"Six men at a dinner-table, four in regimentals. An officer stands (right) to give a toast, the man seated on his left having said "Come Jack favor us with a Toast". He responds: "Here is the Lady that can raise Five Hundred Members!!" A civilian on his right says: "very fair--very fair". The man at the foot of the table (left) asks his civilian neighbour "How much did you give to be Gazzetted. The man answers gloomily: Five hundred hard cash!!" The sixth man says: "I did not think it would have been done up so soon-- I had promised at least a Dozen promotions"."--British Museum online catalogue
Description:
Title from caption below image., Printmaker identified in the British Museum catalogue., (Description and comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VIII, 1947) See No. 11216, &c. A reference to Mrs. Clarke's effect on the Commons, cf. No. 11238. Wilberforce records in his diary: 'House examining Mrs. Clarke for two hours--cross-examining her in the Old Bailey way--she elegantly dressed, consummately impudent, and very clever: clearly got the better in the tussle' (1 Feb.). 'Mrs. Clarke by fascinating the House has prevented its degradation by appearing to stifle the inquiry, and take too strong a part with the Duke of York--curious to see how strongly she has won upon people' (Feb. 26)., Sheet trimmed to plate mark on two sides., and Mounted to 28 x 42 cm.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 34.7 cm, on sheet 25.6 x 41.8 cm., and Leaf 16 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and Imperfect; "sc." following the name "Bunbury" in lower right corner has been mostly erased from sheet.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and 1 print : etching, hand-colored ; plate mark 24.0 x 34.5 cm.
"Admiral Sir George Young, in naval uniform, stands in profile to the left, slim and erect, heels together, hand on the hilt of his sword. He wears a cocked hat and high boots. His expression is firm, alert, benevolent."--British Museum catalogue
Description:
Title etched below image., Leaf 8 in an album with the spine title: Characatures by Dighton., and Figure identified as "Admiral Young" in pencil in lower left corner of sheet.
"Mrs. Clarke (left) bestrides a large cannon on a gun-carriage, her back to the muzzle, hammering a spike into it with great gusto; she says: "A Wise General shoud make good his Retreat". The Duke of York kneels on the ground (right), looking over his right shoulder at her, and exclaiming, "Alas! Alas for ever ruined and Undone, / See See she has spiked my great Gun". His cocked hat and sword lie on the ground. In the background (left) two military officers followed by a parson run away to the left, and on the right Mrs. Clarke beats a drum, playing the 'Rogues March', while tiny soldiers flee before her."--British Museum online catalogue
Alternative Title:
Darling angel's finishing stroke
Description:
Title from caption below item., Printmaker identified in, Sheet trimmed to plate mark on one side., and Mounted to 29 x 42 cm.
Publisher:
Pubd. March 13th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile on the right, gesticulating with outstretched arms over a plan drawn on the table-cloth. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently. His neighbour on his right also yawns; the man on his left supports his head on his hands, scowling at the speaker through half-closed eyes. Next to him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness, one turned away from the table, with outstretched legs in top-boots, yawns violently. From the left enters a servant with tousled hair, wearing a striped jersey; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs, one of whom is toppling over with sleepiness
Description:
Title from caption below image., Statement of responsibility from impression in the British Museum. See British Museum online catalogue, registration no.: 1935,0522.8.169., Date of publication based on watermark., A copy in reverse of no. 6144 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., The Lewis Walpole Library impression: statement of responsibility has been erased from lower left corner of sheet., and Watermark partially trimmed: 1809.
Publisher:
publisher not identified
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A very fat man, broadly caricatured, with a gouty leg, sits full face in an arm-chair, staring with open mouth and goggling eyes. Above his head: 'Who the Devil do you stare at? Get along about your Business'. He wears a night-cap, a handkerchief round his neck, a loose coat over shirt. At his left hand is the corner of a table with a decanter of 'Madeira' and a glass."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on complete imprint on earlier state: London, Pubd. Sept. 30th, 1809, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11463 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "143" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of innocence., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 166, Temporary local subject terms: Male costume, 1809 -- Night-cap -- Gout -- Madeira., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 25 cm, on sheet 41.8 x 25.6 cm., and Leaf 84 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A very fat man, broadly caricatured, with a gouty leg, sits full face in an arm-chair, staring with open mouth and goggling eyes. Above his head: 'Who the Devil do you stare at? Get along about your Business'. He wears a night-cap, a handkerchief round his neck, a loose coat over shirt. At his left hand is the corner of a table with a decanter of 'Madeira' and a glass."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on complete imprint on earlier state: London, Pubd. Sept. 30th, 1809, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11463 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "143" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of innocence., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 166, and Temporary local subject terms: Male costume, 1809 -- Night-cap -- Gout -- Madeira.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat, middle-aged, and meretricious-looking woman sits full face with a full glass in her hand, eyelids lowered, the fingers of her left hand spread deprecatingly. Beside her is a bottle of 'Coniac Brandy'. Above her head: 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!' Large red stones or beads form a double necklace and bracelets, and ornament a fillet in her hair and her short sleeves."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication from British Museum catalogue and Grego., Plate numbered "144" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of impertinence!, "Price one shilling coloured.", Temporary local subject terms: Female costume, 1809 -- Cognac -- Jewelry -- Necklace -- Bracelets -- Fillet., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 25 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 85 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat, middle-aged, and meretricious-looking woman sits full face with a full glass in her hand, eyelids lowered, the fingers of her left hand spread deprecatingly. Beside her is a bottle of 'Coniac Brandy'. Above her head: 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!' Large red stones or beads form a double necklace and bracelets, and ornament a fillet in her hair and her short sleeves."--British Museum online catalogue
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication from British Museum catalogue and Grego., Plate numbered "144" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Companion print to: A lump of impertinence!, "Price one shilling coloured.", and Temporary local subject terms: Female costume, 1809 -- Cognac -- Jewelry -- Necklace -- Bracelets -- Fillet.
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., 1 print : etching with stipple, hand-colored ; 273 x 381 mm., and Sheet trimmed within plate mark on three sides (top, right and left).
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., and Mounted to 49 x 62 cm.
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
Title from caption below image., Originally published: December 23, 1809 by Thomas Tegg. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall --Carlton House -- Lighting -- Gas lamps -- Male Costume, 1809 -- Irishmen -- Quakers -- Female cosutme -- Fur muff., and Ms. annotation in lower right corner of sheet.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Plate numbered "173" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 25 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of the pavement of Pall Mall seen from the cobbled roadway; it recedes slightly from left to right and is backed by part of the screen and façade of Carlton House, with part of the adjacent house on the extreme left on which is a door-plate inscribed Sherry [Sheridan]. On the pavement are three of the new gas-lamps; a tall post with three globes, one at the summit, flanked by two others on slender curving branches. In each globe is a triple flame. A fashionably dressed young man (left), points with his riding-whip, instructing the lady who holds his arm: The Coals being steam'd produces tar or paint for outside of Houses--the Smoke passing thro' water is deprived of substance and burns as you see. A fat Irishman turns to say to the speaker: Arrah honey if this man [Winsor] bring fire thro water we shall soon have the Thames and the Liffey burnt down--and all the pretty little Herrings & Whales burnt to cinders. A fat countryman (right) gazes up, saying, Wauns what a main pretty light it be. we have nothing like it in our Country. A lank Quaker on tiptoe, standing beside him, says: Aye Friend but it is all Vanity, what is this to the inward light. On the extreme right a flamboyant courtesan with her bare arms in a muff says to a buck who inspects her through his glass: If this light is not put a stop too--we must give up our business We may as well shut up shop. The man answers: True my dear not a dark corner to be got for love or money. There are other passers-by on the pavement, typical Rowlandson characters, one a parson of Dr. Syntax type, cf. British Museum Satires No. 11507."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue. A specific publication date of 23 December 1809 is suggested by Grego., Plate numbered "173" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Price statement, partially worn or burnished from plate, in lower right corner of design: Price one shilling coloured., Sheet trimmed within plate mark., Temporary local subject terms: Pall Mall -- Carlton House -- Lighting -- Gas lamps -- Male costume, 1809 -- Female costume, 1809 -- Irishmen -- Quakers -- Fur muff., Mounted to 24 x 33 cm., and Probably a late impression from a worn plate; price statement and printmaker's signature are lightly printed and barely legible.
