"Perdita, mistress of the feast, with flowers in her hair and holding a staff in her left hand, giving rosemary and rue to Polixenes, who sits under a large tree to left, wearing a plumed hat and shrouded in a cloak, looking up at her appreciatively, while Florizel, disguised as Doricles, ushers forward his love, a dog beside him to right, with other figures, including a man wearing a sheepskin jacket, kneeling with a basket of fruit to left, the shepherd standing behind Polixenes, a ribbon seller showing a ballad to two young women to right and dancers in the field beyond."--Brit. Mus. online catalogue
Description:
Title from published state., State with figures in outline only., 'Shakspeare' in open letters below imprint., and Sheet trimmed to plate mark at top edge.
Publisher:
Publish'd Feb. 6th, 1789, by John & Josiah Boydell, No. 90 Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"A caricature portrait of Pitt speaking in the House of Commons in profile to the right. In his right hand is a document: 'Regency Restrictions' (see British Museum Satires No. 7488, &c.); his hat is under his left arm, his left hand is held out. He bends forward, his right leg advanced."--British Museum online catalogue
Description:
Title devised by cataloger; title based on that given in the British Museum catalogue., Questionable attribution to Gillray from the British Museum catalogue., An imitation of the whole length portraits of Sayers. See British Museum catalogue., and Temporary local subject terms: Speeches: Pitt's on Regency Bill, 1789 -- Bills: Regency Bill -- Opposition to Regency Bill -- Allusion to Regency restrictions.
Publisher:
Pubd. June 17, 1789, by W. Fores, No. 3 Piccadilly
"Portrait of William Pitt three-quarter length seated, his head slightly turned to left, his right hand resting on documents on a table; curtain and pillar in the background."--British Museum online catalogue
Description:
Title from the British Museum online catalogue, registration no.: 1851,0901.1338., Sheet trimmed to plate mark., and Matted.
Title assigned by the cataloger., Printmaker identified as possibly Gillray signing with James Sayers's initials from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Warren Hastings's trial -- Sheridan's speech at Hastings's trial., and Manuscript note in contemporary hand identifying Sheridan in lower right corner.
Publisher:
Pubd. June 29, 1789, by [S.]W. Fores, No. 3 Piccadilly
Title assigned by British Museum catalogue., Printmaker identified by British Museum catalogue as Gillray signing with James Sayers's initials., Sheet trimmed within plate mark., and Temporary local subject terms: Warren Hastings's trial -- Reference to Sheridan's speech at Hastings's trial.
Publisher:
Publish'd 29th June 1789, by J. Aitken, Castle Street
Facius, Georg Sigmund, approximately 1750- printmaker
Published / Created:
[1 May 1789]
Call Number:
Drawer 724 803B no. 78
Image Count:
1
Resource Type:
still image
Abstract:
"Romeo sitting on a couch on the left, taking hold of Juliet's hand, under an awning in a classical palace, with dancers playing tambourines in the background and a man talking to Tybalt, who grasps his sword angrily."--British Museum online catalogue
Description:
'Shakspeare' in open letters etched below imprint. and Full title from British Museum online catalogue.
Publisher:
Aqua fortis publish'd May 1st, 1789, by Jno. & Josiah Boydell, No. 90, Cheapside, & No. 59, Pall Mall, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
Plate with numbered depictions of the obverse and reverse of fourteen Roman coins and medals. Numbered "4" among these is a gold medal, with heads of Marc Anthony and his wife Octavia, that was formerly in the collection of Horace Walpole at Strawberry Hill
Description:
Title devised by cataloger., Publication information from that of the volume for which the plate was engraved., Plate from: Pinkerton, J. An essay on medals: or, An introduction to the knowledge of ancient and modern coins and medals; especially those of Greece, Rome, and Britain. London : Printed for J. Edwards ... and J. Johnson ..., 1789., "Vol. I, plate 2"--Upper right corner., Imperfect; only top half of plate is present, with bottom half and all text trimmed away. Description based on a more perfect impression., Mounted on page 111 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on wove paper ; sheet 7.4 x 10.3 cm., Imperfect; only bottom half of plate is present, with top half and all text trimmed away., This impression probably represents the bottom half of a plate sent by Horace Walpole to Richard Bull. See top half of plate and note from Walpole to Bull mounted on preceding page (page 110)., and For further information, consult library staff.
Publisher:
J. Edwards and J. Johnson
Subject (Name):
Antonius, Marcus, 83 B.C.?-30 B.C., and Octavia, -11 B.C.,
Plate with numbered depictions of the obverse and reverse of fourteen Roman coins and medals. Numbered "4" among these is a gold medal, with heads of Marc Anthony and his wife Octavia, that was formerly in the collection of Horace Walpole at Strawberry Hill
Description:
Title devised by cataloger., Publication information from that of the volume for which the plate was engraved., Plate from: Pinkerton, J. An essay on medals: or, An introduction to the knowledge of ancient and modern coins and medals; especially those of Greece, Rome, and Britain. London : Printed for J. Edwards ... and J. Johnson ..., 1789., "Vol. I, plate 2"--Upper right corner., Imperfect; only top half of plate is present, with bottom half and all text trimmed away. Description based on a more perfect impression., Mounted on page 110 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., With manuscript label on separate strip of paper mounted below image: Mr. Walpole's unique gold is no. 4 of this plate., Mounted beside a note from Horace Walpole to Richard Bull in which Walpole mentions the depiction of his Marc Anthony medal in the second edition of Pinkerton's An essay on medals. In the note Walpole also mentions sending along the plate in question, and the impression mounted here probably represents the top half of the plate he sent to Bull., and For further information, consult library staff.
Publisher:
J. Edwards and J. Johnson
Subject (Name):
Antonius, Marcus, 83 B.C.?-30 B.C., and Octavia, -11 B.C.,
Simon, John Peter, -approximately 1810, printmaker
Published / Created:
[1 June 1789]
Call Number:
Drawer 724 803B no. 74
Image Count:
1
Resource Type:
still image
Abstract:
"Hero fainting at the altar, supported by Beatrice, in front of the friar who was about to marry her to Claudio, while Claudio stands on the right, gesturing angrily as he accuses her of infidelity, and others look on; late etched state"--British Museum online catalogue
Description:
Title from published state., 'Shakspeare' in open letters below imprint., and Sheet trimmed.
Publisher:
Aqua fortis publish'd June 1st,1789 by Jno. & Josh. Boydell at the Shakspeare Gallery, Pall Mall & Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
Title and printmaker from British Museum catalogue., Printmaker Gillray signing with James Sayers's initials. Cf. British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Wool sacks.
Publisher:
Pubd. June 27th 1789, by J. Aitken, Castle Street, Leicester Fields
Title devised by cataloger., Printed on one sheet with: A mis-fire at the Constitution., Originally printed on a separate sheet and included with a set of eight satirical portraits published in May 1794 in which the members of the Opposition are travestied as French republicans. The sheet was cut along the lower edge of the cap in order to place it on the head of each of the portrayed politicians. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., nos. 8450-7., Variant state of No. 8449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Sans culottes -- French Revolution., and Mounted to 49 x 34 cm.
"Henry V standing with one hand on the back of his chair, pointing with the other to left at the three traitors Cambridge, Grey and Scroop, who read with horror the news that their conspiracy has been discovered and plead for mercy, while three lords stand watching on the right, the nearest drawing his sword"--Br. Mus. online catalogue
Description:
Title from published state.
Publisher:
Aqua fortis publish'd March 25, 1789 by John & Josiah Boydell, No. 90 Cheapside, London
Title supplied by cataloger., Plate from: Essays on physiognomy ... / by John Caspar Lavater. London, J. Murrray, 1789-1798, v. i, page 154., Temporary local subject terms: Drunkenness -- Walking staves., and Profile portrait of a man's head by Thornthwaite on verso.
A image of a man with a bundle of pages in his right hand, shown full-length, striding to the left wtih determination. His left hand is in his pocket
Description:
Title devised by the cataloger., False attribution to JS [James Sayer]?, Identified as Charles Grey in black ink in a contemporary hand., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Manuscript note in contemporary hand identifying Grey in lower right corner., and Mounted to 23 x 16 cm.
