Volume 2, page 63. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A woman in a bonnet hunching over and pulling her cloak around her against the high wind and rain, blowing her skirts from the left; oval design after Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Early state, before addition of title and before alterations to publication year and publisher's street address in imprint. Cf. British Museum online catalogue, registration no.: 1917,1208.2427., Sheet trimmed to plate mark., Mounted on page 63 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Title written in ink below image, in a contemporary hand: The storm.
Publisher:
Publish'd as the act directs April 7th, 1787, by J. Jones, No. 63 Great Portland Street
Volume 2, page 62. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man in a cap sitting on a basket, smoking a pipe, a tankard in his hand, resting on his crossed legs, his right arm draped over the back of a chair at left, his hat fallen on the ground beside; circular design after Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Early state, before addition of title and before alterations to publication year and publisher's street address in imprint. Cf. British Museum online catalogue, registration no.: 1873,0712.440., Sheet trimmed to plate mark., Mounted on page 62 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Title written in ink below image, in a contemporary hand: The repose.
Publisher:
Publish'd as the act directs April 7th, 1787, by J. Jones, No. 63 Great Portland Street
Subject (Topic):
Chairs, Baskets, Drinking vessels, and Pipes (Smoking)
"Portrait after Reynolds (Mannings 295); half-length, directed and facing to left, seated holding flower and wearing a veil pushed to the back; landscape behind."--British Museum online catalogue
Description:
Title, artist, printmaker, and publication information from impression of lettered state in the British Museum, registration no.: 1832,0418.9., State of plate is undetermined., Sheet trimmed within plate mark with possible loss of text from bottom edge., and Mounted on page 222 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
"Nearly whole-length reclining at the foot of a tree in open country, with one arm pointing across her chest."--British Museum online catalogue
Description:
Title and state from Smith, J.C. British mezzotinto portraits., Place of publication transposed from end of publication statement., Mounted on leaf numbered 1 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Publish'd Septr. 1st 1787 by John Boydell engraver in Cheapside
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
"A lady sits full-face behind a dressing-table, an open book in her hand, while a hairdresser (left) curls her hair with tongs; a cloud of smoke shows that her hair is burning, her expression shows that it is painful. She wears a dressing-gown. Beside her (right) stands another woman, her mouth open as if singing. The hairdresser stands legs astride with an expression of fierce determination. Two combs are stuck in his hair. The two side-flaps of the small folding dressing-table are open, and the small mirror stands in the centre. On the table are toilet boxes and a tress of hair. Above the design is etched a quote from George, Lord Lyttleton's Song: "Alas! by some degree of woe We every bliss must gain, The heart can ne'er a transport know, That never felt a pain."'--British Museum online catalogue
Alternative Title:
Alas by some degree of woe, we every bliss must gain
Description:
Title from British Museum catalogue. and Artist identified as C.M. Fanshawe in the British Museum catalogue.
Publisher:
Publish'd by Js. Bretherton
Subject (Topic):
Barbers, Dressing tables, Hairdressing, and Hairstyles
A view of the back of a horseman and the rump and hind legs of his horse. The rider is wearing a tall silk hat and holding a riding crop in his right hand
Description:
Title devised by cataloger., Signed with the monogram of James Sayers., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : soft-ground etching on wove paper ; plate mark 24.8 x 17.5 cm, on sheet 27.5 x 19.9 cm., and Mounted on leaf 37 of James Sayers's Folio album of 144 caricatures.
A view of the back of a horseman and the rump and hind legs of his horse. The rider is wearing a tall silk hat and holding a riding crop in his right hand
Description:
Title devised by cataloger., Signed with the monogram of James Sayers., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 56.
A view of the back of a horseman and the rump and hind legs of his horse. The rider is wearing a tall silk hat and holding a riding crop in his right hand
Description:
Title devised by cataloger., Signed with the monogram of James Sayers., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and In pencil below image: Prince of Wales?
Title from Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 18 x 28 cm.
