Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man canters in profile to the left on a lean and broken-kneed horse whose hind-quarter is branded. He has only one rein attached to ill-fitting harness, and sits with his leg thrust forward and holds a club against his right shoulder. Behind him (right) is a signpost: 'The Bridle Way to Horse-Lydown' (a pun on Horselydown, Southwark). In the background are trees and (left) the Thames with ships."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., and Temporary local subject terms: Broken kneed horse -- Branded horse -- Signpost: The Bridie Way to Horse-ly Down -- Ships on the Thames.
Publisher:
Publish'd Augst. 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Traffic signs & signals, and Ships
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man canters in profile to the left on a lean and broken-kneed horse whose hind-quarter is branded. He has only one rein attached to ill-fitting harness, and sits with his leg thrust forward and holds a club against his right shoulder. Behind him (right) is a signpost: 'The Bridle Way to Horse-Lydown' (a pun on Horselydown, Southwark). In the background are trees and (left) the Thames with ships."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Temporary local subject terms: Broken kneed horse -- Branded horse -- Signpost: The Bridie Way to Horse-ly Down -- Ships on the Thames., Mounted on page 66 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving with etching on laid paper ; sheet 23.0 x 18.9 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Augst. 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Traffic signs & signals, and Ships
"The Prince of Wales and his friends besiege the Treasury, whose gate is on the right: a massive door, spiked and triply padlocked, fills a stone arch inscribed 'TRE[ASURY]'. Fox, his legs encased in armour, stoops down to bite one of the huge padlocks. Behind him are Hanger, about to strike the door with his massive club (cf. BMSat 6924, &c), and a barefooted Scot in Highland dress, probably Adam, preparing to smite with a sword whose blade is inscribed 'Faction'. In the centre, but rather behind his followers, stands the Prince, ragged and dishevelled, but fashionable, firing at the gate a blunderbuss inscribed 'Itch Diadem'. On the left are Burke and North: Burke, very lean, wears armour, a Jesuit's biretta (cf. BMSat 6955) and huge spectacles. He clasps a rolled document inscribed 'Impeachment', and bends forward, his right hand on his hip. North, very short and fat, stands passively on the extreme left, holding across his shoulder an axe inscribed 'To Conquer America'. He is grotesquely dressed, wearing a feathered helmet, bag-wig, and low top-boots. Beside Burke is a barking dog standing over an open book inscribed 'Plenipotentiary'. Fox, Burke, and North are evidently copied from BMSat 6955. There are four placards on the wall (left to right): [1] 'At a Meeting of the Not Abies Resolved Nem Con that they do vigioursly [sic] attack the Treasuary with all their proper Weapons Get into Place, Humble the Pride of Master Billy, Kick out the Treaty of Commerce, Convict Hastings, Remove the Sceptre, Repeal the Shop Tax Pass Fox's India Bill Keep their Places & do many more things if they are able' [2] 'Whereas Prosecution against High------[treason] in Fitz[herbert]' (cf. BMSat 6924, &c). [3] 'Sold by Auction by Tattersall His Highness's Studd A. Filly' (cf. BMSat 6967). [4, above the Prince's head] 'Theatre Royal Benefit of Mrs F------[Fitzherbert] Seduction Principal Characters . . . R.P.' Within the Treasury gate, above the door, is a crown inscribed 'Safe'; words from some one inside the Treasury, presumably Pitt, appear above the gate: 'I have Gain'd the affections of my Sovereign, and they must cut keener than a Diamond to affect me'. (Probably an allusion to the diamond sent to the King through Hastings, see BMSat 6966, &c.)"--British Museum online catalogue
Alternative Title:
Convention of the notables
Description:
Title etched below image., Attributed to Kingsbury in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Treasury building.
Publisher:
Published April 28th, 1787 by S.W. Fores, No.3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, and Adam, William, 1751-1839
"The Prince of Wales and his friends besiege the Treasury, whose gate is on the right: a massive door, spiked and triply padlocked, fills a stone arch inscribed 'TRE[ASURY]'. Fox, his legs encased in armour, stoops down to bite one of the huge padlocks. Behind him are Hanger, about to strike the door with his massive club (cf. BMSat 6924, &c), and a barefooted Scot in Highland dress, probably Adam, preparing to smite with a sword whose blade is inscribed 'Faction'. In the centre, but rather behind his followers, stands the Prince, ragged and dishevelled, but fashionable, firing at the gate a blunderbuss inscribed 'Itch Diadem'. On the left are Burke and North: Burke, very lean, wears armour, a Jesuit's biretta (cf. BMSat 6955) and huge spectacles. He clasps a rolled document inscribed 'Impeachment', and bends forward, his right hand on his hip. North, very short and fat, stands passively on the extreme left, holding across his shoulder an axe inscribed 'To Conquer America'. He is grotesquely dressed, wearing a feathered helmet, bag-wig, and low top-boots. Beside Burke is a barking dog standing over an open book inscribed 'Plenipotentiary'. Fox, Burke, and North are evidently copied from BMSat 6955. There are four placards on the wall (left to right): [1] 'At a Meeting of the Not Abies Resolved Nem Con that they do vigioursly [sic] attack the Treasuary with all their proper Weapons Get into Place, Humble the Pride of Master Billy, Kick out the Treaty of Commerce, Convict Hastings, Remove the Sceptre, Repeal the Shop Tax Pass Fox's India Bill Keep their Places & do many more things if they are able' [2] 'Whereas Prosecution against High------[treason] in Fitz[herbert]' (cf. BMSat 6924, &c). [3] 'Sold by Auction by Tattersall His Highness's Studd A. Filly' (cf. BMSat 6967). [4, above the Prince's head] 'Theatre Royal Benefit of Mrs F------[Fitzherbert] Seduction Principal Characters . . . R.P.' Within the Treasury gate, above the door, is a crown inscribed 'Safe'; words from some one inside the Treasury, presumably Pitt, appear above the gate: 'I have Gain'd the affections of my Sovereign, and they must cut keener than a Diamond to affect me'. (Probably an allusion to the diamond sent to the King through Hastings, see BMSat 6966, &c.)"--British Museum online catalogue
Alternative Title:
Convention of the notables
Description:
Title etched below image., Attributed to Kingsbury in the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Treasury building., 1 print : etching with stipple, hand-colored, on laid paper ; sheet 302 x 418 mm., and Sheet trimmed within plate mark; mounted to 32 x 44 cm.