Publisher:
Published July 4, 1789, by [S.]W. Fores, No. 3 Piccadilly
"Apollo alighting with a torch in his right hand, wings spread, gesturing with his left hand towards the arts and sciences, allegoriacal figures grouped on the right with Sculpture, leaning on a bas-relief of George III, Painting and Architecture in the foreground and a figure on the right with a globe, compass and other navigational tools; in an oval; after West."--British Museum online catalogue
Description:
Title supplied by cataloger., Artist, printmaker, and publication information from lettered state described in the Calabi and de Vesme catalogue with imprint: London, Publish'd ... Octr. 1, 1789, by B. West ..., State from Calabi and de Vesme catalogue., and Sheet trimmed within plate mark on lower edge.
Title from item., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: DuBois?
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., 1 print : etching on wove paper ; plate mark 20.2 x 25.6 cm, on sheet 21.8 x 26.9 cm., and Mounted on leaf 48 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., and Mounted on page 65 with one other print.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., Note on verso in contemporary hand: The same Hanover Colt directed by Mr. Sheridan to write a Letter. - 1789. Allusion to an answer to the H. of C. in the P. of Ws. name suppos'd to be dictated by Sheridan., and Watermark: (partial) crown over shield with fleur-de-lis.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
"A vulture with the head of Pitt (in profile to the left) grasps in the left claw the Crown and sceptre, in the other (outstretched) the coronet of the Prince of Wales; the latter he crushes under the weight of his powerful talons, while he bites at the Prince's feathers, one of which he has already plucked out. The gorged bird's bulging breast is inscribed 'Treasury'; under the crown lies 'Magna Charta', torn. The spread of the creature's wings and the stretch of its long heck towards the feathers give an impression of savage rapacity."--British Museum catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue. Cf. No. 7478 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Numbered '41' in upper right corner.
Publisher:
Pubd. Jany 3d 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Pitt, William, 1759-1806
"A vulture with the head of Pitt (in profile to the left) grasps in the left claw the Crown and sceptre, in the other (outstretched) the coronet of the Prince of Wales; the latter he crushes under the weight of his powerful talons, while he bites at the Prince's feathers, one of which he has already plucked out. The gorged bird's bulging breast is inscribed 'Treasury'; under the crown lies 'Magna Charta', torn. The spread of the creature's Avmgs and the stretch of its long heck towards the feathers give an impression of savage rapacity."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Treasury -- Birds: vulture -- Magna Charta -- Prince of Wales's coronet -- Crowns -- Sceptres -- Allusion to Regency crisis, 1788., Watermark: fleur-de-lis on crowned shield., and Mounted to 29 x 38 cm.
Publisher:
Pubd. Jany. 3d, 1789, by H. Humphrey, New Bond St.
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Also with newspaper clippings mounted on sheet.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: judge's robes -- Devil -- Signs: road sign -- Allusion to shop tax -- Allusion to Regency Bill -- Regency crisis, 1788., and Mounted to 37 x 27 cm.
Publisher:
Pubd. Jany. 29th, 1789 by Peter Pindar, London
Subject (Name):
Pitt, William, 1759-1806 and Thurlow, Edward Thurlow, Baron, 1731-1806
"A representation (not caricatured) of the duel between the Duke of York and Lennox on Wimbledon Common on 26 May. Lennox (left) fires at the Duke, who fires in the air. Above the Duke's head is written (in ink) 'Fire again Sir'. The two seconds stand beside their principals: Lord Winchilsea (left) and Lord Rawdon (right). In the distance is a man on horseback. Trees and grass form a background."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Pub. May 27, 1789 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Richmond and Lennox, Charles Lennox, Duke of, 1764-1819., Winchilsea, George Finch, Earl of, 1752-1826., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., and Wimbledon Common (Wimbledon, London, England),
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state with the Prince's speech censored., Temporary local subject terms: Morganatic marriages: Prince of Wales's to Mrs. Fitzherbert -- Ficticious duels: Mrs. Fitzherbert and Mrs. Schwellenberg -- Allusion to Regency crisis, 1788 -- Lemons -- Literature: travesty of Nathaniel Lee's The rival queens., Watermark: Portal & Bridges., and Mounted to 27 x 38 cm.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from later state. Cf. Works of James Gillray, the caricaturist with the history of his life and times. London, Chatto and Windus, [1873?], p. 107., Sheet trimmed within plate mark with loss of subtitle., Earlier state, with the Prince of Wales's uncensored speech. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7501., and Watermark: L Taylor.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
A cartoon illustrating the first reactions in England to the news of the fall of the Bastille. On the right, the radiant figure of Liberty sits enthroned on the ruins of the Bastille. Kneeling on one knee before her, Louis XVI holds up to her his crown; inscribed below him are the words "A repentant monarch." Following behind him are six figures in chains, each clearly identified: Orléans and Necker, Marie Antoinette, two German counselors, and a figure suggestive of Mrs. Schwellenberg. La Fayette and the ranks of the National Guard bring up the rear. All around them are cheering crowds
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 2 sh. plain.", Sheet trimmed to plate mark., and Watermark.
Publisher:
Pubd. Aug. 3d, 1789, by J. Aitken, N. 14 Castle Street, Leicester Fields
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Necker, Jacques, 1732-1804, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, and Bastille.
Subject (Topic):
Liberty, History, and Foreign public opinion, British
"Mrs. Fitzherbert (left) in bed, supported on her right elbow, looks fixedly towards a warming-pan held by a stout woman who approaches the foot of the bed. In the perforations of the pan are stuck three ostrich feathers; a monk, holding up a crucifix, gazes down at it. Mrs. Fitzherbert wears a large frilled cap and a nightdress with ruffles. The fringed bed-curtains are looped up. On the extreme right is part of a draped table on which are a cup, bowl, and a large urn (probably materials for caudle). On the wall are three pictures: one, the 'Royal Hunt', a man galloping beside hounds; this has the motto 'Ich Ich' (in place of 'Ich dien') with three ostrich feathers. It is flanked by two profile heads facing each other: one is 'Wig', the other 'Torey', but they do not appear to be portraits. The carpet is patterned with Prince of Wales's feathers."--British Museum online catalogue
Description:
Title from item., Attribution to Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement following imprint: The compleatest [sic] collection in the kingdom. Admitce 1 Shilling., and Watermark: countermark W.
Publisher:
Pub. Dec. 17, 1789 by S.W. Fores at his Caricatura Exhibition Rooms, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Bedrooms, Births, Canopy beds, Crucifixes, Monks, and Rugs
"Pitt as the modern Egbert (king of the West Saxons, d. 839) is rowed by four kings, and tows behind him a small boat in which the Prince of Wales is seated, his wrists and ankles chained. Pitt, who steers, is seated high in the stern of the 'Treasury Barge', he wears a combined coronet and mitre, and says to his four oarsmen, 'Pull together Boys'. They are Thurlow (stroke), Buckingham, Dundas, and Richmond (bow). All wear crowns on their heads and badges like those of watermen on their sleeves. Thurlow, stripped to the waist, his badge a rose, says, "Damme! I've got precedence of the Young Lion"; he rows with the Chancellor's mace. Buckingham (Lord Lieutenant of Ireland), an Irish harp on his coat-sleeve, rows with a shillelagh, saying, "I'll answer for the Shelalagh without Authority". Dundas, wearing a thistle badge, rows with a long spoon, saying, "He shall remember old Nemo impune". Richmond, wearing a fleur-de-lis badge (he was due d'Aubigny), rows with a cannon (emblem of the ordnance, cf. BMSat 6921, &c), saying, "We'll shew him Gallic Faith." They row on one side of the boat only. A large flag in the stern of Pitt's boat has his crest (reversed), a stork grasping an anchor, with the motto: 'Devil take the Right P.W. [Prince William]'. The Prince wears a coronet with three feathers; he says, "I feel not for myself but for my country". His boat flies a flag with Pitt's crest above a flag with the royal arms. In the background is the river bank with trees, a church (the House of Commons) flying a (blank) flag (right), and (left) the dome of St. Paul's."--British Museum online catalogue
Alternative Title:
King of kings
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., State with additions to the plate., Watermark: L Taylor., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by Charles Bronwn [sic], Strand
Subject (Geographic):
England. and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Melville, Henry Dundas, Viscount, 1742-1811, and Richmond, Charles Lennox, 3d Duke of, 1735-1806
"Five heads surround a taper whose flame is the head in profile to the left of George III. The taper rises from the centre of a crown which rests on a tasselled cushion in the foreground. On the left is Sheridan in profile, his face disfigured by drink, puffing angrily; next is Fox facing three-quarter length to the right, with a fierce expression. Next is the Prince of Wales, alarmed and rather fierce; beside him is Mrs. Fitzherbert, wearing breeches round her shoulders, one leg terminating in a garter inscribed 'Honi Soit...' The ribbon of her night-cap is decorated with the Prince's feathers and 'Ich dien'. On the extreme right is Grey, puffing intently, his blast directed at the back of the King's head. All the others puff awry, and the light burns steadily. All the men wear night-caps and shirts open at the neck."--British Museum online catalogue
Description:
Title etched below image., Not by Isaac Cruikshank. See British Museum catalogue., Date of imprint from British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement following imprint: Where may be seen the largest collection of caratures [sic] in the world. Admitnce 1shg., and Mounted to 33 x 37 cm.
Publisher:
Pub. Octr. 3 by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
France, History, Foreign public opinion, British, Regency, and Sleepwear
"A strip design. Beneath the figures are inscriptions indicating their identity. The procession is preceded on the extreme right by Hall the apothecary, one of Fox's chief supporters in Westminster, who holds the abortive 'Regency Bill'. A medical instrument protrudes from his coat-pocket; he is 'Apozem, Clerk, & Apothecary'. ... After him in priest's robes and wearing a Jesuit's biretta walks Burke, 'Ignatius Loyola' (cf. BMSat 6026), holding an 'Ode upon his Majesty Recovery'. ... The coffin is carried on the shoulders of six men with bulls' heads, hoofs, and tails, wearing coronets and shedding tears; three only are depicted, though the hoofs of the three on the left side of the coffin are indicated; it is 'The Body of the deceased supported by six Irish Bulls'. They wear a duke's, an earl's, and a baron's coronet, and say: "[1] Pullalaloo - Pullalalo - oh.', [2] Oh! - Ogh! - Oh!; [3] Oh Pullalalo - ogh". On the coffin is a coronet with the Prince's feathers flanked by an empty purse and dice and dice-box. Four ragged little girls holding nosegays walk as pall-bearers, two before the coffin and two behind it. They are '(bis) Unfledg'd Noviciates of Sf Giles's or, Charley's delight'. ... They are followed by Mrs. Fitzherbert in long trailing weeds, a rosary and crucifix hanging from her waist. She is 'Chief Mourner - The Princess of W-----s'. ... She clasps her hands despairingly. ... She is followed by Sheridan and Fox, wearing cloaks and carrying hats with mourning-scarves; they are: 'Second Mourners', 'The Rival Jacobites'. ... The next couple are Weltje and a hairdresser, Mails. ... The procession is followed by a nude and very emaciated demon (left), playing the fiddle and capering as he sings, grinning. He is the 'Blue and Buff Train Bearer.' ..."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., and Tempoary local subject terms: Bills: withdrawal of the Regency Bill -- Irish Commissioners.
Publisher:
Pubd. April 29th, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., Ignatius, of Loyola, Saint, 1491-1556., Hall, Edward, active 1784-1793, Burke, Edmund, 1729-1797, Fitzherbert, Maria Anne, 1756-1837, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lothian, William John Ker, Marquis of, 1737-1815, and Weltje, Louis, 1745-1810
Subject (Topic):
Devil, Hats, Funeral processions, and Mourning clothing & dress
"A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman wearing a large feathered hat, supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left"--British Museum online catalogue and A large painting on the back wall shows a large country estate which amplifies the subject of the print
Alternative Title:
Fruits of early industry and oeconomy and Fruits of early industry and economy
Description:
Title from text below image., Eight lines of verse beneath image, four on either side of title: Lo here, what ease, what elegance, you see, the just reward of youthfull industry ..., and Companion print to: The effects of youthful extravagance & idleness.
Publisher:
Pubd. Novr. 1, 1789, by T. Simpson, St. Pauls Church Yard
Subject (Topic):
Black people, Interiors, Families, Writing materials, Wealth, Servants, Dogs, and Piers & wharves
published acording [sic] to act of Parliament, July 14, 1789.
Call Number:
789.07.14.01
Image Count:
1
Resource Type:
still image
Abstract:
A stork, its head a likeness of Lafayette, stands on a rock depicted with the head of Louis XIV of France protruding from the left edge. He gazes at a crowd of frogs in various dramatic poses, some standing at attention. Opposite the stork is a stick with head of Bailly stuck on top, in his mouth a flag inscribed "Martial Law."
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Contemporary manuscript notes identifying the caricatured figures as Lafayette, Louis XVI, and Bailly.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, and Bailly, Jean Sylvain, 1736-1793
A satire, protesting the apparent embezzlement of city funds, depicts the members of the Corporation of Rochester with asses' heads herded back to Rochester by indignant townsmen
Alternative Title:
Mare foal'd of her folly and Mare foaled of her folly
Description:
Title from item., Sheet trimmed., Attributed to Isaac Cruikshank. See British Museum catalogue., and Watermark.
Publisher:
Pubd. August 18 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Rochester (Kent, England)
Subject (Topic):
Donkeys, Embezzlement, and Politics and government
An old woman wearing spectacles sits at a round table across from a young woman whose fortune she tells. She holds a tea-cup and points at the girl's hand
Description:
Title from caption below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, as the act directs
A man sits in a chair at a table reading about the French Revolution in The Gazetteer (newspaper). The candle in his right hand smokes heavily and is burnt down to a low stub. His tricorne hat is on the table and his walking stick is visibly leaning on the table
Description:
Title from item., Cf. William Hogarth's A politician, no. 1., and Watermark: fleur-de-lis.
Publisher:
Printed for Jno. Smith, No. 35 Cheapside
Subject (Geographic):
France
Subject (Topic):
Candlesticks, Newspapers, Reading, History, and Foreign public opinion
"Poverty-stricken family in bare, attic interior; man seated at left beside table, skinny dog beside him, looking away from woman, standing in centre mending garment, watched by boy lying on floor and resting on stool at right, looking up from his reading; young woman sitting dejectedly with bellows beside fireplace, at right; published state."--British Museum online catalogue
Alternative Title:
Effects of youthful extravagance and idleness
Description:
Title from text below image., Eight lines of verse beneath image, four on either side of title: What misery in a narrow scale confined! The mournful work of one degenerate mind ..., and Companion print to: The fruits of early industry & oeconomy.
Publisher:
Publish'd July 1, 1789, by T. Simpson, St. Pauls Church Yard
Subject (Topic):
Bellows, Dogs, Interiors, Families, Poor persons, Poverty, Sewing, and Fireplaces
"Lennox leans back on a sofa, his pistol in his hand, looking up with a melancholy expression. A lady (left) holds a smelling-bottle to his nose; the Duke of Richmond (right), leaning on one end of the sofa, regards his nephew anxiously. Lennox says: "I had been happy, if the Gen'ral Camp Foot-soldiers, all, had pull'd my Nose in private, So it had not been told; O, now for ever Farewell the Plumed Troops & the big War, The spirit-stirring Drum & the ear piercing fife, The Royal Banner & all quality, Pride, Pomp, & Circumstance of glorious War Farewell! Your Hero's reputations gone!" The lady, Lady Charlotte Gordon (who married Lennox, see BMSat 7594), says: "O my dear shiv'ring L. .. . x [These words have been ostensibly obliterated by cross-hatching which leaves them legible and makes them conspicuous.]! do compose yourself, for the sake of your dear Charlotte! Ah! that hot-blooded-fellow has fright'ned him into an Ague - come do take a sniff at your Charlotte's smelling-bottle, the Bonny Duchess says that my smelling Bottle is a nice Thing to raise a Man's courage, I long for you to take hold of it, my dear L ... x. [These words have been ostensibly obliterated by cross-hatching which leaves them legible and makes them conspicuous.] Richmond says, "Don't fret yourself my dear Nephew, [These words have been ostensibly obliterated by cross-hatching which leaves them legible and makes them conspicuous.] you have behaved like a Man of Spirit & Honor; - your putting up with a public Insult when you could have resented it, shews your magnanimity! your pretending not to remember the words of the insult, shews your harmless disposition! - your Letters to the Club, your good-sense! - their being sent a week before the Duel, your want of malice! as it gave his Highness's friends an opportunity to secure him from your resentment, by putting you under arrest! - your firing first, proves your spirit! - your not waiting to be shot at, your discretion! - & your being satisfied with only attempting the life of the son of your **** proves your Loyalty, & generosity! - therefore, my dear Boy, take comfort, get the better of this Ague, which you are thrown into by pulling the trigger, &, if you are kick'd out of one Regiment, Nunkle will beg another for you, as a reward for your Gallantry & good-will to the house of Hanover!!!" Pitt (left) looks round a door, saying, "Heav'ns L . . . x [These words have been ostensibly obliterated by cross-hatching which leaves them legible and makes them conspicuous.] what's the matter? I hope you've succeeded in lessening the number of my Plagues.""--British Museum online catalogue
Alternative Title:
Scene immediately after the duel
Description:
Title etched below image; the word 'coward' has scratched out with numerous etched lines but is still legible., Printmaker from British Museum catalogue., "Price 1 sh./6 plain.", Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: lieutenant-colonel, 35th Foot -- Duels: Duke of York and Lt.-Col. Lennox -- Guns: pistols -- Medicinal: smelling bottles -- Furniture: sofas -- Charlotte (Gordon), Duchess of Richmond, 1768-1842., Watermark: Armorial shield with fleur-de-lis above and monogram LS below., and Mounted.
Publisher:
Pubd. May 29th, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Richmond and Lennox, Charlotte Gordon, Duchess of, 1768-1842, and Pitt, William, 1759-1806
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., 1 print : aquatint and etching on wove paper ; plate mark 23.3 x 29.8 cm, on sheet 25.7 x 31.9 cm., and Mounted on leaf 49 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., and Mounted on page 67 with one other print.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., Watermark: fleur-de-lis., and Mounted to 31 x 42 cm.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
A view of an elegant carriage showing details of the underside of the wheels; the body and coach box are shown upright
Description:
Title from text above image., Publication date based on presentation inscription from John Hatchett to the Royal Society, 13th May 1789., Dedication below image: "To the most noble the Marquis of Landsdown, this plate of his Lordship's carriage is most humbly inscribed. By his Lordship's most obedient servant the inventor and patentee, John Hatchett, Long Acre London.", One of a series of two plates., Elaborate watercolor & body color, heightened with silver and partly finished with shellac or gum arabic., and With a wash drawing of a coachman, reins in hand, added behind the front wheels.
A view of an elegant carriage showing details of the structure; one of the back wheels is shown on a rock to demonstrate the stability of the carriage. Parts of the carriage have been labelled with letters suggesting that the print was accompanied by a letterpress legend
Description:
Title from text above image., Publication date based on presentation inscription from John Hatchett to the Royal Society, 13th May 1789., Dedication below image: To the most noble the Marquis of Landsdown, this plate of His Lordship's carriage is most humbly inscribed by His Lordship's most obedient servant the inventor and patentee, John Hatchett, Long Acre London., One of a series of two plates., and Elaborate watercolor & body color, heightened with silver and partly finished with shellac or gum arabic.
Full length figure of a man in profile facing left, with a fierce look in his face
Description:
Title etched below image., Place of publication based on printmaker's known address., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A scene in a bedroom beside a canopy bed: A older gentleman with a caricatured face embraces a young servant woman who holds a warming pan in one hand and candlestick in the other. The man's wig is smoldering from the flame of the candle. The man's young valet slinks out of the room with the man's boots and a book jack under his arms, a look of alarm on his face. Beside the door is the man's duffle bag; his coat lies on the chair beside the bed
Description:
Title from item., Printmaker from Library of Congress impression., Publisher's statement below image: In Holland's exhibition rooms may be seen the largest collection in Europe of humourous prints. Admit. 1 shilg., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., and Lower right corner torn.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Topic):
Bedrooms, Candlesticks, Canopy beds, Interiors, Seduction, Servants, and Women domestics
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
"The Mary Elizabeth (Nugent) Marchioness of Buckingham (died 1813) looks from a curtained bed towards her infant which is being shown by an old soldier to her husband, the Lord Lieutenant of Ireland, who enters from the right, wearing a ribbon and sword. The soldier has a wooden leg and a patch over one eye; he says, "Deel my saul but he'll be a brave soldier your honor, he's got a noble Truncheon". Buckingham answers, "Thanks! thanks! my brave Serjeant, you shall be Knighted this day". Behind him, and on the extreme right, stand another old soldier with two wooden legs supported on crutches, and a man in a university gown and bands, carrying a jug inscribed 'Dublin University Pitcher'. The soldier says, "Downright robbery, by St Patrick! we'll be soon famished if our broth is to be stole from us in this manner". He looks towards a man in a Chancellor's wig and gown, seated on the extreme left and holding a bowl, who says to a nurse who stands over him : "Poo! Poo! good woman this is not caudle! this is the old Soldiers porridge!"--British Museum online catalogue
Alternative Title:
Vice Queen's delivery at the old soldier's hospital in Dublin
Description:
Title etched below image., Attributed by Grego to Rowlandson. Possibly by Henry Wigstead. Cf. British Museum catalogue., Sheet trimmed to plate mark., Advertisement below title: In Holland's exhibition rooms may be seen the largest collection of caricature and other humorous prints in Europe. Admittance one shilling., and Watermark: fleur-de-lis on crowned shield.
Publisher:
Dublin pubd., London repubd by Willm. Holland, No. 50 Oxford St.
Subject (Geographic):
Ireland.
Subject (Name):
Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Nugent, George Nugent Grenville, Baron, 1788-1850, Lifford, James Hewitt, Viscount, 1709-1789, Hely-Hutchinson, John, 1724-1794, and Royal Hospital Donnybrook.
Subject (Topic):
Bowls (Tableware), Children, Crutches, Daggers & swords, Eye patches, Food.., Military uniforms, Irish, Peg legs, Pitchers, School superintendents, and Soldiers
Original date in imprint scored through, but visible: statement: Decembr., Imprint statement continues: "where may be had the largest collection of caraccatures [sic].", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Games: tug-of-war -- Crowns -- Whigs -- Tories -- Thrones -- Emblems: Prince of Wales's feathers -- Jesuits -- Judges -- Spectacles., and Mounted to 27 x 26 cm.
Publisher:
Published by J. Aicken Jany. [the] 2nd 1789, Bear Streett [sic] Leicester Squares
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Portrait, almost half-length in a rectangular frame, as a young man, directed to left, wearing a jacket with a high collar fastened with two buttons across the chest, with a frilled cravat and powdered hair."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., Third state, with statement of responsibility "Painted & engrav'd by H. Kingsbury" burnished from plate., State from: Russell, C.E. English Mezzotint portraits and their states., Window mounted to 51 x 36 cm., and Mounted opposite page 286 (leaf numbered '112' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publised [sic] July 15, 1789, by S.W. Fores, No. 3 Piccadilly
"Portrait after Reynolds (Mannings 1767); almost half-length slightly to right within rectangular frame, looking to left, wearing frilled cravat, plain coat, partially fastened, and his hair powdered; published state."--British Museum online catalogue
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Sheet trimmed within plate mark on two sides., Dedication engraved beneath title: To the Noblemen & Gentlemen of the Whig Club and the Electors of the City & Liberty of Westminster, this plate is dedicated by their most obedient faithful humble servt. Willm. Austin., and Bound in opposite page 211 (leaf numbered '26' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs, Mar. 25, 1789, by Wm. Austin, private teacher of drawing & etching, in York Street, near St. James's Church & the Surry side of Westminster Bridge
"Portrait; half-length almost in profile to left, head turned and glancing towards the viewer, wearing a plain high-collared coat, one button fastened at the chest, a frilled cravat and stock and a powdered queue wig; in an oval."--British Museum online catalogue
Alternative Title:
Right Honorable William Pitt
Description:
Title from caption below image.
Publisher:
Pub'd April 9th, 1789, by John Harris, Sweetings Alley, & No. 8, Broad Street
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., 1 print : etching and aquatint with drypoint on wove paper ; plate mark 25.2 x 32.9 cm, on sheet 27 x 34.3 cm., and Mounted on leaf 50 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., and Mounted on page 67 with one other print.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., Identifications of Fox and Sheridan added in contemporary hand below the plate., and Watermark: Initials L V [G], obscured by design.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Possibly earlier version of nos. 7808 and 7809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Sports: bird shooting -- Hunting dogs -- Guns -- View of St. Paul's Cathedral -- Rural scenes.
