Three officers dine at a small round table, waited on by two young soldier-servants. one ,standing stiffly, holds a bottle of wine behind his back; an arm (in uniform) extends from a curtain to take it.
Description:
Title from caption below image., Printmaker and date from British Museum online catalogue., Description based on imperfect impression; imprint partially erased with possible loss of publication date., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With: Eyes right.
Title from caption below image., Printmaker from unverified data in local card catalog record., Date of publication based on watermark., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?], [1836?]., A reduced copy of no. 5084 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Imperfect; artist's signature erased from sheet., Shading added in pencil to lower part of design., and Watermark: J. Whatman 1828.
"An elderly, spinsterish, and ugly woman, three-quarter length, holds in her left hand a spy-glass (or microscope) which touches the circumference of a large circle, representing a magnified drop of water, filled with grotesque and horrifying aquatic creatures, from the quasi-whale to mere specks. She turns aside in disgust, looking towards the picture-plane, and dropping a full tea-cup. The Paul Pry of the signature raises his hat to a tiny pump, saying, Glad to see you hope to meet you in every Parish through London."--British Museum
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily published the largest collection of any house in town., Questionable date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Text above image begins: Microcosm dedicated to the London Water Companies ...
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Sheet trimmed: 26 x 37 cm., Watermark: J. Whatman Turkey Mill 1827., and Numbered in manuscript at top of sheet: 71.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
"A bear (right), wearing Cossack trousers and an imperial crown surmounted by a double-headed eagle, runs off to the right. He carries a piece of mountainous country inscribed Greece on which kneels a tiny Greek in profile to the left, exclaiming Save me from my Friends. The bear (the Tsar) tramples on the neck of a turkey, with the bearded, turbaned, and terrified head of the Sultan, which lies on its back. The bear looks fiercely over his shoulder towards an angry English sailor who sits in an open boat with a cannon mounted in the bows. The sailor wears a top-hat with a ribbon inscribed Navar[ino, see BM Satires No. 15507, &c]; he has dropped an oar to lean back, extending his clenched fist towards the bear, and shouting: Halloo--master-drop that, or d--me I'll run along side of you, in no time. Cannon-balls are piled in the stern; above them flies a Union flag topped by oak leaves. On the farther side of the water (left) stands Charles X, a capering French fop in the dress of the ancien régime, with a cane under his arm. He says: By gar he is take away all de Greece. The scene is watched from a distance by the Emperor of Austria, who draws his sword, saying, I should like a bit of that."--British Museum online catalogue
Alternative Title:
Imperial bears grease or a peep into futurity
Description:
Title from caption below image; the letters "a" and "s" in the word "grease" are crossed out and the letters "e" and "c" etched above to form the word "Greece.", Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 223.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Charles X, King of France, 1757-1836
Subject (Topic):
Russo-Turkish War, 1828-1829, Bears, Crowns, Sailors, British, National emblems, Russian, and Turkeys
Title from caption below images., Design composed of two panels separated by a space with text: Wide as the poles asunder., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Reference to temperance -- Representation of evils -- Virtues., and Numbered in ms. at top of sheet: 70.
Publisher:
publisher not identified and A. Ducotè lithog. 10, St. Martin's Lane
Subject (Topic):
Devil, Families, Fish, Fishing, Gin, Vice, and Water
Title from caption below image., Caption continues: " ... the enjoyments of a comfortable fire-side, Logic all happiness Corinthian, Tom at his ease the "old folks" in their glory the "uncommonly big gentleman" told out taking forty winks!", Sheet trimmed within plate mark and imprint statement partially erased from sheet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A complicated piece of machinery fills the centre of a room in a fashionable establishment; an open door (right) leads into a shop where, in the background, a pretty and extravagantly dressed woman (in the costume of c. 1828) presides at a counter; above the door is a model of the machine, 'Patent Shavograph!!!' Through a window (left) is seen the 'Ladies Hair Cutting Room': another machine operates on seated ladies, whose long hair is raised perpendicularly into the mechanism. Above the window is an erection of erect loops of hair, burlesquing the fashion. A dandy, waiting his turn, ogles the ladies through his monocle. Another, sitting on a chair (left), reads a newspaper, 'Herald'. The 'Shavograph' operates from right to left upon the customers who sit on a circular bench, each with his head held firm in a wedge cut from a millstone-like disk (B) at the back of his seat. The razor has just sliced off the nose of an officer who stands gesticulating wildly, putting his hand before splashing blood while one dismayed neighbour rises from his seat, and the other shouts 'Stop! Stop!' Four men on the left, waiting their turn for the razor, &c, to reach them, are unconscious of the accident. One is having his head pressed into position by a rod held by a fashionably dressed man (H) who is also working a lever. Below the design, in the border of the print: 'EXPLANATION. AAA a circular form on which the shavees sit. BBBBBB wheels that govern the position of the head. CC [cog-wheels] the machinery which moves the brush in every required direction. D a resevior [sic] of water [above the brush], boiling hot E a pipe [connecting F and D] filld with patent double compress'd shaving powder, through which the water is forced to forme a lather in the brush F. GGG [cog-wheels] the machinery which moves the razor H the Engineer with his directing rod. (Note) it is indispensible that the sitter should be firm & steady, it will be percived [sic] the neglecting this by looking after the Shop woman has cost one his nose, but he only pays the penalty of his own imprudence. "Accidents will occur in the best regulated families.' (This phrase is attributed to David Copperfield (1849) in the Oxford Dict, of Quotations, but Micawber was evidently quoting."--British Museum online catalogue
Description:
Title from text above image., Shortshanks in the pseudonym of Robert Seymour., Text below image begins: Explanation. AAA a circular form on which the shavees sit ..., and Sheet trimmed to plate mark.
