Print shows a design in five numbered ovals, with a central medallion portrait atop a pillar featuring the Duke of York ("The Aga"), surrounded by four smaller medallions featuring a portrait of Mrs. Mary Anne Clarke ("Fatima pinning up a new list"), Mrs. Clarke's confidante and coauthor of her memoirs, Elizabeth Taylor ("Tailoriska"), Captain Huxley Sandon, who testified as a witness at the Duke of York's rial in 1809 ("Captn. Sandonasso"), and emblematical design showing "Cupid the Arbitrator of promotions", wearing an officer's bicorne hat, holding a sword in one hand and a bishop's miter in the other, and seated beside a cornucopia of coins; at the foot of the design is the head of Medusa crowned with serpents
Description:
Title supplied by cataloger., Illustration to the satirical piece "The trial of Fatima Clarkis. A fragment of an oriental tale", by "Barnaby Sketchwell", which concerned the 1809 trial of the Duke of York, the king's second son and commander-in-chief of the army, for his alleged involvement in the sale of commissions by his former mistress, Mrs. Mary Anne Clarke., Plate from: Sketchwell, B. London characters, or, Fashions and customs, of the present century. London : Printed for the booksellers in Bond-street ..., 1809, v. 2, facing page 317., Sheet trimmed within plate mark., Lettered below image: 1. The Aga. 2. Fatima pinning up a new list. 3. Tailoriska. 4. Captn. Sandonasso. 5. Cupid the Arbitrator of promotions., "Vide, page 317"--Lower right., and Mounted on recto of first front flyleaf.
Publisher:
publisher not identified
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, Taylor, Elizabeth, active 1800, Sandon, Huxley, and Cupid (Roman deity),
Portrait of Mary Anne Clarke; whole length, seated to the left on a couch, head in profile; holding an open book at her side in her left hand; wearing a loose fitting gown and a turban with a long veil that covers her upper arm; a large window in the background
Description:
Title devised by cataloger., Probably published around 1809, when a scandal involving Mary Ann Clarke and the Duke of York generated public interest and created a market for portraits of Mrs. Clarke., Sheet trimmed within plate mark with possible loss of text., and Mounted between pages 12 and 13.
Title, date, and printmaker from unverified data in local card catalog record., Later state. For earlier state, see Lewis Walpole Library call no.: 809.00.00.34.1+., and Sheet trimmed within plate mark.
Title supplied by cataloger., Printmaker, artist, publisher, and publication date from the Catalogue of engraved British portraits., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text., and "Pl. to Contemporary portraits; pub. Cadell & Davies 1809."--Catalogue of engraved British portraits.
"Three highwaymen beset the Doctor, pointing pistols; one seizes his horse. The scene is a rough track between trees."--British Museum online catalogue
Alternative Title:
Doctor Syntax stopt by highwaymen
Description:
Title and printmaker from British Museum catalogue., Originally published 1st May, 1809 at R. Ackermann's Repository of Arts., Sheet trimmed within plate mark. All text trimmed from sheet., Plate from: Combe, W. Tour of Doctor Syntax., and Mounted to 28 x 36 cm.
"Mrs. Clarke stands before a large doorway inscribed Clark and Company. She wears a white short-sleeved dress with plumed cocked hat, gorget, and military sash, sword-belt and scabbard. The sword she holds over her head, saying, Now Gentlemen you had better be quick I have a few bargains to dispose of. as the partnership is disolving. She holds out a paper: List of Prices at Clark and Co's Warehouse--Majority--£900. Company --7oo. Lieutenancy 400. Through the doorway behind her are seen great stacks of papers in her 'warehouse'. These are labelled: Captains Commissions 500 each, Half-pay Commissions 200 each, Lieutenant, Colonel, Major, Cornet. On the wall is a notice: NB a sum wanted by way o Loan, terms to be seen within. On the right stands a man playing a fiddle, and saying with a sly smile, If you want de commission, you must give me de Note den I go play de Fiddle to de white petticoat. From his coat-pockets hang papers: Pay Sigr Cor[ri] for [word illegible] 200; and a piece of music: The Petticoat [see British Museum Satires No. 11220]. Beside him lies a large Note Book. Above his head hangs upside down a portrait: The Dukes Head; the upper part only of the Duke of York's profile is visible, defaced by a black mark, the rest of the picture being cut off by the upper margin of the design. On the left two military bandsmen play a drum and fife. One asks: What tune shall we play now Jack the Duke of Yorks Marck [sic]? Answer: No No lets play she's off with another."--British Museum online catalogue
Alternative Title:
Commission warehouse
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Imperfect; the word "York" at beginning of title has been erased from sheet.
Publisher:
Pubd. February 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827.
Subject (Topic):
Daggers & swords, Musicians, Violins, Drums (Musical instruments), Military bands, Military uniforms, British, Price lists, Warehouses, and Portraits
"Interior view of the women's common room of the workhouse, situated on Poland Street; slim columns supporting ceiling; women sit on benches at tables."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 96., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 242., and Watermark: J. Whatman 1808.
Publisher:
Pub. Decr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Saint James (Westminster, London, England : Parish)
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Ten figures arranged in two rows, each with a caption. 'A Modest Woman of Quality': a lady stands holding a fan, directed to the right and looking to the left. 'A Primitive Bishop': a plainly dressed and ugly parson stands in profile to the right. 'A Real Maid of Five and Thirty': a woman walks in profile to the left, with a veil over hair and forehead, looking down and holding a half-closed fan before her face. 'An Exciseman with a Conscience' stands with his hands plunged in his breeches pocket, book under one arm, ink-bottle with pen fastened to his coat, a second pen behind his ear. An 'Author with a second suit of Cloaths' capers delightedly, apparently admiring his tasselled Hessian boots. 'A Great Man of Common Sense' is a handsome young man wearing a military coat with clocked stockings and pumps standing in profile to the right. 'A Woman who has continued three Months a Widow!' She looks alluringly through the meshes of a veil which partly covers her face; her dress is décolletée, and her pose inviting. 'A Theatrical Hero of Modesty and oeconomy': a good-looking young man bows, hat in hand. 'A Complete Honest Attorney' stands with head turned in profile to the right. 'A Man of Talents, Wit and Learning--possess'd of a Thousand a Year': a stout middle-aged man with a handsome profile stands holding out a bunch of papers inscribed '300', '200', '300', 10[0]."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; former plate number "102" has been replaced with a new number, and date has been burnished from imprint statement leaving a gap between "London, Pubd." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on earlier state with the complete imprint "London, Pubd. Augst. 1st, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "278" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 162., Temporary local subject terms: Female costume, 1809 -- Male costume, 1809 -- Fans -- Clergy -- Bishop -- Excisement -- Boots -- Widow's veil -- Lawyers., 1 print : etching on wove paper, hand-colored ; plate mark 25.2 x 35.5 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 55 in volume 4.
"Ten figures arranged in two rows, each with a caption. 'A Modest Woman of Quality': a lady stands holding a fan, directed to the right and looking to the left. 'A Primitive Bishop': a plainly dressed and ugly parson stands in profile to the right. 'A Real Maid of Five and Thirty': a woman walks in profile to the left, with a veil over hair and forehead, looking down and holding a half-closed fan before her face. 'An Exciseman with a Conscience' stands with his hands plunged in his breeches pocket, book under one arm, ink-bottle with pen fastened to his coat, a second pen behind his ear. An 'Author with a second suit of Cloaths' capers delightedly, apparently admiring his tasselled Hessian boots. 'A Great Man of Common Sense' is a handsome young man wearing a military coat with clocked stockings and pumps standing in profile to the right. 'A Woman who has continued three Months a Widow!' She looks alluringly through the meshes of a veil which partly covers her face; her dress is décolletée, and her pose inviting. 'A Theatrical Hero of Modesty and oeconomy': a good-looking young man bows, hat in hand. 'A Complete Honest Attorney' stands with head turned in profile to the right. 'A Man of Talents, Wit and Learning--possess'd of a Thousand a Year': a stout middle-aged man with a handsome profile stands holding out a bunch of papers inscribed '300', '200', '300', 10[0]."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; former plate number "102" has been replaced with a new number, and year has been burnished from imprint statement leaving a gap between "London, Pubd. Augst. 1st." and "by Thos. Tegg, No. 111 Cheapside.", Date of publication based on earlier state with the complete imprint "London, Pubd. Augst. 1st, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "278" in upper right corner., Sheet trimmed within plate mark on top edge., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 162., and Mounted on leaf 51 of volume 10 of 14 volumes.