"The Duke of York, in a pilgrim's gown, wearing a mitre and with a crosier for his staff, approaches the corner of a house where two women, Mrs. Clarke and Miss Taylor, look eagerly from an open window. Behind him his path, 'Road to destruction', leads down from a country house in trees, Oatlands. Beside the path is a stone: 'Stumbling Block'. Near the house the Duchess of York kneels imploringly, raising her arms towards the distant Duke. Behind her is one of her many pet dogs (see British Museum Satires No. 11023). The Duke tramples on two open books: 'Thoughts on Connubial Happiness' and 'Thou shalt not commit Adultery'. He says: "Now for a meeting with my Dearest Dear". On the house many bills are posted: 'Man Traps are placed every Night in these grounds'; 'Diamonds by Mrs Clarke Lapidary to his Highness'; 'This evening will be performed Duke and No Duke [by Tate, 1685] By his Majesties Servts . . .'; 'Agency Office business transacted on moderate Terms'; 'Leakes Pills by appoint. . Taylor'; 'Suppression of vice'; 'To all-Journeymen Taylors wanted'."--British Museum online catalogue
Alternative Title:
Pilgrimage from Surrey to Gloucester Place, or, The bishop in an extacy and Bishop in an extacy
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Oatlands Country house -- Mrs. Clarke., and Mounted to 42 x 29 cm.
Publisher:
Pubd. Febry. 27, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Possibly a later state; first half of imprint statement has been partially worn away or burnished from plate but is still legible., Design consists of eight figures arranged in two horizontal rows, each figure having a caption etched above., Plate numbered "165" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling couloured [sic].", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male costume, 1809: smock -- Female costume, 1809 -- Wigs -- Landlords -- Pitchforks., and Mounted to 31 x 43 cm.
Publisher:
Pubd. August 19th, 1809, by Thos. Tegg, No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Possibly a later state; first half of imprint statement has been partially worn away or burnished from plate but is still legible., Design consists of eight figures arranged in two horizontal rows, each figure having a caption etched above., Plate numbered "165" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling couloured [sic].", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male costume, 1809: smock -- Female costume, 1809 -- Wigs -- Landlords -- Pitchforks., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Sheet trimmed within plate mark on bottom edge., and Leaf 19 in volume 3.
Publisher:
Pubd. August 19th, 1809, by Thos. Tegg, No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A parson, just arrived at an inn, a grosser Dr. Syntax (see British Museum Satires No. 11507), makes advances to a comely and willing chambermaid, who holds warming-pan, lighted candle, and saddle-bags, and is conducting him to his room. They are at the foot of the staircase. A young military officer on the stairs tipsily directs a stream towards the parson's hat. On the wall behind the latter: 'Fountain Inn-Entertainment for Man and Horse Gentlemen supplied with Fishing Tackle &c &c'. Behind his back (right) an elderly man in a night-shirt looks angrily from a room, holding a lighted candle. In the foreground (right) is a clutter of chamber-pots, bucket, mop, boot-jack, &c."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue. Grego suggests a date of 1807., Four lines of quoted verse below title: "Who'er has travell'd life's dull round, through all its various paths hath been, must oft have wondered to have found, his warmest welcome at an inn., Plate numbered "148" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Leaf 89 in volume 3.
"Dr. Gretton walks in profile to the left, wearing mortar-board, gown, bands, and cassock. He has a pouched and wrinkled face and short white hair or wig. He holds a handkerchief in his right hand which rests on his breast, the left is in the pocket of his cassock. William Gretton (1736-1813) was Master of Magdalene from 1797, and Vice-Chancellor 1800-1."--British Museum online catalogue
Alternative Title:
View from Magdalene College, Cambridge
Description:
Title etched below image., Leaf 50 in an album with the spine title: Characatures by Dighton., and Figure identifed as "Dr. Gretton" in pencil at bottom of sheet; this note corrects another pencil annotation, now scored through, identifying the figure as "Dr. Grafton".
"Dr. Wood walks meditatively in profile to the left, holding his gown to his waist. He has short white hair or wig, a white eyebrow, wears a mortar-board, bands over a shirt-frill, and knee-breeches, showing a neat leg."--British Museum online catalogue and "James Wood (1760-1839), Fellow of St. John's and mathematician, was the son of a Lancashire weaver. He was B.D. 1793, D.D. 1815, Master of his College 1815-39, and Dean of Ely from 1820. He was the most influential man in the University, and according to the 'D.N.B.' the model head of a college ..."--British Museum catalogue
Alternative Title:
View from St John's College Cambridge
Description:
Title etched below image., Leaf 51 in an album with the spine title: Characatures by Dighton., and Figure identified as "Mr. Wood" in pencil in lower left corner of sheet.
