"A tall, stout fish-wife has seized a fashionably dressed man round the waist and lifted him up; his hat and tasselled cane have fallen to the ground. She is neatly dressed, with a flat hat tied over her cap, a checked apron, clocked stockings, and buckled shoes, but she wears a soldier's coat over her dress. There are three spectators: a woman (right) in profile to the left, gapes with astonishment; a neatly dressed man wearing an apron standing behind a fish-stall looks on with quiet amusement; an apple-woman sits (left) grinning, arms akimbo. Beside her is a large basket heaped with a pyramid of fruit. A fish-stall and a basket have been overturned (right) and the contents lie on the ground. In the background is Billingsgate Dock, with masts and rigging; on the right is one of the market buildings, inscribed 'BILLINGSGATE'."--British Museum online catalogue
Alternative Title:
Cornish hugg
Description:
Title engraved below image., Sheet trimmed to plate mark., and Variant with title and verses. Cf. No. 5932 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd June 5th 1781 by Wm. Wells no. 132 (opposite Salisbury Court,) Fleet Street, London
Title from item., Decade obliterated in date; surmised from publisher's address., and Date of publication surmised from printer'ss address. See I. Maxted's British book trade.
Publisher:
Pub. by T. Colley Novr. 28 17[8]1 high Holborn London
Subject (Geographic):
France
Subject (Topic):
Soldiers, French, Military uniforms, Piers & wharves, Clothing & dress, and Dogs
Satire on portrait painting: a middle-aged English couple sit together on a dais, each holding a bird in their hand. Their bored son, dressed as Cupid, is seated on a stool in front of them, yawning. They are being painted by an enthusiastic artist wearing spectacles and holding a brush and palette. Two oval portraits hang on the back wall
Description:
Title etched below image., Publication date based on printmaker's known address., Variant of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., No. 3 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Title from caption below image., Imprint from impression in the British Museum., Plate numbered in upper left corner: No. 10., Sheet trimmed within plate mark on lower edge with loss of imprint., and Temporary local subject terms: Pets: Birds -- Mythology: Cupid -- Persons: Sir Joshua Reynolds [?], 1723-1792.
Publisher:
Publish'd October 15th, 1781, by W. Dickinson, No. 158 New Bond Street
"A man (left) leads by a rope the foremost of a crowd of prisoners sentenced to transportation who follow him from left to right. The two foremost are bearded Jews. Behind comes a knock-kneed youth taking a pinch of snuff; a man behind him is gnawing a large bone. There are ten prisoners in all. The background is part of the façade of Newgate prison."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Artist from British Museum catalogue., Numbered '465' in lower left corner., 1 print : mezzotint ; sheet 37 x 26 cm., and Date erased from this impression and written in manuscript: 1760
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, no. 69 St. Pauls Church Yard, London
"A man (left) leads by a rope the foremost of a crowd of prisoners sentenced to transportation who follow him from left to right. The two foremost are bearded Jews. Behind comes a knock-kneed youth taking a pinch of snuff; a man behind him is gnawing a large bone. There are ten prisoners in all. The background is part of the façade of Newgate prison."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Artist from British Museum catalogue., Numbered '465' in lower left corner., No. 21 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering. Mounted to 38.6 x 27.5 cm.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, no. 69 St. Pauls Church Yard, London
"A sailor walking (right to left) arm in arm with a young woman, her right arm in his left. He wears striped trousers, and carries a cane. She wears a ribbon-trimmed hat, short petticoat with an over-dress draped above it at the back, and an apron. Behind are steps leading to a sea-wall, with ships. On the left are trees."--British Museum online catalogue
Description:
Title from item., Imperfect; sheet trimmed and date erased from this impression., Date of imprint from British Museum catalogue., and Numbered in lower left of plate, 459.
Publisher:
Printed for & sold by Carington Bowles ... No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Couples, Sailors, British, Military uniforms, and Clothing & dress
"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted., 1 print : etching and drypoint on wove paper ; plate mark 28.5 x 36.6 cm, on sheet 30 x 38.7 cm., and Mounted on leaf 32 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted., and Mounted on page 48 with one other print.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
Title etched below image., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 210 in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Title engraved below image., Date burnished from plate?, After watercolor by Robert Dighton?, Plate numbered '454' in lower left corner., Temporary local subject terms: Naval uniforms: sailor -- Female costume, ca. 1781 -- Fur-edged pelisse -- Walkway on London Bridge with view of river -- Trades: milliner -- Milliner's coffer., and Watermark; matted to 54 x 38 cm.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard
"A Dutchman (left), smoking a short pipe, hands in his pockets, is being chucked under the chin by a gaily dressed courtesan (right), her left hand on her hip. He wears the round hat and baggy breeches of the Dutchman in caricature. Both stand full-face, each looks towards the other. The background is formed by the lower part of houses in Covent Garden showing the arcade of the Piazza, a sedan chair (right) stands under an arch. Immediately behind the two figures are vegetables and baskets."--British Museum online catalogue
Description:
Title from text below image., After watercolor by Robert Dighton., Date from British Museum catalogue., Description based on imperfect impression; publication date erased from this impression or burnished from plate., Plate numbered '455' in lower left corner., Watermark., and Matted to 62 x 47 cm.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard
"An election procession of thirteen patriots walking from right to left wearing the colours of Sir Watkin Lewes, elected M.P. for the City, 29 Sept. 1781, see British Museum satire no. 5849. Two flags are carried, one "Lewes & Freedom", the other, "No Ministerial Influence", in reference to Lewes' speech on his election on 29 Sept. Two of the men are playing flutes, a third blows a horn. The figures are probably portraits; two are butchers wearing aprons, their steels hanging from their waists; beside one of them walks a muzzled dog with a collar inscribed "Liberty"; this butcher is eating as he walks. One man drinks a glass of wine, holding a lump of food in his left hand. One with a swathed and gouty leg walks on crutches. All have election favours in their hats, these are inscribed respectively "Lewes for ever"; "Sr Watkin for ever"; "Freedom"; "Lewes"; "No Bribery"; "Lewes"; "No Corruption". In the hat of the butcher with the dog is "Freedom's my plan Sr Watkin is the Man". The background is formed by the lower part of the façade of two houses in a street, the front of two shops being indicated. On the pavement (left) four little chimney-sweeps are shouting and waving their hats and brushes."--British Museum online catalogue
Alternative Title:
Electioneering procession from the Mansion House to Guildhall
Description:
Title etched below image. The 'o' in 'electioneering' has been inserted above the line., Signed in the image "J.N." JN is the monogram of John Nixon., and Verses following title: These stanch friends to freedom you here do behold, Will be bribe'd with good eating tho' they spurn at yr gold. For offer them money it's such a disgrace, 'Tis a thousand to one they dont spit in your face. But give them pudding & beef with compliments civil, To serve you they'll go ay e'en to the devil."
