A collection of 24 proof sheets, mostly eight images per sheet, surrounded by typographic border. The images include a wide range of insects, aquatic animals, and mammals, both those common in England as well as those found in Africa and parts of the British Empire; small country scenes by Bewick or in his style; battles, scenes showing a variety of human relationships and occupations, and other scenes designed to illustrate chapbooks and tales such as Robin Hood and Blue Beard and other tales. Also included are satirical prints such as Bewick’s ‘Clown’s Visit to the Moon’, or Davison’s publication on local history
Description:
William Davison (1781-1858), printer in Alnwick, as well as a pharmacist, newspaper produce and local philanthropist; a partner with John Catnach until 1808. Davison's output included notepaper and handbills, newspapers, chapbooks, an illustrated bible, and prayerbooks. He set up a small foundry to produce his own metal stereotypes, which according to his trade catalog, numbered 1082 cast-iron ornaments and wood types, many of these come from wood engravings by Bewick or from Davison’s own jobbing engravers after Bewick’s images., Title devised by cataloger., Date range for publication from dealer's description., Sheets numbered 1, 3-8, 11, 33-35, 37-42, 46, 48-50, 52, 54, 65; preserved in old frayed wrappers., Many of the images are reproduced in: Isaac, P. C. G. William Davisons's new specimen of cast-metal ornaments and wood types. London : Printing Historical Society, 1990., and For further information, consult library staff.
Publisher:
Published by W. Davison, Bondgate Street, Alnwick
Subject (Topic):
Birds, Fairy tales, Fish, Insects, Landscapes, Mammals, and Reptiles
Nine views, arranged in three rows with three each, showing castles and fortifications, houses, bridges over rivers, and harbor
Description:
Title and publication date from Isaac., Sheet trimmed within plate mark on top edge., Plate numbered "34" in upper right corner., and Partial watermark at lower edge: [...]C [...]06?
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Bridges, Castles & palaces, Forts & fortifications, Dwellings, and Bays (Bodies of water)
Three figures yawning, woman on the right and two men, sit in chairs around a table with casters, on which sit a book and paper lettered: "W. Davison chymist". On the wall are two landscape paintings
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on top edge, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
The interior of a well-furnished room. The dentist stands in front of a middle-aged woman seated in a chair (right); he holds her forehead with one hand, with the other he applies a small instrument to her mouth. She grasps a shawl in her left hand. A black boy in livery stands behind the dentist (left) holding an open case of instruments; he looks round grinning. A young woman stands clasping her hands and looking with an expression of horrified concern at the operation. The dentist wears a bag-wig. A cat arches its back and meows. Through a draped sash-window is a steeple. On the wall is a bird in a cage and an oval landscape. Below it is a settee on which sheef of paper
Description:
Title etched below image., Publication date from Isaac., Plate numbered "6" in upper right corner., Copy in reverse of a ca. 1784 print after Robert Dighton entitled: The London dentist. Cf. No. 6760 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed to plate mark on top edge.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Teeth, Extraction, Black people, Birdcages, Cats, City and town life, Drawing rooms, Servants, and Women domestics
A tailor and cobbler, both are partially bald, are seated with their backs to roaring fire in the grate of a fireplace. The cobbler is sitting at a table with a glass and tankard in front of him; he is smoking a pipe and blowing the smoke into the tailor's face. The tailor sits slumped forward in a state of evident inebriation and his own pipe lies broken on the floor. On the wall behind them is a picture of a man seated under a tree sketching(?) the rural scene in front of him, a church with a steeple in the distance
Alternative Title:
Tailor and cobbler
Description:
Title etched below image., Date suggested by Isaac., Four lines of verse below caption title: Behold the Tailor full of Liquor, The funny Cobler makes him sicker, No longer he for Ale can call, The needle's conquered by the awl., and Plate numbered "33" in upper right corner.
A politician sits center in a chair before a table with a single candlestick on top. He holds the candle itself in his hand as he closely examines a sheet of paper, oblivious to the fact that the candle is burning a hole in the brim of his hat. Behind him on the wall on either side are two wall maps, one of western Europe and the tip of northern Africa and the other of the Americas and Asia
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed within plate mark., After the design by WilliamHogarth, published by Jane Hogarth 1775., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 17.2 x 24 cm, on sheet 19.1 x 27 cm., and Printed on wove paper; hand-colored.
A politician sits center in a chair before a table with a single candlestick on top. He holds the candle itself in his hand as he closely examines a sheet of paper, oblivious to the fact that the candle is burning a hole in the brim of his hat. Behind him on the wall on either side are two wall maps, one of western Europe and the tip of northern Africa and the other of the Americas and Asia
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed within plate mark., After the design by WilliamHogarth, published by Jane Hogarth 1775., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
An old maid with a large chin and lump in her neck kneels in prayer before a simple table as a man looks down at her from a gap in the rafters. On the wall hang two notices entitled "Cupid's revenge" and "Love in a village".
