"A ship, apparently bearing 'Aeneas' (George II) is tossed on a stormy sea. On the shore at right, 'Dido' (the figure of Britannia), points and smiles, above the inscription, "She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm". In the sea Neptune near the shore looks at the ship in displeasure. Above in the sky are three Winds, as three young boys, one blowing, one farting, the last kicking a hat."--British Museum online catalogue
Description:
Title engraved above image., Formerly attributed to Hogarth, now thought to be by Van der Gucht. See British Museum online catalogue., Questionable attribution in Paulson's 2nd edition., Lettered below image: Tanta haec mulier potuit suadere malorum., Latin motto below image translated: So much evil can a woman induce., Verse etched in lower right of image: She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., and On page 89 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760., Dido,, Aeneas (Legendary character),, and Neptune (Roman deity),
Subject (Topic):
Politics and government, Britannia (Symbolic character), Sailing ships, and British
Date of publication supplied by cataloger., Descriptions of eight plates numbered with roman numerals. 'Plate I' begins: The father of the person who is subject of the eight following prints, liv'd in the country and is suppos'd to have been a miser, and being lately dead, the son is come from Oxford to take possession of his effects ..., Mounted on leaf 72. Copy trimmed with lose of first line of the title: An explanation of the eight prints of., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
A loose plagiary (reversed) after Hogarth's plate 7 in the Rake's Progress series; a room in the Fleet Prison; Tom sits at a table to left, on which is a rejection letter from John Rich to whom he has submitted a play; his old wife brandishing her fists beside a weeping Sarah Young, other prisoners in the background
Description:
Title from text above image., Below image, four columns each with six lines of verse: "The compter next our spark receivces ... describes his exit on the wall.", See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2226-2245., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 138., and Mounted to: 360 x 423 mm.
"Copy of a room in the Fleet Prison; Tom sits at a table, to left, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 7
Description:
Title from text engraved above image., Verses, attributed to John Hoadly, below image in three columns, four lines each: His hours of joy are fled with rapid speed, And scenes of anguish in a jail succeed ... Can his person from restraint enlarge., The seventh of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and "Plate 7."--Lower right below design.
Publisher:
Published with the consent of Mr. William Hogarth by Tho. Bakewell
"Portrait of Thomas Howard, Duke of Norfolk, bust directed to left but looking at the viewer, wearing a feathered beret and collar of the Order of St Michel; in an architectural oval with draped curtain beyond and cartouche below; a weeping putto seated next to an axe and resting his hand on a crown below."--British Museum online catalogue
Description:
Title from text in image., Early state, before Mor's name was replaced by Holbein's in statement of responsibility. See Catalogue of engraved British portraits., Publisher and place of publication from the volume in which the print appeared., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Mr. Richardson"--Below image., Sheet trimmed within plate mark., Engraved after a painting that was afterwards acquired by Horace Walpole and kept in the Tribune at Strawberry Hill., and Mounted on page 137 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
John and Paul Knapton
Subject (Name):
Norfolk, Thomas Howard, Duke of, 1538-1572, and Strawberry Hill (Twickenham, London, England)
"Portrait of Edward Montagu, 2nd Earl of Manchester, with long hair, moustache and small beard; nearly half-length to left, with head turned to look to front, wearing collar and breastplate; in a landscape and round frame on stone wall, with two putti beside coat of arms and ?Phrygian cap on sword in foreground; plate to Birch's Heads; after Van Dyck."--British Museum online catalogue
Description:
Title from text within image., Questionable attribution to Houbraken and firm attribution to Van Dyck from the Catalogue of engraved British portraits., Date range for publication from the British Museum online catalogue, registration no.: P,3.141., and Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751].
A loose plagiary (reversed) after Hogarth's first plate in the Rake's Progress series; the interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a bag of coins to the pregnant Sarah Young; to the right a table with the papers related to the estate and coins; on the floor are boxes of miscellaneous goods; an upholsterer attaching fabric to the wall reveals a hiding place for coins which tumble out
Description:
Title from verses below image. Verses (in four columns, each with six lines) continue: " ... And thou hast left graceless son to wast thy fund of ill got stores .... plate, gloves and hoarded cash descend.", See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2259-2272., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 132., and Mounted to 358 x 435 mm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
Avarice, Corruption, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
"Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
Description:
Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
Publisher:
John Bowles
Subject (Geographic):
Saint James Westminster, London, England : Parish),
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
"Plate from a pirated series of Hogarth's Rake's Progress, not based on one of the original prints: Covent Garden with St Paul's church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are accosting women passers-by and the watch has arrived to set about them with staves."--British Museum online catalogue
Description:
Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38341i., Date of publication from Paulson and the British Museum catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title: Young Ramble, without witt or dread, Does non a drunken party head ... Uplifted staves, drawn swords oppose, And stabs are well repaid with blows., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 43 cm.