Publisher:
Pubd. Octr. 25, 1781 by W. Wells No. 132 Fleet Street
Subject (Geographic):
England, London, and Great Britain.
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821 and Great Britain. Parliament
Subject (Topic):
Political activity, Elections, Butchers, City & town life, Chimney sweeps, Clothing & dress, Corruption, Dogs, Muckraking, Musical instruments, Political parades & rallies, Slogans, and Staffs (Sticks)
Title engraved below image., Date burnished from plate., Plate numbered '460' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark; matted to 62 x 47 cm., and Publication date erased from this impression.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard
"Three men, two on horseback, wearing new-fashioned hats. The centre figure is seen in back view on horseback, he wears a large hat with a high cylindrical crown round which are spaced six hat-bands. In the foreground (right) is a man wearing a wide-brimmed hat whose crown is shaped like an inverted flower-pot. He is looking through a small telescope. These two both carry knotted sticks. The third man who is cantering (left to right) in the middle distance (left) wears a similar hat. All three wear spurred top-boots in the fashion of the moment, with very long tops descending well below the calf of the leg."--British Museum online catalogue
Description:
Title etched below image., Publisher's dates from British Museum catalogue., and Sheet trimmed to design and into imprint.
Publisher:
Pubd. May 16, 1781 by W. Wells, No. 132 Fleet Street, London
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 27th Jany. 1781.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 29. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Games -- Domestic service., and Mounted on page 29 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1781]
Call Number:
Bunbury 781.03.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A young woman is sitting at a spinning wheel, her staff and hat on the ground in front of her and a dog asleep beside her. She is putting on a bunch of flowers. In the distance is a man on horseback, a tower, and a hill
Description:
Title from caption below image., Text below title: The peerless maid that did all maids excel. Gay., Illustration for John Gay's poem 'The shepherd's week'., Temporary local subject terms: Literature: Quotation from The shepherd's week, by John Gay, 1685-1732., and Later printing. Date of printing based on watermark: J. Ruse 1799.
Publisher:
Publish'd 1 March 1781 by I. Bretherton, New Bond Street
Inside a cottage at Stoke, Hogarth and his friends breakfast, shave, and draw as they begin their day
Description:
Title etched below image., Figures are lettered in plate with key beneath title: A. The fisherman shaving. B. Mr. Thornhill. C. Mr. Tothall shaving himself. D. Mr. Hogarth drawing this drawing. E. Mr. Forrest at breakfast F. Mr. Tothall. G. Mr. Scott finishing a drawing., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 211 in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764,, Thornhill, James, Sir, 1675 or 1676-1734,, and Scott, Samuel, approximately 1710-1772,
Subject (Topic):
Artists, Eating & drinking, Interiors, and Shaving
Half-length, oval portrait in square of Captain John Goodridge of a Falmouth packet, and author of book on tactics, and an essay 'The Phoenix." Vignette below portrait depicts ships at sea in distance
Alternative Title:
Captain John Goodridge, aged 71
Description:
Title from item., Engraving after a portrait painted in 1780 at Flushing by Opie., Plate engraved as frontispiece for: Goodridge, J. Phoenix, an essay. London : Wells and Grosvenor, 1781., and Sheet trimmed.
Title from text in image. and Plate from: Lavater, J. Essai sur la physiognomonie, destiné à faire connoître l'homme & à le faire aimer. La Haye : [imprimé chez Jacques van Karnebeek, 1781-]1803.
"A young military officer wearing a gorget stands at the door of a house, his left hand on the knocker, looking up at two courtesans who lean out of a sash-window over the door. He puts a coin into the hat of a disabled sailor who stands behind him, supported on crutches, his forehead bandaged. Behind the sailor are two itinerant musicians: a man carrying a rectangular box, and a woman turning the handle of a mechanical organ which is slung round her neck, her mouth is open as if singing. The door of the house is ornamented with a carved wooden pediment, and bears a plate "Mrs Mitchel". The knocker has a lion's head. Only the corner of the house appears, the street is "Cleveland Row". A brick wall extends from the house to the left, over it appear trees, and a notice-board inscribed "Men Traps are laid here: every Night also ...." On the wall a placard is pasted, "Dr Leaks Pills. . . "."--British Museum online catalogue
Description:
Title etched below image; the letter "n" in "sins" is etched backwards. and Printmaker from British Museum catalogue.
Publisher:
Pub. as the act direts [sic], Nov. 27, 1781, by H. Humphrey, No. 18 New Bond Street
Subject (Geographic):
England and London
Subject (Topic):
Courtesans, Brothels, Military officers, British, Military uniforms, Organ grinders, and Clothing & dress
"A woman sitting on a stool in a landscape, looking up from her writing, upon a wedge on her lap, a cat reaching up to her knee for attention at left, a man packing a gun through a fence beside a house at right, a tower and woods in the distance beyond at left; circular design after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image., For an earlier state, published 12 November 1781 by J. Baldrey and sold by R. Wilkinson, see British Museum online catalogue, registration no.: 1917,1208.3003., Sheet trimmed within plate mark., One line of quoted text below title: "The rival of the parson's maid was she." Gay., Companion print to: Marian., Plate numbered "6" above image., and Mounted on page 33 of: Bunbury album.
Publisher:
Pubd. Novr. 25, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Title engraved below image., With a separately titled plate on same sheet: Dixton, in Trinity Chapel, Cirencester. [London? : Ralph Bigland?, 1781?], and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '18' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Publish'd according to act of Parliament January1st 1781 by Ralph Bigland, Garter principal King of Arms
Title from caption below image., Initial letters of the names in the artist and printmaker signatures form monograms., Plate numbered "5" in upper left corner., and Imperfect; plate number erased from upper left corner of sheet.
Publisher:
Publish'd Novr. 1st, 1781, by R. Wilkinson, No. 58 Cornhill
Title engraved below image., With: Cirencester / drawn and engrav'd by T. Bonnor. [London] : Publish'd according to act of Parliament January 1st 1781 by Ralph Bigland, Garter principal Kng of Arms, [1781]., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '18' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Ralph Bigland?
Subject (Geographic):
Cirencester (England) and England.