Title, imprint, and printmaker from British Museum catalogue., Temporary local subject terms: Furniture -- Pictures amplify subject -- Poland and Hungary -- Wall map., and Below the image, the three figures are indentified in contemporary hand as: Lord Loughborough, Mr. Wedgwood, Earl of Portland.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wedgwood, Josiah, 1730-1795, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
"A composite figure with two heads, one that of Lord Howe, the other that of George III, stands between two groups of naval officers; both heads are in profile. The King turns to the right, taking a petition from a kneeling officer with a wooden leg and saying "I never interfere with your first Lord no never". Five officers standing behind this petitioner say (left to right): "I see I shall lose my Rank after all my long Services"; "I am set aside altho' I've lost a Son & one Eye"; "Humbugd by Jove by [the] old Jesuit"; "Had I my Arm again Fd find a better Country"; "Brothers, Our Lords & Commons will not suffer this Game". The last speaker has one leg and stands with a crutch. Howe, scowling with downcast head, says, "Go, go, I can do nothing. It is his Majesty's pleasure, that------" An officer steps forward holding out a petition, he says, "Rascall". Four others standing behind the petitioner say (left to right): "He's fond of Manoeuvres if ever so bad, you know him"; "The King's pleasure! That's a Falsity added to a mean Finesse"; "Our Navy has now two Heads & no Helm, rare Work"; "Vultus est Index Animi".--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., The last number of the year in the imprint statement has been engraved over with another number. The British Museum online catalogue suggests that a '6' was amended to a '7'., and Sheet trimmed within plate mark.
Publisher:
Published by G. Humphrey, 48 Long Acre
Subject (Name):
George III, King of Great Britain, 1738-1820 and Howe, Richard Howe, Earl, 1726-1799
Title from caption below image., Text below title: Size of the picture, 1 f. 9 1/2 i. by 2 f. 3 1/2 i. in height., Etched coat of arms below image bearing the motto: Fari quae sentiat., Plate LXI from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2., and On same sheet: Saint John the Evangelist.
Publisher:
Published Sepr. 1st, 1787, by John & Josiah Boydell, Cheapside
Title from item., Verse below title: Divide me like a bribe-buck, each a haunch, Shakespeare., Sheet trimmed to thread margins of plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literary quotation: Shakespeare -- Obese man -- Warts., and Mounted to 37 x 25 cm.
Publisher:
Pubd. for the proprietor by W. Moore, No. 48 New Bond Street
"A fashionable dentist is extracting the teeth of the poor in order to insert 'live teeth' immediately into the jaws of his patients. In the centre a young chimney-sweep sits in an arm-chair, over the back of which the dentist leans, holding the boy's head, and inserting an instrument into his mouth. Next (left) a lady sits in a similar chair watching the sweep with a pained and angry expression; she holds a smelling-bottle to her nose; she has just endured an extraction and is about to receive a transplantation. On the right a good-looking young lady leans back, her fists clenched in pain, while a spectacled dentist peers closely into her face, placing his instrument in her mouth. Behind her a lean, ugly, and elderly man wearing regimentals stands in profile to the right, holding a mirror in which he inspects his mouth with a dissatisfied expression. On the left a ragged boy and girl are leaving the room, both crying with pain: the girl inspects the coin in her hand. On the door is a placard: 'Most Money Given for live Teeth'. A placard on the wall is headed by a coronet and two ducks, indicating quackery: 'Baron Ron------Dentist to her High Mightiness the Empress of Russia'. Cf. British Museum Satires No. 6760."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Early state of a plate that was reissued in 1790, at which time Harris's imprint was burnished out and replaced with that of William Holland. Cf. No. 7766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local Medical Library subject terms: Tooth extraction -- Tooth transplant -- Baron Roh...*.
Publisher:
Pubd. 1787 by J. Harris, No. 37 Dean St., Soho
Subject (Topic):
Dentistry, Teeth, Extraction, Donation of organs, tissues, etc, Quacks and quackery, Poor persons, Chimney sweeps, Pain, Dental equipment & supplies, Chairs, and Signs (Notices)
"Portrait after Reynolds (Mannings 823); whole-length seated to left, facing and eyes to upper right, wearing sash and star, with a large volume held in both hands and resting on his lap, his left elbow resting on table to right with decorative jug and rolls of paper; the floor scattered with books, papers and artefacts, and a large urn to right; curtain above and landscape through window to left."--British Museum online catalogue
Alternative Title:
Honble. Sir William Hamilton, K.B. and Honourable Sir William Hamilton, K.B.
Description:
Title engraved below image., Imprint from impression in the British Museum online catalogue., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., and Bottom two corners also trimmed at an angle; mounted to sheet 693 x 448 mm.
