"Perdita, mistress of the feast, with flowers in her hair and holding a staff in her left hand, giving rosemary and rue to Polixenes, who sits under a large tree to left, wearing a plumed hat and shrouded in a cloak, looking up at her appreciatively, while Florizel, disguised as Doricles, ushers forward his love, a dog beside him to right, with other figures, including a man wearing a sheepskin jacket, kneeling with a basket of fruit to left, the shepherd standing behind Polixenes, a ribbon seller showing a ballad to two young women to right and dancers in the field beyond."--Brit. Mus. online catalogue
Description:
Title from published state., State with figures in outline only., 'Shakspeare' in open letters below imprint., and Sheet trimmed to plate mark at top edge.
Publisher:
Publish'd Feb. 6th, 1789, by John & Josiah Boydell, No. 90 Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"A caricature portrait of Pitt speaking in the House of Commons in profile to the right. In his right hand is a document: 'Regency Restrictions' (see British Museum Satires No. 7488, &c.); his hat is under his left arm, his left hand is held out. He bends forward, his right leg advanced."--British Museum online catalogue
Description:
Title devised by cataloger; title based on that given in the British Museum catalogue., Questionable attribution to Gillray from the British Museum catalogue., An imitation of the whole length portraits of Sayers. See British Museum catalogue., and Temporary local subject terms: Speeches: Pitt's on Regency Bill, 1789 -- Bills: Regency Bill -- Opposition to Regency Bill -- Allusion to Regency restrictions.
Publisher:
Pubd. June 17, 1789, by W. Fores, No. 3 Piccadilly
"Portrait of William Pitt three-quarter length seated, his head slightly turned to left, his right hand resting on documents on a table; curtain and pillar in the background."--British Museum online catalogue
Description:
Title from the British Museum online catalogue, registration no.: 1851,0901.1338., Sheet trimmed to plate mark., and Matted.
Title assigned by the cataloger., Printmaker identified as possibly Gillray signing with James Sayers's initials from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Warren Hastings's trial -- Sheridan's speech at Hastings's trial., and Manuscript note in contemporary hand identifying Sheridan in lower right corner.
Publisher:
Pubd. June 29, 1789, by [S.]W. Fores, No. 3 Piccadilly
Title assigned by British Museum catalogue., Printmaker identified by British Museum catalogue as Gillray signing with James Sayers's initials., Sheet trimmed within plate mark., and Temporary local subject terms: Warren Hastings's trial -- Reference to Sheridan's speech at Hastings's trial.
Publisher:
Publish'd 29th June 1789, by J. Aitken, Castle Street
Facius, Georg Sigmund, approximately 1750- printmaker
Published / Created:
[1 May 1789]
Call Number:
Drawer 724 803B no. 78
Image Count:
1
Resource Type:
still image
Abstract:
"Romeo sitting on a couch on the left, taking hold of Juliet's hand, under an awning in a classical palace, with dancers playing tambourines in the background and a man talking to Tybalt, who grasps his sword angrily."--British Museum online catalogue
Description:
'Shakspeare' in open letters etched below imprint. and Full title from British Museum online catalogue.
Publisher:
Aqua fortis publish'd May 1st, 1789, by Jno. & Josiah Boydell, No. 90, Cheapside, & No. 59, Pall Mall, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
Plate with numbered depictions of the obverse and reverse of fourteen Roman coins and medals. Numbered "4" among these is a gold medal, with heads of Marc Anthony and his wife Octavia, that was formerly in the collection of Horace Walpole at Strawberry Hill
Description:
Title devised by cataloger., Publication information from that of the volume for which the plate was engraved., Plate from: Pinkerton, J. An essay on medals: or, An introduction to the knowledge of ancient and modern coins and medals; especially those of Greece, Rome, and Britain. London : Printed for J. Edwards ... and J. Johnson ..., 1789., "Vol. I, plate 2"--Upper right corner., Imperfect; only top half of plate is present, with bottom half and all text trimmed away. Description based on a more perfect impression., Mounted on page 111 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on wove paper ; sheet 7.4 x 10.3 cm., Imperfect; only bottom half of plate is present, with top half and all text trimmed away., This impression probably represents the bottom half of a plate sent by Horace Walpole to Richard Bull. See top half of plate and note from Walpole to Bull mounted on preceding page (page 110)., and For further information, consult library staff.