Subject (Topic):
Buildings, structures, etc, Tombs & sepulchral monuments, and Effigies
Volume 2, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 57. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Design in a circle. Three men sit by a rectangular supper-table, a grandfather-clock behind them points to XI. The man on the left is having his jack-boots pulled off by a small boy; the boy stands astride his right leg pulling hard, his back to the man, who is scowling and pushes his other booted foot against the boy's back; on the floor are a pair of spurs, a pair of slippers, and a boot-jack. A man (right) wearing a night-cap, but otherwise completely dressed and wearing spurred boots, leans one elbow on the table, his face contorted as if in pain, he holds his hand to his thigh. On the table beside him is a small packet inscribed "Diaculum". In the centre, and on the farther side of the table, the third man leans both elbows on the table, his hair is tousled and his eyes are shut. A man-servant behind, yawning, is carrying off a square box, probably a wig-box, while a maidservant stands on the right, a candle in one hand, a warming-pan in the other, watching with amusement the efforts of the boy to pull off the boot. Three hats hang on the wall; a bottle, a plate, three wine-glasses, and a guttering candle, burnt down to the socket, stand on the table."--British Museum online catalogue
Alternative Title:
Man of feeling
Description:
Title engraved below image., Sheet trimmed to plate mark., Companion print to: Morning, or, The man of taste., Temporary local subject terms: Domestic service: Maid -- Man-servant -- Male hats, 1780 -- Night-cap -- Medical: Packet of 'diaculum' -- Male costume, 1780 -- Jack-boots -- Boot-jacks -- Boot-boy., Mounted on page 57 of: Bunbury album., 1 print : stipple engraving and etching on laid paper ; circular image 29.0 cm, on sheet 35.3 x 30.1 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Octbr. the 10th, 1781, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Subject (Topic):
Dining tables, Longcase clocks, Boots, Slippers, Boys, Candles, Servants, Women domestics, Hats, Bottles, and Drinking vessels
Volume 2, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 57. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Design in a circle. Three men sit by a rectangular supper-table, a grandfather-clock behind them points to XI. The man on the left is having his jack-boots pulled off by a small boy; the boy stands astride his right leg pulling hard, his back to the man, who is scowling and pushes his other booted foot against the boy's back; on the floor are a pair of spurs, a pair of slippers, and a boot-jack. A man (right) wearing a night-cap, but otherwise completely dressed and wearing spurred boots, leans one elbow on the table, his face contorted as if in pain, he holds his hand to his thigh. On the table beside him is a small packet inscribed "Diaculum". In the centre, and on the farther side of the table, the third man leans both elbows on the table, his hair is tousled and his eyes are shut. A man-servant behind, yawning, is carrying off a square box, probably a wig-box, while a maidservant stands on the right, a candle in one hand, a warming-pan in the other, watching with amusement the efforts of the boy to pull off the boot. Three hats hang on the wall; a bottle, a plate, three wine-glasses, and a guttering candle, burnt down to the socket, stand on the table."--British Museum online catalogue
Alternative Title:
Man of feeling
Description:
Title engraved below image., Sheet trimmed to plate mark., Companion print to: Morning, or, The man of taste., Temporary local subject terms: Domestic service: Maid -- Man-servant -- Male hats, 1780 -- Night-cap -- Medical: Packet of 'diaculum' -- Male costume, 1780 -- Jack-boots -- Boot-jacks -- Boot-boy., and Mounted on page 7 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octbr. the 10th, 1781, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Subject (Topic):
Dining tables, Longcase clocks, Boots, Slippers, Boys, Candles, Servants, Women domestics, Hats, Bottles, and Drinking vessels
Title from item., Date of publication from annotated newspaper advertisement for the concert, which was scheduled for 23 May 1781; see Digital Bodleian catalogue, Shelfmark: Bodleian Library Concerts 2 (22m)., Sheet trimmed to plate mark., Part of a collection of 10 trade cards and tickets housed together in a box., and With contemporary annotations in brown ink on recto: "W. Lee [?]" written in upper left corner, and "N. 89" written in upper right corner.
A Scotch man and woman ride on an ass led by a monk walking to the left and holding its halter on which is supsended a copy of a newspaper "London evening post". The Scotch man is holding a glass in one hand and waving his cap with the other as he shouts "Huzza". She holds a sword and is also shouting. A book lettered with the word "Harrington" is tied to the ass's tail. In the distance is the skyline of London
Alternative Title:
Headpiece for The Jacobite's journal
Description:
Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2893., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 229., Ms. note in pencil in Steevens's hand at bottom of print: Livesay's copy., and On page 200 in volume 2.
Publisher:
Publish'd Novr. 27; 1781, by Rd. Livesay, at Mrs. Hogarths Leicester Fields
Subject (Geographic):
London (England)
Subject (Topic):
Cityscapes, Donkeys, Ethnic stereotypes, and Newspapers
"Three-quarter length, standing, directed, facing and looking to the left, left hand resting on a paper on the table beside him, wearing robes."--British Museum online catalogue
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Date range for publication from the British Museum online catalogue, registration no.: 1874,1010.19., Sheet trimmed to plate mark., Mounted on page 146 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., Probably given to Richard Bull by Horace Walpole, as suggested by a note in Walpole's hand mounted below: Lord Orford is extremely obliged to Mr. Bull for the two prints. He has not the plate of Lord Waldegrave, but he believes Lady Waldegrave has; & if she has, he will get one for Mr. Bull., and For further information, consult library staff.
Portrait after a self-portrait; half-length in an oval frame, directed to right, looking towards the viewer, arms at his sides, wearing a plain coat buttoned at the waist, a white cravat and tricorn over a shoulder-length wig
Description:
Title etched below image., State without price below image, lower right., Sheet trimmed to plate mark., On page 209 in volume 3., and Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d edit., p. 409.
Publisher:
Published according to act of Parliament, June 1781, and sold by C. Townley, Arlington Street, Piccadilly
An emblematical image of Hogarth's short journey with some friends 'by land and water, backwards and forwards, without head or tail': a sort of human torso with arms placed upright on the ground, a red kerchief is placed about the neck, the coat is half painted blue and shaped like that of a sailor of this period, half painted brown and being longer than the other half and fitted with a cape at the shoulders like that of a landsman; the hand on the former
Description:
Title etched above and below image., Sheet trimmed to plate mark., Plate for: Gosling, W. An account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works., Ms. note in pencil in Steevens's hand above print: See Nichols's Book, 3d edit, p. 413., and On page 210 in volume 3.