Description:
Title from text below image., Date based on range of years in which Davison produced caritcatures. See: Isaac, P. Some Alnwick caricatures., Sheet trimmed within plate mark., Plate numbered '4' in upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information, consult library staff.
A country woman in an apron and cloak, hands on her hips, laughs as she watches the havoc caused by a sow and her piglets who run in all directions on the road. A horse rears in panic and topples acouple and their buggy. Another man on horseback is pitched forward as his horse noses the piglet caught between his front legs. In the distance beyond a stone wall on the left is the town dominated by four steeples, on the right trees. While the woman is looking away, two small boys, eyeing her carefully, steal from the contents of her wheelbarrow
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed within plate mark at top., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Accidents, Carriages & coaches, Country life, Robberies, and Swine
An old man, wearing a robe from which hangs a crucifix, walks with a staff towards a city in the distance. A long beard grows from his chin and long hair hangs from the back of his head; the top of his head is completely bald
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on left edge., Plate numbered "24" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A man sits in an armchair facing right, resting his gouty left foot on a footrest; a cane rests between his legs. He rings a bell and looks over his right shoulder at a young servant who is leaving the room through a door on the left. A hill is visible through a window on the right
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on top edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A poet sits at a table, pen in hand, posed to write on the sheet of paper before him. On the floor is a discarded piece of paper. His hat and coat hang from a peg on the wall beside the chimney above which is a shelf of books and a picture of a Greek temple. The only other furnishings in the room are a broken chair, a folding bed tilted up against the wall, and a chamber pot
Alternative Title:
Distressed poet
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Plate numbered '32' in upper right corner., After Hogarth's print of the same name, 1740., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; sheet 18.5 x 25.5 cm., and Printed in vermillion ink on wove paper.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Attics, Interiors, Poets, Poor persons, and Writing
A poet sits at a table, pen in hand, posed to write on the sheet of paper before him. On the floor is a discarded piece of paper. His hat and coat hang from a peg on the wall beside the chimney above which is a shelf of books and a picture of a Greek temple. The only other furnishings in the room are a broken chair, a folding bed tilted up against the wall, and a chamber pot
Alternative Title:
Distressed poet
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Plate numbered '32' in upper right corner., After Hogarth's print of the same name, 1740., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Attics, Interiors, Poets, Poor persons, and Writing
"Popular print, satire ... : The interior of a farrier's smithy. A country woman sits on a low stool, while a farrier pulls at her tooth with a pair of pincers which he grasps in both hands. He presses one foot on her outstretched leg while a grinning assistant holds her head in both hands. A third man stands behind, also grinning and holding a stick above his head; one eye is bandaged. All three wear leather aprons. The wretched woman holds the tooth-drawer's left sleeve with one hand, his nose with the other; her eyes are closed. A boy (left) flourishes a broom. Behind (right) is the lighted forge. An anvil, horseshoes, and farrier's tools are in the foreground. A grinning face looks in through a wide-open window (left). Thatched buildings and trees are seen through the window."--British Museum online catalogue
Description:
Title etched below image., Publication date from Isaac., Copy in reverse of a ca. 1784 print after Robert Dighton entitled: The country tooth-drawer. Cf. No. 6759 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Teeth, Extraction, Dentistry, Blacksmiths, and Pain
A crier, his mouth wide open and with an angry expression, shakes his bell in the faces of three gaping and alarmed yokels (right). He wears a long old-fashioned coat, broad cocked hat and wig, and holds a cane. A young man (farmer?) with a pitchfork (left) loiters complacently. A path leads to a farmhouse (left)."--British Museum online catalogue
Description:
Title etched below image., Date suggested by Isaac., Sheet trimmed to plate mark on top edge., Plate numbered "35" in upper right corner., and A copy in reverse after an earlier print of the title, published in Dec. 16, 1793, by Robert Sayer & Co., Fleet Street, London (see British Museum satires no. 8411).
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Agricultural facilities, Agricultural laborers, Bells, Pitchforks, and Town criers
An austere-looking man with a shaved head and ragged clothes, kneels in prayer before his simple meal, unaware that as he recites his blessing, his cat is drinking from his bowl. On the table is a book on which lay his spectacles; his hat hangs off the back of his chair. On the wall behind them is a picture of the three crosses on Calvary
Description:
Title from item., Publication date from Isaac., Numbered '27' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 16.2 x 23.5 cm, on sheet 18.4 x 25.2 cm., and Printed in vermillion ink on laid paper.
An austere-looking man with a shaved head and ragged clothes, kneels in prayer before his simple meal, unaware that as he recites his blessing, his cat is drinking from his bowl. On the table is a book on which lay his spectacles; his hat hangs off the back of his chair. On the wall behind them is a picture of the three crosses on Calvary
Description:
Title from item., Publication date from Isaac., Numbered '27' in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A French woman engages in a fist fight with a startled customer as his friend looks on in horror. Her hook-nosed colleague sits at a table and extends an offer of a shellfish (lobster?) the brawlers
Alternative Title:
Frenchmen in Billingsgate
Description:
Title from item., Publication date from Isaac., Sheet partially trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
