm, one smoking a huge pipe (like the footman in BM Satires No. 15779). An apple-woman seated against a lamp-post reads Byron, while a boy sneaks an apple. The lamp-post is topped by a flaming sun, presumably of gas. A dust-cart is drawn by two asses tandem, with a postilion on the leader; the dustman, seated on his load (instead of walking with it) plays a 'cello. On the opposite pavement are three tiny street musicians: a fashionably dressed woman sings from a sheet of music to the accompaniment of a harpist and flautist with music-stand. In the background is steam-traffic: (1) a steam carriage for two with three wheels, a tall smoking funnel, and a pendent coal-scuttle, all but the last much as 'Mr D. Gordon's New Steam Coach, illustrated and described', Observer, 30 Dec, 1827. (2) A large steam lorry on which soldiers with bayoneted muskets sit in rows. A small carriage with a steersman and two passengers is drawn by a kite (a kite-drawn carriage was displayed in Regent's Park, Jan. 1828, described by Pückler-Muskau, Tour in England, 1948, p. 218). Behind is a narrow channel crossed by a suspension bridge linking Dover to Calais; another branch of the Channel is crossed by The . . . Tunnel (oddly drawn), the top of which collapses under the impact of a ship, so that water pours down. An aerial battleship supported by two balloons attacks three ships immediately below; they sink under a rain of flame and cannon-balls. There are also an ordinary balloon, a flying-machine drawn by wild geese, and an aerial vessel which collides with the moon. The foreground buildings are one vast shop-window and the adjacent house; over the window: Business of this Shop on a larger scale than any other house in London. The window is filled with draperies and ladies' huge hats (cf. BM Satires No. 15628). A lady, with a giant hat, pin-point waist, and vast sleeves, stares in. The adjoining house of the same height is three stories high, the principal floor with street-door, bow-windows, balconies, and awning is at the top; passengers are being hauled up to it by a man using a windlass to hoist chairs up a vertical chute from the street."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., and Watermark: J. Whatman.
Publisher:
Pub. Jany. 23 1828 by G. Humphrey St. James's Street
Subject (Topic):
Balloons (Aircraft), Carriages & coaches, City & town life, Steam, Storefronts, and Street vendors
Title from caption below image., Two lines of verse below title: Frankenstein wanted to make man & so Sir he tried this first attempt upon a grocer! T. H., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1828.
Title from caption below image., Place and date of publication from unverified data from local card catalog record., Six lines of text below: Proteus: Zounds shew me what thoul't do woul't weep? woul't right? woul't fast? woul't tear thyself? ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 31cm.
A young couple kiss inside the cab of an elegant carriage pulled by two pair of horses driven with whips by two riders; another rider follows along behind the carriage. On the road beside the carriage, a pig escapes pursuit as the rider topples from his horse, losing the wig in the process. In the left in the distance the town they have fled can be seen on a a hill. In the right foreground the milestone lies on its side and reads "XXX miles from London".
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 25 x 41 cm. on: Map of the lands of Ballyglass ... forming part of the estate of Charles Blake, Esquire ...
Publisher:
Published Octr. 1828, at 48, Strand
Subject (Topic):
Carriages & coaches, Couples, Elopements, and Swine
Title from caption below image., Two lines of verse below title: Some antique pedestal used this to be on? she has, at least, a look of the Pantheon. T. H., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
"A lean middle-aged man reclines on a sofa, his face contorted with pain. A handkerchief over his head, and ungartered stockings suggest an interrupted nap. His left toe touches the ground; his right leg is drawn up, the toes bent. The bell-wire is broken. Above his head is a picture of a man turning a grindstone, and beside him are two volumes: 'Dr Buchan Family Médecine in 2 Vol', suggesting the hypochondriac. A cockatoo (left) screams at him, and he screams (words below the title): 'Ecot! it's Tied my foot in a Knot--Oh!--Oh!--O--O--o--o--o--'."--British Museum online catalogue
Description:
Title etched below image., Text below title: Ecot! it's tied my foot in a knot. Oh! Oh! O O o o o o., Sheet trimmed within plate mark on two edges., Temporary local Medical Library subject terms: Muscle cramps -- Dr. Buchan Family Medicine., and 1 print : aquatint with etching ; sheet 273 x 211 mm.
