A satire on Wellington's dismissal of the Duke of Clarence. A pyramid built of large stones stands in a open field. At the apex is inscribed the word "King" at the base left "Lords" and right "Commons". Kneeling on either side in his robes is a peer facing a simply dressed M.P. Between them on the ground are the heads of a unicorn and a lion which is being gnawed by a crow and a rat. Wellington in full uniform straddles the two men who support him. Between his legs a plaque on the pyramid reads: "Multum in parvo, or the British Constitution formerly consisting of the three estates, King, Lords, Commons, abridged into an elegant extract in one volume!"
Description:
Title from caption etched below image. and Attributed to Charles Williams in the Brit Mus. Cat.
Publisher:
Pubd. Sepr. 1828 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, William IV, King of Great Britain, 1765-1837., and Great Britain. Admiralty.
Title from text above and below image., Shortshanks is the pseudonym of Robert Seymour., Sheet trimmed within plate mark., Two lines of verse below image, in lower right: I go; I go; look, how I go; Swifter than arrow from the Tartar's bow., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
A fashionably dressed young woman, adorned with feathers, is attacked by flocks of birds on the lawn of an estate. Another young woman flees towards the door of the house in the distance
Alternative Title:
Real birds plucking the sham
Description:
Title from text etched above and below image., Shortshanks is the pseudonym of Robert Seymour., Approximate date of publication from dealer's description., Sheet trimmed to/within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Painters -- Clergy -- Illness -- Musical notation -- Town crier -- Accidents -- Blacks -- Skeleton -- Smoking -- Dogs -- Marriages.
"A complicated piece of machinery fills the centre of a room in a fashionable establishment; an open door (right) leads into a shop where, in the background, a pretty and extravagantly dressed woman (in the costume of c. 1828) presides at a counter; above the door is a model of the machine, 'Patent Shavograph!!!' Through a window (left) is seen the 'Ladies Hair Cutting Room': another machine operates on seated ladies, whose long hair is raised perpendicularly into the mechanism. Above the window is an erection of erect loops of hair, burlesquing the fashion. A dandy, waiting his turn, ogles the ladies through his monocle. Another, sitting on a chair (left), reads a newspaper, 'Herald'. The 'Shavograph' operates from right to left upon the customers who sit on a circular bench, each with his head held firm in a wedge cut from a millstone-like disk (B) at the back of his seat. The razor has just sliced off the nose of an officer who stands gesticulating wildly, putting his hand before splashing blood while one dismayed neighbour rises from his seat, and the other shouts 'Stop! Stop!' Four men on the left, waiting their turn for the razor, &c, to reach them, are unconscious of the accident. One is having his head pressed into position by a rod held by a fashionably dressed man (H) who is also working a lever. Below the design, in the border of the print: 'EXPLANATION. AAA a circular form on which the shavees sit. BBBBBB wheels that govern the position of the head. CC [cog-wheels] the machinery which moves the brush in every required direction. D a resevior [sic] of water [above the brush], boiling hot E a pipe [connecting F and D] filld with patent double compress'd shaving powder, through which the water is forced to forme a lather in the brush F. GGG [cog-wheels] the machinery which moves the razor H the Engineer with his directing rod. (Note) it is indispensible that the sitter should be firm & steady, it will be percived [sic] the neglecting this by looking after the Shop woman has cost one his nose, but he only pays the penalty of his own imprudence. "Accidents will occur in the best regulated families.' (This phrase is attributed to David Copperfield (1849) in the Oxford Dict, of Quotations, but Micawber was evidently quoting."--British Museum online catalogue
Description:
Title from text above image., Shortshanks in the pseudonym of Robert Seymour., Text below image begins: Explanation. AAA a circular form on which the shavees sit ..., and Sheet trimmed to plate mark.
"Codrington, wearing the star of the Bath, sits on a gun-carriage on the deck of his ship, looking sternly up at an old scarred and pigtailed sailor who addresses him with an expression of consternation: Please your Honor's Glory there's something wrong in the wind, for they've clapt a Marine at the Helme of Old England, and He and the other lob lollies have made Sombody (God bless Him) to call our Glorious Victory an UNTOWARD EVENT And when they where told to belay their jawing tackel they shifted the wind and began to blow another way. Codrington answers Aye Aye Jack they or we must be fools. In his right hand is his sword, the point resting on the deck, the blade inscribed with Nelson's Trafalgar signal: England expects every Man to do his duty. He holds a document: Treaty of London. His back is to the sea where a rocky promontory (right) forms Wellington's profile, looking towards Codrington, a row of tiny gun-emplacements forming a grim smile (cf. BM Satires No. 15691); on the rock is a flag at half-mast, topped by a spurred Wellington boot, upside down."--British Museum online catalogue
Alternative Title:
Royal speech
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Publication date from British Museum catalogue., Sheet trimmed to plate mark., and Numbered in ms. at top of sheet: 221.
Publisher:
Pub. by T. McLean Haymarket
Subject (Name):
Codrington, Edward, Sir, 1770-1851 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Text on either side of title: Blush not flower of modesty. Shakspear. 'Tis manners makes the gentleman and want of them the fellow. Pope., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A poor family in rags sing on a city streets to earn money. The man, a veteran with a peg leg, plays the violin; his uniform is patched up. The boy wears no shoes and a coat too big for him; he holds out a hat to collect the money. The woman wears a ragged dress and a patched cloak covering a baby on her back; she carries a basket with loaded with the broadsides for sale
Description:
Title from text below image., Date of publication inferred from a "Novr. 1828" manuscript note on an impression of a print entitled "My girl," likewise designed by Mercer and published by Smyth and Parsey; see Lewis Walpole Library call no.: 828.11.00.01. An apparent companion to that print, entitled "My boy," is assigned a date range of 1825-1835 in the British Museum online catalogue (registration no.: 1905,0822.4)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published by T. Smyth & sold by A. Parsey, Burlington Arcade
Subject (Topic):
Ballads, Families, Poor persons, Singing, Violins, Peg legs, Disabled veterans, Military uniforms, and Street vendors
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike. For an earlier issue of the plate, published ca. 1828, see Lewis Walpole Library call no.: Bunbury 772.12.07.04., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 5084 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Tables, Chairs, Candles, Books, Sleeping, Dogs, and Cats