Publisher:
J. Edwards and J. Johnson
Subject (Name):
Antonius, Marcus, 83 B.C.?-30 B.C., and Octavia, -11 B.C.,
Plate with numbered depictions of the obverse and reverse of fourteen Roman coins and medals. Numbered "4" among these is a gold medal, with heads of Marc Anthony and his wife Octavia, that was formerly in the collection of Horace Walpole at Strawberry Hill
Description:
Title devised by cataloger., Publication information from that of the volume for which the plate was engraved., Plate from: Pinkerton, J. An essay on medals: or, An introduction to the knowledge of ancient and modern coins and medals; especially those of Greece, Rome, and Britain. London : Printed for J. Edwards ... and J. Johnson ..., 1789., "Vol. I, plate 2"--Upper right corner., Imperfect; only top half of plate is present, with bottom half and all text trimmed away. Description based on a more perfect impression., Mounted on page 110 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., With manuscript label on separate strip of paper mounted below image: Mr. Walpole's unique gold is no. 4 of this plate., Mounted beside a note from Horace Walpole to Richard Bull in which Walpole mentions the depiction of his Marc Anthony medal in the second edition of Pinkerton's An essay on medals. In the note Walpole also mentions sending along the plate in question, and the impression mounted here probably represents the top half of the plate he sent to Bull., and For further information, consult library staff.
Publisher:
J. Edwards and J. Johnson
Subject (Name):
Antonius, Marcus, 83 B.C.?-30 B.C., and Octavia, -11 B.C.,
Simon, John Peter, -approximately 1810, printmaker
Published / Created:
[1 June 1789]
Call Number:
Drawer 724 803B no. 74
Image Count:
1
Resource Type:
still image
Abstract:
"Hero fainting at the altar, supported by Beatrice, in front of the friar who was about to marry her to Claudio, while Claudio stands on the right, gesturing angrily as he accuses her of infidelity, and others look on; late etched state"--British Museum online catalogue
Description:
Title from published state., 'Shakspeare' in open letters below imprint., and Sheet trimmed.
Publisher:
Aqua fortis publish'd June 1st,1789 by Jno. & Josh. Boydell at the Shakspeare Gallery, Pall Mall & Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
Title and printmaker from British Museum catalogue., Printmaker Gillray signing with James Sayers's initials. Cf. British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Wool sacks.
Publisher:
Pubd. June 27th 1789, by J. Aitken, Castle Street, Leicester Fields
Title devised by cataloger., Printed on one sheet with: A mis-fire at the Constitution., Originally printed on a separate sheet and included with a set of eight satirical portraits published in May 1794 in which the members of the Opposition are travestied as French republicans. The sheet was cut along the lower edge of the cap in order to place it on the head of each of the portrayed politicians. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., nos. 8450-7., Variant state of No. 8449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Sans culottes -- French Revolution., and Mounted to 49 x 34 cm.
"Henry V standing with one hand on the back of his chair, pointing with the other to left at the three traitors Cambridge, Grey and Scroop, who read with horror the news that their conspiracy has been discovered and plead for mercy, while three lords stand watching on the right, the nearest drawing his sword"--Br. Mus. online catalogue
Description:
Title from published state.
Publisher:
Aqua fortis publish'd March 25, 1789 by John & Josiah Boydell, No. 90 Cheapside, London
Title supplied by cataloger., Plate from: Essays on physiognomy ... / by John Caspar Lavater. London, J. Murrray, 1789-1798, v. i, page 154., Temporary local subject terms: Drunkenness -- Walking staves., and Profile portrait of a man's head by Thornthwaite on verso.
A image of a man with a bundle of pages in his right hand, shown full-length, striding to the left wtih determination. His left hand is in his pocket
Description:
Title devised by the cataloger., False attribution to JS [James Sayer]?, Identified as Charles Grey in black ink in a contemporary hand., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Manuscript note in contemporary hand identifying Grey in lower right corner., and Mounted to 23 x 16 cm.