Publisher:
Published April 28th, 1787 by S.W. Fores, No.3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, and Adam, William, 1751-1839
A smiling school master in a wig applies the switch to a boy whose rear has a painted face on it. The boy being switched is lifted onto the back of another boy. On the left, two boys holding open books look on, one snickering behind his hand. The classroom includes a map on the wall and a shelf with books and quill pens in ink stands
Alternative Title:
Two heads are better than one
Description:
Title engraved below image. and Number '136' appears in lower left corner of plate.
Publisher:
Printed for R. Sayer, No. 53 Fleet Street as the act directs
Subject (Topic):
Boys, Child discipline, Classrooms, Students, and Teachers
"A stout man rides a trotting horse in profile to the right. followed by a dog. He rises from the saddle with his legsthrust forward, pulling hard at the curb with both hands; the snaffle rein lies on the lean horse's neck. He wears a broad-brimmed round hat and a coat buttoned across his chest by a single button."--British Museum online catalogue
Description:
Title from item., Questionable attribution to West in local card catalog., Sheet trimmed within plate mark., In lower left corner of image: Gentlemens designs executed gratis., and Blue paper mounting partially removed.
Publisher:
Pub'd Jan. 1, 1787, by S.W. Fores at the Caricature Warehouse, No.3 Piccadilly
Title from caption below image., Artist's signature from impression in the British Museum., Date of publication based on that of the print from which this design was copied. See no. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Design consists of ten figures arranged in two rows., Companion to a print of the same title and similar design. See Lewis Walpole Library call no.: Bunbury 787.00.00.24+., The Lewis Walpole Library impression: artist's signature erased from lower left corner of sheet, and sheet trimmed within plate mark with partial loss of title., and Temporary local subject terms: Dancing -- Minuet -- Couples.
Title from caption below image., Artist from signature on companion print in the British Museum catalogue., Date of publication based on that of the print from which this design was copied. See no. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Description based on imperfect impression; sheet trimmed within plate mark and artist's signature erased from lower left corner., Design consists of ten figures arranged in two rows., A companion print to no. 7229A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Window mounted to 27 x 37 cm.
Volume 2, page 55. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A strip design of ten couples in different stages of the minuet, All dance in silence; the expressions of the male dancers denote anxiety, determination, or complacency. All are intended to be ugly, or awkward, or both, but the figures have charm, and even in some cases a certain grace. ... None of the men suggests a parson, most are lean and none corpulent by eighteenth-century standards."--British Museum online catalogue, description of a variant state
Description:
Title etched below image on second and third plates., Variant state, lacking the text "Bos, Fur, Sus, atque Sacerdos" above image on second plate. Cf. No. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheets trimmed within plate mark., A single design on four plates., Text in Latin below title, etched on second and third plates: Longa Tysonum Minuit Quid Velit et possit rerum concordia discors. Horace., Mounted on page 55 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink beneath Latin text: Tyson was Master of the Ceremonies at Bath.
Publisher:
Publish'd June 25th, 1787, by W. Dickinson, engraver, Bond Street
Title from item., Sheet trimmed to plate mark., Two contrasting images on one plate form contrasting pair of figures., Attributed to Kingsbury in the British Museum catalogue., Temporary local subject terms: Female costume -- Hats -- Muffs -- Puffs -- Derrières -- Trades: Milliners -- Men milliners -- Device for inflating the figure., and Watermark in center of sheet: J. Whatman.