Title from caption below image., Text above image: I'd be a butterfly., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"An inverted wine-glass (claret shape), partly fluted, represents a woman; the bowl is a bell-shaped petticoat, the stem a pinched waist and bodice; the wide base forms the brim of her plateau-hat on which stands a cork with a metal rim and upstanding ring to form the narrow jam-pot crown (cf. BM Satires No. 15466). On the base (or brim) are bunches of grapes from which hang trails of vine leaves. Tied symmetrically to the stem are two pears, representing inflated sleeves, the stalks serving for wrists and hands. Below the design six lines of verse
Alternative Title:
Desert-imitation of modern fashion! and Dessert-imitation of modern fashion!
Description:
Title from text above image., Print signed using a varient of William Heath's device: A man with a raised glass rather than an umbrella. Also with the lines in a speech balloon: What have we got here by Jove what we are all fond of a Lass & à Glass my service to you Gents tis but a frail fair after all., Questionable publication date from British Museum catalogue., and Six lines of verse below image: Turn a tumbler up side down, The foot for a hat and a cork for the crown, Some grapes for trimming, will give an air, And as for Sleeves have ready a pear, When join'd to gather tis sure to tell, A picture true, of a modern belle.
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 30 x 38 cm.
"A man in quasi-fashionable dress with spurred top-boots and knee-breeches gapes oafishly at a print-shop window, while a little boy, respectably dressed, takes a purse from his breeches-pocket, having already twitched a handkerchief from the coat-tail pocket which hangs inside out. Behind (right) a lady stares through an eye-glass. In each pane of the curved window of a corner-shop (Berthoud's?) is a print. One of the Devil faces a portrait of the 'Duke of Wellington'; these are 'The Pair Half a Crown' [cf. BM Satires Nos. 13826, 15646]; 'Up to every thing' is a tall soldier, taking the hand of a woman at a first-floor window; 'A Loan' is BM Satires No. 14993; 'Man of Taste' is a man at the counter of a ham and beef shop (cf. BM Satires No. 13127); 'Remember the Post Boy your Honor', scene in an inn yard. There are other prints, one is a double sheet: 'Joe Lisle Play upon words'. There is a Paul Pry (not resembling Liston, cf. BM Satires No. 15138), and against the pickpocket's head is a print of an empty gibbet."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
Published by Berthoud & Son, 65, Quadrant
Subject (Geographic):
England and London
Subject (Topic):
Boys, City & town life, Merchandise displays, Pickpockets, Prints, Stores & shops, and Witnesses
A groggy surgeon-apothecary, awakened by knocking below, shouts down from an open window to an unseen patient requesting a night visit. He wears a nightcap and has a burning candle beside him. Two cats scurry away from the commotion, causing flower pots to tumble off the ledge. On the wall of the building, to the left of the window, is a depiction of a mortar and pestle as well as a sign reading "Hand in Hand Assurance" beneath two hands joined together (the emblem of the Hand-in-Hand Fire Office). The sign beneath the window reads "Cawdle, Accoucheur & Apothecary. NB. Bleeding, Cupping, Tooth Drawing &c. &c."
Description:
Title etched below image., 'Ego' is the pseudonym of M. Egerton. See British Museum catalogue., Date of publication from unverified data in local card catalog record., Three lines of dialogue below title: Who are you? (Damn the cats!) What d' ye want young woman, hey? Oh, Sir, master begs you'll step over directly as Missus, if you please sir, is taken very bad in a a a !!!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Apothecaries.
Subject (Topic):
Pharmacists, Midwives, Obstetrics, Drugstores, Windows, Flowerpots, Cats, and Signs (Notices)
A group of men sit around a table celebrating the new year as the clock passes midnight. Several of the men are quite drunk and one has fallen from his chair. Others laugh and talk as they toast each other with glasses of wine. One man is wearing a punch bowl on his head as his companion toasts the crowd with another steaming bowl of punch. The bowl is elaborately decorated with an oriental theme
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1825.