"An elderly man with an alert, wrinkled face, stands very erect in profile to the left, his hands resting on his cane. He wears an old-fashioned cocked hat with cockade, with white or powdered hair in a neat (military) pigtail; his long double-breasted blue coat has a small scarlet facing on the high collar; his shoes have large buckles. He is General Robert Donkin, father of Sir R. F. Donkin, died 1821, aged 94."--British Museum online catalogue
Description:
Title etched below image., Leaf 58 in an album with the spine title: Characatures by Dighton., and Figure identified as "Genl. Donkin" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Donkin, Robert, 1727-1821
Subject (Topic):
Generals, British, Older people, and Staffs (Sticks)
"View of the Thames, with the Adelphi at far left on opposite shore, St Paul's in mid-distance, Blackfriars Bridge to its right and the steam engine at the York Buildings waterworks on the far right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 89., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 279.
Publisher:
Pub. Novr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Blackfriars Bridge (London, England), Thames River (England), London (England), England, and London.
Subject (Name):
St. Paul's Cathedral (London, England), and York-Buildings Company,
Subject (Topic):
Waterfronts, Buildings, Bridges, Rivers, Sailboats, and Rowboats
"A coachman in a single-breasted coat reaching to his boot-tops stands looking to the left. His cylindrical hat has an irregular brim. A team-whip leans against his left shoulder and he holds the end of the lash between the tips of the fingers of both hands."--British Museum online catalogue and "Dick Vaughan, the driver of the Cambridge Telegraph, a famous coach, was known as Hell-Fire-Dick, and was 'a favourite companion of University fashionables'."--Curator's comments, British Museum online catalogue
Description:
Title etched below image. and Leaf 22 in an album with the spine title: Characatures by Dighton.
"An elderly man shambles from right to left in profile, right hand on his stick, left hand in his coat-pocket. He wears a hat with a curved brim, a curled, old-fashioned brown wig, a long coat, and an overcoat, with ill-fitting gaiters reaching to the thigh. Two seals hang from a fob. He is Councillor John Morris or Morriss."--British Museum online catalogue
Description:
Title etched below image. and Leaf 57 in an album with the spine title: Characatures by Dighton.
"An elderly man of clerical appearance, stands in profile to the right knees slightly flexed, right hand resting on a heavy cane, left hand raised in an expository gesture. He wears an ill-fitting powdered wig with a curl at the back, a round hat with the brim turned up at the side, long buttoned coat, wrinkled stockings, high-quartered buckled shoes, and gloves. Identified as Dr. John Shepherd."--British Museum online catalogue
Description:
Title etched below image. and Leaf 56 in an album with the spine title: Characatures by Dighton.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An ugly decrepit old doctor, in old-fashioned dress and wig, stands with his back to the fire (right) receiving a pair of country-bumpkins, shown in by a servant out of livery, who stands at the door (left), grinning delightedly. The man, a burly fellow, is followed by his plainly-dressed and anxious wife. He says: "Do you see Doctor my Dame and I become [sic] to ax your advice--we both of us eat well, and drink well, and sleep well--yet still we be somehow queerish". The doctor, holding his cane to his nose, answers: "You eat well--you drink well and you sleep well--very good-- You was perfectly right in coming to me, for depend upon it I will give you something that shall do away all these things". On the chimney-piece are jars and bottles with a bust of 'Galen', Against the wall is a heavy book-case with glass doors containing large volumes."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue; Grego suggests a date of 1812., Plate numbered "208" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Temporary local subject terms: Physicians -- Physician's office -- Books -- Statues: Bust of Claudius Galen -- Fireplace -- Male domestic servant., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.9 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 65 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An ugly decrepit old doctor, in old-fashioned dress and wig, stands with his back to the fire (right) receiving a pair of country-bumpkins, shown in by a servant out of livery, who stands at the door (left), grinning delightedly. The man, a burly fellow, is followed by his plainly-dressed and anxious wife. He says: "Do you see Doctor my Dame and I become [sic] to ax your advice--we both of us eat well, and drink well, and sleep well--yet still we be somehow queerish". The doctor, holding his cane to his nose, answers: "You eat well--you drink well and you sleep well--very good-- You was perfectly right in coming to me, for depend upon it I will give you something that shall do away all these things". On the chimney-piece are jars and bottles with a bust of 'Galen', Against the wall is a heavy book-case with glass doors containing large volumes."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue; Grego suggests a date of 1812., Plate numbered "208" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Temporary local subject terms: Physicians -- Physician's office -- Books -- Statues: Bust of Claudius Galen -- Fireplace -- Male domestic servant.