Publisher:
Pubd. Feby. 16, 1787 by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
"Soldiers march impassively in double file through a crowded street, and over the prostrate bodies of those whom they have overthrown. Military arrogance and foppishness are personified by the officer, much caricatured, with a grotesquely elongated waist (cf. British Museum Satires No. 7352). He places one toe on the body of a fish-woman who lies on her back, her legs much exposed. His outstretched right leg is poised above a crouching woman who tries to protect her barrow of vegetables. Two men holding muskets precede the officer; one tramples on the face of an infant. The officer is followed by a man carrying a pike, behind whom march six soldiers in double file carrying muskets with fixed bayonets. All march ruthlessly, eyes front, regardless of the havoc they are causing. A porter lies on the ground clutching a broken wooden case faintly inscribed 'Mr . . . Silversmith'; from it pour plate and jewels. The porter's knee is badly damaged, and his knot has been knocked from his shoulders. A milliner or courtesan lies on her back clutching the hair of a barber who clasps her leg. On the extreme right a prostrate woman tries to protect her infant, and a newsboy with his horn and a sheaf of the 'Morning Herald' tries to escape from the trampling soldiers. Other victims between the soldiers and the wall are a woman with a crutch, a shoeblack, a man with a tray of rolls. A pair of beseeching hands and two female legs (right) waving in the air add to the turmoil, which is accentuated by the writhing forms of the fish which fall from the fishwoman's basket. The background is formed by the wall of a stone building with two elaborately barred niches, and by the window of a silversmith's shop (right)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Abuses: military marches, 1787 -- Newspapers: Morning Herald -- Architectural details: barred niches -- Trampled victims -- Guns: muskets with fixed bayonets -- Protection of the Bank, 1787 -- Military march, double file -- Children: abused infant -- Shops: exterior of a silversmith shop -- Silversmith's box -- Vegetable sellers -- Fishwomen -- Allusion to the Strand -- Allusion to Cheapside -- Allusion to Fleet Street -- Porter's knot -- Newsboys -- Milliners., and Watermark: Hall & [...]plin 1804 on the right side of sheet; Strasburg bend on the left.
Publisher:
Pubd. Augt. 22d, 1787, by S.W. Fores, Piccadilly
Subject (Topic):
Soldiers, British, Military uniforms, Military officers, Marching, Food vendors, Porters, Rifles, Barbers, Newspaper carriers, and Storefronts
Title from item., Twelve lines of verse in four columns below image: The modern bard says Tom, sublimely sings ..., Attributed to Kingsbury in British Museum catalogue., Temporary local subject terms: Furniture: mirror -- Shops: milliner's -- Male costume -- Female costume -- Hats -- Band box -- George III and Queen Charlotte's miserliness -- Windsor Castle., and Stamped "E" in lower left corner, verso.
Publisher:
Published March 24th, 1787 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818 and George III, King of Great Britain, 1738-1820
"Lord Lansdowne sits at a small writing-table, pen in hand, a number of papers before him. Three Jews (left) stand obsequiously on his right, but he turns with his enigmatic smile towards a French post-boy (right), a grotesque dwarfish man with long queue and jack-boots holding his whip and hat, who holds out to him with a cunning smile a paper inscribed: 'My dear Lord Paris 7th Jany 1783 I am happy to hear you have so nearly concluded your Alley Arrangements. The Preliminaries shall be signed coute que coute by the Time you desire, & you may rely on the Courier's arrival on the Eve of the 23d yours truly Billy Paradice [William Eden.]' Under Lansdowne's elbow is a paper inscribed 'Memorandums Pay off the Mortgage on Jesuits Colledge in Berkeley Square - Pay off Solomons any for 500£ pr Annm Inquire what Tayt will take for my Bond for 3000£ given for furniture sold at Christyes'. The foremost Jew holds out to Lansdowne a paper ... On a shelf, inscribed 'Waste Paper', in the upper right corner of the design, are three large bundles of papers: 'Ordnance Estimates', 'State of the National Debt', and 'Civil List'; two piles of documents hang from the shelf. On the wall above Lansdowne's head are two bust portraits: 'John Calvin', wearing a steeple-crowned hat, gown, and bands, and 'Ignatius Loyola', a profile portrait of Burke wearing a Jesuit's biretta as in British Museum Satires No. 6026, &c. 12."--British Museum online catalogue
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Sheet trimmed to within thread margins of plate mark., and Temporary local subject terms: Treaties -- Commerical Treaty with France -- National debt -- Civil list -- Military Ordinance -- Allusion to J. Bond -- Allusion to St. Ignatious Loyola -- Allusion to John Calvin -- French post-boy -- Jesuits -- Allusion to William Eden, 1st Baron Auckland, 1744-1814.
Publisher:
Pubd. March 12th, 1787, by R. Phillips, Southwke., London
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Burke, Edmund, 1729-1797
Subject (Topic):
Jews, Ethnic stereotypes, Tables, Writing materials, Boots, and Whips
"Sir James Erskine dressed as a little girl but wearing a man's wig, bends forward in profile to the left to thrash a mastiff (Hastings) who lies (left) surrounded by a wreath of thorns, his collar inscribed 'Keeper of Ind[ia]'. He holds in his left hand a paper inscribed 'Speec[h] for Thur[sday] Monopoly of Opium'. On the lash of Erskine's whip is a judge's wig inscribed 'Defence of Lord Clive'; its handle is decorated with bells. Burke's head and right arm project into the upper right corner of the design; he holds leading-strings attached to Erskine's shoulders. Below him and immediately behind Erskine are the head and shoulders of Francis, who leans forward, clapping his hands. Above Hastings a rectangular block inscribed 'Impeachment' hangs by a thread. Beside him are three stones, which have been thrown at him, inscribed respectively 'Malice', 'Eloquence', and 'Calumny'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Lewis Walpole Library: Horace Walpole refers to subject.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Hastings, Warren, 1732-1818, Francis, Philip, 1740-1818, and East India Company.