Publisher:
Pubd. by Geo. Hunt, 18, Tavistock Street, Covent Garden
Title from caption below image., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1828.
Title from caption below image., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Kissing -- Soldiers -- City scenes.
Title from caption below image., Date of publication from unverified data from local card catalog record., Five lines of text below title: A a y'r place 'll not do for me Mum the bed's not long enough! ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Hunt, 18 Tavistock Street, Covent Garden
A scene in a restaurant: A large, red-faced landlord in an apron stands before a man who is about to eat his meat. A little dog eats his meat at the side of the customer. Below the image: Capital Joint this Landlord 'pon my Soul, Here's Cut and Come again. Yes, Sir ther's Cut, to be sure, but I'll be--- if ever You shall Come again
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Six lines of text below title: Capital joint this landlord 'pon my soul ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Hunt, 18 Tavistock Stt., Covent Garden
Titles from text above each design., Six designs on one plate, each individually titled., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Dogs dressed in gentleman's coats and breeches meet around a table covered in papers. They address a dog in a police uniform who stands at attention to receive instructions. The figure at the head of the table address him, "And d'ye hear! destroy every Dog you find not Muzzled."
Alternative Title:
Dogmatism
Description:
Title etched below image., Date completed with "28" written in ink., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Publisher:
Pub. by S. Gans, Southampton St., Strand
Subject (Geographic):
England and London.
Subject (Topic):
Animal control, Animals in human situations, and Dogs
A stereotyped image of an old maid who wears a cap and sits very upright in a high-back chair as she reads a newspaper, The Morning Herald. She has a large, hooked nose and wears spectacles, her lips pursed with disapproval at what she reads. She has a cat in her lap and a parrot sits on the chair back; her feet rest on the fire grate before the stove on which sits a kettle. In the foreground on a carpet and a rug beside her are three dogs. On the table beside her are a box of snuff and back-scratcher. A folding screen forms the background. On the mantel are a pair of statuettes of a woman with a spear and a dog leaping at her side (presumably Diana) and a taxidermized cat in a glass case. The picture on the wall above these objects further amplify the subject
Alternative Title:
Misanthropy
Description:
Title from caption below image ; the second "s" in "Miss" and the second "n" in "Ann" are lightly crossed out, suggesting the word "misanthropy.", Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Misanthropy, Single women, Newspapers, Kettles, Parrots, Snuff, Dogs, Cats, and Taxidermy
Title from text above image; title lacks closing quotation marks., Print signed using William Heath's device: A man with a top hat., Imprint continues: ... where political & other caricatuers are daily published., Text below image: If fashions various laws you would obey, the petticoat abridge: the ankle full display. July 1828., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
Title from caption below image., Place and date of publication from unverified data from local card catalog record., Six lines of text below: Proteus: Zounds shew me what thoul't do woul't weep? woul't right? woul't fast? woul't tear thyself? ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 31cm.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 6 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets -- Couples -- Fighting.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 7 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 8 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 9 in a series of 23 plates., Temporary local subject terms: Clowns -- Puppets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 10 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 11 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 12 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 13 in a series of 23 plates., Temporary local subject terms: Clowns -- Puppets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 14 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 15 in a series of 23 plates., Temporary local subject terms: Clowns -- Puppets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 16 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 17 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 18 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 19 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 20 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 21 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 22 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 23 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title from British Museum catalogue., Five lines of verse below image: A fool to pleasure yet a slave to fame, say what can cause such impotence of mind? ..., Plate from: Monkey-ana or Men in miniature ... by Thomas Landseer., The respective plate mark appears on the mount directly adjacent to the adhered sheet with image., and Temporary local subject terms: Monkeys -- Animals in human situations.
Publisher:
Published 1828 by Moon, Boys, & Graves, 6 Pall Mall
"George IV, with a swathed and gouty leg, stands in front of the throne, supported by Lady Conyngham and a crutch, his arm round her shoulder. Peel stands partly hidden by a curtain and immediately behind Wellington, his mouthpiece; he speaks into a speaking-trumpet, the stem of which passes from Wellington's ear to his mouth from which the trumpet projects. From this mouthpiece issue the words: I feel happy in being allowed thro any medium, however degrading to communicate my expressions of sincere devotion TO-- The King interrupts him: PLACE--hat will do Arthur, always keep between me and that fellow -- he rings such a peil in our Ears. Lady Conyngham turns to the King, pointing to the trumpet: This is a contrivance of my own -- I hate the sight of him & now your M-y can keep him at a distance. She wears a towering coiffure of loops of hair decorated with flowers. Beside Peel: To join with Christian Jew or Turk In doing any dirty Work."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 174.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
A full-length view of a woman in an elaborate costume, with feathers and on her dress and flowers in her big hair
Description:
Title etched above image., Text following title: To be continu'ed., Four lines of verse below image: To see our feather'd nymph appear in all her flaunting glittering gear ..., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint and printmaker's signature., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Signed in contemporary hand on verso: ...[?] Porter.