Publisher:
Publish'd as the act directs Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Mounted on page 119 of: Bunbury album., 1 print : etching with rocker, drypoint, and engraving on laid paper ; sheet 41.9 x 53.3 cm., and Imperfect; only the third, rightmost sheet of the three-plate composition is present.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Bunbury Drawer 781.02.23.01 Impression 1
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Watermark: J. Ruse 1799., and Later impression from an unaltered plate; not printed before 1799.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Bunbury Drawer 781.02.23.01 Impression 1
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Watermark: J. Ruse 1799., and Later impression from an unaltered plate; not printed before 1799.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Bunbury Drawer 781.02.23.01 Impression 1
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Watermark: J. Ruse 1799., and Later impression from an unaltered plate; not printed before 1799.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 February 1781]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 21. Etchings by Henry William Bunbury, Esq. and after his designs. Page 119. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"The left sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, looking with astonishment at an elderly lady (right) walking from left to right followed by a little black boy carrying her umbrella. She wears an enormous calash hood, see BMSat 5434, &c, and holds in her left hand a shepherdess's crook. Three men (left) ride side by side, from left to right, the nearest pulls on his reins, leaning back, the next looks at the lady through his spy-glass, the third, staring open-mouthed, lashes his horse. The horse of a stout man riding from right to left, immediately behind the lady, is rearing. In the foreground an old woman sits by the roadside with a sheaf of ballads or newspapers. Behind (left) are trees."--British Museum online catalogue, "A central three plate composition. Riders in Hyde Park. A fat coachman (right) rides (left to right) a coach-horse in blinkers, his mistress is seated behind him, in back-view, wearing an enormous calash hood, see British Museum Satires No. 5434, &c, and holding a fan. The horse has planted its forefeet on the ground, its rider is applying spurs and a coach-whip. On the left a lady and a slim and elegant young man are galloping from right to left; he turns towards her, she looks straight ahead. Behind them rides a groom. In the background (right) is a group of trees, in the foreground grass and (left) three dogs."--British Museum online catalogue, and "The right sheet of a three-plate composition, British Museum Satires Nos. 5925-7. Riders, probably in Hyde Park, with a pedestrian who is being worried by four dogs, apparently on account of his dress. He stands (left) on tiptoe, in profile to the right, holding up his arms, a stick in his right hand. His coat is spotted like a leopard and it and his waistcoat are edged with fur. He is probably a Frenchman. Two dogs worry at his coat, a larger one standing on its hind-legs, puts one paw on his chest, a fourth is biting his long pigtail queue. Three riders, riding from right to left, look with interest at the man and dogs. The foremost is a military officer in uniform, with holsters and rolled cloak on his saddle. A fourth man rides stiffly from left to right, looking straight in front of him."--British Museum catalogue
Description:
Title from text within image on second sheet., Sheets trimmed within plate mark on two edges., A single design on three plates., Tipped in at page 21 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 3 prints forming 1 image : etching with rocker, drypoint, and engraving in bistre ink on laid paper ; sheets 62 x 55 cm or smaller., and Sheets trimmed within plate mark.
"An English sailor (left) with clenched fists faces Holland, France, Spain, and America, all but the first appearing "hors de combat". Numbers indicate the names of the 'Four Confederates which are given below the design. (1) America (right), "Yanky Doodle", an Indian brave with a feathered head-dress and girdle, is prone on the ground, his spear beside him; he says "This fall has hurt my Back". (2) France or "Monsieur Louis Baboon" dressed as a French fop with a bag-wig, is vomiting, his hand across his breast, his knees bent; he says, "Dem Jersey Pills have made a me Sick". (3) Spain or "Don Diego", dressed as a Spanish don, is bleeding from one eye, he stands behind America, saying "by St Jago he has almost Blinded me". These three are grouped together on the left, turning away from Jack England. No. 4 or "Mynheer Frog", dressed as a Dutch peasant, is standing with his legs wide apart, his fists clenched, smoking a pipe, he faces Jack, saying "I have almost forgot how to fight". In the background are ships. Beneath the title is engraved: "To Arms you Brave Britons to Arms the Road to Renown Lyes before you.""--British Museum online catalogue
Description:
Title from item.
Publisher:
Printed for Jno. Smith, no. 35 Cheapside, Robt. Sayer & Jno. Bennett No. 53 Fleet Street
Subject (Geographic):
Great Britain
Subject (Topic):
Foreign relations, Fighting, Sailors, British, and Clothing & dress
A sailor holding up his purse, smiling at a young woman he invites to join him and gesturing to left, while she smiles coyly behind her fan and follows; on a hill-top.--British Museum online catalogue
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street as the act directs
Subject (Geographic):
England
Subject (Topic):
Couples, Sailors, British, Courtesans, Military uniforms, and Clothing & dress
"Portrait, half-length in a rectangular frame, directed to left, leaning forward and resting right elbow on the frame, with the hand tucked into his thick coat, buttoned at the waist over a striped coarse wool vest, looking down to left, wearing a soft cap with a feather; after Killingbeck; state with biographical note."--British Museum online catalogue
Description:
Title from caption below image., Imprint from more perfect impression from the British Museum online catalogue, registration no.: 1851,0308.120., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., and Mounted on sheet: 41.9 x 30.7 cm.
Publisher:
Publish'd as the Act directs Nov. the 22nd 1781 by B. Killingbeck, No. 14, Dover Street, Piccadilly
Leaf 32. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull stands on a stone on tiptoe under a tree, a rope round his neck attached to a branch of the tree. He holds the rope with both hands, to prevent strangulation. On the right stands a Frenchman (France) holding out a leek to John Bull, between them is a stream or river. John Bull is a moderately stout man with a thick neck, wearing an ill-made bob-wig, not the characteristic John Bull of later satires, who had already appeared, see British Museum Satires Nos. 5611, 5612. The Frenchman is very thin, wearing a night-cap, a long pigtail queue, a ruffled shirt, and sabots stuffed with grass."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from the British Museum catalogue., Temporary local subject terms: France as a French peasant -- Emblems: Leek for France -- ?Reference to defeat at Yorktown., and Second of two plates on leaf 32.
Publisher:
M. Darly
Subject (Geographic):
France.