"Sir James Erskine dressed as a little girl but wearing a man's wig, bends forward in profile to the left to thrash a mastiff (Hastings) who lies (left) surrounded by a wreath of thorns, his collar inscribed 'Keeper of Ind[ia]'. He holds in his left hand a paper inscribed 'Speec[h] for Thur[sday] Monopoly of Opium'. On the lash of Erskine's whip is a judge's wig inscribed 'Defence of Lord Clive'; its handle is decorated with bells. Burke's head and right arm project into the upper right corner of the design; he holds leading-strings attached to Erskine's shoulders. Below him and immediately behind Erskine are the head and shoulders of Francis, who leans forward, clapping his hands. Above Hastings a rectangular block inscribed 'Impeachment' hangs by a thread. Beside him are three stones, which have been thrown at him, inscribed respectively 'Malice', 'Eloquence', and 'Calumny'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Lewis Walpole Library: Horace Walpole refers to subject., 1 print : etching and aquatint with stipple on wove paper ; plate mark 27 x 22 cm, on sheet 29.1 x 23.7 cm., and Mounted on leaf 40 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Hastings, Warren, 1732-1818, Francis, Philip, 1740-1818, and East India Company.
"Sir James Erskine dressed as a little girl but wearing a man's wig, bends forward in profile to the left to thrash a mastiff (Hastings) who lies (left) surrounded by a wreath of thorns, his collar inscribed 'Keeper of Ind[ia]'. He holds in his left hand a paper inscribed 'Speec[h] for Thur[sday] Monopoly of Opium'. On the lash of Erskine's whip is a judge's wig inscribed 'Defence of Lord Clive'; its handle is decorated with bells. Burke's head and right arm project into the upper right corner of the design; he holds leading-strings attached to Erskine's shoulders. Below him and immediately behind Erskine are the head and shoulders of Francis, who leans forward, clapping his hands. Above Hastings a rectangular block inscribed 'Impeachment' hangs by a thread. Beside him are three stones, which have been thrown at him, inscribed respectively 'Malice', 'Eloquence', and 'Calumny'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Lewis Walpole Library: Horace Walpole refers to subject., and Mounted on page 58 with one other print.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Hastings, Warren, 1732-1818, Francis, Philip, 1740-1818, and East India Company.
Two young women, attired in low-cut, fine dresses, their veils pulled back over their hair exposing their pretty, young faces, sit in a semi-embrace on a blue loveseat in a garden, one looking lovingly into the eyes of the other with her hand posed to encircle her companion. The other, wearing red shoes, with a rosary at her waist, looks down toward the low neckline of the first. Standing next to them is a rotund Catholic monk in brown robes. He points to the two women while with a mischievous smile he looks to the viewer. Below him is the caption: "The Scene delightful, Beauty here, what then! Ah, Benedicite! Men are but Men." The women speak: "We live recluse and are believed religious, We but dissemble for our Lusts prodigious."
Description:
Title engraved below image., Reissue, with altered publication line. For an earlier state with the imprint "London, Printed for R. Sayer and J. Bennett, map and printsellers, No. 53 Fleet Street, as the act directs, 5 April 1782," see British Museum online catalogue, registration no.: 2010,7081.3219., Sheet trimmed to / within plate mark., Plate numbered "197" in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robert Sayer, chart, map and printseller, No. 53 Fleet Street, as the act directs
Subject (Topic):
Benches, Convents, Gardens, Garden walls, Monks, and Nuns
"Fox (right), wearing a hat, stands in profile to the left, discharging a blunderbuss at the Commercial Treaty (left), a long scroll whose lower portion rests on the floor. The muzzle of his weapon is the head in profile of Lord George Cavendish, from whose mouth missiles emerge. On bands round the muzzle are etched the Cavendish motto, 'Cavendo tutus'. From Fox's pocket protrudes a paper inscribed 'Methuen Treaty'. Behind Fox three seated members are indicated but not characterized; Burke leans forward from behind them holding out his hat in agitated approval. After the title is etched, 'a hasty Sketch of Yesterdays Business'."--British Museum online catalogue and "On 5 Feb. Pitt moved for a committee of the whole House (on 12 Feb.) on the Treaty of Commerce and Navigation with France. Cavendish moved an amendment to delay the debate. Fox then spoke, attacking the treaty as (inter alia) a sacrifice of the Methuen Treaty with Portugal, and alleging that Pitt was 'opposed by the whole body of the people', and 'wrong in every article of his scheme'. 'Parl. Hist.' xxvi. 346 ff."--Curator's comments, British Museum online catalogue
Alternative Title:
Shot at the Minister for a call of the House
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 52 with one other print.
Publisher:
Publd. 6th Febry. 1787 by Thos. Cornell, Bruton Strt
Subject (Geographic):
Great Britain and France.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and France.
Subject (Topic):
Politics and government, Foreign economic relations, and Firearms
"Fox (right), wearing a hat, stands in profile to the left, discharging a blunderbuss at the Commercial Treaty (left), a long scroll whose lower portion rests on the floor. The muzzle of his weapon is the head in profile of Lord George Cavendish, from whose mouth missiles emerge. On bands round the muzzle are etched the Cavendish motto, 'Cavendo tutus'. From Fox's pocket protrudes a paper inscribed 'Methuen Treaty'. Behind Fox three seated members are indicated but not characterized; Burke leans forward from behind them holding out his hat in agitated approval. After the title is etched, 'a hasty Sketch of Yesterdays Business'."--British Museum online catalogue and "On 5 Feb. Pitt moved for a committee of the whole House (on 12 Feb.) on the Treaty of Commerce and Navigation with France. Cavendish moved an amendment to delay the debate. Fox then spoke, attacking the treaty as (inter alia) a sacrifice of the Methuen Treaty with Portugal, and alleging that Pitt was 'opposed by the whole body of the people', and 'wrong in every article of his scheme'. 'Parl. Hist.' xxvi. 346 ff."--Curator's comments, British Museum online catalogue
Alternative Title:
Shot at the Minister for a call of the House
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on laid paper ; plate mark 17.7 x 25.1 cm, on sheet 19.6 x 26.9 cm., and Mounted with one other print on verso of leaf 35 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 6th Febry. 1787 by Thos. Cornell, Bruton Strt
Subject (Geographic):
Great Britain and France.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and France.