Publisher:
Published Decr. 20th. 1787 by H. Hudson, and sold by J. Young No. 28 Newman Street, London
A pretty young girl with long hair under a huge mob cap sits on the knees of a fat clergyman who in turn sits astride a cart made from a cask of ale marked 'October'. One of the wheels of this cart is labelled "Cheshire"; the cart is being pulled by a sow whose three babies are suckling her. The clergyman is kissing the girl and holding a glass in his right hand. A devil stands on the back of the cask looking over the clergyman's head and the tip of his tail is in the glass. A signpost to the right reads "To the Bottom". A boar follows the cart at a distance. In the distant background on the left is a church
Description:
Title from item., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
1787 Published by Boyne & Walker, March 16 Gr. Turnstile
"A scene from Act V of Murphy's play as performed at the private theatre of the Duke of Richmond at Richmond House, on 20 April 1787 and subsequently. Lovemore (Lord Derby) stands between Mrs. Lovemore (Mrs. Damer), who holds his right arm, and the Widow Belmour (the fat Mrs. Hobart). Beside the Widow, and on the extreme right, stands a very thin man dressed with exaggerated foppishness, his hat under his arm; he says, "As the man says in the Play your Lordship is right welcome back to Denmark". He is Sir Brilliant Fashion, played by the Hon. Richard Edgcumbe. Mrs. Damer says, "This is Lord Etheridge Madam", and Mrs. Hobart answers, "No Madam this is Lord Lovemore"; the speeches have been transposed by an engraver's error. In a stage box on the extreme left sit the Duke of Richmond and a lady (the Duchess?) holding an enormous muff, her high coiffure much exaggerated. The box is decorated with a group, two crossed cannon, lying on a plan of a fort, with a kettle-drum, surmounted by a laurel wreath, an allusion to Richmond's unpopular scheme for fortifying Portsmouth and Plymouth, see BMSat 6921, &c. The ladies have tiny faces, framed in elaborately dressed hair, which contrast with Lord Derby's large head. A draped curtain frames the stage; in the centre is the customary 'Veluti in Speculum'."--British Museum online catalogue
Alternative Title:
Veluti in speculum
Description:
Title from item., Attributed to Captain Mercer by the curator based on style., At top of print: Veluti in speculum., Temporary local subject terms: Horace Walpole refers to subject -- Richmond House Theatre -- Arms -- Richmond fortifications., and Watermark: E & P.
Publisher:
Pub'd Aprl. 23, 1787 by H. Humphries, Bond Strt
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Richmond, Mary, Duchess of, 1740-1796, Damer, Anne Seymour, 1748 or 1749-1828, Valletort, Viscount 1764-1839 (Richard Edgcumbe),, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
An old woman wearing a white apron and bonnet sits in a chair, with two canes at her side. She is bandaging the hand of a tearful young woman, while another young woman looks on. A cat sits in the ledge beneath a casement window
Description:
Title from item., Numbered '199' in lower right corner of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : mezzotint ; plate mark 15.2 x 11.3 cm, on sheet 19 x 14 cm., and Year in imprint statement has been partially erased from sheet and final two digits have been altered in ms.
Publisher:
Publish'd 20th June 1787 by Robt. Sayer, 53 Fleet Street
Subject (Geographic):
England
Subject (Topic):
Cats, Clothing & dress, Clothes chests, Crutches, Physicians, and Women
An old woman wearing a white apron and bonnet sits in a chair, with two canes at her side. She is bandaging the hand of a tearful young woman, while another young woman looks on. A cat sits in the ledge beneath a casement window
Description:
Title from item., Numbered '199' in lower right corner of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 20th June 1787 by Robt. Sayer, 53 Fleet Street
Subject (Geographic):
England
Subject (Topic):
Cats, Clothing & dress, Clothes chests, Crutches, Physicians, and Women
Volume 2, page 53. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior scene in a tavern, at left a woman rasies a large tankard to her lips, the man sitting near her with his hand around her waist, another customer sitting beside them encourages her to take a drink, a cigar(?) in his hand, behind a woman bends down to tend to the fire, across the room at right a patron sits reading from a newspaper, a smartly dressed man with a lantern(?) in hand standing beside him, another in labourers clothes leans on the back of his chair at right; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Eight lines of verse below image, four on either side of title: verse: No more the farmer's news, the barbers tale, no more, the woodman's ballad shall prevail, no more the smith his duskey brow shall clear, relax his pond'rous strength, and lean to hear; the host himself, no longer shall be found, carefull to see the mantling bliss go round; nor the coy maid, half willing to be press'd, shall kiss the cup, and pass it to the rest. Goldsmith., Illustration to Oliver Goldsmith's poem 'The deserted village'., and Mounted on page 53 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published April 7th, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Name):
Goldsmith, Oliver, 1730?-1774.