Subject (Topic):
John Bull (Symbolic character), Hangings (Executions), Nooses, Peasants, Onions, Streams, and Wigs
"Triple three-quarter length portrait of the three Waldegrave sisters, seated beside one another at a small work-table; Lady Anna Horatia at right embroidering, with Lady Charlotte Maria at left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, centre, is holding; a curtain, pillars and trees behind them; after Reynolds (Mannings 1810)."--British Museum online catalogue
Alternative Title:
Ladies Waldegrave
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark., Engraved after the painting, now in the National Gallery of Scotland (NG 2171), that was kept by Horace Walpole in the Great Parlour (Refectory) at Strawberry Hill., Tipped in at page 38 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Publisher:
Publish'd Decr. 1st, 1781, by V. Green, No. 29, Newman Street, Oxford Street, London
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816,, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, and Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,
"Portrait, three-quarter length seated, holding flowers on her lap."--British Museum online catalogue
Description:
Title from caption below image., Place of publication transposed from end of publication statements., Measurements found in lower right corner: F I 3.5 1/4 by F I 4.3 3/4 high., State from: Smith, J.C. British mezzotinto portraits., Mounted on leaf numbered 43 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Published Jany. 1st 1781 by John Boydell engraver in Cheapside
"A domestic interior. In the upper margin is engraved, "Give me the sweet delight of Love - a Catch", and the design illustrates the lines of the catch: "A smoky house, a failing trade, Six squalling brats, and a scolding jade." A man (full-face) stands disconsolately, his hands clasped while his virago of a wife (left) threatens him with her fist. One small child pulls his coat and points to a little brother kicking on the floor, while a rather older girl weeps with her pinafore to her eyes, and another boy blows a trumpet. This group is on the right. On the left one child clutches another by the hair. The man's toes protrude through one of his shoes, he is without breeches, and these hang from a nail on the wall (right) next his wife's hat. A parroquet sits screeching on the outside of its cage. The plaster has fallen from the wall in patches, showing bricks. A smoky fire burns in the grate (left); on the chimney-piece are tea-things."--British Museum online catalogue
Alternative Title:
Plaisir du mènage, Plaisirs du mènage, and Give me the sweet delight of love : a catch
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 1st, 1781, by H. Humphrey, New Bond St.
Subject (Geographic):
England
Subject (Topic):
Families, Children, Domestic life, Couples, and Clothing & dress
"Portrait, seated three-quarter length to right within oval frame, resting hands, one gloved, on stick, eyes to front; wearing loose coat over sash and uniform; after Poggi."--British Museum online catalogue
Alternative Title:
Lieutenant Colonel Biddulph of the 3d Regiment
Description:
Title from caption below image., Publication date from printmaker's death date., Sheet trimmed to plate mark., and Mounted on sheet: 476 x 347 mm.
"Portrait after Reynolds (Mannings 276); three-quarter length seated under a tree, facing front with hands resting on his thighs; published state before date altered from 1st to 12th November."--British Museum online catalogue
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., and For the original painting, see Philadelphia Museum of Art accession number: M1928-1-29.
Publisher:
Publish'd Novr. 1st, 1781, by Fras. Haward, Lambeth Marsh near the Turnpike
published as the act directs [...?] [ca. May 1781]
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 113. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man in profile to the right (left), elegantly dressed, lounges beside a lady on a settee. He holds a coffee-cup. She sits before a round table on which is a coffee-pot, &c, on a tray. Her dress is of quasi-military cut and she wears a large feathered hat; they look towards each other. On the wall (left) is a framed picture of a camp scene. Through the large sash-window (right) are trees and (?) tents."--British Museum online catalogue
Description:
Title etched below image., Year of publication from British Museum catalogue; dated to ca. May of 1781 by curator, based on series number., Description based on imperfect impression; date at end of imprint statement has been erased from sheet., Plate numbered "439" in lower left corner., Temporary local subject terms: Militia camps: ?Coxheath -- Furniture -- Female costume: Feathered hats -- Military dress (quasi) -- Male costume, 1781 -- Tea services., Folded to 30.5 x 26 cm., Numbered "48" in brown ink on verso., and Bound in opposite page 113 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for & sold by Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Interiors, Sofas, Coffeepots, Tea tables (Tables), Hats, Feathers, Windows, People associated with military activities, and Military camps
Title etched below image., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 213 in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leister [sic] Fields
"Design in a circle. A man and wife seated at a circular breakfast-table. The man, who is obese and a gourmand, sits in profile to the right. holding a bowl with a spoon in it in one hand, a bill of fare in the other inscribed "Soup . . . Turbot. Duck . . Lamb". He is wearing spectacles and a large piece of food projects from his mouth. The cook (right) is showing his master a dead duck, which he holds up in his right hand; in his left, and partly supported by his knee, is a tray on which are two lobsters and a turbot. The lady, who is also fat, holds up her hands in horror at the cook, who, from his leanness, his profile, and his bag-wig, solitaire, and ruffled shirt, is evidently a Frenchman. He wears a white cap and an apron, a large knife is thrust under his belt. On the left a footman enters carrying in each hand a plate piled with muffins. Tea-things are on the table. Under the table a small dog, befouling the floor, is partly visible. Behind is a screen of several leaves, on the top of which is a bird, resembling a large dove."--British Museum online catalogue
Alternative Title:
Man of taste
Description:
Title from text below image., Sheet trimmed within plate mark., Temporary local subject terms: Breakfast menu -- Breakfast selections displayed -- Tea service -- Male costume: Morning, 1780 -- Female costume: Morning, 1780 -- Domestic service -- Black footman., and Mounted on page 55 of: Bunbury album.
Publisher:
Publish'd Octr. the 10th, 1781, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
"Design in a circle. A man and wife seated at a circular breakfast-table. The man, who is obese and a gourmand, sits in profile to the right. holding a bowl with a spoon in it in one hand, a bill of fare in the other inscribed "Soup . . . Turbot. Duck . . Lamb". He is wearing spectacles and a large piece of food projects from his mouth. The cook (right) is showing his master a dead duck, which he holds up in his right hand; in his left, and partly supported by his knee, is a tray on which are two lobsters and a turbot. The lady, who is also fat, holds up her hands in horror at the cook, who, from his leanness, his profile, and his bag-wig, solitaire, and ruffled shirt, is evidently a Frenchman. He wears a white cap and an apron, a large knife is thrust under his belt. On the left a footman enters carrying in each hand a plate piled with muffins. Tea-things are on the table. Under the table a small dog, befouling the floor, is partly visible. Behind is a screen of several leaves, on the top of which is a bird, resembling a large dove."--British Museum online catalogue
Alternative Title:
Man of taste
Description:
Title from text below image. and Proof state with light scratch lettering. For later state with lettering, see no. 5919 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publishd. Octor. 10, 1781, by J.R. Smith, No. 83, opposite the Pantheon, Oxford Street
"The actor Charles Bannister, standing, dressed as Polly Peachum, with a small lace cap and wide bow at the waist, holding a closed fan in front of him in his right hand, looking away to the left."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printed on one sheet with a portrait also by Sayers: Miss Farren., and Mounted to 56 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Bannister, Charles, 1738-1804 and Gay, John, 1685-1732.
"The actor Charles Bannister, standing, dressed as Polly Peachum, with a small lace cap and wide bow at the waist, holding a closed fan in front of him in his right hand, looking away to the left."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printed on one sheet with a portrait also by Sayers: Miss Farren., and Mounted on page 49 with one other print.