Subject (Topic):
Politics and government, Foreign economic relations, and Firearms
"Fox (right), wearing a hat, stands in profile to the left, discharging a blunderbuss at the Commercial Treaty (left), a long scroll whose lower portion rests on the floor. The muzzle of his weapon is the head in profile of Lord George Cavendish, from whose mouth missiles emerge. On bands round the muzzle are etched the Cavendish motto, 'Cavendo tutus'. From Fox's pocket protrudes a paper inscribed 'Methuen Treaty'. Behind Fox three seated members are indicated but not characterized; Burke leans forward from behind them holding out his hat in agitated approval. After the title is etched, 'a hasty Sketch of Yesterdays Business'."--British Museum online catalogue and "On 5 Feb. Pitt moved for a committee of the whole House (on 12 Feb.) on the Treaty of Commerce and Navigation with France. Cavendish moved an amendment to delay the debate. Fox then spoke, attacking the treaty as (inter alia) a sacrifice of the Methuen Treaty with Portugal, and alleging that Pitt was 'opposed by the whole body of the people', and 'wrong in every article of his scheme'. 'Parl. Hist.' xxvi. 346 ff."--Curator's comments, British Museum online catalogue
Alternative Title:
Shot at the Minister for a call of the House
Description:
Title etched below image., Signed with the monogram of James Sayers., and Figure with gun identified in contemporary hand as Charles Fox.
Publisher:
Publd. 6th Febry. 1787 by Thos. Cornell, Bruton Strt
Subject (Geographic):
Great Britain and France.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and France.
Subject (Topic):
Politics and government, Foreign economic relations, and Firearms
"Three ladies are seated in a box, their arms to the elbow are in enormous fur muffs which project over the front of the box. Beneath them, to indicate the fur of the muff and (apparently) the character of the lady, is engraved respectively 'Mrs Bruin', 'Miss Chienne', 'Miss Renard'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted to 23.3 x 23.3 cm.
Publisher:
Pubd. Jany 1, 1787 by J. Wicksteed, No. 30 Henrietta Strt. Covt. Garden
"A fantastic theatre scene, showing stage, orchestra, and two boxes on each side of the stage. On the stage the fall of Amsterdam is represented by a number of frogs (burghers) who hasten obsequiously to submit to the Stadholder. William V, much caricatured as a short fat man wearing military dress with plumed helmet, gorget, and jack-boots, stands with an uplifted sabre, dripping blood, about to cut the throat of a frog, who kneels, holding out a purse in each hand. His sabre is inscribed 'W. de V'; he straddles across the decapitated heads and limbs of his frog-subjects; under his left foot is a standard decorated with three storks. A mutilated frog jumps from the stage into the orchestra from which rise the flames of Hell. Other frogs disappear into the flames, where demons act as musicians; one plays a gridiron with a pitchfork, two others sing. Dominating these musicians is the half length figure of a lean military officer playing the flute, in gauntlet gloves, his eyes fixed on the stage. The frogs who hasten towards the Stadholder have expressions of terror and are dressed as Dutchmen. One proffers a large key inscribed 'Stadt House', another a pail of 'Milk', another a beehive, another a cask of 'Butter', another a keg of 'Holland Gin'. Behind William V the Princess of Orange (left) stands with her hands on her hips, smiling coquettishly over her shoulder at her husband, the word 'Kiss' issuing from her mouth. Suppliant frogs fawn upon her. The background of this scene is a city wall (right) (Amsterdam) and clouds (left), across which straddles a grotesque figure of Fame blowing two trumpets. Above the proscenium the words 'Sic transit Gloria Mundi' replace the customary 'Veluti in Speculum'. ... "--British Museum online catalogue
Alternative Title:
Last scene of the republican pantomine
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state of a plate originally issued with the title: The surrender of Amsterdam, or, The Duke of Brunswick in a bustle. Other changes include the addition of crosshatching, the replacement of the Duke of Brunswick's head with that of William of Orange, and the addition of an inscription on the sabre., Sheet trimmed to plate mark., and Temporary local subject terms: Dutch Patriot Party, 1787 -- Flag of the Dutch Patriot Party -- Demon musicians -- Personification: Fame blowing two trumpets -- Mottoes: Sic transit gloria mundi -- Emblem: Storks for Holland -- French interest: defeated at Amsterdam -- Club of British Oak -- Sabres -- Purses -- Fools cap: Hapsburg eagle -- Snuff boxes -- Stags -- Arms -- Flames of hell -- Cask of gin: Holland -- Pail of milk -- Cask of butter -- beehives -- Stadthouse keys -- Horace Walpole refers to subject -- Harem of veiled women -- Fredericka Sophia Wilhemina, Princess of Orange, 1751-1820.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, William V, Prince of Orange, 1748-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
A single head in oval, shown full-face that when viewed one way depicts an old woman, and when viewed upside down, is the head a judge, with the woman's cap forming the judge's wig. The closed eyelids of one form the eyebrows of the other
Alternative Title:
Judge
Description:
Title below each image. and Sheet trimmed within plate mark.