"Fashionably dressed men and women, in acute discomfort, hasten from right to left. A lady in the foreground (right) taking the arm of a dandy resembles Mrs. Robertson, see British Museum Satires No. 14557. There is a background of bushes and trees. The head of a black footman, wearing a cocked hat, pops up from behind a bush. On the extreme right is part of the Pump Room, with central cupola and pillared portico."--British Museum online catalogue
Alternative Title:
Tis necessary to quicken your motions
Description:
Title etched below image., Questionable attribution to William Heath from the British Museum catalogue., Temporary local Medical Library subject terms: The Royal Well, Cheltenham., and Watermark: J. Whatman Turkey Mill.
Publisher:
Pub. by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Cheltenham (England)
Subject (Topic):
Hydrotherapy, Health resorts, Dandies, British, and Servants
A group of dogs of various breeds sit around a table playing cards or rouletttes. A cat playing with a box in the lower left is frightened by one dog who leaps at it from its chair. Another dog on a cushion (right) looks at the hand of one dog at the table
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1827.
Publisher:
Printed and published by J. Didsbury, 22 Southampton Street, Strand
Subject (Topic):
Animals in human situations, Card games, Cats, and Dogs
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Animals in human situations -- Pharmacies -- Bottles -- Herbs -- Skeletons.
Publisher:
Published by T. Flint, 28 Burlington Arcade and Rittner Boulevard, Montmarte Paris and Printed by C. Hullmandel
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[1 April 1828]
Call Number:
828.04.01.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Eight of the select vestry of St. Paul's, Covent Garden, dine in the Vestry Room, while the beadle blocks the doorway on the extreme right, saying, You can't come in now--the "Select" are engaged. A parson, identified as Dr. Richards, is in the chair at the head of the table; mopping his bald head he says blandly: "Dont be afraid of the viands, Gentlemen--although our fatigues are great, I hope we shall convince the parishioners we can do our duties at the table if we do not at the Board. Decanters of Port and Sherry, a ham, and a turkey are on the table; a dwarfish footman brings in a dish of ducks. A second footman oafishly holds out a glass of wine to the chairman, spilling the contents of a soup plate on to the head of a guzzling fellow gnawing a bone, who is identified as Alderman Winchester. The latter's neighbour eats with a knife; all but the parson-chairman appear ill-bred; one turns aside to vomit. The parson's vis-à-vis, identified as Mr. Staunton, leans back in his chair, asleep with food on his fork, while a spectacled doctor, identified as Dr. Morgan (not a guest) proffers a bottle of Rose Water. From the pocket of a gross and carbuncled man, identified as Mr. Thompson, hangs a paper: Hush-Money from certain Brothells, Flash-Houses &c &c. He drinks, putting his foot on that of a small man, 'Fentum', who stares at him knowingly. On the left is a large scroll: Items of Expences--for visiting the pauper Children --Dinner & dessert--£9"9"0, Lemon--0"1"0 Ten bottles Bucellas--3"0"0. Two do Sherry--0"12"0 Punch--0"12"0 Four bot: Champagne 2"8"0 Soda-- 0"16"0 Rose Water 0"2"0 Ice for Wine--0"2"0 12 bots Port--3"12"0 5 bots Sauterne 2"0"0 Broken Glass--0"5"6 Tea & Coffee--1"7"0 3 Servants food 0"7"6 Waiters 0"9"0 Coaches 8"11"6--34"12"6. On the wall hangs a large notice: Select Resolutions. Ist Resolved That when the minds of the Select" are engaged in Parochial affairs thier bodies must also be supported. 2nd. That, the "Select" shall have absolute power over their fellow parishioners to impose any rate or tax on them (the parishioners) which they (the "Select") shall think proper. 3rd. That, the Selet [sic] shall not submit their books to the inspection of the parishioners, nor render any account in any manner for the waste & expenditure of the aforesaid parishioners Money. By order of the "Select Anthy Absolute (Secty) On the wall are also a clock, pointing to 5.50, and a framed picture of a smallish house: British Pauper Children Asylum."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman 1826.