Publisher:
publisher not identified
Subject (Name):
Bannister, Charles, 1738-1804 and Gay, John, 1685-1732.
"The actor Charles Bannister, standing, dressed as Polly Peachum, with a small lace cap and wide bow at the waist, holding a closed fan in front of him in his right hand, looking away to the left."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printed on one sheet with a portrait also by Sayers: Miss Farren., 1 print : etching and aquatint with stipple engraving and roulette on wove paperr ; plate mark 24.9 x 17.4 cm, on sheet 26.8 x 19.2 cm., and Mounted on leaf 31 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Bannister, Charles, 1738-1804 and Gay, John, 1685-1732.
"A stout man with a pipe in either hand, sprawled on a chair; on his right, a chamber pot and on his left, another chair on which are a wine bottle and glass; after a drawing formerly attributed to Hogarth."--British Museum online catalogue
Alternative Title:
Mr. Benjamin Read
Description:
Title etched below image., Sheet trimmed to plate mark., Not in: Paulson, R. Hogarth's graphic works., Ms. note in Steevens's hand above print: See Mr. Nichols's book 3d edition, p. 411., and On page 215 in volume 3.
Publisher:
Publish'd Novr. 27, 1781, by Rd, Livesay at Mrs. Hogarth's, Leicester Fields
Half-length portrait in oval, directed to front with head turned and looking three-quarters to right, wearing shirt with open collar, cloak draped over right shoulder and soft cap
Description:
Title etched below image., Sheet trimmed within plate mark., On page 208 in volume 3., and Ms. note in pencil in Steevens's hand above row of three impressions of this print: William Bullock. See Mr. Nichols's Book, 3d edit., p 407.
Publisher:
Pub. June 1st, 1781 by I. Thane, Rupert Street, Hay Market
Subject (Name):
Bullock, William, approximately 1657-approximately 1740,
"Half length portrait in profile to the left of a man holding a music score. He is fat and smiling, and wears his own scanty hair. After the title is engraved, "Singing Psalms of a Morning and over a Bowl of Punch Scotch Tunes at Night.""--British Museum online catalog
Alternative Title:
Mr. Campbell the jolly presenter of the Cannongate Kirk in Edinburgh
Description:
Title from item., Attributed to Gillray by T. Haviland Burke and D. Perrins., Date from British Museum catalogue., and Sheet trimmed to plate mark.
"A family party walking past the entrance to Bagnigge Wells: A fat citizen, his wig awry and dripping with perspiration, carries a little girl who holds a whip. His stout wife walks behind (right) holding a fan in one hand, a tasselled cane in the other, she smiles complacently. In front, a small boy drags a small four-wheeled chair in which sits a doll-like child holding a doll. The background is the corner of a brick house (right) showing part of a bow-window inscribed "Dealer in Coffee", and a gate inscribed "Bagnigge Wells" with an ogive-shaped decoration surmounting the architrave. Behind are trees. The design evidently derives from Hogarth's "Evening".-- British Museum online catalogue
Description:
Title and imprint from British Museum online catalogue., After Robert Dighton. See British Museum online catalogue., and Imperfect; trimmed within plate mark with loss of title and imprint.
Publisher:
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No 69 in St Pauls Church Yard, London
Subject (Geographic):
England and London
Subject (Topic):
Families, Fathers & children, Couples, Walking, and Clothing & dress
"A stout, elderly man wearing a wig and three-cornered hat, seated at a table with a wine bottle and glass, a sword hanging from a button hole; after a drawing formerly attributed to Hogarth."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Not i: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in: Paulson, R. Hogarth's graphic works., Ms. note in Steevens's hand in pencil above print: See ibid., and On page 215 in volume 3.
Publisher:
Publish'd Novr. 27, 1781, by Rd. Livesay at Mrs. Hogarth's, Leicester Fields
Title etched in open letters below image., Pariset worked for Ryland and later Falconet on a series of portraits of members of the RA. See the advertisement in the 'Mercure de France' of October 1783 (page 142)., Date of publication based on known dates of business at the Rupert Street address., Sheet trimmed within plate mark., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, page 377., and Mounted on page 3 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Publisher:
Sold by the Proprietor J. Thane, Rupert Street, Hay Market
"Portrait of Mary 'Perdita' Robinson, half-length in an oval, directed to left but looking forward, with high dressed hair with a cap on top, and both hands in a muff."--British Museum online catalogue
Description:
Title from item., State from: Russell, C.E. English Mezzotint portraits and their states., Scratched-letter state with inscription space uncleaned., and Sheet trimmed to plate mark.
Publisher:
Publishd. August 25th, 1781, by J.R. Smith, No. 83, opposite the Pantheon, Oxford Street
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., and On page 207 in volume 3.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue and later state., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., On page 207 in volume 3., and Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d, edit., p. 407.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
Volume 1, page 6. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man, woman and child walking alongside a pack-horse, travelling to right on a road with mountains behind; oval design, after Bunbury, from a series."--British Museum online catalogue
Description:
Title engraved below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey, and was published by the former; see British Museum online catalogue, registration no.: 1917,1208.2314., Sheet trimmed to plate mark., Plate numbered "3" in upper left corner., Mounted on page 6 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Plate number in upper left is lightly printed and barely visible.
Publisher:
Pubd. Novr. 1, 1781, by J. Baldrey, No. 37 Green St., Grosr. Sqr. & sold by J. Wilkinson, Cornhill
Two plates on one sheet: top plate is an engraved title page with text. The plate below is a reduced copy of Hogarth's designfor the arms of the Foundling Hospital: on the shield, a naked and reclining infant raising its right arm. Supporters, dexter, a terminal figure of 'Nature', many-breasted; sinister, 'Britannia', holding a cap of Liberty on a staff, and her shield. Crest 'a Lamb'; motto 'Help'.
Alternative Title:
Arms of the Foundling Hospital
Description:
Title from Paulson., Date based on earliest edition of this collection of psalms., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 230., and On page 101 in volume 2.
"A French recruit (left), an English recruit (right) face each other in profile, both are standing erect in a soldierly way, but are in civilian clothes except for the favour in the Englishman's round hat, and except for the bulky knapsack of fur or skin which each wears. They are described in words engraved beneath the title: "Monsieur all ruffles no Shirt Wooden Pumps and Stockingless" and "Jack English with Ruddy face and belly full of Beef". The Frenchman holds a slim cane, the Englishman a stout cudgel. Behind the former (left) are frogs and rats or mice, behind the latter cows and sheep, to illustrate the supposed contrast between French and English fare."--British Museum online catalogue
Alternative Title:
Contrasted recruits
Description:
Title from item., Sheet trimmed., Reissue, with publisher's name added to the plate, of no. 5862 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Date from print of same title; See British Museum satire no. 5862 which lacks imprint.