Publisher:
Pub'd March 30, 1787, by S.W. Fores, No. 3 Piccadilly
A scene from chapter one of Joseph Andrews by Henry Fielding in which Mrs. Slipslop kneels before Joseph holding his hand. From the doorway two servants eavesdrop
Description:
Title from caption below image., Number '143' appears in lower right corner of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for R. Sayer, printseller, No. 53 Fleet Street as the act directs
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue and Wright., and Mounted to 31 x 49 cm.
Publisher:
Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., and Sheet trimmed within plate mark.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
Title from item., Possibly by Rowlandson., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military veterans -- Maps -- Military fortifications -- Negroes: boy servant -- Pictures amplify subject: army camp -- Military uniforms: officers -- Curtains.
A view of a church at Cam, including the churchyard with gravestones
Description:
Title engraved below image. and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '24' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Published as the act directs by Richd. Bigland
Subject (Geographic):
Cam (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
"Burke, in the voluminous robes of a Roman senator, stands looking to the left, making a speech, his right arm extended, left hand on his hip. He is bald-headed, wears spectacles, and his feet are bare. Behind him (right) the heads and shoulders of Fox and North are seen above a barrier or partition. Fox watches Burke with cynical but melancholy impassivity; North reads shortsightedly, his back to Burke. In the middle distance (left) Britannia is seated on the ground, her arm protectingly round the shoulders of another woman, evidently intended for India; she points to the left. Beneath the design the words of Burke's speech are engraved: 'The time is come, Fathers, when that which has long been wished for, towards allaying the envy, your House has been subject to, & removing the imputations against trials, is (not by human contrivance, but superior direction) effectually put in our power. An opinion has long prevailed, not only here at home, but likewise in foreign countries, both dangerous to you, and pernicious to the state, viz. That, in prosecutions, men of wealth are always safe, however clearly convicted. There is now to be brought upon his trial before you, to the confusion, I hope of the propagators of this slanderous imputation, one, whose life and actions condemn him in the opinion of all impartial persons; but who, according to his own reckoning, and declared dependance upon his riches, is already acquitted; I mean W------H------. I have undertaken this prosecution, Fathers, at the general desire, and with the great expectation of the British People, with the direct design of clearing your justice and impartiality before the world. For I have brought upon his trial, one, whose conduct has been such, that, in passing a just sentence upon him, you will have an opportunity of re-establishing the credit of such trials; of recovering whatever may be lost of the favour of the British People; and of satisfying foreign states and kingdoms in alliance with us, or tributary to us. I demand justice of you, Fathers, upon the robber of the public treasury, the oppressor of Asia, and the invader of the rights & privileges of'Britons, the scourge and curse o/Indostan. If that sentence is passed upon him which his crimes deserve, your authority, Fathers, will be venerable & sacred in the eyes of the public. But if his great riches should bias you in his favour, I shall still gain one point, vis. To make it apparent to all the world, that what was wanting in this case was not a criminal, nor a prosecutor; but justice, & adequate punishment.'"--British Museum catalogue
Description:
Title from item., Below image: Fourteen lines from Burke's speech., and Mounted to 43 x 31 cm.
Publisher:
Pub'd by Boyne & Walker, No. 11 Great Turnstile, Lincolns Inn Fields
Subject (Geographic):
India.
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: 'Cits'.
Publisher:
Publish'd as the act directs March 1st, 1787 for the proprietor by Bull & Jeffryes Printsellers, No. 18 Ludgate Hill
Title from item., Two head-and-shoulder portraits in separate ornamental oval frames numbered 'xxxii' and 'xxxiii'., Originally used in: "Histories of the téte-à-téte annexed" in the Town and country magazine, 1787, v. xix, p. 483., Sheet trimmed within plate mark on one side., and Temporary local subject terms: Actress -- Mrs. Martyr -- Drunken peer.
Publisher:
Published as the act directs Decr. 1, 1787 by A. Hamilton Junr., Fleet Street
"A fashionably dressed man and woman (half length) face each other in profile. The outline of the man's projecting shirt-frill resembles that of projecting gauze which covers the lady's bust, see British Mumeaum Satires Nos. 7021, 7099, &c. In the space between them two pouter-pigeons stand facing each other. On the man's coat are large buttons inscribed respectively 'A' 'B' 'C' 'D'."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Publish'd Feby. 24th, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Topic):
Buttons (Fasteners), Clothing & dress, and Pigeons
"John Bull, grotesquely stout, is pressed downwards by a large rolled document which rests on his head inscribed 'Revision 3000 Resolutions Simplefication'. This roll is pressed down by three persons who rest their hands on it, their legs in the air, as if jumping to increase the pressure which has already so much compressed John Bull, concertina-fashion, that his arms reach the ground, and his contour is quasi-rectangular. The central figure is Pitt, saying, "Come, boys, since they say we have well begun, Let's bear hard till the whole's comprest in one". The other two are probably Rose and Steele, the Treasury Secretaries. The words 'Stamps' and 'Incidents' are inscribed on John Bull's shoulders, 'Custom' and 'Excise' (crossing each other) on his body."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified tentatively in British Museum catalog., Temporary local subject terms: Allusion to the speech of George III on January 23, 1787 -- Variety of taxes -- Tax reforms -- Consolidation of duties bill, February 26, 1778 -- Treasury secretary., and Partial watermark on left edge.