"The stage of Covent Garden Theatre is seen from the right with a small part of the pit in the left foreground; the boxes and galleries adjoining the stage form the background on the left. The pittites are standing and blow trumpets, spring rattles, ring bells, and shout. Those in the crowded boxes behave in the same way; with one exception all are men. Two men occupy each of the two boxes over the stage-door; they watch passively. The musicians' seats are empty, but candles burn beside their open music-books, and one of the orchestra stands facing the audience, threatening them with fist and baton. On the stage three men stand together addressing the audience. The man in the centre holds out a paper: 'Riot Act'; he says: "We shall Read the riot act". Behind them stands Kemble wearing a tail-coat and white trousers, appealing to the audience with his hands meekly together as if in prayer. Large notices and placards hang from the galleries and boxes: 'Old Prices' [five times]; 'Harris will but Kemble won,t'; 'No Kembles No more insults'; 'Kemble remember the Dublin Tin Man'; 'No Foreign Sofas'; 'Iohn Bull against Iohn Kemble'; 'No Catalani'; 'Old Prices' [three times]; 'No Italian Private Boxes'; '£6000 for Caterwauling'; 'Catalani', below a print of a cat dressed as a woman, and singing 'Me Yo' from a music-book; 'No Catalani!! Mountain-- Billington, and Dickons for ever'; 'Ol Price for ever No caterwauling'; 'Old Prices No Catalani'; a gigantic placard: 'Statement-- £ Subscribed -- £80-000 Fire Office -- 50-000 Old Materials -- 25-000 155-000 New Theatre ---- 150-000 Managers of it ---- 5-000' Held up by a 'John Bull' in the pit who blows a trumpet: 'No Catalani No Pigeon Holes Old Prices No Private Boxes'. A man shouts from a box: "Off Off Off Off"; he springs a rattle."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac and George Cruikshank in the British Museum catalogue., Date of publication from British Museum catalogue., and Matted to 47 x 54 cm, with a token for a box seat, Prince's side (BPS), New Theatre Covent Garden 1809.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Kemble, John Philip, 1757-1823., Nares, John, 1754-1816., Billington, Elizabeth, 1765-1818., Catalani, Angelica, 1780-1849., Dickons, Maria, approximately 1774-1833., Harris, Thomas, -1820., Reed, James, active 1808., Mountain, Rosoman, approximately 1768-1841., and Covent Garden Theatre,
Subject (Topic):
Interiors, Stages (Platforms), Actors, Orchestras, Theater audiences, Theaters, and 1809
Picart, Charles, approximately 1780-approximately 1837, printmaker
Published / Created:
[1 March 1809]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Samuel Hood, 1st Viscount Hood, nearly half-length, standing slightly to left against background of cloudy sky, looking to left; wearing wig, naval uniform, neckerchief and frill."--British Museum online catalogue
Description:
Title etched below image., Artist tentatively identified as Lemuel Francis Abbott in the British Museum online catalogue, registration no.: A,2.4., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 466 (leaf numbered '72' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published March 1, 1809, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
United States and United States.
Subject (Name):
Hood, Samuel Hood, Viscount, 1724-1816,, Great Britain. Royal Navy, Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Royal Navy.
"Two designs on one plate. Above, the Duke of York sits, pen in hand, writing a love-letter, but turns from his table to declaim towards the window (right): To morrow I inspect my regiment--and then for my Dearest--Dearest--Dearest--Love. A negro servant (left) wearing a jewelled turban regards him with dismay: Bless my Massa what be de matter with him--him in love I fear--Sambo once be in love with bad Woman but him repent. On table and floor are papers inscribed: O Love is the cause of my Folly, My Amiable Girl; My Dearest Dear I hope to be in your Arms; Love Letters. Below, an elderly military officer without sword or gorget, scowls through an eye-glass at a pert boy (right) in uniform with sword and gorget. He says: Can I believe my eyes, why this is the little foot boy--who waited on us at the house of a Lady of a certain description. The boy (Carter) answers, hands on hips, I beg Sir you will not come for to go, to affront a gemmen--."--British Museum online catalogue
Alternative Title:
Scene at Weymouth
Description:
Title for upper design etched above image; title for lower design etched below image., Printmaker from British Museum catalogue., Artist identified as Woodward in the British Museum online catalogue., Plate numbered "69" in upper right corner., Temporary local subject terms: Eye glass -- Blacks., and Mounted to 43 x 30 cm.