Publisher:
Published July 4, 1789, by [S.]W. Fores, No. 3 Piccadilly
"Apollo alighting with a torch in his right hand, wings spread, gesturing with his left hand towards the arts and sciences, allegoriacal figures grouped on the right with Sculpture, leaning on a bas-relief of George III, Painting and Architecture in the foreground and a figure on the right with a globe, compass and other navigational tools; in an oval; after West."--British Museum online catalogue
Description:
Title supplied by cataloger., Artist, printmaker, and publication information from lettered state described in the Calabi and de Vesme catalogue with imprint: London, Publish'd ... Octr. 1, 1789, by B. West ..., State from Calabi and de Vesme catalogue., and Sheet trimmed within plate mark on lower edge.
Title from item., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: DuBois?
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., 1 print : etching on wove paper ; plate mark 20.2 x 25.6 cm, on sheet 21.8 x 26.9 cm., and Mounted on leaf 48 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., and Mounted on page 65 with one other print.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., Note on verso in contemporary hand: The same Hanover Colt directed by Mr. Sheridan to write a Letter. - 1789. Allusion to an answer to the H. of C. in the P. of Ws. name suppos'd to be dictated by Sheridan., and Watermark: (partial) crown over shield with fleur-de-lis.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
"A vulture with the head of Pitt (in profile to the left) grasps in the left claw the Crown and sceptre, in the other (outstretched) the coronet of the Prince of Wales; the latter he crushes under the weight of his powerful talons, while he bites at the Prince's feathers, one of which he has already plucked out. The gorged bird's bulging breast is inscribed 'Treasury'; under the crown lies 'Magna Charta', torn. The spread of the creature's wings and the stretch of its long heck towards the feathers give an impression of savage rapacity."--British Museum catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue. Cf. No. 7478 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Numbered '41' in upper right corner.
Publisher:
Pubd. Jany 3d 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Pitt, William, 1759-1806
"A vulture with the head of Pitt (in profile to the left) grasps in the left claw the Crown and sceptre, in the other (outstretched) the coronet of the Prince of Wales; the latter he crushes under the weight of his powerful talons, while he bites at the Prince's feathers, one of which he has already plucked out. The gorged bird's bulging breast is inscribed 'Treasury'; under the crown lies 'Magna Charta', torn. The spread of the creature's Avmgs and the stretch of its long heck towards the feathers give an impression of savage rapacity."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Treasury -- Birds: vulture -- Magna Charta -- Prince of Wales's coronet -- Crowns -- Sceptres -- Allusion to Regency crisis, 1788., Watermark: fleur-de-lis on crowned shield., and Mounted to 29 x 38 cm.
Publisher:
Pubd. Jany. 3d, 1789, by H. Humphrey, New Bond St.
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Also with newspaper clippings mounted on sheet.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: judge's robes -- Devil -- Signs: road sign -- Allusion to shop tax -- Allusion to Regency Bill -- Regency crisis, 1788., and Mounted to 37 x 27 cm.
Publisher:
Pubd. Jany. 29th, 1789 by Peter Pindar, London
Subject (Name):
Pitt, William, 1759-1806 and Thurlow, Edward Thurlow, Baron, 1731-1806
"A representation (not caricatured) of the duel between the Duke of York and Lennox on Wimbledon Common on 26 May. Lennox (left) fires at the Duke, who fires in the air. Above the Duke's head is written (in ink) 'Fire again Sir'. The two seconds stand beside their principals: Lord Winchilsea (left) and Lord Rawdon (right). In the distance is a man on horseback. Trees and grass form a background."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Pub. May 27, 1789 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Richmond and Lennox, Charles Lennox, Duke of, 1764-1819., Winchilsea, George Finch, Earl of, 1752-1826., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., and Wimbledon Common (Wimbledon, London, England),
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state with the Prince's speech censored., Temporary local subject terms: Morganatic marriages: Prince of Wales's to Mrs. Fitzherbert -- Ficticious duels: Mrs. Fitzherbert and Mrs. Schwellenberg -- Allusion to Regency crisis, 1788 -- Lemons -- Literature: travesty of Nathaniel Lee's The rival queens., Watermark: Portal & Bridges., and Mounted to 27 x 38 cm.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from later state. Cf. Works of James Gillray, the caricaturist with the history of his life and times. London, Chatto and Windus, [1873?], p. 107., Sheet trimmed within plate mark with loss of subtitle., Earlier state, with the Prince of Wales's uncensored speech. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7501., and Watermark: L Taylor.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
A cartoon illustrating the first reactions in England to the news of the fall of the Bastille. On the right, the radiant figure of Liberty sits enthroned on the ruins of the Bastille. Kneeling on one knee before her, Louis XVI holds up to her his crown; inscribed below him are the words "A repentant monarch." Following behind him are six figures in chains, each clearly identified: Orléans and Necker, Marie Antoinette, two German counselors, and a figure suggestive of Mrs. Schwellenberg. La Fayette and the ranks of the National Guard bring up the rear. All around them are cheering crowds
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 2 sh. plain.", Sheet trimmed to plate mark., and Watermark.