Publisher:
Pub'd for the proprietor, by E. Macklew, No. 9, Haymarket
Subject (Name):
Pitt, William, 1759-1806, Rose, George, 1744-1818, and Steele, Thomas, 1753-1823
"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum catalogue, description of a variant state with different title
Alternative Title:
Cooks, scullions, hear me every mother's son and Fierce as staring Ajax from his seat
Description:
Title etched below image., Printmaker and date of publication from Grego., Variant state, with different title, of a plate issued with the title: Fierce as staring Ajax from his seat, uprose with visage stern the king of meat. Cf. No. 7187 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Literary quotation -- Peter Pindar's The Lousiad.
A soldier with a sword in his right hand has his left hand under the chin of a young lady who holds his gun in her left arm. Another soldier grins from behind a chair on which sits a drum. A monkey sits on a music book on a stool
Description:
Title from item., Numbered '145' in lower right corner., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Robert Sayer, Chart, Map, & Printseller, No. 53 Fleet Street as the act directs
Subject (Geographic):
England
Subject (Topic):
Couples, Soldiers, Military uniforms, British, Drums, Parlors, and Pets
"A youth walks right to left, but looking to front, holding a long stick or staff. His hair hangs loosely on his shoulders, his dress is careless, with shirt open at the neck, breeches unbuttoned at the knees, and the buckles of his shoes unlatched."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Companion print to: London refinement., and Sheet trimmed within plate mark.
Publisher:
Pubd. Jan. 1, 1787, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Title is on an ornamental scroll with tassels. Words to accompany song are inscribed in three columns below main design. Birds and bleeding heart are above and between the inscription., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Song -- Flowers: Bleeding heart -- Birds.
Publisher:
Publish'd Octr. 9, 1787 by C. Sheppard, No. 19 Lambeth Hill, Doctors Commons
One of many satires on the morganatic marriage of George IV and Mrs. Fitzherbert. on the left Mrs. Fitzherbert as Dido sits on a funeral pyre made up of phallic-shaped logs and watches the Prince of Wales sail away in a small boat whose flag is inscribed with the word 'Windsor' [Castle]. The wind which fills the ragged sail of the boat appears to be produced by a blast from the mouths of Dundas and Pitt, whose profile heads are on the extreme left. It is directed at Dido's head, and has blown off a royal crown, an orb and sceptre, and a coronet decorated with the Prince of Wales's feathers. With a tragic gesture she holds out in her right hand a mutilated crucifix. Her breast is bare and her girdle of 'Chastity' is broken. At her feet lie emblems of Popery: a sharp-toothed harrow inscribed 'For the conversion of Heretics', shackles, a pair of birch-rods, an axe, a scourge, and a rosary and crucifix. The pyre seems to be made of money-bags. The boat is the 'Honor'; the Prince is seated between Fox, who holds the tiller, and Burke, who holds the sail; his arms are folded and he looks over his shoulder at Fox, saying, "I never saw her in my Life". Fox echoes "No, never in all his Life, Damme"; Burke, wearing a Jesuit's biretta, says "Never", and North, who sits beside him, apparently asleep, says "No, never". After the title is engraved: 'Sic transit gloria Reginae' (pardoy of "Sic transit gloria mundi"). See British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and 1 print : etching with stipple, hand-colored, on laid paper ; sheet 274 x 371 mm.
Publisher:
Pubd. May 21st, 1787, by S.W. Fores, Piccadilly, London
Subject (Name):
Virgil., George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
"Diogenes as an elderly man, walking with a stick and a gourd at his waist-band, to right, holding out a lantern, with a dog going ahead of him; trees behind to left, a small building with steps leading to the door, across a fence in fields to right."--British Museum online catalogue
Description:
Title etched below image., Numbered '125' in lower right corner of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Allusion to Greek philosopher.
Publisher:
Printed for R. Sayer, Printseller, No. 53 Fleet Street as [the] act directs
Title etched below image., Plate from: Grose, F. The antiquities of England and Wales. London : Hooper & Wigstead, 1783-1797, v. 8., Sheet trimmed within plate mark., Mounted on page 253 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on laid paper ; sheet 14.5 x 19.1 cm., Note in ink below image on mounting sheet: There is a model of this Druid temple in wood at Strawberry Hill., and For further information, consult library staff.
"Outline of a large crowd with many carriages gathered to watch as men on horseback chase a deer at left."--British Museum online catalogue
Description:
Title etched below image., Approximate date of publication from the British Museum online catalogue, registration no.: 1876,1014.52., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Easter hunt -- Vehicles -- Wagons -- Male costume, ca. 1790., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Horseback riding, Crowds, Hunting, and Deer
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 292 x 230 mm, on sheet 32 x 23 cm., and Sheet trimmed to plate mark on top and sides.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 53 with one other print.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with aquatint and stipple on wove paper ; plate mark 29.2 x 22.8 cm, on sheet 31.4 x 24.8 cm., and Mounted on leaf 35 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching
"Bishop Watson of Llandaff stands in profile to the right, his arms outstretched as if preaching. He stands under an archway formed by a retort, the furnace of which is behind him (left); the neck of the retort swells into a globe above his head, then bends downwards, its bulb resting on a table or pedestal (right). A bishop (Pretyman) sits in back view (left) facing the furnace. The retort contains (above the furnace) papers inscribed 'Treaty of Commerce between Great Britain and France', and also (in the bulb which Watson faces): 'Chemical Deductions' (impolitic prejudicial to the Manufacturers / My Vote against the Treaty.' In the central bulb above his head are small etchings of 'St Paul's' and 'Lincoln' [cathedrals]; between them is etched: 'Some fancy this Promotion odd / As not the handy-work of God / Though e'en the Bishops dissapointed / Must own it made by God's anointed. Swift [i.e. Jonathan Swift].'--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Ms. note in contempory hand at the bottom of the print: Bp. Watson of Landaff speaking against the French commercial treaty.