"Nicholas I, in uniform with plumed cocked hat, rides (right to left) a gigantic Russian eagle, his sword raised to slash. The eagle holds in one of its beaks a round wicker coop which it drops over a turkey crouching on a grassy slope (left). From each predatory beak a cloud issues, inscribed WAR in large elaborate letters. The heraldic bird is very much alive, one claw clutching a sceptre, the other an orb. The Tsar stands in his stirrups; his saddle is superimposed on the shield on the bird's breast on which is a mounted knight in armour with visor down and sword raised. To the shield are appended eagles and other emblems. Far below (right) is a snow-covered plain where tiny Cossacks gallop with levelled spears, chasing Turks, The sky is filled with flame and smoke from blazing buildings. On the left from among the smoke emerges the dark silhouette of a profile bust of Napoleon; he says: Europe look well to this beware of the Kelmuc [sic]."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 219.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855 and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Russo-Turkish War, 1828-1829, Cages, Ceremonial objects, Daggers & swords, Eagles, Poultry houses, Scepters, and Turkeys
Title from caption below image., Two lines of text below title: 'Tis said that vice & here's the very case can harden the expression of the face. T. H., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
The figure of an artist in profile made from various artists' tools: the head is an artist's palette, paint brushes from a painter's box his hat, etc
Description:
Title from caption below image., Two lines of verse below title: On mind & matter there has been a great schism and here's the doctrine of materialism. T. H., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1824.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
Subject (Topic):
Artists' materials, Artists, Palettes, and Arcimboldesque figures
Title from caption below image., Two lines of verse below title: Some antique pedestal used this to be on? she has, at least, a look of the Pantheon. T. H., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
Title from caption below image., Two lines of verse below title: Frankenstein wanted to make man & so Sir he tried this first attempt upon a grocer! T. H., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
Title from caption below image., Text below title: "Give me a cigar." Byron., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 3, 1828, by John Fairburn, 13, Broadway, Ludgate Hill
"A lean middle-aged man reclines on a sofa, his face contorted with pain. A handkerchief over his head, and ungartered stockings suggest an interrupted nap. His left toe touches the ground; his right leg is drawn up, the toes bent. The bell-wire is broken. Above his head is a picture of a man turning a grindstone, and beside him are two volumes: 'Dr Buchan Family Médecine in 2 Vol', suggesting the hypochondriac. A cockatoo (left) screams at him, and he screams (words below the title): 'Ecot! it's Tied my foot in a Knot--Oh!--Oh!--O--O--o--o--o--'."--British Museum online catalogue
Description:
Title etched below image., Text below title: Ecot! it's tied my foot in a knot. Oh! Oh! O O o o o o., Sheet trimmed within plate mark on two edges., and Temporary local Medical Library subject terms: Muscle cramps -- Dr. Buchan Family Medicine.
Publisher:
Pubd. Augt. 1828, by Gillard & Cornish, 48, Strand
Subject (Topic):
Pain, Couches, Cockatoos, Birdcages, Books, and Windows
"Satire with a coal-man singing while playing on a harp, sporting butterfly wings, admired by fellow coal-men."--British Museum online catalogue, description of a later state
Description:
Title etched below image., For a later state with secondary title "March of intellect among the black-diamond carriers" etched in upper margin, see British Museum online catalogue, registration no.: 1988,1001.17., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local subject headings: Dustmen -- Coalmen.
Publisher:
Pubd. Septr. 1828 by J. Fairburn, Broadway, Ludgate Hill
Subject (Topic):
Butterflies, Carts & wagons, Coal, Harps, Singing, People associated with manual labor, and Working class
A young couple kiss inside the cab of an elegant carriage pulled by two pair of horses driven with whips by two riders; another rider follows along behind the carriage. On the road beside the carriage, a pig escapes pursuit as the rider topples from his horse, losing the wig in the process. In the left in the distance the town they have fled can be seen on a a hill. In the right foreground the milestone lies on its side and reads "XXX miles from London".
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 25 x 41 cm. on: Map of the lands of Ballyglass ... forming part of the estate of Charles Blake, Esquire ...
Publisher:
Published Octr. 1828, at 48, Strand
Subject (Topic):
Carriages & coaches, Couples, Elopements, and Swine
Title etched below image., Two lines of verse below title: Without the fair one's consent if a kiss you would seek, you deserve to receive a smart slap on the cheek!!, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Octr. 1, 1828 by John Fairburn, Broadway, Ludgate Hill
Title etched below image., Two lines of verse below title: A sly kiss he steals, but there's no harm in that though it makes her poor heart to go to pit-a-pat!!, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Octr. 1, 1828 by John Fairburn, Broadway, Ludgate Hill
Title from caption below image., Date of publication from contemporary mansuscript note at bottom of sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Women -- Tall -- Short., and Manuscript note in ink below imprint statement: Novr. 1828.