Publisher:
Pubd. Augt. 1828, by Gillard & Cornish, 48, Strand
Subject (Topic):
Pain, Couches, Cockatoos, Birdcages, Books, and Windows
"A lean middle-aged man reclines on a sofa, his face contorted with pain. A handkerchief over his head, and ungartered stockings suggest an interrupted nap. His left toe touches the ground; his right leg is drawn up, the toes bent. The bell-wire is broken. Above his head is a picture of a man turning a grindstone, and beside him are two volumes: 'Dr Buchan Family Médecine in 2 Vol', suggesting the hypochondriac. A cockatoo (left) screams at him, and he screams (words below the title): 'Ecot! it's Tied my foot in a Knot--Oh!--Oh!--O--O--o--o--o--'."--British Museum online catalogue
Description:
Title etched below image., Text below title: Ecot! it's tied my foot in a knot. Oh! Oh! O O o o o o., Sheet trimmed within plate mark on two edges., and Temporary local Medical Library subject terms: Muscle cramps -- Dr. Buchan Family Medicine.
Publisher:
Pubd. Augt. 1828, by Gillard & Cornish, 48, Strand
Subject (Topic):
Pain, Couches, Cockatoos, Birdcages, Books, and Windows
A homely man holds a woman's as she pulls away, hand raised in objection to his advances. A spinet is on the right
Description:
Title from caption below image., Text below title: "My dear let me persuade you", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by S. & J. Fuller, Temple of Fancy, 34 Rathbone Place
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Reference to print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 71., and Watermark: 1827[?].
Title from caption below image., Two lines of text below title: 'Tis said that vice & here's the very case can harden the expression of the face. T. H., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
A poor family in rags sing on a city streets to earn money. The man, a veteran with a peg leg, plays the violin; his uniform is patched up. The boy wears no shoes and a coat too big for him; he holds out a hat to collect the money. The woman wears a ragged dress and a patched cloak covering a baby on her back; she carries a basket with loaded with the broadsides for sale
Description:
Title from text below image., Date of publication inferred from a "Novr. 1828" manuscript note on an impression of a print entitled "My girl," likewise designed by Mercer and published by Smyth and Parsey; see Lewis Walpole Library call no.: 828.11.00.01. An apparent companion to that print, entitled "My boy," is assigned a date range of 1825-1835 in the British Museum online catalogue (registration no.: 1905,0822.4)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published by T. Smyth & sold by A. Parsey, Burlington Arcade
Subject (Topic):
Ballads, Families, Poor persons, Singing, Violins, Peg legs, Disabled veterans, Military uniforms, and Street vendors
The figure of an artist in profile made from various artists' tools: the head is an artist's palette, paint brushes from a painter's box his hat, etc
Description:
Title from caption below image., Two lines of verse below title: On mind & matter there has been a great schism and here's the doctrine of materialism. T. H., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1824.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
Subject (Topic):
Artists' materials, Artists, Palettes, and Arcimboldesque figures
Title from caption below center image., Seven designs on one plate, each individually titled; title from caption below design in the upper left., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. To be continued occasionally. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 73.