"The six Commissioners from Ireland seated on bulls, facing and clutching the tails of the animals (as in Gillray's 'Paddy', BMSat 5605), gallop towards the façade of Carlton House, where the Prince of Wales (left) and the Duke of York (right) look from behind pillars at the embarrassing deputation. Their leader, Leinster (left), holds a long document, saying, "Aye Aye the M------ of B------k------m will remember me when I go back". The others say (left to right), "By Jasus the folks stare at us as they do at Wild beastises"; "Lord what a nice Errand is this make him Regent whether or no"; "I say my Friend C------n-----y [Connolly] we shall be there the Day before the Fair"; "Well? Yes I dare say well why he was so bad he could say nothing but What, What, What, when we left Dublin" (it was noted (8 Feb.) as a sign of the King's recovery that he had resumed his habitual 'What, what', a phrase never used during his illness, F. Greville, 'Diaries', p. 213); "What no occasion for a R--g--t then by Jasus we will go back again and tell the Lads we are all mad & by the Lord 'tis my opinion we are come over for nothing at all at all." The bulls are being urged on by two men in court-suits with long rat's tails to show that they are 'rats'. They are (left) 'D . . . Q------', the Duke of Queensberry, and (right) 'M------s L------', Marquis of Lothian. From an upper window on the extreme right, inscribed 'Pall Mall Ordinary', Weltje (cf. BMSat 7509) looks down at the scene, saying, "Begar I must go prepare more Sourcrout for dese Wild Bullocks."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Temporary local subject terms: Irish Commissioners -- Irish Regency offered to George IV in 1789 -- Exterior of Carlton House -- Expressions of speech: 'What, what,' -- Inns: Pall Mall Ordinary -- Irish bulls -- Butchers' steels -- William John Kerr, 5th M. of Lothian, 1737-1815 -- John O'Neill, 1st Viscount, 1740-1798 -- William Brabazon Ponsonby, 1744-1806 -- James Stuart, fl. 1789 -- Thomas Connolly, ca 1738-1803., Watermark: armorial shield with fleur-de-lis above and initials G R below., and Mounted to 35 x 42 cm.
Publisher:
Pubd. March 7, 1789, by S. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Queensberry, William Douglas, Duke of, 1725-1810, Weltje, Louis, 1745-1810, Charlemont, James Caulfeild, Earl of, 1728-1799, and Leinster, William Robert FitzGerald, Duke of, 1749-1804
"Mrs. Damer, seated in profile to the left, chisels the posterior of a large and realistic Apollo standing in profile to the left holding a spear, the left arm extended. A little girl (left) in 'profil perdu', gazes at the Apollo in astonishment. On a pedestal (left) are two nude figures, one full-face, the other in quasi-back view, drawn with extreme realism. Beside them (left) is an armless torso on a terminal pillar. These three statues are 'Studies from Nature'. On the right is a bust of a child's head in profile to the left, on a pedestal inscribed 'A Model to make a Boy from'. Beside it lie a book, 'Sketches of Different Parts'. Behind Mrs. Damer (left) is a grinning whole length figure of 'Pan'. There are also two figures on tall pedestals: a Hercules and a headless figure, and a bust. All the figures in the studio are completely nude. Mrs. Damer wears gloves; her mallet is raised to strike her chisel."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Mounted to 29 x 39 cm., and Watermark: countermark, letter V.
Publisher:
Pub. by Wm Holland, Garrick's Richard, No. 50 Oxford Street
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828 and Pan (Greek deity)
Subject (Topic):
Artists' studios, Sculptors, British, Sculpture, and Spears
"A game of marbles (taw, cf. BMSat 7393) for the crown is in progress; the Prince of Wales is dressed as a toddling child in petticoats but is larger in scale than the other figures; he leans towards Fox, Sheridan, and Burke (who are aiming at the crown) but is restrained by Pitt (right) who holds him in leading-strings, saying, "Hold, Not so fast Georgy". The Prince wears one of the cushioned caps ('puddings') then used to protect children's heads; in it are three feathers. The crown is at his feet, surrounded by a ring of marbles. Fox and Sheridan kneel side by side; Fox is about to play, saying, "My Game for a Crown". Sheridan, holding his marble, says, "Knuckle down and dont funck, [To funk = to advance the hand unfairly in playing marbles. Partridge, 'Dict. of Slang', 1937.] Charley". Burke stands behind them, leaning eagerly forward, saying, "My turn next Sherry". He wears a Jesuit's biretta (cf. BMSat 6026). Pitt, 'chapeau-bras', wears court dress. Behind the Prince is a circular stand on wheels for supporting a toddling child."--British museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Clerical hats: Jesuit's biretta -- Hats: Child's cushioned cap or 'pudding' -- Emblems: Prince of Wales's feathers -- Vehicles: go-cart -- Leading-strings -- Games: marbles -- Crowns -- George IV as a toddler -- Regency restrictions -- Regency crisis, 1788 -- Satire on children., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Pubd. by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"A man rides out of the gateway (left) which leads to the courtyard of an inn, three dogs barking at the heels of his horse. The horse is kicking, the rider has lost his stirrups and clutches the animal's mane. Part of the courtyard is visible showing the body of a high perch phaeton. Above it is the first-floor balcony with a balustrade. Outside the inn (right) are grass and trees."--British Museum online catalogue
Description:
Title from caption below image., Header above the image: Hints to bad Horsemen., Companion print to: Strong symptoms of starting. See British Museum catalogue, v. 6 no. 7610., and Two lines of verse below title: Alas what troubles of betide ...
Title engraved below image., Numbered '137' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark in lower right corner, partially obscured by design.
Publisher:
Printed for Robert Sayer, No. 253 Fleet Street as the act directs
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
"A boxing scene (two couples): the Prince of Wales and Hanger are worsted by d'Eon and St. George. In the foreground (right) Hanger staggers backwards under the attack of St. George; his hat and bludgeon are on the ground beside him. St. George says, "Now in de Mouth, den in de Eye, & den where you like." Behind and on the left the Prince stands limply in front of an arched doorway. The Chevalier d'Eon, in profile to the left, faces the Prince with clenched fists. His dress and attitude recall the print of the famous fencing-match at Carlton House on 9 Apr. 1787, [Reproduced, Angelo, 'Reminiscences', 1904, ii. 46; attributed to Picot after Robineau. Attributed by Wright and Evans to Gillray, and reprinted in Bohn's 'Gillray', 1851 (No. 375).] though he is in the position of a boxer, not of a fencer. He wears a frilled muslin cap and fichu, with ruffled elbow sleeves as in that print; he says "vill you have de toder Stroke". The Prince, putting his right hand to his eye, says, "no no I find I cant Stand up to yow now I'm done, Oh! my Eye." His feathered hat is at his feet. Behind him is the curving baluster of a descending staircase. On the wall is the inscription: 'Gentlemen and Ladies Taught the polite Arts of Boxing, Fencing &c &c by------George & ------D'Eon'. On the left hang two crossed foils with a pair of fencing-masks. On the right is a picture of St. George in classical draperies riding down an ass which he transfixes with his spear."--British Museum online catalogue
Alternative Title:
St. George and the dragon and Madmoiselle riposting
Description:
Title from item., Attribution to Cruikshank from British Museum catalogue., and Matted to 47 x 62 cm; subjects identified on mat below image.