Publisher:
Pubd. Febry. 26, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
"George III stands on a low rectangular platform placed upon a boarded floor and is approached from all sides by applicants for office. He is in back view, but turns his head in profile to the left, to inspect a group through his spy-glass, saying: Well Gentlemen,--I have taken a peep at you all: but I am afraid that you won't do--for some of you are too Heavy & Broad-Bottom'd for Service; & the rest seem to have no Bottom at all.--So Gentlemen, I think I shall he content with my Old Servants. In the front row (left), bowing low, are three Grenvilles, the Broad-Bottoms par excellence (see No. 10530): Grenville, holding a gold-laced coachman's hat and long whip, says: Does your Honor want a steady Broad-Bottom'd Coachman to drive you; in bowing he has split his tight breeches. His nephew Temple is next him, then the spectacled Buckingham who says: We'll do any Thing; his son (Temple) adds and in any Way! [cf. No. 10721]. Close behind is the emaciated Sidmouth, hat in hand and holding out a bottle labelled Cathartic; he says: Pray your Honor remember Doctor Slop! your Old Apothecary, who Physick'd the French! [see No. 9849]. Next him and nearer the spectator stands Whitbread, dressed as a porter, and mopping his head. His porter's knot is on the ground, inscribed: Saml Froth his Knot--Carries any Weight in any Weather. He supports against his knees a huge rectangular pile of Motions to be brought in the House of Commons. These are inscribed: Motion against Royal Family [cf. No. 11234]; Motion against the Ministry; against the War; against y Judges; against the Church; against Magna Charta; Motion against. He says: If his Honor wants an Honest Porter, I'm his Man! Behind him and on the extreme left Lord Henry Petty capers to a dancing-master's kit which he plays with his fingers; he asks: Does his Honor want a Fidler to play a Jig [see No, 10589]. Behind Petty and Whitbread are two men dressed as chairmen with straps across the shoulder: one is Grattan; the other (?) Ponsonby, asks: Does his Honor want a pair of Irish Chairmen to carry his Honor clean through the Mud? Behind these and in the doorway (left) is a group of three: Cobbett, holding up his hat and a sheaf of Cobbett Political Register, says: Does his Honor want a Patriotic Reformer? Burdett asks: Does his Honor want a Partner in Business!--ask him Townsend. Townsend, the Bow Street officer, holding up his constable's staff, faces the group, saying sternly: Out with you & be damn'd; from the back of his head a label floats towards the Grenvilles: Take care of your Pockets--Gentlemen Broad bottoms. Horne Tooke says: I'm not Bill Soanes [see No. 10708]. ..."--British Museum online catalogue
Alternative Title:
Old English gentleman pestered by servants wanting places
Description:
Title etched at bottom of image., Mounted to 32 x 46 cm., and Figures identified by ms. notes in a modern hand.
Publisher:
Pubd. May 16th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Burdett, Francis, 1770-1844, Cobbett, William, 1763-1835, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tooke, John Horne, 1736-1812, Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Tierney, George, 1761-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and St. Vincent, John Jervis, Viscount, 1735-1823
Title from caption below image., Printmaker from unverified data from local card catalog record., Sheet trimmed to plate mark on one side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "98" in upper left corner., Temporary local subject terms: Wine cooler., and Mounted to 28 x 42 cm.
Publisher:
Pubd. July 18th 1809 by Thos. Tegg No. 111 Cheapside
A plate with four images etched for the publication: Annals of sporting by Caleb Quizem, Esqr. In the upper left, the image for the etched title page with an image of a man falling from a winged horse; upper right, a portrait of Caleb Quizem, Esqr. sitting in an armchair wtih a quizzing glass in his right hand, two books on the table beside him along with a quill pen and ink stand and on the wall a picture of a man "Geoffey Cambr[..] who also sits in an armchair and his gouty foot on a stool; lower left, image of a man on horseback (rear view) with a cannon above and a caption "The true method of sitting a horse mathematically delineated."; lower right image, an image at 90 degrees to the other images with a man mid-flight having been thrown from his horse, having failed to jump a gate. Another rider looks on in horror (right) and a peasant also with a look of horror looks on from the road (left). With caption above, "How to vault from the saddle" and signed "Woodward del. ; Rowlandson fect."
Description:
Title from text heading vignette in left panel., Printmaker from British Museum catalogue., Four lines of verse below vignette in left panel: The courtier is thrown in pursuit of his game, the poets too often laid low..., Sheet trimmed within plate mark., Trimmed to two top images only; lower two images lacking., and Print numbered in ms. along the upper edge: 100.
A plate with four images etched for the publication: Annals of sporting by Caleb Quizem, Esqr. In the upper left, the image for the etched title page with an image of a man falling from a winged horse; upper right, a portrait of Caleb Quizem, Esqr. sitting in an armchair wtih a quizzing glass in his right hand, two books on the table beside him along with a quill pen and ink stand and on the wall a picture of a man "Geoffey Cambr[..] who also sits in an armchair and his gouty foot on a stool; lower left, image of a man on horseback (rear view) with a cannon above and a caption "The true method of sitting a horse mathematically delineated."; lower right image, an image at 90 degrees to the other images with a man mid-flight having been thrown from his horse, having failed to jump a gate. Another rider looks on in horror (right) and a peasant also with a look of horror looks on from the road (left). With caption above, "How to vault from the saddle" and signed "Woodward del. ; Rowlandson fect."
Description:
Title from text heading vignette in left panel., Printmaker from British Museum catalogue., Four lines of verse below vignette in left panel: The courtier is thrown in pursuit of his game, the poets too often laid low..., and Sheet trimmed within plate mark.
"Portrait of Charles Agar, half-length, seated on a chair in profile to right, wearing a short wig, coat and neckerchief."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Published by Willm. Daniell, No. 9 Cleveland Street, Fitzroy Square, London
Foundling Hospital: above, the achievement of arms; below, Captain Coram and several children, carrying implements of work, a church and ships in the distance. The lower scene shows Coram carrying the Royal Charter, granted in 1739, under his arm. Hogarth made the original drawing to head the subscription roll of the hospital
Description:
Title etched below image., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 152., Sheet trimmed to plate mark on right edge., and Two images on one plate. Top image is a copy of an engraving after Hogarth from ca. 1747; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 230. Bottom image is a copy of an engraving after Hogarth from the 1740s; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 225.
"Interior of the board room, in the Treasury, Whitehall; men at work around central table, and desk to the left; active fireplace against right wall."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 86., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 197.
Publisher:
Pub. Octr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Great Britain. Treasury. and Great Britain. Board of Trade.
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: French military uniforms -- Grenadiers -- Officer -- Austrian military soliders., and Print numbered in ms. near upper edge of sheet.
Publisher:
Pubd. June 12th, 1809 by R. Ackermann, No. 101 Strand
Subject (Name):
Charles, Archduke of Austria, 1771-1847 and Napoleon I, Emperor of the French, 1769-1821
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title from text in center of image., Above title are the phrases "Ever changing," "Ever new," and "Vive la bagatelle.", Plate numbered "100" in upper right corner., Title page to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., For an 1821 reissue of this title page, see no. 11457 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: 1817., Mounted on laid paper backing., and Title page to volume 4.
A ship's boat filled with rollicking prostitutes, cheering and lifting glasses as they are rowed towards a ship on the right extreme left, with guns projecting from port-holes; two women climb on board by a rope-ladder from a boat, watched by sailors and an officer, while from a window of the captain's cabin another woman looks out. Two other ships, one in full sail, are shown on the left
Description:
Title from item., Compare to "Exporting cattle not insurable"., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Decr. 1st 1809 by R. Ackermann, No. 101 Strand
"Mrs. Clarke's house is on the right. A military officer (Wardle) wrapped in a cloak slips a purse into the hand of a meretricious young woman at the door, with a belt inscribed Favorit. Mrs. Clarke, her breast much exposed, leans from a window to look down at him. Two other men look from other windows. Above the door is a lantern inscribed: Now Exhibiting Wonders upon Wonders or Mrs Clarkes Puppet Show Which has given satisn to Po[ ? pulace] and Prince. Below this is a board: All the World's a Stage and Men and Women merely Players-- some play the upper some the under part, but chief Play that--most foreign to their heart. On the door: Knock and you shall Enter. On the wall (by Mrs. Clarke) is a sign for "Globe Fire Insurance". On the right the Duke of York walks away from the house; he wears a mitre and carries a crosier; a bishop's robe, on which are the words "Men have their Entrances & their Exits". Next to him walks an elderly lawyer (Adam) and a fat parson (O'Meara) hurries after him. Facing Mrs. Clarke's house is a row of houses: Prospect Row; old women, Maiden Ladies, watch from upper windows, as does an old man with a telescope who puts a grotesque head out of an attic window inscribed Peeping Toms Observatory. He says: O the Devil choak her he's Waddling in as Im a prying Croaker. Two cats fight on the roof; words issue from one of them: "Come what come may the Cat will mew. The Dog will have his day"."--British Museum online catalogue
Alternative Title:
Croaking member surveying the inside, outside and backside of Mrs. Clarkes premises
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., and Mounted to 29 x 43 cm.