Publisher:
George Cruikshank
Subject (Topic):
Accidents, Black people, Carts & wagons, Dogs, Peg legs, Stilts, and Street entertainers
"The Devil (right), in the foreground and much larger than the other figures, stands Asmodeus-like on a house-top (cf. British Museum Satires No. 16160), overturning with a long pole a dinner-table and upsetting the guests who fall on clouds of Dust. He is a grotesque muscular creature with goat's legs, barbed wings and tail, and looks round with a triumphant grin at the spectator. The guests are also assailed by harpies, little winged men, whose bodies terminate in barbed and scaly tails. One of these (Corder), holding a long bill which rises into the air above him, assails a man (Roach) mounted on a cockroach and holding up a book inscribed Parish Acct; he is The Grand Carver mounted on his Cockroach.; from the cockroach's antennae hang two big keys, and it emits a tail-blast inscribed We are of the Select, against his assailant. The latter holds out a paper inscribed Majority 7 and says am I not the Elect. Another harpy holding out a constable's staff flies menacingly towards the cockroach, saying, By St Thomas I cheque this. Roach exclaims: I tell you it's all a farce so we have taken the liberty to Cribb the Books Keep the Keys tight Cockey. A third harpy threatens the feast with a pair of spurred cavalry boots, saying you will Do-Well to give in, showing he is T. W. Dow (a boot-maker of York Street, Covent Garden. P.O. London Directory, 1822), see British Museum Satires No. 15528. A fourth has seized a paunchy Vestryman by the nose; the victim screams Oh my Nose--Rose Water rose water--oh oh oh-- From the table fall birds, hare, tureen, decanter, pineapple, &c. The dust forms a background, and is inscribed Dust for the Eyes of the Parishioners; looming through it is the façade of St. Paul's, Covent Garden. The bill held by Corder is headed Dinners. The items are Richardson £8-5, Hodgson & Gan £47-11-0, wine 5. 3. 0. Hodgson & Gan[n] Venison feast 30. 3- 6--Dinner on auditing Accounts £11- 4- 0, Hodg & Gann Ditto £40 4-0, Richardson Visitation Din . . £22. 7. 6, Joys St Thomas Day Dinner £20-10-0---&c &c."--British Museum online catalogue
Alternative Title:
Cruel radical harpies destroying a feast
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Text beside artist's device, meant to be words spoken by the man with an umbrella?: They seem to be introding [sic] here., Date of publication from the British Museum catalogue., Imprint continues: ... where political & other charicatuers [sic] are daily brought out., Sheet trimmed within plate mark., and Text above image: "now by St. Paul's the work goes bravely on -.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Paul's Church (Covent Garden, London, England)
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 30 x 38 cm.
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike. For an earlier issue of the plate, published ca. 1828, see Lewis Walpole Library call no.: Bunbury 772.12.07.04., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 5084 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Tables, Chairs, Candles, Books, Sleeping, Dogs, and Cats
Title from caption below image., Printmaker from unverified data in local card catalog record., Date of publication based on watermark., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?], [1836?]., A reduced copy of no. 5084 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Imperfect; artist's signature erased from sheet., Shading added in pencil to lower part of design., and Watermark: J. Whatman 1828.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
"A complicated piece of machinery fills the centre of a room in a fashionable establishment; an open door (right) leads into a shop where, in the background, a pretty and extravagantly dressed woman (in the costume of c. 1828) presides at a counter; above the door is a model of the machine, 'Patent Shavograph!!!' Through a window (left) is seen the 'Ladies Hair Cutting Room': another machine operates on seated ladies, whose long hair is raised perpendicularly into the mechanism. Above the window is an erection of erect loops of hair, burlesquing the fashion. A dandy, waiting his turn, ogles the ladies through his monocle. Another, sitting on a chair (left), reads a newspaper, 'Herald'. The 'Shavograph' operates from right to left upon the customers who sit on a circular bench, each with his head held firm in a wedge cut from a millstone-like disk (B) at the back of his seat. The razor has just sliced off the nose of an officer who stands gesticulating wildly, putting his hand before splashing blood while one dismayed neighbour rises from his seat, and the other shouts 'Stop! Stop!' Four men on the left, waiting their turn for the razor, &c, to reach them, are unconscious of the accident. One is having his head pressed into position by a rod held by a fashionably dressed man (H) who is also working a lever. Below the design, in the border of the print: 'EXPLANATION. AAA a circular form on which the shavees sit. BBBBBB wheels that govern the position of the head. CC [cog-wheels] the machinery which moves the brush in every required direction. D a resevior [sic] of water [above the brush], boiling hot E a pipe [connecting F and D] filld with patent double compress'd shaving powder, through which the water is forced to forme a lather in the brush F. GGG [cog-wheels] the machinery which moves the razor H the Engineer with his directing rod. (Note) it is indispensible that the sitter should be firm & steady, it will be percived [sic] the neglecting this by looking after the Shop woman has cost one his nose, but he only pays the penalty of his own imprudence. "Accidents will occur in the best regulated families.' (This phrase is attributed to David Copperfield (1849) in the Oxford Dict, of Quotations, but Micawber was evidently quoting."--British Museum online catalogue
Description:
Title from text above image., Shortshanks in the pseudonym of Robert Seymour., Text below image begins: Explanation. AAA a circular form on which the shavees sit ..., and Sheet trimmed to plate mark.