Publisher:
Publd. 8th March 1787 by T. Cornell
Subject (Geographic):
France and Great Britain
Subject (Name):
Watson, Richard, 1737-1816 and Pretyman, George, 1750-1827
Subject (Topic):
Commercial treaties, Public opinion, Bishops, Cathedrals, Chemistry, and Preaching
"A design in two compartments, each based on one of the familiar 'Cries of London': In 'Le--Gagne--Petit' (left) Fox is a knife-grinder busily sharpening a headsman's axe. Arranged along his barrow are four knives of various shapes inscribed respectively 'Enquiry', 'inversion', 'sarcasm' (with a notched blade), 'incrementum'. A horn attached to the barrow is inscribed 'Fluidity', a box 'Collective Ideas'. In the background (left) is the gateway of St. James's Palace with two sentries. Behind Fox (right) is the house at the SW. corner of 'St James's St'. He wears a cap and a waistcoat showing a ragged shirtsleeve. Beneath the design is engraved: 'To be Sirs Ingenious I'll tell you my Mind 'tis for What I can get Makes me Willing to Grind.' [2] 'Poisson-Salé'. Burke walks (left to right) along Pall Mall carrying bundles of stock-fish on a pole across his shoulder; he bends forward supporting himself with a stout stick. His only garment, except hat and short wig showing his own hair, is a coat worn back to front, his legs being bare. On a wall behind him (left) are two play-bills: 'Much-Ado about Nothing Principle Performer Mr B------e with The Fathless Irishman', and 'Impeachment of Warren Hastings a Farce, as performed by the Tools of Faction St Stephens Chaple'. Beneath the design is engraved: 'Salt Fish ho 'tis I Who late Amused you all by Crying Hastings.'"--British Museum online catalogue
Alternative Title:
Gagne petit and Poisson salé
Description:
Title from text between the two designs; subtitles from text above each design., Later reissue of no. 6994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.6., Temporary local subject terms: Knife grinder -- Barrow -- Gateway of St. James Palace -- Travesty of Cries of London -- Pall Mall., and Mounted to 29 x 41 cm.
Publisher:
Published by Boyne & Walker, Great Turnstile
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Hastings, Warren, 1732-1818
Subject (Topic):
Impeachment, Fishmongers, Knives, Occupations, Puns (Visual works), and Signs (Notices)
787.07.01.03 Boxed separately; shelved in Object Room C:A
Image Count:
1
Resource Type:
still image
Abstract:
The engraving has been mounted on wood and cut into 42 puzzle pieces. The frame is comprised of 10 pieces; the remaining 32 pieces each with a portrait of a king or queen of England, starting with William I and ending with George II, and one piece depicting Oliver Cromwell, contain extensive details about their lives and reigns. Below the title in the frame at the top are directions for the puzzle: "Directions. 1. Learn to put the heads in succession. 2. Get the dates of inner ovals & the houses of the respective kings. 3. Learn the names of the principal personages of each reign separately. 4. Get by heart the historical & chronological facts of the respective reigns with the dates of battles, treaties, &c." In the bottom portion of the framing pieces is a key to the contractions used in the text: "Contractions. K. king. Pr. prince. D. duke. E. earl. Abp. Archbishop. ... N.B. Capitals over the heads are the initials of the different houses. N. Norman. Pl. Plantagenet. L. Lancaster. Y. York. T. Tudor. S. Stuart. O. Orange. B. Brunswick. In the dates the year only of the current century is sometimes expressed as the rest is evident from the reign."
Description:
Title engraved in frame above the images. and With the original box with dove-tailed sliding lid and original label. Solution to the puzzle printed separately and mounted the side, inside the box. Also boxed and shelved separately.
Publisher:
Publish'd 1st July 1787 by Carington Bowles, St. Paul Church Yard ; C. Dilly, Poultry & W. Darton, Birchin Lane, London
On the left, a man with a beard and wearing a hat holds the coat of a short, bald man in waist coat, shirt, and trousers who is advancing to the right, fists up and ready to fight. In the front on the right is a foppish man holding an open snuff box in his right hand. He advances, pointing his left leg and wearing an expression of extreme alarn, and bowing at the pugilist. Between them but behind stands an older man in enourous boots and with a curious hairdo, who spreads his hands in a gesture of despair. A fifth man, standing in back of the fop, also wears an expression of apprehension
Description:
Title etched below image., Date altered in plate. First published August 31st, 1785, by S.W. Fores., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published August 30st, 1787, by S.W. Fores, No. 3 Piccadilly
Farmer George delivered of a most greivous speech with the cruelty of the gossips
Description:
Title from item., Temporary local subject terms: Games: Tug-of-war -- Interior of the House of Commons -- Allusion to the trial of Warren Hastings -- George III's speech to the House of Commons, January 23, 1787 -- Opening of Parliament -- Gossips., and Watermark in center of sheet.
Publisher:
Pub'd Jany. 23, 1787, by S.W. Fores, No.3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, and North, Frederick, Lord, 1732-1792