Publisher:
Pubd. March 4, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, Croker, John Wilson, 1780-1857, Adam, William, 1751-1839, and Wardle, Gwyllym Lloyd, 1762?-1833
Title from caption below item., Printmaker from unverified data from local card catalog record., Sheet trimmed within plate mark on one side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 30 x 44 cm.
Publisher:
Pubd. April 24th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, and Wardle, Gwyllym Lloyd, 1762?-1833
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Alternative Title:
Company of undertakers
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 144., Copy of an engraving by Hogarth that was published in 1736. Cf. No. 2299 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 144., and Temporary local Medical Library subject terms: Criticism of the medical profession -- Dod, Pierce (1683-1754) -- Bamber, Dr.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
Great Britain
Subject (Name):
Mapp, Sarah, -1737,, Taylor, John, 1703-1772,, and Ward, Joshua, 1685-1761,
Subject (Topic):
Physicians, Quacks and quackery, Costume, Medical equipment & supplies, Staffs (Sticks), and Wigs
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue
Alternative Title:
Dissapointed epicures and Disappointed epicures
Description:
Title etched below image., Publisher from British Museum catalogue., Plate numbered "27" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., and Also issued separately.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue
Alternative Title:
Dissapointed epicures and Disappointed epicures
Description:
Title etched below image., Publisher from British Museum catalogue., Plate numbered "27" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.5 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 25 in volume 1.
"An obese old doctor sits between Mrs Clarke and a thin elderly officer (right), chapeau-bras, sitting grotesquely expectant on the edge of his Easy Chair. The doctor puts a money-bag inscribed 800 into the dress which Mrs. Clarke holds up to receive it, pointing to the officer, one Captain Tuck. From his pocket hangs a paper Doctor Doneover [Donovan] Agent to Old Nick-Deanery 2000, Commissary 1000, Majority 800 Mrs. Clarke (left) sits in a Ricketty Chair; its seat is Morocco Bottom [an allusion to Taylor, see No. 11218]; under her feet are three papers: My admirable angel My Dear dear pretty little darling; My Love my Life I cannot exist without you; Gazzette. She is one of Rowlandson's pretty meretricious women, and does not resemble Mrs. Clarke. Behind her is a curtained bed, its head inscribed Boudoir; above this hangs a bust profile portrait of Fredirick 2 beneath which a paper is pinned up: List of Candidates for Promotion Sums offered Clav . . . [Clavering, see No. 11247] 2000, Dow. [Dowler, see No 11253]-800, OM [O'Meara, see No. 11258] 300 .. . 200. Beside the bed is an ornate table with decanters and glass, and a paper: Rogues all sing tanta-ra-ra-Blood an Thunder when Whore and Rogue are rent asunder. On the floor is a book, Mrs Clarks Ledger, on which are papers spiked on a file: Promotions paid for. Two quotations from Gay's 'Beggars Opera' complete the design. Above the doctor's head, on a large scroll, are eight lines beginning:"Tis Woman that seduces all mankind, Under Tuck's chair is a paper: If you mention vice or bribe, Tis so pat to all the tribe-each cries that was levelled at me."--British Museum online catalogue
Alternative Title:
Industrious Mrs. Clarke winding up her accounts
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed to plate mark on one side., and Mounted to 30 x 43 cm.
Publisher:
Pubd. M. Febry. 15, 1809, by Thos. Tegg, No. 111 Cheapside
"Interior of the grand room in the palace; at far end a velvet canopy with royal arms; a chandelier hangs from centre of ceiling; men and women dressed in finery mill around room."--British Museum online catalogue
Alternative Title:
Drawing Room, Saint James's
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 76., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 113.
Publisher:
Pub. July 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"Half-length portrait aged 74, sitting in armchair, directed to the right, looking towards the viewer, in wig and private dress, curtain behind on the left."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and In paper frame: 365 x 274 mm.
Publisher:
Published May 11, 1809, by T. Cadell & W. Davies, Strand, London