Publisher:
John Bowles
Subject (Geographic):
Covent Garden (London, England),, England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Fighting, Intoxication, Rake's progress, Watchmen, and Women
"Portrait of John of Gaunt in a Gothic arch set into a composition alluding to events of his reign; plate from Paul de Rapin-Thoyras, 'The History of England'. 1735."--British Museum online catalogue
Alternative Title:
John of Gaunt, King of Castile & Leon, Duke of Lancaster
Description:
Title from text in image., Date from British Museum online catalogue., and Text below image: "Painted on Glass in an Antient Window in [the] Library of All Souls Coll. Oxon."
"Portrait of John Duke of Bedford, Regent of France, set into a composition with his arms; plate from Paul de Rapin-Thoyras, 'The History of England'. 1735"--British Museum online catalogue
Description:
Title from text in image., Place of publication based on printmaker's known place of activity., and Text below image: "From a curious Limning in a (MS) rich Prayerbook presented by himself to K. Hen. 6 now in the Possession of the Earl of Oxford."
Title from item., Publication date from an unverified card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume, 1735? -- Female costume, 1735? -- Drinking -- Maids -- Seduction.
"Portrait of the actress Kitty Clive; three-quarter length seated directed to left, a book of music held open in her lap, right elbow resting on velvet cushion on a table beside her, wearing a gown with a bow at the breast, hair up with a coil over left shoulder."--British Museum online catalogue, description of a later state
Alternative Title:
Fair songster and Mrs. Clive : from the picture at Strawberry Hill
Description:
Title from verses engraved below image., Alternative titles from later states; see Russell., After a painting by Jeremiah Davison that was kept by Horace Walpole in the Round Bedchamber at Strawberry Hill., State from Russell., Date "1735" following printmaker's signature has been removed from plate; see description of first state in: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark leaving thread margins., Verses below image continue: ... heightens our joys, suspends our fiercest pains, this each one proves who hears they heavnly strains., Tipped in at page 195 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Sitter identified as "Mrs. Clive" in lower margin, in brown ink in a contemporary hand.
Publisher:
publisher not identified
Subject (Name):
Clive, Kitty, 1711-1785, and Strawberry Hill (Twickenham, London, England)
Three-quarter length portrait, standing, turned slightly right, with hands folded, looking to front; wearing dark jacket with star on the left breast; table at left, curtain behind
Description:
Title etched below image., Proof state, with "Proof" etched in lower right., Plate from: Lodge, E. Portraits of illustrious personages of Great Britain. London : Harding and Lepard, 1835., Window mounted to 51 x 36 cm., and Mounted opposite page 552 (leaf numbered '162' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published May 1, 1835, by Harding & Lepard, Pall Mall East
Subject (Geographic):
Great Britain.
Subject (Name):
Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828,
Title from item., Publication date in Stephens: 1729?, Frontispiece from: Miller, J. Harlequin-Horace,or, The art of modern poetry. 3rd ed. London : Lawton Gilliver, 1735., Temporary local subject terms: Theater: scenery -- Theater: stage boxes -- Apollo -- Muses -- Literature: William Shakespeare, 1564-1616 -- Literature: Benjamin Jonson, 1573?-1635 -- Literature: Nicholas Rowe, 1674-1744 -- Literature: allusion to Harlequin Horace by James Miller, 1706-1744 -- Harlequin -- Punch --Pierrot -- Mottoes: Vivitur ingenio -- Nicknames: "Lun" for John Rich -- Actors: Johnson, 1665-1742., and Mounted to 23 x 16 cm.
A group of musicians is gathered around the table. Two of them, one playing on cello, one on viola, sit at the table. Between them sits a young woman, her left arm resting on the shoulder of the viola player. She is pointing to the sheet of music on the table while looking at the young man seated across from her. Another young man stands behind his chair. The flutist stands behind the woman's chair
Description:
Title from item., Publication date from an unverified card catalog record., On verso: Laroon's drawing from which this print originated, tentatively dated 1733 from the Connoisseur, v. 74 (1926), p. 9., and Window mounted to 41 x 30 cm.