Publisher:
Published by T. Smyth and sold by A. Parsey 10 & 11 Burlington, Arcade and Printed by C. Hullmandel
Title from caption below image., Description based on imperfect impression; sheet trimmed with partial loss of printer name., "Plate 1"--Below title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1828.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print on wove paper : lithograph, hand-colored ; sheet 25.2 x 29.9 cm., Imperfect; sheet trimmed with loss of imprint., and Numbered in ms. at top of sheet: 31.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Title from caption below image., Date of publication from unverified data from local card catalog record., Plate from book: Joe Lisle's play upon words. London : Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Publication information from unverified data from local card catalog record and based upon other plates from the series., Plate from book: Joe Lisle's play upon words, pub by Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Plate from book: Joe Lisle's play upon words, pub. by Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Reference to print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 71., and Watermark: 1827[?].
Title from text below image., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Two men (half length) seated on each side of a chess-board. Their profile heads are enclosed in rhomboids resembling the diamond of a pack of cards, giving the profiles projecting noses with receding foreheads and chins. The defeated player (left) clenches his fist and raises a bare leg above the chess-board, kicking his shoe into the air. His opponent holds a cane which may indicate a doctor
Alternative Title:
Chess-players
Description:
Title supplied by cataloger. Title from British Museum: Chess-players., Dated from ms. note on Lewis Walpole Library impression., A copy after a 1788 print? Cf. [Chess-players] in the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. note added below image: 1828.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1825.
A hussar stands in his stirrups on a spirited charger to embrace a girl who leans from a window
Description:
Title from caption below image., Printmaker and date from British Museum online catalogue., Imprint appears once below title of plate 2., Possibly a later state; plate number mostly burnished out., Description based on imperfect impression; imprint partially erased with loss of publisher name., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With: Artillery bringing up the field pieces.
A soldier stands at attention beside an officer, who sits on a seat outside a rustic inn or cottage, inspecting a paper. The man's eyes are turned towards a girl who looks sideways at him from an open casement window (left).
Description:
Title from caption below image., Printmaker and date from British Museum online catalogue, Imprint appears once, below plate 4., Description based on imperfect impression; imprint partially erased with possible loss of publication date., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With: Recruiting.
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[1828]
Call Number:
828.00.00.80+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Text below title: Tom I've an idea we shall find game here, look at Tiger there's a point for you!! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With: Jemmy Green buying an unter. No. 8
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
1828.
Call Number:
828.00.00.82+
Image Count:
1
Resource Type:
still image
Alternative Title:
Ides of satisfaction and Ideas of satisfaction
Description:
Title from caption below image., Text below title: Here comes the young officer-Ive an idea you'll soon have satisfaction now Bob. ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., With: Ideas of pioneers. No. 6., and Watermark: J. Whatman 1826.
Half-length image of Punch with his peaked clown hat and a frightened look on his face
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Numbered '1' in upper right., Number 1 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Dogs -- Puppets -- Clowns -- Stages.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 2 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 3 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 4 in a series of 23 plates., Temporary local subject terms: Clowns -- Puppets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Publication information derived from frontispiece to the series., Number 5 in a series of 23 plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Puppets.
A caricature of a man astride a steam-generated, three-wheeled vehicle shaped like the body of a horse. Two fashionably dressed ladies in elaborate hats look on with disgust at the exhaust. In the background (left) a man leans on his shovel in front of three bags of coal labelled "Feed". In the background (center) a man feeds coal into the furnace of another vehicle
Alternative Title:
H. Alken's Illustration of modern prophecy, or Novelty for the year 1829 and Illustration of modern prophecy, or Novelty for the year 1829
Description:
Title from item., Title above image: H. Alken's Illustration of modern prophecy, or Novelty for the year 1829., and Quote above title, below image: Faugh the filthy fellow my Dear, the wretch feeds his horse with common coal.