Publisher:
Pubd. Aug. 3d, 1789, by J. Aitken, N. 14 Castle Street, Leicester Fields
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Necker, Jacques, 1732-1804, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, and Bastille.
Subject (Topic):
Liberty, History, and Foreign public opinion, British
"Mrs. Fitzherbert (left) in bed, supported on her right elbow, looks fixedly towards a warming-pan held by a stout woman who approaches the foot of the bed. In the perforations of the pan are stuck three ostrich feathers; a monk, holding up a crucifix, gazes down at it. Mrs. Fitzherbert wears a large frilled cap and a nightdress with ruffles. The fringed bed-curtains are looped up. On the extreme right is part of a draped table on which are a cup, bowl, and a large urn (probably materials for caudle). On the wall are three pictures: one, the 'Royal Hunt', a man galloping beside hounds; this has the motto 'Ich Ich' (in place of 'Ich dien') with three ostrich feathers. It is flanked by two profile heads facing each other: one is 'Wig', the other 'Torey', but they do not appear to be portraits. The carpet is patterned with Prince of Wales's feathers."--British Museum online catalogue
Description:
Title from item., Attribution to Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement following imprint: The compleatest [sic] collection in the kingdom. Admitce 1 Shilling., and Watermark: countermark W.
Publisher:
Pub. Dec. 17, 1789 by S.W. Fores at his Caricatura Exhibition Rooms, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Bedrooms, Births, Canopy beds, Crucifixes, Monks, and Rugs
"Pitt as the modern Egbert (king of the West Saxons, d. 839) is rowed by four kings, and tows behind him a small boat in which the Prince of Wales is seated, his wrists and ankles chained. Pitt, who steers, is seated high in the stern of the 'Treasury Barge', he wears a combined coronet and mitre, and says to his four oarsmen, 'Pull together Boys'. They are Thurlow (stroke), Buckingham, Dundas, and Richmond (bow). All wear crowns on their heads and badges like those of watermen on their sleeves. Thurlow, stripped to the waist, his badge a rose, says, "Damme! I've got precedence of the Young Lion"; he rows with the Chancellor's mace. Buckingham (Lord Lieutenant of Ireland), an Irish harp on his coat-sleeve, rows with a shillelagh, saying, "I'll answer for the Shelalagh without Authority". Dundas, wearing a thistle badge, rows with a long spoon, saying, "He shall remember old Nemo impune". Richmond, wearing a fleur-de-lis badge (he was due d'Aubigny), rows with a cannon (emblem of the ordnance, cf. BMSat 6921, &c), saying, "We'll shew him Gallic Faith." They row on one side of the boat only. A large flag in the stern of Pitt's boat has his crest (reversed), a stork grasping an anchor, with the motto: 'Devil take the Right P.W. [Prince William]'. The Prince wears a coronet with three feathers; he says, "I feel not for myself but for my country". His boat flies a flag with Pitt's crest above a flag with the royal arms. In the background is the river bank with trees, a church (the House of Commons) flying a (blank) flag (right), and (left) the dome of St. Paul's."--British Museum online catalogue
Alternative Title:
King of kings
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., State with additions to the plate., Watermark: L Taylor., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by Charles Bronwn [sic], Strand
Subject (Geographic):
England. and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Melville, Henry Dundas, Viscount, 1742-1811, and Richmond, Charles Lennox, 3d Duke of, 1735-1806
"Five heads surround a taper whose flame is the head in profile to the left of George III. The taper rises from the centre of a crown which rests on a tasselled cushion in the foreground. On the left is Sheridan in profile, his face disfigured by drink, puffing angrily; next is Fox facing three-quarter length to the right, with a fierce expression. Next is the Prince of Wales, alarmed and rather fierce; beside him is Mrs. Fitzherbert, wearing breeches round her shoulders, one leg terminating in a garter inscribed 'Honi Soit...' The ribbon of her night-cap is decorated with the Prince's feathers and 'Ich dien'. On the extreme right is Grey, puffing intently, his blast directed at the back of the King's head. All the others puff awry, and the light burns steadily. All the men wear night-caps and shirts open at the neck."--British Museum online catalogue
Description:
Title etched below image., Not by Isaac Cruikshank. See British Museum catalogue., Date of imprint from British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement following imprint: Where may be seen the largest collection of caratures [sic] in the world. Admitnce 1shg., and Mounted to 33 x 37 cm.