Publisher:
Pubd. Octr. 12, 1789 by S. Fores, No. 3 Piccadilly
"Satire on medicine: to right, a man sits on a close stool holding a steaming glass vessel; behind him a doctor reads from a large volume propped against the lid of the stool; he wears a tall hat, large glasses and an ermine-trimmed robe which is held by a man with a moustache, hat, lace-trimmed collar and cloak who carries a sword; men in white pierrot costumes stand on either side behind the doctor each holding a large candle the smoke from which partly obscures the doctor's hat; at the end of the procession are three men in the same costumes carrying clysters on their shoulders; all are in profile to right and have large noses."--British Museum online catalogue, description of a different version of the same design
Description:
Title etched below image., Attribution to Isaac Cruikshank based on faint "I.C" signature in lower right corner of image., Copied from one of a set of satirical prints on medicine made by Desprez in Sweden in 1789; see British Museum online catalogue, registration no.: 1969,0719.2. For a different English copy of the same design, see British Museum online catalogue, registration no.: 2007,7058.4., "Dor. Bssi."--Lower left margin., "CAP: &"--Lower right margin., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Clysters -- Water closets -- Dr. Bossey., and Contemporary annotation in ink below title: 'Tis only experiences that teaches proper remedies.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Medical equipment & supplies, Physicians, and Candles
Two head-and-shoulder portraits in separate ornamental oval frames of actor Joseph Holman and Miss Hughes
Alternative Title:
Tancred
Description:
Title from text below images., Place of publication from Plomer's Dictionaries of printers and booksellers, page 404; T. (Thomas) Walker, publisher of the Hibernian magazine, was located at Dame Street Dublin from 1770-1786., Probably from the Hibernian Magazine, 1778. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, no. 5504, originally published in Town and country magazine., Reissue by a different publisher of print originally intended for the "Histories of the téte-à-téte annexed" in the Town and Country Magazine, 1788, page 535., and Variant issue of no. 7566 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
"Alderman Boydell stands within a magic circle, directing a sacrifice of Shakespeare's plays; these are burning at his feet; the dense smoke which rises from the fire obscures a monument to Shakespeare, concealing the head and shoulders of a figure of Shakespeare in bas-relief pointing to the inscription on the monument (as in Kent's monument in Westminster Abbey)" ... Beside the fire (right) stands on end a huge volume inscribed 'List of Subscribers to the Sacrifice'. On it sits an aged gnome-like creature with a large head, symbolizing Avarice; under each skinny arm he clutches a large money-bag inscribed '£'. On his shoulders stands an infant blowing from a tobacco-pipe the bubble of 'Immortality'; he wears a head-dress of peacock's feathers, symbolizing Vanity. Boydell, who wears a furred alderman's robe, looks fixedly at Avarice, who returns his cunning smile; with his left hand he points to the fire. He is less caricatured than savagely depicted, the realism of his figure contrasting with the fantasy of the design. An evil-looking creature wearing a fool's cap crouches by the fire (right) blowing it with bellows. He is a caricature of the fool in West's picture of Lear (iii. 2). The smoke as it rises expands into heavy clouds which support various figures, more or less travestied, from the pictures commissioned by Boydell for his Shakespeare Gallery. ... In the upper part of the design is an infant at a woman's breast attended by two other figures. This does not appear to be from the Shakespeare Gallery. ... On the ground and just within the magic circle kneels a ragged boy with palette and brushes who is pushing another boy, holding an engraver's tool, outside the circle, which is inscribed in large letters: 'ΟΥΔΕΙΣ ΑΜΟΥΣΟΣ ΕΙΣΙΤΩ' ... Behind the boys and in the background is the temple of Fame on a mountain-top. Fame, poised on the apex of the temple, blows upwards from her trumpet a blast of bubbles ...--British Museum online catalogue
Alternative Title:
Offering to avarice
Description:
Title etched below image., Advertisement etched below title: Soon as possible will be publishd., price one guinea, N. 1 of Shakespeare Illustrated, with the text, annotations, &c. complete; the engravings to be carried on in imitation of the aldermans liberal plan, further particulars will shortly be given in all the public papers., "Price 5 sh.", Sheet trimmed within plate mark., and Price completely erased from sheet.
Publisher:
Pubd. June 20th, 1789, by H. Humphrey, No. 18 Old Bond Street
"Lady Charlotte Gordon and Col. Lennox leap over a broom which lies on the floor; she holds him by the left wrist and points towards a nuptial bed decorated with a coat of arms (that of the Duke of Gordon, freely sketched) and ducal coronet. The Duchess of Gordon (right) sits in profile to the left playing bagpipes and looking at the couple with a satisfied smile. Behind her chair is a bottle, inscribed 'Scotch Pint', and a wine-glass. Lennox wears regimentals and a hat, his right arm is held up as if dancing a Scots reel; a pair of pistols (an allusion to his duel with the Duke of York, see BMSat 7531, &c.) protrudes from his pocket. Lady Charlotte wears a large feathered hat. It is clear from her attitude and the expression of the Duchess that the bridegroom, though willing, has not taken the initiative."--British Museum online catalogue
Description:
Title etched below image., Attributed to either Henry Wigstead or William Holland in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement below title: "In Holland's exhibition rooms may be seen the largest collection in Europe of humourous prints. Admitance [sic] One Shilling.", and Watermark: armorial shield with fleur-de-lis above and initials CS below.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Richmond and Lennox, Charlotte, Duchess of, 1768-1842, and Gordon, Jane Maxwell Gordon, Duchess of, d. 1812
Subject (Topic):
Dueling, Bagpipes, Bed, Bedrooms, Brooms, Glassware, Handguns, Military uniforms, British, and Musical instruments
Volume 1, opposite page 182. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Description:
Title engraved below image., Probably a later state, with imprint altered and plate number added, of a print published in 1783 by R. Sayer and J. Bennett. For the early state of a print from the same series, see Colonial Williamsburg online collection, object number: 1973-381., Plate numbered "160" beneath lower left corner of image., Window mounted to 51 x 36 cm., and Mounted opposite page 182 (leaf numbered '222' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Printed for Robert Sayer, map, chart & printseller, No. 53, Fleet Street
Volume 1, after page 182. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Description:
Title engraved below image., Later state, with alterations to imprint and addition of plate number. For an earlier state lacking plate number and with the imprint "London, Printed for R. Sayer and J. Bennett, map, chart & printsellers & globe-makers, No. 53, Fleet Street, as the act directs, Decr. 5th, 1783", see Colonial Williamsburg online collection, object number: 1973-381., Plate numbered "161" beneath lower left corner of image., Window mounted to 51 x 36 cm., and Mounted after page 182 (leaf numbered '223' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Printed for Robert Sayer, map, chart & printseller, No. 53, Fleet Street, as the act directs
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject headings: Allusion to Marie Antoinette, Queen of France, 1755-1793 -- Allusion to Marquise de Vasse, fl. 1789 -- Allusion to the Marquise de Vasse, fl. 1789 -- Allusion to the French Revolution -- Flight of French immigrants -- Scatology -- French officers -- Signs: signpost -- Boulogne -- Dover -- Allusion to spa -- French revolutionary flag -- Boats: row-boat -- French National Guards -- Naval uniforms: sailors -- Coast of France -- Allusion to Spain?, and Watermark.
Publisher:
Pubd. July 29 by S. Fores, No. 3 Piccaddily [sic]
Subject (Name):
Calonne, Charles Alexandre de, 1734-1802, Broglie, Victor François, Duc de, 1718-1804, Breteuil, Louis Auguste Le Tonnelier, baron de, 1730-1807, Montmorency Luxembourg, Anne-Charles-Sigismond, duc de, 1737-1803, Montmorency Luxembourg, Madeleine-Suzanne-Adèlaide de Voyer d'Argenson de Palmy, duchesse de, 1752-1813, Massereene, Clotworthy Skeffington, Earl of, 1743-1805, Polignac, Yolande-Martine-Gabrielle de Polastron, duchesse de, 1749?-1793, Polignac, Diane, comtesse de, Lamotte, Jeanne de Luz de Saint-Remy de Valois, comtesse de, 1756-1791, and Lamotte, Marc-Antoine-Nicolas, comte de
Dent, William, active 1783-1793, printmaker, publisher
Published / Created:
[January 1789]
Call Number:
789.01.00.02
Image Count:
1
Resource Type:
still image
Abstract:
"A fox, wearing a coat, hangs in profile to the right from a very high gibbet. His large brush is inscribed 'Hereditary Right' (cf. British Museum Satires 7381); he is excreting, the ordure being inscribed 'Run my Mead'. Above the gibbet is a scroll: 'The Man of the People High in Office'. Three women caper delightedly round the foot of the gallows: Justice (with the head of Thurlow) (left), with her scales evenly balanced, but with her bandage pushed up so that she can see, and holding her sword against her shoulder, its blade inscribed 'Household' continued; she sings, "Let's joyful Dance and merry Sing". Britannia (right) sings "for Ch--l--y [Fox] is quite the thing"; her shield is inscribed 'No Peers No Pensions', an allusion to the Regency Restrictions. Her profile appears to be intended for that of Pitt. Liberty, with the head of Wilkes, squinting violently, who is between the other two, cries "Huzza". The cap of Liberty (on its staff) is inscribed with the City arms and the motto 'Address', in reference to the City address of thanks to Pitt and the Ministry for maintaining the right of Parliament in the establishment of a regency."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Date at end of imprint statement is illegible; date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Removed from backing with remnants of blue paper on verso.
