A composition set in an oval shows a scene from O'Keeffe's Agreeable surprise in which Cowslip (Mrs. Wells) stands in profile on the left holding out a bowl of milk. Lingo (Mr. Edwin) faces the viewer as his eyes turn toward Cowslip; he gestures with his right hand chest-high. Both are three-quarter views of the performers
Description:
Title from caption below image., Date based on drawing of Mrs. Wells by Donnman in the Brit. Museum., A related print of Edwin and Wells as Lingo and Cowslip / H. Singleton pinxt. ; Edmund Scott sculpt. Published 1 May 1788 by I. Birchall. See Catalogue of Engraved British portraits, v. 2, p. 136., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Edwin, John, 1749-1790, Wells, Mary, approximately 1759-, and O'Keeffe, John, 1747-1833.
"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum catalogue, description of a variant state with different title
Alternative Title:
Cooks, scullions, hear me every mother's son and Fierce as staring Ajax from his seat
Description:
Title etched below image., Printmaker and date of publication from Grego., Variant state, with different title, of a plate issued with the title: Fierce as staring Ajax from his seat, uprose with visage stern the king of meat. Cf. No. 7187 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Literary quotation -- Peter Pindar's The Lousiad.
"The King, Queen, and three princesses are seated at a small dinner-table, on which is a soup-tureen, &c. The King holds a plate on which is an insect, turning round to address angrily a cook (right), who stands trembling beside him. Two alarmed servants stand behind the King's chair. The Queen and princesses make gestures of alarm; one princess (left) has risen from her chair in horror. On the extreme left stands a beefeater holding a jug, who lets glasses fall from a salver in his consternation. A draped window forms a background."--British Museum online catalogue
Description:
Title etched below image; source of the title "Lousiad canto 1st" as indicated., Printmaker from Grego., Date of publication from British Museum catalogue., Sheet trimmed to plate mark on right and left sides., and Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto I. London, G. Kearsley, 1787.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
A 1787 fencing match between a man and a woman in the elegant rooms of Carlton House, London. In the audience stands the Prince of Wales who had arranged this fencing demonstration between Mademoiselle d'Eon (right), and Monsieur de Saint George (left). Charles Geneviève Louis Auguste André Timothée d'Éon de Beaumont (1728-1810), known as the Chevalier d'Eon, who lived the first half of his life as a man and the second half as a woman. The fencer on the left is Joseph de Bologne de Saint-Georges or the Chevalier de Saint-Georges (1745-1799), who was the son of a wealthy plantation owner in the French West Indies colony of Guadeloupe and one of his African slaves named Anne
Alternative Title:
Assault and Fencing match
Description:
Title engraved below image., After the painting by Victor Marie Picot., Questionable attribution to Rowlandson in the Lewis Walpole Library card catalog., Another version of this print attributes the design to Gillray: GIllray inv., and Sheet trimmed within plate mark; design cropped.
Publisher:
Published by Corbeau at Paris and by Robinde at London
Subject (Name):
George IV, King of Great Britain, 1762-1830., Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée d', 1728-1810., and Saint-Georges, Joseph Bologne, chevalier de, 1745-1799.
Shown before the gate of a castle, Hamlet is supported by two men as the ghost of his father, dressed in armour the knees of which are etched with the masks of Comedy and Tragedy, appears before him
Description:
Title etched below image., Two lines from Shakespeare Hamlet quoted below title: "Still I am called .. unhand me gentlemens [sic]. By heaven I'll make a ghost of him that lets me"., Date based on publisher's address. See Maxted, I. The London book trades, 1775-1800., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Title from caption below image., Artist from signature on companion print in the British Museum catalogue., Date of publication based on that of the print from which this design was copied. See no. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Description based on imperfect impression; sheet trimmed within plate mark and artist's signature erased from lower left corner., Design consists of ten figures arranged in two rows., A companion print to no. 7229A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Window mounted to 27 x 37 cm.
Title from caption below image., Artist's signature from impression in the British Museum., Date of publication based on that of the print from which this design was copied. See no. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Design consists of ten figures arranged in two rows., Companion to a print of the same title and similar design. See Lewis Walpole Library call no.: Bunbury 787.00.00.24+., The Lewis Walpole Library impression: artist's signature erased from lower left corner of sheet, and sheet trimmed within plate mark with partial loss of title., and Temporary local subject terms: Dancing -- Minuet -- Couples.
"A youth walks right to left, but looking to front, holding a long stick or staff. His hair hangs loosely on his shoulders, his dress is careless, with shirt open at the neck, breeches unbuttoned at the knees, and the buckles of his shoes unlatched."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Companion print to: London refinement., and Sheet trimmed within plate mark.
Publisher:
Pubd. Jan. 1, 1787, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
"A foppish young man wearing a looped hat with cockade, double-breasted waistcoat, ruffled shirt, striped stockings, and low shoes with rosettes, walks (left to right) rapidly but affectedly. His head is turned to the left and he looks downwards; his left hand held up in a finicking manner."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Companion print to: Country simplicity., and Temporary local subject terms: Foppish young man.
Publisher:
Pubd. Jan. 1, 1787, by S.W. Fores at the Caricature Warehouse, No.3 Piccadilly