Subject (Topic):
Interiors, Taverns (Inns), Drinking vessels, and Newspapers
Title etched below image., Temporary local subject terms: Commercial treaty with France, 1786 -- Puns: Artist's and engraver's names -- Allusion to the Massacre, St. Bartholomew's Day, 1572 -- Eating English food -- Drinking French wine -- Allusion to French faith, or the virtuous individual., Watermark in center of sheet: J. Whatman., and Mounted to 28.5 x 43 cm.
Publisher:
Pub'd Feby. 26, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Louis XVI, King of France, 1754-1793
"John Palmer (left), striding across a miniature circular tower surrounded by a moat, falls back under the attacks of two men on the other side of the moat. He wears pseudo-Elizabethan dress, with a cloak; his feathered hat falls off. On his arm, in place of a shield, is a document inscribed 'Licence . . . Wild-moat'; he drops from his right hand a paper inscribed 'Tower Privilege'. Cornwallis, saying, "I am down again". Miniature cannon are firing from the tower. Facing him, one foot on an upturned tub inscribed 'For the Use of Cov: Gar. Wardrobe', is a man wearing nightcap, dressing-gown, and slippers, with an apron, who is about to hurl a bar inscribed 'Castile Soap', saying, "I am a Gentleman, you Vagabond"; on his left arm, in place of a shield, is a paper inscribed 'An Act for regulating the Stage'. He is probably George Colman. Beside him, his left arm in a sling, a young man (? Colman the younger) discharges at Palmer a blast from a pistol inscribed 'Breach of Articles'. Three spectators stand close together on the right, saying, "Mr Palmer, we must oppose: we told you so at Christmas!" They are Sheridan and probably his partners, Linley and Dr. Ford. In the background (right) is a building inscribed 'Circus', in front of which a man stands on one toe on the back of a galloping horse, while a monkey stands on its head on the back of a pig; the pig's saddle is inscribed 'Jacko'; from its mouth issues 'ABC', representing Astley's, General Jacko, and the Learned Pig (see BMSat 6715, &c); a scroll issuing in a curve from Astley and Jacko is inscribed 'We shall all Play'. In the moat are frogs and the bodies of two tiny women, Tragedy and Comedy, one holding a cup and dagger, the other a mask."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7171 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark on one side., and Temporary local subject terms: Male costume: Pseudo-Elizabethan -- Male costume: night clothes -- Unlicensed theatres: Royalty Theatre -- Allusion to Covent Garden -- Learned pigs -- Castile soap -- Lighting: rushlights -- Slings -- Body of Tragedy -- Body of Comedy -- Moats -- Guns: Pistols -- Miniature cannons -- Stage properties: tub -- Horace Walpole refers to print -- Towers -- Circuses: Astley's Circus -- Performing monkies: General Jacko.
Publisher:
Pubd. June 30, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Palmer, John, 1742?-1798, Astley, Philip, 1742-1814., Cornwallis, Charles Cornwallis, Marquis, 1738-1805., Colman, George, 1732-1794, Colman, George, 1762-1836, Sheridan, Richard Brinsley, 1751-1816, Linley, Thomas, 1733-1795, and Ford, Edward, 1746-1809
Volume 2, page 34. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady nurses a sleeping baby while another older girl approaches from the left; an oval composition."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark., and Mounted on page 34 in volume 2 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
Publisher:
Pubd. Feby. 27th, 1787, by S. Vivares, Great Newport Street
Two elegant young ladies sit side-by-side on a sofa, the one with sheet music in her lap as her companion plays the lute
Alternative Title:
Sirens
Description:
Title from caption below image., Sheet trimmed within plate lines., Below image, four lines of verse in two columns: Here all is pleasure, nothing wanting ..., and An intaglio print using multiple processes including, soft-ground etching, stipple engraving, aquatint and etching, printed in color à la poupée.
Publisher:
Pub'd April 10th 1787 by E. Jackson, No. 1 Marylebone Street, Golden Square
Title etched below image., Printmaker from description in the British Museum catalogue of a later state., Early state with variant title, with the central figure bearing the Duke of Brunswick's head instead of that of William of Orange, and with the sabre lacking an inscription. Cf. No. 7181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark and mutilated in lower left corner, with partial loss of imprint; remainder of imprint mostly erased from sheet. Imprint from the impression at the Beinecke Library.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
A portrait said to be of Sir Brook Watson and a grocer's wife whom is reputed to have seduced
Alternative Title:
Pensioned magistrate
Description:
Titles from text below images., Plate from?: "Histories of the téte-à-téte annexed" in the Town and country magazine, 1787, v. xix, page 51., Two head-and-shoulder portraits in separate ornamental oval frames numbered 'IV' and 'V'., and Mounted to 21 x 28 cm., with p. [51]-52 of Town and country magazine, 1787, vol. xix.
Two head-and-shoulder portraits in separate ornamental oval frames numbered 'VII' and 'VIII'.
Alternative Title:
Seduced soldier
Description:
Titles from text below images., Plate from?: "Histories of the téte-à-téte annexed" in the Town and country magazine, 1787, v. xix, page 105., and Temporary local subject terms: Seducers.
A clergyman baptizes a child who is submerged in a punch bowl, as his parents and another couple look on. Also on the table are two full glasses of punch
Description:
Title engraved on banner in the image., Twelve verses engraved in two columns below image, beginning: Come listen awhile, I will make you to smile, With a story that's certainly true ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Numbered in ms. top left: 16.
Publisher:
Publish'd Octr. 16, 1787 by C. Sheppard, No. 19 Lambeth Hill, Doctors Commons
A young woman in foreground, wearing boots and a plumed hat over her large wig, holds a gun over her shoulder and carries two dead partridges. A footman stands behind her, pointing a finger and laughing at her and dodges the barrel. A pointer walks in front of her, while a second man on horseback stands some distance away. The background is of a cloudy winter landscape
Description:
Title from item.
Publisher:
Printed for Robert Sayer, No. 53 Fleet Street as the act directs
Subject (Geographic):
England
Subject (Topic):
Hunters, Game bird hunting, Hunting dogs, Firearms, Clothing & dress, and Women
Two head-and-shoulder portraits in separate ornamental oval frames numbered 'i' and 'ii'.
Description:
Titles engraved below images., Plate from: "Histories of the téte-à-téte annexed" in the Town and country magazine, 1787, v. xix, page 33., Temporary local subject terms: Chamber maid., and Mounted to 20.5 x 28 cm, with p. 33-34 from Town and country magazine, 1787, vol. xix.
Volume 2, page 65. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A strip design of a sequence of eighteen figures, all men. Their gestures and expressions denote pleasure, surprise, or horror (real or affected). Over the head of each person the words he speaks are engraved. The first (left) runs forward in profile to the right, 'chapeau bras', both arms extended, exclaiming "Tis true". The next, looking away gloomily, says, "Tis Pity". A man, with a pleased smile, says "As tender as possible". His neighbour says "Dont mention it", to a man who says "Poo, Poo". The next, clenching his fist, says angrily, "God Zounds hold - your Tongue", addressing a foppish man who capers delightedly, saying "Ha Ha". The next, with a shocked (but pleased) expression says "O La !" to a man who answers, "Dear me you dont say so?" A stout man yawns "Heigh ho". A lean one says "O Fye". The next couple, addressing each other, say "Indeed!" and "There now". The next, highly pleased, says "I thought so" to an angry man who exclaims "The Devil!" A lean austere man, raising a hand, says "No sure". A foppish man, 'chapeau bras', bowing with his hand on his heart, says, "Depend upon it". The last, horrified, exclaims "O Lord! O Lord!"."--British Museum online catalogue
Description:
Title engraved below image on second plate., A single design on three plates., Sheets trimmed within plate mark., "From an original drawing by H. Bunbury Esqr. in the possession of John Hayne Esqr., Bath.", and Mounted on page 65 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Decr. 29th, 1787, by W. Dickinson, Bond Street
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Communication, Faces, Mental states, and Rumor
Title from item., Sheet trimmed within plate mark., Attributed to Kingsbury in British Museum catalogue., and Temporary local subject terms: Swine -- Prince of Wales's debts -- Bible: Prodigal son, Luke 11:32
Publisher:
Pub'd Jany. 18, 1787, by S.W. Fores, No. 3 Piccadilly
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., and Printed on top half of same sheet is companion print "The prince at grass", assigned the second call number: 787.06.02.01 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., 1 print : etching on laid paper, hand-colored ; sheet 12.7 x 18.9 cm., and Window mounted to 14 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., and Printed on bottom half of same sheet is companion print "The prince in clover", assigned the second call number: 787.06.02.02 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., 1 print : etching on laid paper, hand-colored ; sheet 12.9 x 18.9 cm., and Window mounted to 15 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"Portrait in profile of a young man who lacks hands and legs beyond the knee; full-length, sitting on a cushion before a lectern on the right, drawing a tree with a pen held against his mouth using his left elbow."--British Museum online catalogue
Description:
Title from text within image., Etched below the image: These deficiencies were occasioned, (as his mother supposes) by a fright she suffer'd whilst pregnant with him. Notwithstanding these disadvantages he has by industry acquired the arts of writing, and drawing, holding and guiding the pen and pencil with the muscles of his cheek and arm., and Mounted to: 27.7 x 21 cm
Publisher:
Publish'd for T. Inglefield
Subject (Name):
Inglefield, Thomas, 1769-,
Subject (Topic):
Abnormalities, Human, Phocomelus, Artists, British, and People with disabilities
Portrait of a young man, full-length, facing the viewer but with his head turned slightly to the right. He lacks hands and legs beyond the knee and is seated before a lectern (right) with a drawing of a tree on the page. He holds a pen held against his mouth using his left elbow
Description:
Title etched below image., Text etched below the image: "This extraordinary young man was born Decr. 18, 1769, at Hook, in Hampshire, without arms or legs, as here delineated, occasioned as his mother supposes by a fright she suffered when pregnant with him. Notwithstanding these disadvantages he has by industry acquired the arts of writing & drawing, holding his pencil between the stump of his left arm and his cheek & guiding it with the muscles of his mouth. In order to assist these extraordinary efforts of ingenuity, this drawing was presented to him by Mr. Robertson, & Mr. Fittler kindly super-intended the etching. This print is sold by T. Inglefield at No. 8 Chapel Street, Tottenham Court Road, where ladies & gentlemen may see him & many more of his performances."--Below title., and Sheet trimmed to plate mark.
Publisher:
Sold by T. Inglefield at No. 8 Chapel Street, Tottenham Court Road
Subject (Name):
Inglefield, Thomas, 1769-
Subject (Topic):
Abnormalities, Human, Phocomelus, Artists, British, and People with disabilities
"The Prince of Wales and his adherents are travestied as negroes; the Prince stands in a doorway inscribed 'Brookes Rectifier of Spirits', which is represented as a debtor's prison: the heads of George Hanger and Burke are seen through a barred window on the left outside which hangs a basket inscribed 'Pray Remember us Poor Blacks'. Both are naked, except for Hanger's accustomed cocked hat (cf. BMSat 6924), and Burke's biretta (cf. BMSat 6026). The Prince wears a girdle of leaves, a helmet feathered like the head-dress of a Red Indian, but decorated with the triple ostrich plume, and his ribbon and star. He holds out his hands in consternation at the approach of Fox and North (as a woman), their arms interlaced, their faces contorted with grief (cf. BMSat 6193, &c). Fox's hat is inscribed 'Carlo Crusoe'; on his breast is a placard: 'We were unfortunately cast away in the British Channel on board the Portland East Indiaman' (an allusion to the defeat of the Coalition on Fox's India Bill, and probably an imitation of the placards of begging seamen). Their scanty garments are ragged; from North's Garter ribbon hangs a placard: 'Ruined by the American War'. Behind them is another couple with arms interlaced: Lord George Gordon (not a negro) with a black man who carries a primitive stringed instrument, his cap inscribed 'Man Friday'. He is perhaps intended for Sheridan. Gordon flourishes a paper inscribed 'Defence of the Blacks by Lo[rd] G------G------' and says "By all the glories of mischief they have no right to send us to Africa". At the end of the procession Thurlow with a raised stick chases a negro wearing a cap inscribed 'Purveyor', who resembles Weltje, except that he is short and fat, and says, with clasped hands, "O! Oh! - bless your heart Massa Beetle-brow - if you no lick apoor neger man he'll pimp for you.""--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Statement following imprint: ... of whom may be had the new, very popular and comprehensive print entitled "The French treaty reviewed", &c, &c., and Mounted to 29 x 43 cm.
