"This engraving represents a circular building, with conical roof of tiles, shown in two sections, and partly in perspective. Within the building is a large wheel turned by a horse and giving motion to a considerable number of spindles, to which are attached disks; on each of the disks are several razors, which are thus set in action on the faces of the men who apply their cheeks to openings in the inner wall of the building. Exterior to this inner wall is a gallery where stand the men who are thus expeditiously shaved; their hats hang on pegs, each over the hole to which the owner has applied himself. In the gallery several men are finishing or preparing for their toilettes. The operation of dressing a wig is shown below the wheel, on our right, where many combs are placed on a drum which revolves like a water-wheel before a man's wig, placed on a block near it."--British Museum catalogue, description of an earlier state
Description:
Title engraved below image., Text following title: See the explanation., "Price 6d."--Bottom of plate, centered., For an earlier state published in 1745, see no. 2687 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, and English short title catalogue no. T42881., and With watermark of fleur-de-lis. Ms. note on verso in black in ink: Mr. Freeman, Arlington Street.
Publisher:
Publish'd according to act of Parliament Novr. [the] 2, 1749, and sold by J. Dubois at [the] Golden Head [the] corner of Burleigh Street near Exeter Chanc[...]
Subject (Topic):
Horses, Shaving, Razor blades, Machinery, and Wigs
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., 1 print : engraving with etching on laid paper ; plate mark 37.8 x 28.4 cm, on sheet 43.7 x 33.5 cm., and Mounted on leaf 1 in: Album of William Hogarth prints.
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., and Imperfect impression; all but date erased. Sheet trimmed within plate mark.
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., and On page 1 in volume 1, used as bookplate. Sheet 380 x 285 mm.
Capt. Ord's Independent Company of Volunteer Rangers
Description:
Title from first line of text., Illustration at top of sheet (plate mark 9.2 x 13.8 cm) is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
McArdell, James, approximately 1729-1765, printmaker
Published / Created:
[1749?]
Call Number:
Portraits G645 no. 1
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Place of publication from printmaker's known place of activity., "Price 2."--Following title., Sheet trimmed to plate mark., and In paper frame: 374 x 265 mm.
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions