In the center an auctioneer, hammer in hand, stands behind a podium having sold a pack of hounds with the human faces; Sheridan holds the hounds leashes. One dog sleeps on the floor as another urinates on its bone. On the left, a grey horse neighs as it is lead to the auctioneer. A clerk taking notes at a small desk to the left of the podium looks up at the auctioneer
Description:
Possibly by Williams, based on style., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., In pencil along bottom edge: Grey. P of W. Sheridan., and Mounted to 29 x 40 cm.
Publisher:
Pubd. March 17th 1812 by Wm. Holland No 11 Cockspur Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A family conclave. A pretty young woman sits holding an infant in long clothes with curiously adult features; she turns towards an elderly man beside her (left); her sailor husband, who has risen from his chair, stares warily at his father. The old man, who wears a seaman's short jacket with knee-breeches, scowls towards his son, saying, "Why d'ye see I am an old Seaman and not easily imposed upon--I say that cant be my Son Jacks child why he has been married but three months and during that time he has been at sea--the thing is impossible you may as well tell me that my ship Nancy goes nine knots an hour in a dead calm, and now I look again its the very picture of Peter Wilkins the Soap Boiler." A dog sits beside him, much interested. The woman says: "My dear Father-in Law, Ill make it out very easily--Jack has been married to me three months--very well--I have been with child three months--which makes six--then he has been to sea three months has not he?-- and that just makes up the Nine!!" The husband: "Father, Farther [sic],--dont be too hard upon Poll--I know something of the log book myself--and d--m me but she has kept her reckoning like a true Seamans wife"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, 111 Cheapside." For an earlier state with "15 July" etched in that space, see no. 11965 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Date of publication from descriptions of earlier states in the British Museum catalogue and Grego., Plate numbered "275" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 231., and Leaf 3 in volume 4.
BEIN 2016 Folio 86: Imperfect: some plates wanting. Numerous plates with second copies. Plates and text loose in binding with spine title "Bowyer's History of England plates.", Lettered on spine Illustrative of Hume's History of England., Engraved dedications signed: Robert Bowyer; Tomkins scr., Plates dated 1793-1806., Also known as his Historic Gallery., and Bound by Hammond in half red morocco with marbled boards, gilt lettering on spine, six raised bands, gilt edges.
Publisher:
Printed for the proprietor, R. Bowyer, 80, Pall Mall; by T. Bensley, Bolt Court, Fleet Street
Subject (Geographic):
England and Great Britain
Subject (Topic):
Coins, English, illu, Nobility, Poets, English, and Kings and rulers
Pisces: Hogarth's Quadrille fish and Hogarth's quadrille fish
Description:
Title etched above image., Date, artist and printmaker from Paulson., Not in Paulson's 3rd edition., Plate from: Ireland, J. Hogarth illustrated, supplement, p. 368, 3rd editon., Sheet trimmed to plate mark., and On page 231 in volume 3.