Publisher:
Pub'd as the act directs for the proprietor, by E. Macklew, No. 9, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Burke, Edmund, 1729-1797, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Weltje, Louis, 1745-1810, and Gordon, George, Lord, 1751-1793
Attributed to Hook. See British Museum catalogue., Temporary local subject terms: Globe -- Mythology: Atlas -- Musical instruments: Newsboy's horn -- Allusion to newspaper: The world or Fashionable intelligencer, started Jan. 1, 1787 by Edward Topham -- The Tip-top Adjutant., and Watermark in center of sheet.
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A good-looking young man rides a horse in profile to the left. A park-paling and foliage form a background."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Temporary local subject terms: Rider on a horse -- Spurs -- Horsemanship., Mounted on page 66 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving with etching on laid paper ; sheet 22.8 x 18.6 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd June 25th, 1787, by W. Dickinson, Bond Street
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A good-looking young man rides a horse in profile to the left. A park-paling and foliage form a background."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Temporary local subject terms: Rider on a horse -- Spurs -- Horsemanship., and Watermark, trimmed.
Publisher:
Publish'd June 25th, 1787, by W. Dickinson, Bond Street
"Pitt (left) holds up the dome of St. Paul's which he is about to place over the central tower of Lincoln Cathedral (right). He stands in a graveyard at some distance, and leans forward, on tip-toe, his right foot resting on a rectangular tombstone inscribed 'Hic jacet' and decorated with a bishop's mitre, a winged skull, and cross-bones"--British Museum online catalogue
Alternative Title:
Minister endeavouring to eke out Dr. Pretyman's bishopric
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., and Temporary local subject terms: St. Paul's Cathedral -- Lincoln Cathedral.
Publisher:
Pubd. March 1787 by R. Phillips, Southwark
Subject (Geographic):
England.
Subject (Name):
Pitt, William, 1759-1806 and Pretyman, George, 1750-1827
Subject (Topic):
Cathedrals, Cemeteries, and Tombs & sepulchral monuments
Title from item., The 'A' in Thaught has been overwritten with an 'O' in ink., Attributed to Kingsbury in British Museum catalogue., and Temporary local subject terms: Furniture: sofa -- Women's costume -- Prostitute.
Publisher:
Pub'd April 16, 1787, by S.W. Fores, No.3 Piccadilly
Twelve lines of verse in three columns below title: Such assemblies, you might swear, Meet when butchers bait a bear ..., Later state by a different publisher of No. 7132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. Traces of the earlier imprint burnished from plate below image on left., and Temporary local subject terms: Naval uniforms -- Repeal of the shop tax.
Publisher:
Publish'd June 27th, 1787, by S. Fores, satirist, No. 3 Piccadily [sic]
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Howe, Richard Howe, Earl, 1726-1799, Burke, Edmund, 1729-1797, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Twelve lines of verse in three columns below title: Such assemblies, you might swear, Meet when butchers bait a bear ..., Later state by a different publisher of No. 7132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. Traces of the earlier imprint burnished from plate below image on left., Temporary local subject terms: Naval uniforms -- Repeal of the shop tax., 1 print : etching with stipple on laid paper, hand-colored ; sheet 33.1 x 46.1 cm., and Sheet trimmed within plate mark on top edge.
Publisher:
Publish'd June 27th, 1787, by S. Fores, satirist, No. 3 Piccadily [sic]
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Howe, Richard Howe, Earl, 1726-1799, Burke, Edmund, 1729-1797, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"The Duchess of Devonshire sits astride a galloping fox, her face to its tail. A signpost by the fox's head points (left) 'To Cuckolds Hall'; on the top of the post is a pair of horns. The Duchess wears a hat trimmed with ostrich feathers and with a ribbon inscribed 'Fox'"-- British Museum online catalogue
Alternative Title:
One good turn deserves another
Description:
Title etched below image., Reissue of a print originally published 24 May 1784. See British Museum catalogue., and Mounted to 28 x 36.5 cm.
Publisher:
Pubd. May 24, 1787, by J. Notice, Oxford Road
Subject (Geographic):
Great Britain
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., and Fox, Charles James, 1749-1806.
Subject (Topic):
Politics and government, Adultery, Foxes, and Traffic signs & signals