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[1 April 1828]
Call Number:
828.04.01.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Eight of the select vestry of St. Paul's, Covent Garden, dine in the Vestry Room, while the beadle blocks the doorway on the extreme right, saying, You can't come in now--the "Select" are engaged. A parson, identified as Dr. Richards, is in the chair at the head of the table; mopping his bald head he says blandly: "Dont be afraid of the viands, Gentlemen--although our fatigues are great, I hope we shall convince the parishioners we can do our duties at the table if we do not at the Board. Decanters of Port and Sherry, a ham, and a turkey are on the table; a dwarfish footman brings in a dish of ducks. A second footman oafishly holds out a glass of wine to the chairman, spilling the contents of a soup plate on to the head of a guzzling fellow gnawing a bone, who is identified as Alderman Winchester. The latter's neighbour eats with a knife; all but the parson-chairman appear ill-bred; one turns aside to vomit. The parson's vis-à-vis, identified as Mr. Staunton, leans back in his chair, asleep with food on his fork, while a spectacled doctor, identified as Dr. Morgan (not a guest) proffers a bottle of Rose Water. From the pocket of a gross and carbuncled man, identified as Mr. Thompson, hangs a paper: Hush-Money from certain Brothells, Flash-Houses &c &c. He drinks, putting his foot on that of a small man, 'Fentum', who stares at him knowingly. On the left is a large scroll: Items of Expences--for visiting the pauper Children --Dinner & dessert--£9"9"0, Lemon--0"1"0 Ten bottles Bucellas--3"0"0. Two do Sherry--0"12"0 Punch--0"12"0 Four bot: Champagne 2"8"0 Soda-- 0"16"0 Rose Water 0"2"0 Ice for Wine--0"2"0 12 bots Port--3"12"0 5 bots Sauterne 2"0"0 Broken Glass--0"5"6 Tea & Coffee--1"7"0 3 Servants food 0"7"6 Waiters 0"9"0 Coaches 8"11"6--34"12"6. On the wall hangs a large notice: Select Resolutions. Ist Resolved That when the minds of the Select" are engaged in Parochial affairs thier bodies must also be supported. 2nd. That, the "Select" shall have absolute power over their fellow parishioners to impose any rate or tax on them (the parishioners) which they (the "Select") shall think proper. 3rd. That, the Selet [sic] shall not submit their books to the inspection of the parishioners, nor render any account in any manner for the waste & expenditure of the aforesaid parishioners Money. By order of the "Select Anthy Absolute (Secty) On the wall are also a clock, pointing to 5.50, and a framed picture of a smallish house: British Pauper Children Asylum."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman 1826.
Title from caption below image., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1828.
Three officers dine at a small round table, waited on by two young soldier-servants. one ,standing stiffly, holds a bottle of wine behind his back; an arm (in uniform) extends from a curtain to take it.
Description:
Title from caption below image., Printmaker and date from British Museum online catalogue., Description based on imperfect impression; imprint partially erased with possible loss of publication date., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With: Eyes right.
"George IV, with a swathed and gouty leg, stands in front of the throne, supported by Lady Conyngham and a crutch, his arm round her shoulder. Peel stands partly hidden by a curtain and immediately behind Wellington, his mouthpiece; he speaks into a speaking-trumpet, the stem of which passes from Wellington's ear to his mouth from which the trumpet projects. From this mouthpiece issue the words: I feel happy in being allowed thro any medium, however degrading to communicate my expressions of sincere devotion TO-- The King interrupts him: PLACE--hat will do Arthur, always keep between me and that fellow -- he rings such a peil in our Ears. Lady Conyngham turns to the King, pointing to the trumpet: This is a contrivance of my own -- I hate the sight of him & now your M-y can keep him at a distance. She wears a towering coiffure of loops of hair decorated with flowers. Beside Peel: To join with Christian Jew or Turk In doing any dirty Work."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 174.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Title from text below image., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication from unverified data from local card catalog record., Plate from book: Joe Lisle's play upon words. London : Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[1828]
Call Number:
828.00.00.62+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Text below title: "Pray thur have thu any idea vhether I could thute thum partridgeth about here?" ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., With: A flattering idea. No. 3., and Watermark: J. Whatman 1828.
A group of men sit around a table celebrating the new year as the clock passes midnight. Several of the men are quite drunk and one has fallen from his chair. Others laugh and talk as they toast each other with glasses of wine. One man is wearing a punch bowl on his head as his companion toasts the crowd with another steaming bowl of punch. The bowl is elaborately decorated with an oriental theme
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1825.