Publisher:
Pub'd Jany. 1828 by S. & J. Fuller, 34 Rathbone Place
"Fantastic scene at a London street corner which abuts on open country, the roadway deep in mud. A coach and pair advances left to right; the coachman has laid down reins and whip to read the Times through spectacles, the footman standing behind is deep in a book. A ragged but monocled street-sweeper on stilts sweeps towards a small child half-submerged in mud, and a lady in a monstrous hat who picks her way through the slough. On the foreground pavement a butcher and a dustman play chess, holding the board between them. One sits on a great joint of beef, the other on a bag; a dog runs off with a bullock's heart. A ragged ballad-singer plays a guitar, screeching operatically; her small child holds up a parasol. Two climbing boys with misshapen legs argue with each other, one uses a handkerchief. Two servants in livery walk arm-in-arm, one smoking a huge pipe (like the footman in BM Satires No. 15779). An apple-woman seated against a lamp-post reads Byron, while a boy sneaks an apple. The lamp-post is topped by a flaming sun, presumably of gas. A dust-cart is drawn by two asses tandem, with a postilion on the leader; the dustman, seated on his load (instead of walking with it) plays a 'cello. On the opposite pavement are three tiny street musicians: a fashionably dressed woman sings from a sheet of music to the accompaniment of a harpist and flautist with music-stand. In the background is steam-traffic: (1) a steam carriage for two with three wheels, a tall smoking funnel, and a pendent coal-scuttle, all but the last much as 'Mr D. Gordon's New Steam Coach, illustrated and described', Observer, 30 Dec, 1827. (2) A large steam lorry on which soldiers with bayoneted muskets sit in rows. A small carriage with a steersman and two passengers is drawn by a kite (a kite-drawn carriage was displayed in Regent's Park, Jan. 1828, described by Pückler-Muskau, Tour in England, 1948, p. 218). Behind is a narrow channel crossed by a suspension bridge linking Dover to Calais; another branch of the Channel is crossed by The . . . Tunnel (oddly drawn), the top of which collapses under the impact of a ship, so that water pours down. An aerial battleship supported by two balloons attacks three ships immediately below; they sink under a rain of flame and cannon-balls. There are also an ordinary balloon, a flying-machine drawn by wild geese, and an aerial vessel which collides with the moon. The foreground buildings are one vast shop-window and the adjacent house; over the window: Business of this Shop on a larger scale than any other house in London. The window is filled with draperies and ladies' huge hats (cf. BM Satires No. 15628). A lady, with a giant hat, pin-point waist, and vast sleeves, stares in. The adjoining house of the same height is three stories high, the principal floor with street-door, bow-windows, balconies, and awning is at the top; passengers are being hauled up to it by a man using a windlass to hoist chairs up a vertical chute from the street."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., and Watermark: J. Whatman.
Publisher:
Pub. Jany. 23 1828 by G. Humphrey St. James's Street
Subject (Topic):
Balloons (Aircraft), Carriages & coaches, City & town life, Steam, Storefronts, and Street vendors
"Codrington, wearing the star of the Bath, sits on a gun-carriage on the deck of his ship, looking sternly up at an old scarred and pigtailed sailor who addresses him with an expression of consternation: Please your Honor's Glory there's something wrong in the wind, for they've clapt a Marine at the Helme of Old England, and He and the other lob lollies have made Sombody (God bless Him) to call our Glorious Victory an UNTOWARD EVENT And when they where told to belay their jawing tackel they shifted the wind and began to blow another way. Codrington answers Aye Aye Jack they or we must be fools. In his right hand is his sword, the point resting on the deck, the blade inscribed with Nelson's Trafalgar signal: England expects every Man to do his duty. He holds a document: Treaty of London. His back is to the sea where a rocky promontory (right) forms Wellington's profile, looking towards Codrington, a row of tiny gun-emplacements forming a grim smile (cf. BM Satires No. 15691); on the rock is a flag at half-mast, topped by a spurred Wellington boot, upside down."--British Museum online catalogue
Alternative Title:
Royal speech
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Publication date from British Museum catalogue., Sheet trimmed to plate mark., and Numbered in ms. at top of sheet: 221.
Publisher:
Pub. by T. McLean Haymarket
Subject (Name):
Codrington, Edward, Sir, 1770-1851 and Wellington, Arthur Wellesley, Duke of, 1769-1852
"A giant File (for filing papers by spiking them), a rod with a round base and terminating in a hook, bisects the design vertically. To the hook is padlocked a handsome country seat, surrounded by trees, lawn, flower-bed, deer, and peacock. At the base is the same house in ruins. In each corner of the design is a pair of figures: the lawyer and his client at different stages of the suit. Spiked on the file, and filling the centre of the design, is a long procession, extending over two concentric ovals and enclosing the final scene, the exterior of a debtors' prison; it begins with a Full Purse and ends with a limp Empty Purse. The corner designs: [1] an obsequious attorney bows to a stout and jovial sportsman, saying, Oh Yes, a Chancery Suit will soon put you in possession of that fine Estate. [2] The Defendant, dandified and slim, nonchalantly empties a purse into an attorney's hat, saying, There take that, and file a bill immediately. [3] Older and ragged, the Plaintiff stands back to back with an obese barrister who scans an enormous bill of Costs, much of which lies coiled on the ground. Below: How blest was I, before I went To Law I fear'd no Writs, I felt no Bailifs Claw. (lines quoted