Plate 61. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A mock coat-of-arms for physicians with fifteen heads of doctors, three of whom, in the top row, are identified as John Taylor, Sarah Mapp, and Joshua Ward; three in the lower centre peer at liquid in a glass phial, the one to left using a pince-nez. The whole is contained within a black border or hatchment supported by cross-bones. The text on the scroll at the bottom of the design: "Et plurima mortis imago."
Description:
Title etched below image., "Price six pence.", Title from British Museum catalogue: A consultation of physicians., Caption below image begins: "Beareth sable, an urinal proper, between 12 quack-heads of the second & 12 caneheads or consultant ...", Temporary local Medical Library subject terms: Dod, Pierce (1683-1754) -- Bamber, Dr., and 1 print : etching with engraving, on laid paper ; plate mark 260 x 179 mm., on sheet 266 x 186 mm.
Publisher:
Publish'd by W. Hogarth
Subject (Name):
Ward, Joshua, 1685-1761, Taylor, John, 1703-1772, and Mapp, Sarah
Subject (Topic):
Quacks and quackery, Escutcheons (Heraldry), Medical equipment & supplies, Physicians, and Staffs (Sticks)
Plate 61. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A mock coat-of-arms for physicians with fifteen heads of doctors, three of whom, in the top row, are identified as John Taylor, Sarah Mapp, and Joshua Ward; three in the lower centre peer at liquid in a glass phial, the one to left using a pince-nez. The whole is contained within a black border or hatchment supported by cross-bones. The text on the scroll at the bottom of the design: "Et plurima mortis imago."
Description:
Title etched below image., "Price six pence.", Title from British Museum catalogue: A consultation of physicians., Caption below image begins: "Beareth sable, an urinal proper, between 12 quack-heads of the second & 12 caneheads or consultant ...", Temporary local Medical Library subject terms: Dod, Pierce (1683-1754) -- Bamber, Dr., 1 print : etching and engraving on laid paper ; plate mark 26.2 x 17.9 cm, on sheet 28.2 x 19.9 cm., and Mounted on leaf 48 in: Album of William Hogarth prints.
Publisher:
Publish'd by W. Hogarth
Subject (Name):
Ward, Joshua, 1685-1761, Taylor, John, 1703-1772, and Mapp, Sarah
Subject (Topic):
Quacks and quackery, Escutcheons (Heraldry), Medical equipment & supplies, Physicians, and Staffs (Sticks)
Plate 61. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A mock coat-of-arms for physicians with fifteen heads of doctors, three of whom, in the top row, are identified as John Taylor, Sarah Mapp, and Joshua Ward; three in the lower centre peer at liquid in a glass phial, the one to left using a pince-nez. The whole is contained within a black border or hatchment supported by cross-bones. The text on the scroll at the bottom of the design: "Et plurima mortis imago."
Description:
Title etched below image., "Price six pence.", Title from British Museum catalogue: A consultation of physicians., Caption below image begins: "Beareth sable, an urinal proper, between 12 quack-heads of the second & 12 caneheads or consultant ...", Temporary local Medical Library subject terms: Dod, Pierce (1683-1754) -- Bamber, Dr., and 1 print : etching and engraving on laid paper ; plate mark 260 x 179 mm, on sheet 302 x 229 mm.
Publisher:
Publish'd by W. Hogarth
Subject (Name):
Ward, Joshua, 1685-1761, Taylor, John, 1703-1772, and Mapp, Sarah
Subject (Topic):
Quacks and quackery, Escutcheons (Heraldry), Medical equipment & supplies, Physicians, and Staffs (Sticks)
Plate 61. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A mock coat-of-arms for physicians with fifteen heads of doctors, three of whom, in the top row, are identified as John Taylor, Sarah Mapp, and Joshua Ward; three in the lower centre peer at liquid in a glass phial, the one to left using a pince-nez. The whole is contained within a black border or hatchment supported by cross-bones. The text on the scroll at the bottom of the design: "Et plurima mortis imago."
Description:
Title etched below image., "Price six pence.", Title from British Museum catalogue: A consultation of physicians., Caption below image begins: "Beareth sable, an urinal proper, between 12 quack-heads of the second & 12 caneheads or consultant ...", Temporary local Medical Library subject terms: Dod, Pierce (1683-1754) -- Bamber, Dr., and On page 84 in volume 1. Plate trimmed to: 259 x 179 mm.
Publisher:
Publish'd by W. Hogarth
Subject (Name):
Ward, Joshua, 1685-1761, Taylor, John, 1703-1772, and Mapp, Sarah
Subject (Topic):
Quacks and quackery, Escutcheons (Heraldry), Medical equipment & supplies, Physicians, and Staffs (Sticks)