Publisher:
Pub. Octr. 3 by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
France, History, Foreign public opinion, British, Regency, and Sleepwear
"A strip design. Beneath the figures are inscriptions indicating their identity. The procession is preceded on the extreme right by Hall the apothecary, one of Fox's chief supporters in Westminster, who holds the abortive 'Regency Bill'. A medical instrument protrudes from his coat-pocket; he is 'Apozem, Clerk, & Apothecary'. ... After him in priest's robes and wearing a Jesuit's biretta walks Burke, 'Ignatius Loyola' (cf. BMSat 6026), holding an 'Ode upon his Majesty Recovery'. ... The coffin is carried on the shoulders of six men with bulls' heads, hoofs, and tails, wearing coronets and shedding tears; three only are depicted, though the hoofs of the three on the left side of the coffin are indicated; it is 'The Body of the deceased supported by six Irish Bulls'. They wear a duke's, an earl's, and a baron's coronet, and say: "[1] Pullalaloo - Pullalalo - oh.', [2] Oh! - Ogh! - Oh!; [3] Oh Pullalalo - ogh". On the coffin is a coronet with the Prince's feathers flanked by an empty purse and dice and dice-box. Four ragged little girls holding nosegays walk as pall-bearers, two before the coffin and two behind it. They are '(bis) Unfledg'd Noviciates of Sf Giles's or, Charley's delight'. ... They are followed by Mrs. Fitzherbert in long trailing weeds, a rosary and crucifix hanging from her waist. She is 'Chief Mourner - The Princess of W-----s'. ... She clasps her hands despairingly. ... She is followed by Sheridan and Fox, wearing cloaks and carrying hats with mourning-scarves; they are: 'Second Mourners', 'The Rival Jacobites'. ... The next couple are Weltje and a hairdresser, Mails. ... The procession is followed by a nude and very emaciated demon (left), playing the fiddle and capering as he sings, grinning. He is the 'Blue and Buff Train Bearer.' ..."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., and Tempoary local subject terms: Bills: withdrawal of the Regency Bill -- Irish Commissioners.
Publisher:
Pubd. April 29th, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., Ignatius, of Loyola, Saint, 1491-1556., Hall, Edward, active 1784-1793, Burke, Edmund, 1729-1797, Fitzherbert, Maria Anne, 1756-1837, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lothian, William John Ker, Marquis of, 1737-1815, and Weltje, Louis, 1745-1810
Subject (Topic):
Devil, Hats, Funeral processions, and Mourning clothing & dress
"A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman wearing a large feathered hat, supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left"--British Museum online catalogue and A large painting on the back wall shows a large country estate which amplifies the subject of the print
Alternative Title:
Fruits of early industry and oeconomy and Fruits of early industry and economy
Description:
Title from text below image., Eight lines of verse beneath image, four on either side of title: Lo here, what ease, what elegance, you see, the just reward of youthfull industry ..., and Companion print to: The effects of youthful extravagance & idleness.