Publisher:
Pubd. by Geo. Hunt, 18, Tavistock Street, Covent Garden
Title from caption below image., Date of publication from contemporary mansuscript note at bottom of sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Women -- Tall -- Short., and Manuscript note in ink below imprint statement: Novr. 1828.
Publisher:
Published by T. Smyth and sold by A. Parsey 10 & 11 Burlington, Arcade and Printed by C. Hullmandel
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Half-length image of Punch with his peaked clown hat and a frightened look on his face
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"An elderly, spinsterish, and ugly woman, three-quarter length, holds in her left hand a spy-glass (or microscope) which touches the circumference of a large circle, representing a magnified drop of water, filled with grotesque and horrifying aquatic creatures, from the quasi-whale to mere specks. She turns aside in disgust, looking towards the picture-plane, and dropping a full tea-cup. The Paul Pry of the signature raises his hat to a tiny pump, saying, Glad to see you hope to meet you in every Parish through London."--British Museum
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily published the largest collection of any house in town., Questionable date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Text above image begins: Microcosm dedicated to the London Water Companies ...
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily publishing., Text below image: Keep outside. Oh dear it is so dirty. Keep off I say., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A stereotyped image of an old maid who wears a cap and sits very upright in a high-back chair as she reads a newspaper, The Morning Herald. She has a large, hooked nose and wears spectacles, her lips pursed with disapproval at what she reads. She has a cat in her lap and a parrot sits on the chair back; her feet rest on the fire grate before the stove on which sits a kettle. In the foreground on a carpet and a rug beside her are three dogs. On the table beside her are a box of snuff and back-scratcher. A folding screen forms the background. On the mantel are a pair of statuettes of a woman with a spear and a dog leaping at her side (presumably Diana) and a taxidermized cat in a glass case. The picture on the wall above these objects further amplify the subject
Alternative Title:
Misanthropy
Description:
Title from caption below image ; the second "s" in "Miss" and the second "n" in "Ann" are lightly crossed out, suggesting the word "misanthropy.", Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Misanthropy, Single women, Newspapers, Kettles, Parrots, Snuff, Dogs, Cats, and Taxidermy
A stereotyped image of an old maid who wears a cap and sits very upright in a high-back chair as she reads a newspaper, The Morning Herald. She has a large, hooked nose and wears spectacles, her lips pursed with disapproval at what she reads. She has a cat in her lap and a parrot sits on the chair back; her feet rest on the fire grate before the stove on which sits a kettle. In the foreground on a carpet and a rug beside her are three dogs. On the table beside her are a box of snuff and back-scratcher. A folding screen forms the background. On the mantel are a pair of statuettes of a woman with a spear and a dog leaping at her side (presumably Diana) and a taxidermized cat in a glass case. The picture on the wall above these objects further amplify the subject
Alternative Title:
Misanthropy
Description:
Title from caption below image ; the second "s" in "Miss" and the second "n" in "Ann" are lightly crossed out, suggesting the word "misanthropy.", Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Misanthropy, Single women, Newspapers, Kettles, Parrots, Snuff, Dogs, Cats, and Taxidermy
Title from caption below image., Plate from book: Joe Lisle's play upon words, pub. by Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Sheet trimmed: 26 x 37 cm., Watermark: J. Whatman Turkey Mill 1827., and Numbered in manuscript at top of sheet: 71.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
Title from caption below image., Title continues: ... the "fat knight" floored!, Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Games.
Publisher:
Published Dec. 1, 1828 by Geo. Virtue, 26 Ivy Lane, Paternoster Row
Title from text below and above image., Date based on known years of publisher's activity., Image is presented as an inversion illusion. Title portion above image inscribed upside down: Cry and grow lean., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by S. Gans, 15 Southampton St., Strand and Printed by C. Ingrey
Title from caption below image., "Cross" in imprint represented by an "X"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Dandies -- Couples -- Dancing.