also in British Museum Satires No. 1609, see British Museum Satires No. 3047) [4] The Defendant, almost more ragged and dejected, stands with hands thrust in empty pockets, while a paunchy barrister marches off in triumph. Below: Now happy man, can'st triumph in thy Woes? For tho' thou'st got the Day, thou'st lost thy Clothes. (lines adapted from No. 3048 (1749) The centre procession of little figures, everyone carrying a purse, is headed by the Sergeant at Arms capering along, the mace on his shoulder, followed by the L--d--C--ll--r, and his train-bearer. Next, the Master of the Rolls and three Clerks, all carrying bulky packages of Orders and Decrees. Next, walking in pairs, come 12 Masters in Chancery [there were actually ten], in wig and gown, holding papers inscribed Affidavit, Recognizance, Orders, and Deeds; they carry between them one vast elongated purse. Six dandified Clerks follow, each with a pen behind his ear. Next, The Clerk of the Crown and Deputy, the first a barrister, the second carrying Decrees spiked on a rod, and followed by another barrister, the Registar [sic], and by another batch of (six) Clerks. After these walk The Six Clerks, in wig and gown, holding papers: Procedure on Bill, Pardon, Commission Bankrupt[cy]. A rather raffish crowd of 60 Assistants follows, their hands greedily extended, despite their fat purses. 24 Cursitors in wig and gown take up more space in the procession than the preceding '60'; they are headed by one of their number holding large Writs. Six individuals follow: Clerk of the Hamper, dragging two big Leather Bags; Comptroller of the Hamper; Clerk of the Patents with a Charter; Master of the Suppoena Office--; Clerk of the Affidavits. Eight Clerks of the Petty Bags follow, and are followed by two Examiners (barristers). Next are the Clerk of the Rolls, a barrister, burdened with Deeds, and the Usher of the Court holding a wand. Two Tipstaves follow; then comes the Warden of the Fleet, and last of all two burly Turnkeys, and a long Empty Purse. This procession marches along a path coiled in two concentric ovals, like a lengthy legal document, some of the figures being upside down; it encloses the centre design, so that its tail points to the door of the Fleet Prison. From a barred window placarded Poor Debtors a victim looks out; he is given alms by a dustman and an apple by an old apple-woman. On the right a fat prosperous butcher stands by his stall in the Fleet Market."--British Museum online catalogue
Description:
Title etched below image., Imperfect; publication date erased from imprint. Missing text supplied from impression in the British Museum., and Date in imprint supplied in ms.
Title from caption below image., "Cross" in imprint represented by an "X"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Dandies -- Couples -- Dancing.
Publisher:
Pubd. Feby. 1828 by G. Treguar 104 St. Martins Lane Chairing [sic]
Title from text above center design., Five designs on one plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Imprint contains a small "th" etched above the second "2" in "Feby. 22"., Four lines of verse below title: It rain'd a deluge; poor Joseph came home late; long at the bell he tugg'd (at last out popp'd a pate) ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Feby. 22th, 1828, by S.W. Fores, 41 Piccadilly
Title from caption below center image., Seven designs on one plate, each individually titled; title from caption below design in the upper left., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. To be continued occasionally. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 73.
Publisher:
George Cruikshank
Subject (Topic):
Accidents, Black people, Carts & wagons, Dogs, Peg legs, Stilts, and Street entertainers
Title from caption below center image., Seven designs on one plate, each individually titled., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. To be continued occasionally. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 73.
"[1] "Ignorance is bliss --" Two liveried flunkeys, 'pampered menials', lounge on the doorsteps of a town house, a bloated dog seated between them. One asks his obese companion 'What is Taxes Thomas?!!' Answer: 'I'm sure I don't Know!' Inside the hall a grossly fat porter sleeps in his hooded chair. [2] 'Gentility!--' A little chimney-sweep, decked out in ribbons, and holding brush and shovel, addresses another 'climbing boy': 'vhy I say Jim ar'nt you a gooing out with Jack & the Green?!!' The other: 'No. Master says as how its werry low -- Ve ar all a going to dine with the Masters & Missus's at Vite Condic [White Conduit] House'. For sweeps on May Day cf. No. 6740. [3] 'Brobdignag Bonnet -- Seven people beside the wearer walk under the flat brim of a huge ribbon-trimmed hat. Cf. No. 15618. [4] "Now that, I heard"-- One ragged street lad says to another, at the corner of 'Argyll Street': 'Hallo! Jack vare are you agoing to?' The (ironical) answer: 'Oh! vhy I'm a going to a Consort at the Argyll Rooms!' (Cf. No. 15604.) [5] 'A Jolly Companion'. Bust profile to the right of a man constructed of materials for punch; the shoulders are the broken top of a sugar-loaf; bowl, decanter, two glasses, lemon, lemon-squeezer, and corkscrew make up the head. Cf. No. 11824, &c. [6] 'All a blowing all a growing' (the cry of the London street-sellers of plants). A woman's figure is formed of a hand-bell whose handle, the body, supports an immense hat, the crown covered with flowers; ribbon streamers from brim to shoulders form arms. Cf. No. 15611.†. [7] 'Tooth Powder . A sufferer from tooth-ache, seated on a couch, extracts a tooth by firing a pistol, the bullet attached by a string to the tooth."--British Museum online catalogue
Description:
Title from caption below center image., Seven designs on one plate, each individually titled., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. To be continued occasionally. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 11, p. 73.