Publisher:
Pubd. Novr. 1, 1789, by T. Simpson, St. Pauls Church Yard
Subject (Topic):
Black people, Interiors, Families, Writing materials, Wealth, Servants, Dogs, and Piers & wharves
published acording [sic] to act of Parliament, July 14, 1789.
Call Number:
789.07.14.01
Image Count:
1
Resource Type:
still image
Abstract:
A stork, its head a likeness of Lafayette, stands on a rock depicted with the head of Louis XIV of France protruding from the left edge. He gazes at a crowd of frogs in various dramatic poses, some standing at attention. Opposite the stork is a stick with head of Bailly stuck on top, in his mouth a flag inscribed "Martial Law."
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Contemporary manuscript notes identifying the caricatured figures as Lafayette, Louis XVI, and Bailly.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, and Bailly, Jean Sylvain, 1736-1793
A satire, protesting the apparent embezzlement of city funds, depicts the members of the Corporation of Rochester with asses' heads herded back to Rochester by indignant townsmen
Alternative Title:
Mare foal'd of her folly and Mare foaled of her folly
Description:
Title from item., Sheet trimmed., Attributed to Isaac Cruikshank. See British Museum catalogue., and Watermark.
Publisher:
Pubd. August 18 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Rochester (Kent, England)
Subject (Topic):
Donkeys, Embezzlement, and Politics and government
An old woman wearing spectacles sits at a round table across from a young woman whose fortune she tells. She holds a tea-cup and points at the girl's hand
Description:
Title from caption below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, as the act directs
A man sits in a chair at a table reading about the French Revolution in The Gazetteer (newspaper). The candle in his right hand smokes heavily and is burnt down to a low stub. His tricorne hat is on the table and his walking stick is visibly leaning on the table
Description:
Title from item., Cf. William Hogarth's A politician, no. 1., and Watermark: fleur-de-lis.
Publisher:
Printed for Jno. Smith, No. 35 Cheapside
Subject (Geographic):
France
Subject (Topic):
Candlesticks, Newspapers, Reading, History, and Foreign public opinion
"Poverty-stricken family in bare, attic interior; man seated at left beside table, skinny dog beside him, looking away from woman, standing in centre mending garment, watched by boy lying on floor and resting on stool at right, looking up from his reading; young woman sitting dejectedly with bellows beside fireplace, at right; published state."--British Museum online catalogue
Alternative Title:
Effects of youthful extravagance and idleness
Description:
Title from text below image., Eight lines of verse beneath image, four on either side of title: What misery in a narrow scale confined! The mournful work of one degenerate mind ..., and Companion print to: The fruits of early industry & oeconomy.
Publisher:
Publish'd July 1, 1789, by T. Simpson, St. Pauls Church Yard
Subject (Topic):
Bellows, Dogs, Interiors, Families, Poor persons, Poverty, Sewing, and Fireplaces
"Lennox leans back on a sofa, his pistol in his hand, looking up with a melancholy expression. A lady (left) holds a smelling-bottle to his nose; the Duke of Richmond (right), leaning on one end of the sofa, regards his nephew anxiously. Lennox says: "I had been happy, if the Gen'ral Camp Foot-soldiers, all, had pull'd my Nose in private, So it had not been told; O, now for ever Farewell the Plumed Troops & the big War, The spirit-stirring Drum & the ear piercing fife, The Royal Banner & all quality, Pride, Pomp, & Circumstance of glorious War Farewell! Your Hero's reputations gone!" The lady, Lady Charlotte Gordon (who married Lennox, see BMSat 7594), says: "O my dear shiv'ring L. .. . x [These words have been ostensibly obliterated by cross-hatching which leaves them legible and makes them conspicuous.]! do compose yourself, for the sake of your dear Charlotte! Ah! that hot-blooded-fellow has fright'ned him into an Ague - come do take a sniff at your Charlotte's smelling-bottle, the Bonny Duchess says that my smelling Bottle is a nice Thing to raise a Man's courage, I long for you to take hold of it, my dear L ... x. [These words have been ostensibly obliterated by cross-hatching which leaves them legible and makes them conspicuous.] Richmond says, "Don't fret yourself my dear Nephew, [These words have been ostensibly obliterated by cross-hatching which leaves them legible and makes them conspicuous.] you have behaved like a Man of Spirit & Honor; - your putting up with a public Insult when you could have resented it, shews your magnanimity! your pretending not to remember the words of the insult, shews your harmless disposition! - your Letters to the Club, your good-sense! - their being