"A design in six compartments arranged in two rows, each with a title. [1] 'Johnnys reception by "merry Tonkanoo at Negro Ball'. The ball is in an open shed with a negro fiddler seated high on a hogshead; most of the guests watch Johnny, the only white, and 'Tonkanoo' bowing to each other. The latter is a tall negro with huge false moustache and long wig, feathered hat, and wide-cuffed coat in imitation of English dress c. 1740, with breeches and bare legs. A negro behind Johnny disperses flies with a branch. A negro couple is dancing; the ladies are fully dressed, some with tall cylindrical hats. Behind are distant mountains. [2] 'Johnny dancing with Rosa--the Planters beautiful daughter'. At the same ball all the negroes form a background of admiring spectators while Johnny, still wearing his enormous hat, dances with a pretty English girl in conventional evening dress, holding both her hands. Tonkanoo stands with his arms extended towards them. In the foreground (left) is a little naked negro Cupid with bow, quiver, and arrows, pointing to the couple. [3] 'Johnnys Courtship and professions of Love to Rosa'. Rosa reclines on a sofa under a piece of drapery looped from a tree; Johnny (left), hat in hand, kneels at her feet while the Cupid aims his bow at him. A pet monkey sits beside Rosa, and behind her (right) stands a negro girl brushing away flies with a branch. Johnny's servant is behind (left) holding an umbrella. Two cockatoos bill on a branch. [4] 'Johnny and the fair Rosa tripping to the Altar of Hymen'. The pair run hand in hand along a path which winds to a church resembling an English village church. Negro servants run after them, one holding up a large umbrella. Before them run two little negroes; one is Cupid playing a fiddle, the other, Hymen, holds up a lighted torch. In the distance, nearing the church, are the parson and his clerk. [5] 'Nuptial ceremony of Johnny and the charming Rosa'. In a Gothic church the parson with his book stands behind a cylindrical altar on which are two hearts transfixed by an arrow. Johnny puts the ring on Rosa's finger. The congregation are delighted negroes and negresses. Against the altar sit Cupid and Hymen; Cupid wears Johnny's huge hat and plays the fiddle; Hymen blows at his torch. [6] 'Johnny and his fair Bride reveling in Jollity and festive mirth'. Johnny, tipsily jovial, his father-in-law, and Rosa, sit at table, drinking, the men smoking, many bottles of 'Sangaree' on the floor. A man fiddles, and in the background a dance is in progress. Johnny wears his planter's hat, &c., as in British Museum Satires No. 11983, and has always a swarm of flies round his head. Rosa throughout wears her ball-dress, with feathers in her hair."--British Museum online catalogue, description of an earlier state
Description:
Title etched above image., State before imprint mostly burnished from plate., Plate numbered "180" in upper right corner. Also numbered in upper left: Pl. 2., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and "Price one shilling coloured."
Publisher:
Pubd. by Ts. Tegg
Subject (Topic):
Black people, Celebrations, Courtship, Dance, Intoxication, Marriage, and Musicians
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A design in six compartments arranged in two rows, each with a title. [1] 'Johnnys reception by "merry Tonkanoo at Negro Ball'. The ball is in an open shed with a negro fiddler seated high on a hogshead; most of the guests watch Johnny, the only white, and 'Tonkanoo' bowing to each other. The latter is a tall negro with huge false moustache and long wig, feathered hat, and wide-cuffed coat in imitation of English dress c. 1740, with breeches and bare legs. A negro behind Johnny disperses flies with a branch. A negro couple is dancing; the ladies are fully dressed, some with tall cylindrical hats. Behind are distant mountains. [2] 'Johnny dancing with Rosa--the Planters beautiful daughter'. At the same ball all the negroes form a background of admiring spectators while Johnny, still wearing his enormous hat, dances with a pretty English girl in conventional evening dress, holding both her hands. Tonkanoo stands with his arms extended towards them. In the foreground (left) is a little naked negro Cupid with bow, quiver, and arrows, pointing to the couple. [3] 'Johnnys Courtship and professions of Love to Rosa'. Rosa reclines on a sofa under a piece of drapery looped from a tree; Johnny (left), hat in hand, kneels at her feet while the Cupid aims his bow at him. A pet monkey sits beside Rosa, and behind her (right) stands a negro girl brushing away flies with a branch. Johnny's servant is behind (left) holding an umbrella. Two cockatoos bill on a branch. [4] 'Johnny and the fair Rosa tripping to the Altar of Hymen'. The pair run hand in hand along a path which winds to a church resembling an English village church. Negro servants run after them, one holding up a large umbrella. Before them run two little negroes; one is Cupid playing a fiddle, the other, Hymen, holds up a lighted torch. In the distance, nearing the church, are the parson and his clerk. [5] 'Nuptial ceremony of Johnny and the charming Rosa'. In a Gothic church the parson with his book stands behind a cylindrical altar on which are two hearts transfixed by an arrow. Johnny puts the ring on Rosa's finger. The congregation are delighted negroes and negresses. Against the altar sit Cupid and Hymen; Cupid wears Johnny's huge hat and plays the fiddle; Hymen blows at his torch. [6] 'Johnny and his fair Bride reveling in Jollity and festive mirth'. Johnny, tipsily jovial, his father-in-law, and Rosa, sit at table, drinking, the men smoking, many bottles of 'Sangaree' on the floor. A man fiddles, and in the background a dance is in progress. Johnny wears his planter's hat, &c., as in British Museum Satires No. 11983, and has always a swarm of flies round his head. Rosa throughout wears her ball-dress, with feathers in her hair."--British Museum online catalogue, description of an earlier state
Description:
Title etched above image., Later state; imprint has been mostly burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. by Ts. Tegg, Nr. 22, 1812, Cheapside No. 111. Cf. No. 11984 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "180" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on top and bottom edges., Temporary local subject terms: Negro -- Fiddler., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 33 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A design in six compartments arranged in two rows, each with a title. [1] 'Johnnys reception by "merry Tonkanoo at Negro Ball'. The ball is in an open shed with a negro fiddler seated high on a hogshead; most of the guests watch Johnny, the only white, and 'Tonkanoo' bowing to each other. The latter is a tall negro with huge false moustache and long wig, feathered hat, and wide-cuffed coat in imitation of English dress c. 1740, with breeches and bare legs. A negro behind Johnny disperses flies with a branch. A negro couple is dancing; the ladies are fully dressed, some with tall cylindrical hats. Behind are distant mountains. [2] 'Johnny dancing with Rosa--the Planters beautiful daughter'. At the same ball all the negroes form a background of admiring spectators while Johnny, still wearing his enormous hat, dances with a pretty English girl in conventional evening dress, holding both her hands. Tonkanoo stands with his arms extended towards them. In the foreground (left) is a little naked negro Cupid with bow, quiver, and arrows, pointing to the couple. [3] 'Johnnys Courtship and professions of Love to Rosa'. Rosa reclines on a sofa under a piece of drapery looped from a tree; Johnny (left), hat in hand, kneels at her feet while the Cupid aims his bow at him. A pet monkey sits beside Rosa, and behind her (right) stands a negro girl brushing away flies with a branch. Johnny's servant is behind (left) holding an umbrella. Two cockatoos bill on a branch. [4] 'Johnny and the fair Rosa tripping to the Altar of Hymen'. The pair run hand in hand along a path which winds to a church resembling an English village church. Negro servants run after them, one holding up a large umbrella. Before them run two little negroes; one is Cupid playing a fiddle, the other, Hymen, holds up a lighted torch. In the distance, nearing the church, are the parson and his clerk. [5] 'Nuptial ceremony of Johnny and the charming Rosa'. In a Gothic church the parson with his book stands behind a cylindrical altar on which are two hearts transfixed by an arrow. Johnny puts the ring on Rosa's finger. The congregation are delighted negroes and negresses. Against the altar sit Cupid and Hymen; Cupid wears Johnny's huge hat and plays the fiddle; Hymen blows at his torch. [6] 'Johnny and his fair Bride reveling in Jollity and festive mirth'. Johnny, tipsily jovial, his father-in-law, and Rosa, sit at table, drinking, the men smoking, many bottles of 'Sangaree' on the floor. A man fiddles, and in the background a dance is in progress. Johnny wears his planter's hat, &c., as in British Museum Satires No. 11983, and has always a swarm of flies round his head. Rosa throughout wears her ball-dress, with feathers in her hair."--British Museum online catalogue, description of an earlier state
Description:
Title etched above image., Later state; imprint has been mostly burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. by Ts. Tegg, Nr. 22, 1812, Cheapside No. 111. Cf. No. 11984 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "180" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on top and bottom edges., Temporary local subject terms: Negro -- Fiddler., and In contemporary hand in ink: 244.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A design in six compartments arranged in two rows, each with a title. [1] 'Johnny, Newcome landing in the Wt Indies'. Johnny, wearing top-hat (blown off), breeches, and top-boots, steps through surf towards a sandy shore (right) where a giant crab advances to meet him, and two negresses seated under palm-trees register amusement and pleasure. Under his arm is a portmanteau. Behind him (left) is the prow of a ship's boat with two burly sailors, in which he has left a British ship at anchor. A mountainous landscape is indicated. [2] 'Johnny situated as Clerk of stores'. In an open shed facing the sea he reclines among hogsheads, smoking a cheroot and holding a punch-bowl; beside him are pen, ink, and paper; on the ground are a turtle and a monstrous insect compounded of spider and ant. A negro clerk, also smoking, kneels on a cask, and waves a branch over his master's head to drive off a swarm of flies. [3] 'Johnny enamoured with Nymphs bathing'. He stands on the shore inspecting through his glass at very close range three plump negresses, all grinning delightedly, all with the large posteriors of the Hottentot Venus, see British Museum Satires No. 11577, &c. Behind Johnny stands a negro servant, wearing breeches only, who holds up an umbrella, and waves a branch to drive off flies. [4] 'Johnny on a Country excursion'. Johnny, holding a gun, lies in a hammock carried by two negro servants wearing breeches only; a third runs beside him holding up an umbrella and dispersing flies with a branch. He smokes a cheroot and between his legs he supports a large jar, evidently of sangaree. A large lizard watches him. [5] 'Johnny enjoying the sports of the field'. He sits under a palm-tree, a table at his elbow, and holding a bowl in his right hand; he supports his cocked gun with his left hand while a negro holds up the barrel. Johnny has one foot braced against the latter's posterior. Behind, another negro, wearing shirt and breeches, stands drinking from a bowl and waving a branch over his master's head as in Nos. 2-4. A negro boy drives birds towards Johnny. Large bottles of 'Sangaree' are on the ground, others are on the table, with a pine-apple and (?) two banners. There is a mountainous sky-line. [6] 'Johnny Preachee and Floggee poor Mungo' [see British Museum Satires No. 9636]. Johnny, seated beside a table as in No. 5, smoking a cheroot, and holding a bowl on his knee, flourishes the long knotted lash of a whip over the back of a negro who kneels with clasped hands. Another holds an umbrella and the usual branch over his master. Bottles of 'Sangaree' are in the foreground."--British Museum online catalogue
Description:
Title etched above image., Printmaker from British Museum catalogue., Plate numbered "178" in upper left corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., and Leaf 29 in volume 3.
"Portrait of Alexander Wedderburn, 1st Earl of Rosslyn, when Baron Loughborough; three-quarter length, seated directed to left, looking towards the viewer, his left elbow on the arm of his chair; mace on a table beside him at left; wearing chancellor's robes decorated with brocade, lace bands and long white wig."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 408 (leaf numbered '21' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Dec. 7, 1812, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain.
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805,
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Three figures on the after-deck: a naval officer pointing with a telescope to the left, looks round at a rough-looking elderly sailor who holds the helm, to say: "Now en't you a pretty fellow for a Pilot? to see Land and not know where we are!" The man answers: "Och my dear Jewel! only shew me the Old head of Kinsale, and I'll tell you where we are to an Inch!" A capable-looking sailor (left), hauling at a rope to reef a sail, looks towards the pilot with angry contempt. Sails, rigging, the lower part of a mast, and tossing waves complete the design."--British Museum online catalogue, description of an earlier state
Alternative Title:
Steering by chance
Description:
Title etched below image., Printmaker identified as Williams and artist questionably identified as Woodward in the British Museum catalogue., Later state, with first half of imprint statement burnished from plate., Publisher and date of publication from earlier state with the complete imprint: Pubd. August 1812 by Thos. Tegg, No. 111 Cheapside. Cf. No. 11977 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "175" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Temporary local subject terms: Deck -- Telescope., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 35.3 cm, on sheet 25.6 x 41.8 cm., and Leaf 27 in volume 3.