Publisher:
Sold by W. Humphrey, No. 227 Strand
Subject (Topic):
National characteristics, French, National characteristics, British, and Clothing & dress
Title from item., Sheet trimmed to plate mark., Imprint from other prints in series. See nos. 5942-5945 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, for later states with imprints., From the series: Seven prints of the Tutelar Saints., and Dated in pencil, 1768.
"An Irishman riding (left to right) on a horse. He is dressed as a military officer, with epaulettes. In his hat is a cross in a medallion. In his right hand, and resting on his shoulder, is a sword on which potatoes are spitted. In his left hand he holds out a wineglass. Two fish are slung on his right arm, under it is a sickle. Various objects are attached to his saddle or his person including a tankard, a small set of bagpipes, a candle-stick, a large fish; a small Irish harp decorates the hindquarters of his horse. The background, seen between the horse's feet, is the sea-shore with ships. A border decorates the two sides of the print, surmounted (left) by a frowning mask, with a dagger through one eye, and (right) by a smiling mask. To a vertical line of conventional fruit and foliage are attached a number of objects, including a horn and goblet, a flute, a flail and rake, a wine-bottle and glass, a sheaf of corn and a sickle. Beneath the design is engraved: "So sweet St Patrick comes, Dear Joy to Day, Smiles on his face with Merriment & Play. With good store of Tattoes, Sweet Buttermilk, & Whisky, Small Pipes, & Usquebaugh to make us Dance Frisky. Then banish all care, and meagre sorrow, We'll Celebrate this Day not trust to morrow. Let's Rant & Roar & make the House Ring, Drink to St Patrick's Day in the Morning.""--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., Earlier state, without Carington Bowles imprint, of no. 5945 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Number 4 in series Seven prints of the Tutelar Saints., and Dated in pencil, 1768.
"Portrait (whole-length) of a man standing in profile to the right holding a violin in his right hand, a bow in his left."--British Museum online catalogue
Alternative Title:
First catgut scraper
Description:
Title etched below image., Possibly etched by Gillray. See British Museum catalogue., and First letters of imprint statement are lightly printed and illegible, possibly due to an imperfection in the plate. The letter 'S' in 'Street' in publisher's address is etched in reverse.
Publisher:
[Pu]bd. Nov. 27, 81, by H. Humphrey, No. 18 New Bond Street
"Portrait after a drawing by Hogarth; head and shoulders of a man with a prominent forehead and hooked chin, to left looking down, wearing a wide-brimmed hat set at a tilt and cravat; with another head in profile to left wearing a plumed cocked hat, behind; before plate reduced and inscription curtailed and re-engraved."--British Museum online catalogue
Description:
Title etched below image, with line break before the word 'engravers'., Date in plate has been changed from 1786 to 1781., Sheet trimmed to plate mark., For another state published by W. Dickinson see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3099., and On page 208 in volume 3.
"Portrait after a drawing by Hogarth; head and shoulders of a man with a prominent forehead and hooked chin, to left looking down, wearing a wide-brimmed hat set at a tilt and cravat; with another head in profile to left wearing a plumed cocked hat, behind; after plate reduced and inscription curtailed and re-engraved."--British Museum online catalogue
Description:
Title etched below image, with line break after the word 'engravers',, Sheet trimmed within plate mark., and For another state published by W. Dickinson see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3099.
"Satire; a country squire in a bedroom, sitting on the left and holding out strips of paper to two prostitutes who draw lots for him."--British Museum online catalogue
Alternative Title:
Sir Timothy Thicketts first reel to London and Beauties of Kings place
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street as the Act directs
Subject (Geographic):
England
Subject (Topic):
Courtesans, Interiors, Beds, Clothing & dress, and Hats
Title from text below image., Early state, with variant title. For the later state with the expanded title "The coffee-house patriots, or, News from St. Eustatia", see no. 5923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on two edges., Plate numbered in upper right corner: No. 12., and Watermark.
Publisher:
Publish'd Octr. 15th, 1781, by W. Dickinson, No. 158 New Bond Street
"A young woman with hair dressed high and a large hat, sitting in a garden holding up a sheet of music (titled Sweet Echo; with a waterfall on the right flowing into a stream running past her."--British Museum online catalogue
Description:
Title from item. and Sheet trimmed to plate line.
Publisher:
Printed for R. Sayer & J. Bennett, map & printsellers, No. 53 Fleet Street as the act directs
Subject (Geographic):
England
Subject (Topic):
Gardens, Hats, Music, Waterfalls, Hairstyles, and Clothing & dress
"A horse is kicking violently, its head down, the rider has lost his seat and his stirrups and is clutching the animal's mane. The scene is a country road, a village is indicated in the distance (right). One of a series of four 'Hints . . .', see British Museum Satires No. 5914."--British Museum online catalogue
Description:
Title etched below image., Later state, with the spelling of the word "presumes" corrected in verses below title. Cf. No. 5916 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark., Two lines of verse below title: Ah me! what various ills betide the looby who presumes to ride., Series numbering precedes title., Plate numbered "no. 8" in upper left corner., Temporary local subject terms: Equestrians., Mounted to 23 x 27 cm., and Imperfect; plate number in upper left corner has been erased from sheet.
Publisher:
Publish'd May 10th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Volume 1, page 30. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A horse is kicking violently, its head down, the rider has lost his seat and his stirrups and is clutching the animal's mane. The scene is a country road, a village is indicated in the distance (right). One of a series of four 'Hints . . .', see British Museum Satires No. 5914."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Series title etched above image; series numbering precedes print title below image., Two lines of verse below title: Ah me! what various ills betide the looby who presum's to ride., "No. 8"--Upper left corner., and Mounted on page 30 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd May 10th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Volume 1, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout rider on a small horse or cob standing by a sign-post (left) on a country road. The horse's head is held down and looks back along the road behind him. In the background on the right is a church spire surrounded by trees. The first of a series of four 'Hints ...'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Series title etched above image; series numbering precedes print title below image., Two lines of verse below title: Ah me! what various ills betide the looby who presumes to ride., "No. 6"--Upper left corner., Temporary local subject terms: Equestrians., Mounted to 22 x 27 cm., and Imperfect; plate number has been erased from upper left corner of sheet.