Publisher:
Pubd. Feby. 1828 by G. Treguar 104 St. Martins Lane Chairing [sic]
"Cockaigne, shewing "Cousin Tummas" a "Lions" den--' A view of Crockford's with riders, carriages, and pedestrians in the roadway. From the opposite pavement of St. James's Street a cockney points it out to a countryman. On the roof is a (symbolical) pigeon-cote on which perches a rook, while pigeons circle round it. Below: 'That's one of the London "Hells" Coz!"--"No sure! why what a nice looking place!!--Well; no wonder so many people do go to the Devil if he a' gotten such Foine Housen!!--' See No. 15934, &c. [2] "Legs" famous for "Cutting" & "Shuffling". Three gamesters stand together, all with long black legs, no body, and the heads of birds (rooks) with predatory beaks. Legs = blacklegs. Jon Bee, Slang, 1823. Cf. No. 14399, &c. [3] "I could a tale unfold". A pig with a curly tail. [4] 'Any thing but Fair play!' A duel, a very broad fat man fires at an absurdly thin one (who does not fire). [5] 'The Abode of Genius'. A ramshackle attic with a mattress on the floor under a sloping roof, across which socks are hung on a line. A man in ragged clothes of fashionable intention sits at a small table struggling with a piece of food held between teeth and fork. He says: 'To call this a tender Chuck Steak! & charge me two pence half-penny for it!!--I've a great mind to go & Chuck it in his face!--Aye!--its a fine thing to be a Genius!!!!!' Below: "My lodging is on the cold ground, / And very hard is my fare;"-- The distressed poet, a standard theme, cf. (e.g.) Nos. 12139, 15641. [6] "House of Industry"-- [Workhouse.] A cobbler, his wife, and three small children are hard at work in a miserable room. She: 'If you get paid for them shoes shall us have a bit of meat on Sunday?-- ' He: 'Why--I dont know what to say to that--you know we had meat last Sunday!--we must not be extravagant.' Below: "A Cobler there was & he lived in a Stall / which served him for Parlour & Kitchen & hall"!--"--British Museum online catalogue
Description:
Title from caption below center image., Six designs on one plate, each individually titled., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 73., and Temporary local subject terms: Cobblers -- Street scenes
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[1828]
Call Number:
828.00.00.80+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Text below title: "Have you an idea he will go well?" ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With: Cockney sportsmen on a strong scent. No. 7.
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., Text below image: Thought would destroy his paradise where ignorance is bliss!! 'Tis folly to be wise., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print on wove paper : lithograph, hand-colored ; sheet 25.2 x 29.9 cm., Imperfect; sheet trimmed with loss of imprint., and Numbered in ms. at top of sheet: 31.
"A bear (right), wearing Cossack trousers and an imperial crown surmounted by a double-headed eagle, runs off to the right. He carries a piece of mountainous country inscribed Greece on which kneels a tiny Greek in profile to the left, exclaiming Save me from my Friends. The bear (the Tsar) tramples on the neck of a turkey, with the bearded, turbaned, and terrified head of the Sultan, which lies on its back. The bear looks fiercely over his shoulder towards an angry English sailor who sits in an open boat with a cannon mounted in the bows. The sailor wears a top-hat with a ribbon inscribed Navar[ino, see BM Satires No. 15507, &c]; he has dropped an oar to lean back, extending his clenched fist towards the bear, and shouting: Halloo--master-drop that, or d--me I'll run along side of you, in no time. Cannon-balls are piled in the stern; above them flies a Union flag topped by oak leaves. On the farther side of the water (left) stands Charles X, a capering French fop in the dress of the ancien régime, with a cane under his arm. He says: By gar he is take away all de Greece. The scene is watched from a distance by the Emperor of Austria, who draws his sword, saying, I should like a bit of that."--British Museum online catalogue
Alternative Title:
Imperial bears grease or a peep into futurity
Description:
Title from caption below image; the letters "a" and "s" in the word "grease" are crossed out and the letters "e" and "c" etched above to form the word "Greece.", Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 223.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Charles X, King of France, 1757-1836
Subject (Topic):
Russo-Turkish War, 1828-1829, Bears, Crowns, Sailors, British, National emblems, Russian, and Turkeys
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
1828.
Call Number:
828.00.00.82+
Image Count:
1
Resource Type:
still image
Alternative Title:
Ides of satisfaction and Ideas of satisfaction
Description:
Title from caption below image., Text below title: Here comes the young officer-Ive an idea you'll soon have satisfaction now Bob. ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., With: Ideas of pioneers. No. 6., and Watermark: J. Whatman 1826.
