"Portrait, almost half length, standing directed to right, looking towards the viewer, holding baton tucked under left arm, right arm at her side, dressed in a man's military uniform with a cocked hat over chin-length curly hair, with a ribbon and a frilled cravat tied around her neck; after Philips; open letter state before artists' names added."--British Museum online catalogue
Description:
Title scratched below image, in open letters., State from: Russell, C.E. English Mezzotint portraits and their states., and Sheet trimmed to plate mark leaving thread margins.
"The Prince of Wales, seated in a ramshackle state coach, is drawn (left to right) by eight miserable hacks; the procession is watched by Ministers and others from windows. On the coach door are the Prince's feathers, upside-down. One wheel is broken, the hammer-cloth is ragged; the harness consists partly of rope, partly of chains; the horses are of grotesquely varying sizes and breeds, on one is a saddle. The one dishevelled postilion raises his whip to lash the off-leader, a veritable skeleton, which falls on its knees. The coachman and the two footmen behind the coach are lean and unsuitably dressed. An angry crowd follows the coach ..."--British Museum online catalogue
Alternative Title:
Picture of English magnificence!!!
Description:
Title etched below image., Questionable attribution to Rowlandson in British Museum catalogue and Grego., Publisher's advertisment below title: In Holland's exhibition rooms may be seen the largest collection in Europe of political and other humorous prints. Admttance [sic] one shilling., Sheet trimmed to within plate mark on top and bottom edges., Two large sets of monogrammed initials written in pencil in lower right, possibly in contemporary hand., and Mounted on leaf 66 of volume 3 of 14 volumes.
Publisher:
Pubd. by William Holland, No. 50 Oxford Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, La Luzerne, Anne-César, chevalier de, 1741-1791, Amherst, Jeffery Amherst, Baron, 1717-1797, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Hood, Samuel Hood, Viscount, 1724-1816, and Chatham, John Pitt, Earl of, 1756-1835
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Imprint supplied from impression in the Library of Congress., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Regency crisis -- George III's prerogative, protected by British Lion -- Emblems: crown and scepter, prerogative -- British Lion: vigilant of prerogative -- Implements of execution -- Figure of Justice -- Emblems: Prince of Wales's feathers -- Whig frogs -- Double entendres -- Puns: "Son" -- Literature: Aesop fables -- Allusion to George III -- Dormant George IV., Watermark: S. Lay., and Mounted to 35 x 42 cm.
Publisher:
Pub. by J. Aiken, the corner Bare Street, Leicester Square
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Regency, Britannia (Symbolic character), Justice, and Frogs
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 45.8 cm, on sheet 29.1 x 46.9 cm., and Mounted on leaf 57 of volume 2 of 12.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., and Watermark: countermark S. Lay.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
"A lady, partly hidden by a sheaf of corn, reclines against a tree. The Duke of York, wearing regimentals and a mitre, prods her with the end of his crozier. She holds an open book inscribed 'Monody on the Death of the D- of R-d' [Rutland]. In the middle distance and on the extreme left a military officer stands on guard holding a sword and pistol: he says, "I am allways ready to Pimp or Bully."--British Museum online catalogue
Alternative Title:
Babes in the wood with Rawheadon, bloody bones
Description:
Title etched below image., Sheet trimmed within plate mark at bottom., and Matted to 47 x 62 cm.
Publisher:
Pubd. by W. Fores, No. 3 Piccadilly
Subject (Name):
Rutland, Mary Isabella Manners, Duchess of, 1756-1831, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Rawdon-Hastings, Francis, Marquess of Hastings, 1754-1826.
Title from item., Printmaker from British Museum catalogue., Engraved text "W. Holland , No. 50 Oxford Street" following the date "March 10th" crossed out and Humphrey's name supplied in manuscript on right below image., Sheet trimmed within plate mark., and Temporary local subject terms: Allusion to Regency crisis -- Thrones -- Crowns -- Pictures amplifying subjects -- Homage.
Publisher:
Pubd. March 10th 1789 as the act directs H. Humphrey, No. 51 New Bond St.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Conversing.
Publisher:
Published April 7th, 1789, by Jno. Matthews, No. 441 Strand
A domestic scene in a dressing room with a maid assisting a lady as she dresses, placing ornaments in her mistress's hair. A young girl sitting in a chair reads to a little boy who leans on her knee and looks lovingly into her face. A hat box rests on a high boy (left); another hat box and hair accessories sit on a table and chair to the right
Description:
Title engraved below image. and Sheet trimmed within plate mark.
Publisher:
Published April the 7th, 1789, by Ino. Matthews, No. 441 Strand