Publisher:
Publish'd May 10th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Volume 1, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout rider on a small horse or cob standing by a sign-post (left) on a country road. The horse's head is held down and looks back along the road behind him. In the background on the right is a church spire surrounded by trees. The first of a series of four 'Hints ...'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Series title etched above image; series numbering precedes print title below image., Two lines of verse below title: Ah me! what various ills betide the looby who presumes to ride., "No. 6"--Upper left corner., Temporary local subject terms: Equestrians., Mounted on page 31 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching and stipple engraving on laid paper ; sheet 19.6 x 23.8 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd May 10th, 1781, by Watson & Dickinson, No. 158 New Bond Street
"A man on horseback on a country road; the horse is shying violently at a man (left) crouching among some bushes by the roadside. The rider has lost his seat, and is clutching the reins; his hat is in the air behind him. In the distance is a windmill (right). One of a series of four 'Hints . . .', see British Museum Satires No. 5914."--British Museum online catalogue
Description:
Title etched below image., Later state, with the spelling of the word "presumes" corrected in verses below title. Cf. No. 5915 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark., Two lines of verse below title: Ah me! what various ills betide the looby who presumes to ride., Series numbering precedes title., Plate numbered "no. 7" in upper left corner., Temporary local subject terms: Equestrians., Mounted to 22 x 28 cm., and Imperfect; plate number has been erased from upper left corner of sheet.
Publisher:
Publish'd May 10th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Volume 1, page 30. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man on horseback on a country road; the horse is shying violently at a man (left) crouching among some bushes by the roadside. The rider has lost his seat, and is clutching the reins; his hat is in the air behind him. In the distance is a windmill (right). One of a series of four 'Hints . . .', see British Museum Satires No. 5914."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Series title etched above image; series numbering precedes print title below image., Two lines of verse below title: Ah me! what various ills betide the looby who presum's to ride., "No. 7"--Upper left corner., and Mounted on page 30 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd May 10th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Volume 1, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A horse has fallen on its knees, its rider is flying over its head, his hands clutching the animal's neck, his legs in the air. The scene is a farmyard; a goose (left) hisses at the falling man, ducks run away quacking. In the background are trees, a barn, and a paling. One of a series of four 'Hints . . .', see British Museum Satires No. 5914."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Series title etched above image; series numbering precedes print title below image., Two lines of verse below title: Ah me! what various ills betide the looby who presumes to ride., "No. 9"--Upper left corner., Temporary local subject terms: Equestrians., Mounted to 22 x 27 cm., and Imperfect; plate number in upper left corner has been erased from sheet.
Publisher:
Publish'd May 10th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Volume 1, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A horse has fallen on its knees, its rider is flying over its head, his hands clutching the animal's neck, his legs in the air. The scene is a farmyard; a goose (left) hisses at the falling man, ducks run away quacking. In the background are trees, a barn, and a paling. One of a series of four 'Hints . . .', see British Museum Satires No. 5914."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Series title etched above image; series numbering precedes print title below image., Two lines of verse below title: Ah me! what various ills betide the looby who presumes to ride., "No. 9"--Upper left corner., Temporary local subject terms: Equestrians., Mounted on page 31 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching and stipple engraving on laid paper ; sheet 19.5 x 23.8 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd May 10th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Copy of a drawing by Hogarth: A Mr. Nobody. The laughing head of a man in a white wig, wearing a cocked hat; to the neck are suspended by a ribbon a tobaaco-pipe, knife, fork, and spoon. A pair of human legs, in white stockings and green shoes, stick out where the shoulders should be; behind these a pair of oars are placed saltirewise, and tinted pink. A drinking glass hangs by a ribbon from the left leg, a spirit bottle, painted black, from the other leg
Description:
Title etched below image., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 213 in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
"Figures representing the five countries who were at war. A tall Dutchman stands looking up with a face of despair, in his left hand he holds out a paper inscribed, "Eustatia lost, Oh! Oh!" He says, "I shall Die, I'm undone! My best hope is now gone!" A laughing English sailor (left) standing on his right holds a small bottle inscribed "Gin" to his nose, saying, "High & Mighty's [an allusion to 'Hogen Mogen', "the high mightiness", or the States General of the United Provinces] your Grief, Smell this for Relief." In his right hand he holds a netted purse taken from the Dutchman. On the right stand the other enemy powers: Spain, in slashed doublet, cloak, feathered hat, and top-boots, is reading a newspaper 'Gaze', ['London Gazette'] and sayings "If this News is true, It will make us all rue." Behind him are France (left) and America (right). France holds up his hands with an expression of alarm, saying, "St Eustatia by Gar, Vas de Storehouse of War." America, a slim youth, the most insignificant of the five, is saying, "America now, To Old England must bow.""--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject headings: Dutch island of St. Eustatius -- American Revolution -- Rodney seizing of the island.
Publisher:
Pubd. April 9th, 1781 by W. Humphrey, No. 227 Strand
Subject (Topic):
National characteristics, American, National characteristics, British, National characteristics, Dutch, National characteristics, French, National characteristics, Spanish, and Clothing & dress
Title from caption below image., Text below title: Size of the picture, 5 3/8 i. by 6 1/2 i. high., Etched coat of arms below image bearing the motto: Fari quae sentiat., Plate XXX from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2., and On same sheet: Virgin & infant Jesus asleep.
Publisher:
Publish'd Aug. 1st, 1781, by John Boydell, engraver in Cheapside
Title from caption below image., Initial letters of printmaker's name in signature form a monogram., Artist attribution to Bunbury from description of later state in the British Museum catalogue., and Early state. For later state with altered imprint statement, see no. 5878 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd April 12th, 1781, by W. Richardson, York House No. 31 Strand
Title from caption below image., Initial letters of the name "JBaldrey" in signature and imprint form a monogram., Artist attribution to Bunbury from British Museum catalogue., Later state with altered imprint statement. For earlier state, see Lewis Walpole Library call no.: Bunbury 781.04.12.01.1., and Mounted to 31 x 39 cm.
Publisher:
Publish'd April 12th, 1781, by JBaldrey, No. 37 Green St. Grosr. Sqr., & E. Hedges, No. 92 Cornhill
A crowded Quaker meeting hall in which many of the congregation, seated in the pews and stalls or in the gallery, are sleeping or yawning as one man and one woman argue
Description:
Title from item., Initial letters of publisher's name in impreint form a monogram., Sheet trimmed to plate mark., and Later reversed version of: A short examination of the spirit of Quakerism (1770). Cf. No. 4794 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Pubd. Nov. 28th, 1781, by HHumphrey, No. 18 New Bond Street
Subject (Geographic):
England
Subject (Topic):
Quakers, Friends' meeting houses, and Clothing & dress