sent a week before the Duel, your want of malice! as it gave his Highness's friends an opportunity to secure him from your resentment, by putting you under arrest! - your firing first, proves your spirit! - your not waiting to be shot at, your discretion! - & your being satisfied with only attempting the life of the son of your **** proves your Loyalty, & generosity! - therefore, my dear Boy, take comfort, get the better of this Ague, which you are thrown into by pulling the trigger, &, if you are kick'd out of one Regiment, Nunkle will beg another for you, as a reward for your Gallantry & good-will to the house of Hanover!!!" Pitt (left) looks round a door, saying, "Heav'ns L . . . x [These words have been ostensibly obliterated by cross-hatching which leaves them legible and makes them conspicuous.] what's the matter? I hope you've succeeded in lessening the number of my Plagues.""--British Museum online catalogue
Alternative Title:
Scene immediately after the duel
Description:
Title etched below image; the word 'coward' has scratched out with numerous etched lines but is still legible., Printmaker from British Museum catalogue., "Price 1 sh./6 plain.", Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: lieutenant-colonel, 35th Foot -- Duels: Duke of York and Lt.-Col. Lennox -- Guns: pistols -- Medicinal: smelling bottles -- Furniture: sofas -- Charlotte (Gordon), Duchess of Richmond, 1768-1842., Watermark: Armorial shield with fleur-de-lis above and monogram LS below., and Mounted.
Publisher:
Pubd. May 29th, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Richmond and Lennox, Charlotte Gordon, Duchess of, 1768-1842, and Pitt, William, 1759-1806
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., 1 print : aquatint and etching on wove paper ; plate mark 23.3 x 29.8 cm, on sheet 25.7 x 31.9 cm., and Mounted on leaf 49 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., and Mounted on page 67 with one other print.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., Watermark: fleur-de-lis., and Mounted to 31 x 42 cm.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
A view of an elegant carriage showing details of the underside of the wheels; the body and coach box are shown upright
Description:
Title from text above image., Publication date based on presentation inscription from John Hatchett to the Royal Society, 13th May 1789., Dedication below image: "To the most noble the Marquis of Landsdown, this plate of his Lordship's carriage is most humbly inscribed. By his Lordship's most obedient servant the inventor and patentee, John Hatchett, Long Acre London.", One of a series of two plates., Elaborate watercolor & body color, heightened with silver and partly finished with shellac or gum arabic., and With a wash drawing of a coachman, reins in hand, added behind the front wheels.
A view of an elegant carriage showing details of the structure; one of the back wheels is shown on a rock to demonstrate the stability of the carriage. Parts of the carriage have been labelled with letters suggesting that the print was accompanied by a letterpress legend
Description:
Title from text above image., Publication date based on presentation inscription from John Hatchett to the Royal Society, 13th May 1789., Dedication below image: To the most noble the Marquis of Landsdown, this plate of His Lordship's carriage is most humbly inscribed by His Lordship's most obedient servant the inventor and patentee, John Hatchett, Long Acre London., One of a series of two plates., and Elaborate watercolor & body color, heightened with silver and partly finished with shellac or gum arabic.
Full length figure of a man in profile facing left, with a fierce look in his face
Description:
Title etched below image., Place of publication based on printmaker's known address., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A scene in a bedroom beside a canopy bed: A older gentleman with a caricatured face embraces a young servant woman who holds a warming pan in one hand and candlestick in the other. The man's wig is smoldering from the flame of the candle. The man's young valet slinks out of the room with the man's boots and a book jack under his arms, a look of alarm on his face. Beside the door is the man's duffle bag; his coat lies on the chair beside the bed
Description:
Title from item., Printmaker from Library of Congress impression., Publisher's statement below image: In Holland's exhibition rooms may be seen the largest collection in Europe of humourous prints. Admit. 1 shilg., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., and Lower right corner torn.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Topic):
Bedrooms, Candlesticks, Canopy beds, Interiors, Seduction, Servants, and Women domestics
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