Publisher:
Pub. by W. Dent and Sold by W. Moore, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Great Britain. Parliament., Fox, Charles James, 1749-1806., Pitt, William, 1759-1806., Wilkes, John, 1725-1797, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):
Britannia (Symbolic character), Regency, Politics and government, Gallows, Justice, and Liberty
Title from item., Printmaker from British Museum catalogue., Imprint continued in lower right corner: whare [sic] may be had the funeral prossesion [sic] of Miss Regency., Temporary local subject terms: Emblems: loyalty to George III during Regency -- Emblems: Prince of Wales's feathers -- Slogans: loyalty to George III during Regency -- Interiors: dressing rooms -- Furniture: dressing tables -- Barbers., and Watermark: countermark, initial W.
Publisher:
Pubd. Aprill [sic] 24, 1789, by S.W. Fores, No. 3 Piccadilly
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Imprint continued in lower right corner: "Whare [sic] may be had the Death ['Death' crossed out and replaced with] Funeral Prosession of Miss Regency & the prosession of the Train ['of the Train' crossed out and replaced with] to St. Pauls.", Temporary local subject terms: Emblems: loyalty to George III during Regency -- Slogans: loyalty to George III during Regency -- Sarah (West), Baroness Archer, 1741-1801., Watermark: countermark I Taylor., and Mounted to 30 x 40 cm.
Publisher:
Pub. Aprill [sic] 22, 1789, by S.W. Fores, No. 3 Piccadilly
Elegant and affluent customers enjoy ices in a grand room in London's fashionable St. James's. The female server behind the counter is elegantly dressed and looks with ease out of the window. A finely dressed gentleman leans against the counter at right, spooning ice cream into his mouth from a glass he holds in his left hand; his hat, gloves, and stick are carefully arranged on a chair next him. Two women are seated at the left side of the counter, one holding an ice cream glass and spoon. A classical fireplace on the right has additional glasses arranged upon it. A great craze in 18th-century Britain, amongst the wealthy, was ice cream. Establishments such as The Pineapple on Berkeley Square (close by St James’s), owned by Domenico Negri, offered "All Sorts of Ice, Fruits & Creams" (see the elaborate trade card in the British Museum). This print was intended as a companion piece to "Refreshment at St. Giles's" which, in contrast, shows two women and a man being served gin by a female proprietor from a makeshift and run-down bar
Alternative Title:
Refreshment at Saint James's
Description:
Title etched below image., Probably a later state, with remnants of a burnished imprint statement visible beneath title. Publication information inferred from imprint "London, Publish'd June 1st, 1789, by G.T. Stubbs, No. 2 Compton Street, Soho" present on companion print; see British Museum online catalogue, registration no.: 1948,0315.6.36., Companion print to: Refreshment at St. Giles's., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
G.T. Stubbs
Subject (Topic):
Interiors, Ice cream & ices, Eating & drinking, and Fireplaces
"Three women and a man stand drinking gin in an interior in St Giles's, London; the woman on the left grabs a bottle from a shelf, to her right a woman holds up a gin cup; the man stands behind the three women leaning against a clock and a fireplace."--British Museum online catalogue
Alternative Title:
Refreshment at Saint Giles's
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with probable loss of imprint statement. Imprint supplied from impression in the British Museum, registration no.: 1948,0315.6.36., Companion print to: Refreshment at St. James's., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on laid paper backing and matted to 31 x 39.
Publisher:
Publish'd June 1st, 1789, by G.T. Stubbs, No. 2 Compton Street, Soho
Subject (Geographic):
St. Giles in the Fields (London, England)
Subject (Topic):
Interiors, Bottles, Gin, Longcase clocks, and Fireplaces
Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
A group of three students wearing mortar caps sit in the center of a classroom as their examiners on either side pose questions in Latin. The large student in the middle rubs his chin, a worried look on his face. In the foreground on the right, a dog urinates on an open volume of Aristotle
Alternative Title:
Examination in the public schoots at Ox-d for a degree and Examination in the public schools at Oxford for a degree
Description:
Title etched below image., Probably by James Hook., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Britannia with olive branch on oval shield with crown above.
Publisher:
Pub. June 20, 1789, by I. Bradshaw, Coventry St.
Subject (Geographic):
Great Britain
Subject (Name):
University of Oxford
Subject (Topic):
Students, Education, Dogs, Classrooms, Examinations, Teachers, and Urination
Title from item., Sheet trimmed to plate mark., Ten lines of Virgil's altered verse inscribed below design., Temporary local subject terms: Regency crisis -- Allusion to the Duke of Richmond's fortifications -- Allusion to East India Bill -- Allusion to Constitution -- Allusion to Declaratory Bill -- Allusion to Commutation Bill -- Blindfolds -- Banners -- Clergy: bishops -- Ammunition: cannon balls -- Guns: cannons -- Shop taxes -- Treasury -- Window taxes -- Taxes on maidservants -- Swags -- Crowns -- Weapons: pistols -- Literature: altered quotation from Virgil., and Watermark: fleur-de-lis on crowned shield (right side center) and countermark Curiers & Sons (left side center).
Publisher:
Publish'd Jany 27th 1789 by D. Fowler, Soho
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Richmond, Charles Lennox, 3d Duke of, 1735-1806, North, Frederick, Lord, 1732-1792, Pretyman, George, 1750-1827, and Chatham, John Pitt, Earl of, 1756-1835
An grocer stands in the center of his shop, legs astride and hands in his pockets. His hair is fashionably dressed and wears a ruffled collar along with an apron. Behind him on the floor is a barrel of sugar and on the shelves canisters of various teas and coffee. A pair of scales hangs from a post
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Engraved below image, eight lines of verse: Peter! When I a baboon see, It always makes me think of thee. They face & shape'd so very like, Who is the man is does not strike? ..., Watermark: countermark C B., and Mounted to 39 x 29 cm.
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals., and 1 print : etching, hand-colored ; plate mark 313 x 274 mm, on sheet 425 x 296 mm.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., and Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"Cromwell with a band of soldiers interrupting parliament, standing to the right, looking and pointing to left as he orders a soldier to remove the mace from the table, while members of parliament, including Sir Henry Vane in the left foreground, leap up from the benches to stop him and the speaker William Lenthall gestures aghast as he is lifted bodily from his seat by Colonel Thomas Harrison; after West (Staley 83); final published state."--British Museum online catalogue
Description:
Title from text below image., Text below title: From the original picture in the possession of the Right Honourable the Earl Grosvenor., and Watermark.
Publisher:
Published as the act directs, April 5th 1789, by B. West, I. Hall, & E. Woollett
Eleven plain, elderly women walk in a procession from left to right between the tombstones of a country church yard. Two of them, at the head of the procession, carry a small coffin with a cat's effigy on it. Behind them walks a crying woman with a handkerchief raised to her eyes. She is the only one who does not carry a cat under her arm. The feline participants of the funeral appear agitated
Description:
Title from item., Eight lines of verse in two columns on either side of title: No lover's corse this virgin train attend ..., Printseller's announcement below title: In Holland's exhibition rooms may be seen the largest collection in Europe of caricatures and other humorous prints and drawings. Admittance 1 shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mentioned in the Catalogue of prints and drawings in the British Museum, under no. 8558, as in Anthony de Rothschild's collection, v. 2, p. 138.
Publisher:
Published by William Holland at Garrick's, Richard No. 50 Oxford Street
Subject (Topic):
Cats, Cemeteries, Churches, Coffins, Crying, Funeral rites & ceremonies, Single women, and Tombs & sepulchral monuments
"Burke kneels before a throne, from which the Prince of Wales has risen, eagerly holding out his hands for the head of Charles I which Burke proffers in a round box inscribed 'Treasury Box'; he says, "My Liege I told them in the House no day so proper to settle the Regency as Charles's Martyrdom". Sheridan stands behind Burke, leaning eagerly forward, and saying with a sinister scowl: "I too am for Dispatch such days best suit our Purpose"; from his pocket hangs a paper: 'Horn Tooke's Letter on the Princes Marriage' ('Prince' appears to have been scored through) ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified in the British Museum catalogue as Rowlandson imitating James Sayers's signature., Two lines of text below title: "Why not debate it on Friday, I say it is the only day in the year on which it ought to be debated (Charles's martyrdom) and carried up in the black box." Vide Mr. Burk-s speech on Tuesday last., Sheet trimmed within plate mark., Temporary local subject terms: Emblems: Prince of Wales's feathers -- Treasury boxes -- Allusion to Prince of Wales's letter on Regency restrictions, 30 Dec. 1788 -- Speeches: Burke's in the House of Commons, Jan. 27, 1789 -- Satire on Regency resolutions -- Regency crisis, 1788 -- Thrones -- Execution of Charles I, Jan. 30, 1649 -- Literature: Tooke, John Horne, A letter to a friend on a reported marriage ... ., Watermark: fleur-de-lis on crowned shield with initials G R below., and Mounted to 28 x 37 cm.
Publisher:
Pubd. 30 Janry., 1789, by S. Fores, No. 3 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, and Charles I, King of England, 1600-1649
The courtroom scene from Act 4, Scene 1 of Merchant of Venice when Portia reminds Shylock that the bond only allows him a pound of flesh, and makes no allowances for blood. Shylock, standing with a knife in his right hand and scales in his right, registers the disappointment and shock in his expression as he stands before Portia disguised as Balthasar, holding the bond. They are flanked by Antonio and Bassanio. In the background, the judge sits at his bench, his finger to his forehead. Below the title, Portia's lines: Have by some surgeon, Shylock, on your charge to stop his wounds lest he should bleed to death. Followed by Shylock's lines: Is it so nominated in the bond?
Alternative Title:
Mr. Macklin and Mrs. Pope in the characters of Shylock and Portia
Description:
Title from item., Sheet trimmed within plate mark., and Date based on last performance date of Macklin and Pope in the The merchant of Venice.
Publisher:
publisher not identified
Subject (Geographic):
England and London
Subject (Name):
Macklin, Charles, 1697?-1797,, Pope, Elizabeth, approximately 1740-1797,, Shakespeare, William, 1564-1616., and Shylock (Fictitious character)
Subject (Topic):
Actors, British, Courtrooms, Portia (Fictitious character), and Theatrical productions
Title from item., Sheet partially trimmed within plate mark., Publisher's stamp: S.W.F., embossed in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Tailor shops -- Second-hand clothing., and Note on verso: In BM, acquired since BM cat.
Publisher:
Published June 9, 1789, by S.W. Fores, N. 3 Piccadilly
"Portrait bust as Thalia on a ledge, turned in profile to right and wearing crown of leaves, her hair curled to her shoulders, oval design; after a sculpture by Anne Seymour Damer, from a series of engravings after her work."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To the Countess of Aylesbury this engraving from the original bust executed in marble by the Honble. Mrs. Damer is most respectfully dedicated by her Ladyship's most devoted & most grateful servant, James Roberts., Sheet trimmed within plate mark., and Mounted on page 200 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Publish'd as the act directs, March 31, 1789, by James Roberts, Hogarth's Passage, Oxford; and John Jones, No. 75 Great Portland Street, London
"Portrait bust as Thalia on a ledge, turned in profile to right and wearing crown of leaves, her hair curled to her shoulders, oval design; after a sculpture by Anne Seymour Damer, from a series of engravings after her work."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To the Countess of Aylesbury this engraving from the original bust executed in marble by the Honble. Mrs. Damer is most respectfully dedicated by her Ladyship's most devoted & most grateful servant, James Roberts., Sheet trimmed within plate mark., Mounted on page 260 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : stipple engraving with etching on laid paper ; sheet 26.9 x 20.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., and For further information, consult library staff.
Publisher:
Publish'd as the act directs, March 31, 1789, by James Roberts, Hogarth's Passage, Oxford; and John Jones, No. 75 Great Portland Street, London
"A quack doctor (right) stands outside his house surrounded by a pyramid of bottles inscribed 'Velnos Syrup', one of which he holds up, demonstrating its virtues with a complacent smile to a band of rival practitioners (left) who are furiously threatening his barricade. Behind his head is inscribed : 'List of Cures \ In 1788,5,000 \ In 1789, 10,000'. The house is at the corner of 'Frith Street'; it has a porch inscribed in large letters 'Mr Swainson N. 21'. A surgeon threatens Swainson with a knife, raising also a leg to kick. A second surgeon kneels on one knee, also holding a knife and glaring ferociously; beside him is a basket of surgeon's instruments. Behind him is a man who directs an enormous syringe at the self-satisfied Swainson. An old man wearing spectacles holds up a 'Pill Box'. These assailants are dominated by a very stout man in the rear who holds up a pestle in one hand, in the other a mortar inscribed 'Mercury the only Specific'. Above his head is poised a nude Mercury holding a caduceus and urging on the attacking force."--British Museum online catalogue
Alternative Title:
Vegetable intrenchment and Vegetable entrenchment
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue and Grego., and Temporary local Medical Library subject terms: Proprietary medicines -- Velnos Syrup.
Publisher:
Pubd. Novr. 29, 1789, by W. Fores, No. 3 Piccadilly
Subject (Name):
Swainson, Isaac, 1746-1812
Subject (Topic):
Quacks and quackery, Interpersonal confrontation, Physicians, Mercury, Patent medicines, Bottles, Sculpture, Medical equipment & supplies, and Mortars & pestles
From a sign on the back wall, a scene in the 'Grand Imperial Lodge of Odd Fellows" in which Burke, Norfolk, Sheridan, and Fox smoke and dance amongst the other club members some of whom wear swords. One man plays the fiddle. A chandelier hangs from the ceiling. In the corner is a dais under a canopy. A dog sits on his hind legs in the foreground
Description:
Title engraved below image., Sheet trimmed within plate mark., Frontispiece to: Attic miscellany, v. 1., and Mounted to 28 x 35 cm.
Publisher:
Publish'd as the act directs by Bentley and Co.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Sheridan, Richard Brinsley, 1751-1816
"Fox rises from a close-stool; Sheridan (left) is about to apply a syringe, inscribed 'R------ts [Regent's] Clyster', to his rectum. Burke (right), wearing a Jesuit's biretta (cf. British Museum Satires No. 6026), gropes in the close-stool, holding in his left hand its lid, inscribed 'Not searching from Precedents but Consequences' (a characteristic dictum); he says, "To Ordure - Ordure" (Burke was often called to order for his speeches on the Regency, cf. British Museum Satires No. 7499, &c). Fox says, "Exegi Monumentum cere perennias, or the finishing Stroke" (perhaps an allusion to the revolution Pillar, see British Museum Satires No. 7396). In his hand is a paper inscribed 'Magna Charta Non Posteris sed Posterioribus'; his posterior is inscribed 'Patriotic Bum' and 'Vox Populi'. He stands on a paper inscribed 'Resolutions of P------l------t.' Sheridan is 'Principal Promoter of loose Principles'; under his right foot is an open book: 'Congreve Plays School for Scandal', probably implying plagiarism by Sheridan (cf. Moore, 'Life of Sheridan', p. 180, where resemblances between 'The School for Scandal' and 'The Double Dealer' are noted). The background is a library wall: a book-case containing folio volumes in some disorder is flanked by scowling busts of 'Wat Tyler' and 'Jack Kade'. The books are inscribed: 'The Laws of Pharaoh' (Faro, cf. British Museum Satires No. 5972), 'Political Prints', 'Life of Oliver Cromwell' (cf. British Museum Satires No. 6380, &c), 'Cataline' (cf. British Museum Satires No. 6784), 'Memoirs of Sam House'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., The number "3" in publisher's street address in imprint is etched backwards., 1 print : etching on laid paper, hand-colored ; plate mark 24.5 x 35.1 cm, on sheet 25.5 x 36.6 cm., and Mounted on card backing to 28 x 39 cm; matted to 33 x 43 cm.
Publisher:
Pubd. Jany. 21, 1789, by S. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
Subject (Topic):
Regency, Defecation, Medical equipment & supplies, and Bookcases
Charles II returning to England after exile, on the beach being greeted by General Monk, the Dukes of Gloucester and York, the Earl of Clarendon and Sir John Grenvill and others, with Dover Castle in the background after Benjamin West (Staley 84).
Alternative Title:
King Charles the Second landing on the beach at Dover
Description:
Title from caption below image., Text below title: From the original picture in the possession of the Right Honourable the Earl Grosvenor., and Watermark.
Publisher:
Published as the act directs, April 5th 1789, by B. West, E. Woollett & J. Hall
Subject (Geographic):
Dover (England), and Great Britain.
Subject (Name):
Charles II, King of England, 1630-1685,, Clarendon, Edward Hyde, Earl of, 1609-1674,, Bath, John Grenville, Earl of, 1628-1701,, Henry, Prince, Duke of Gloucester, 1640-1660,, and Albermarle, George Monck, Duke of, 1608-1670,
