V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Chancellor (Eldon), preceded by his mace-bearer holding a sword, is about to alight on the pavement outside Westminster Hall (left), having flown diagonally down from the right; next him is (?) the Vice-Chancellor Plumer, close behind are eight other judges followed by a closely packed swarm of barristers who recede in perspective. All are in wig and gown. Behind the barristers are their clerks, wearing top-hats and carrying (green) brief-bags over their shoulders. Three men stand outside the door of Westminster Hall waiting obsequiously to receive the Chancellor and his swarm; one is a constable holding his staff, the others wear black gowns, the foremost having cloven hoofs. In the street below (right) a few terrified pedestrians look up at the monstrous flight."--British Museum online catalogue
Alternative Title:
No. 1. Blessings of Britain, or, A flight of lawyers, Blessings of Brittain, or, A flight of lawyers, Blessings of Britain, or, A flight of lawyers, Flight of lawyers, and First day of term
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and beginning of imprint statement has been removed from plate., Date of publication based on complete imprint on earlier state: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., One line of quoted text following title: "A darksome cloud of locusts swarming down." Milton., Plate numbered "200" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark leaving thread margins., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 54 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"British households are represented by large straw bee-hives; these are assailed by tax-collectors and their satellites who run through the air in a swarm. One hive is in the foreground (right), the two next are in the middle distance, with a line of little hives in the distance, curving to the left margin. John Bull, ragged but chubby, stands defiantly on the step of his hive, defending it with a stake shaped like a rough pitchfork and inscribed 'Prop of Reform'; with this he prods the foremost collector, who drops book and pen in dismay. Behind him in the doorway is his wife, brandishing a poker, while three ragged and terrified small children cluster round the door. Other tax-gatherers assail the upper part of the hive; one has made a hole in the straw and puts in his hand; he has already seized honey. Another man departs with chunks of honeycomb, but his coat-tails are clutched by a man who leans from a hole in the hive. Another collector runs through the air, laden with spoil. More of the swarm are still advancing, holding pen and book or paper. One, holding up a constable's staff, holds out a 'Warrant [of] Distress . . John Bull' [scarcely legible]; another has a huge book inscribed 'Poor's Rate'. Other books are inscribed 'Kings Tax' and 'Assess'd Taxes'. One man holds out a paper inscribed 'Snatch Broker & Sworn Appraiser'. The men recede in perspective towards the upper left corner of the design, from which the swarm is descending upon the hives. A tax-gatherer enters the door of the second hive, while another stands on the upper part nailing on it a placard: 'Kings Taxes'. In the foreground (right) beside the hive a broken cord drops from a clothes-prop weighted down with tattered garments. On the left is a smoking manure-heap inscribed 'Ministrial Dung-hill'; on this lies a paper, 'Prope[rty] Tax' [now removed, see British Museum Satires No. 12750, &c.], and from it grow toadstools inscribed 'Place, Pension', and 'Sinecure'."--British Museum online catalogue
Alternative Title:
No. II. Blessings of Britain, or, Swarm of tax-gatherers, Blessings of Britain, or, Swarm of tax-gatherers, Swarm of tax-gatherers, and Quarter day
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and imprint has been removed from plate., Publication information inferred from earlier state with the imprint: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., Two lines of quoted text following title: "All with united force combine to drive," the lazy drones from the laborious hive." Virgil., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 50 in volume 3.
Engraved card printed within black mourning border, illustrated above title with an image of Prince Leopold leaning mournfully over his wife Princess Charlotte's tomb, which is adorned with her portrait and topped with an urn. Sixteen lines of verse are engraved at the bottom
Description:
Title from item., All engraved., First line of verse beneath title: Weep, England, weep! They pride is gone ..., and For further information, consult library staff.
Publisher:
T. Crabb
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Death and burial, Tombs & sepulchral monuments, and Grief
Crabb, T. (Thomas), active 1811-1815, author, publisher
Published / Created:
[1817?]
Call Number:
File 56 C47 817Cr
Image Count:
1
Resource Type:
text and still image
Abstract:
Engraved card printed within black mourning border, illustrated above title with an image of a mourning Britannia with Claremont, Charlotte’s home, and her funeral cortege, in the background. Twenty lines of verse are engraved at the bottom, signed "Crabb".
Description:
Title from item., All engraved., First line of verse beneath title: Hark, the herald's solemn sound ..., and For further information, consult library staff.
Publisher:
Published by T. Crabb, 1 Ivy Lane, Paternoster Row
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
"Satire: scene in a ball-room with four couples dancing to the music supplied by a French violinist."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Tovil Mill.
Publisher:
Pub. April 2nd, 1817 by J. Sidebotham
Subject (Topic):
Interiors, Ballroom dancing, Couples, Musicians, French, and Violins
"The Princess, in oriental dress, sits regally on a low settee, knees apart, left foot on a stool, with Pergami at her right hand, and others of her suite behind her. She addresses Metternich (right), pointing to Pergami, and saying: "Permit me Sir Prince, to present to you my sweet [scored through and replaced by] suite--" Pergami, bold, florid, and handsome, stands erect, right hand on his hip, holding his busby and the hilt of his sword. He wears hussar uniform as in British Museum Satires No. 12889, with spurred Hessian boots. Metternich, slim and elegant, wearing embroidered court dress with a sword, makes a courtier's bow, answering: "Your R--l H--s is really too Condescending?!" The Princess is a grotesque obese figure in Turkish trousers, short-waisted bodice grossly décolletée, Turkish slippers, and large turban with crescent and aigrette, wearing, like Pergami, a bunch of orders. At her right knee and between her and Metternich is little Willy Austin, cap in hand, and holding a riding-switch. He wears a short braided jacket with trousers, and a childish frill round the neck. Behind him is a stout lady-in-waiting (probably 'Countess' Oldi), oddly dressed, in round cap, décolletée high-waisted bodice and (apparently) breeches or trousers. Two gentlemen-in-waiting behind Pergami wear braided tunics with trousers gathered at the ankle. All the suite, including the boy, wear orders; the three men are whiskered and moustached. Along the wall forming a background are pictures illustrating the persons beneath. Behind Pergami is a prancing stallion with a girth inscribed 'Ich Dien: Cock horse a favourite Stallion.' Behind the Princess is 'A View in Wales', the frame decorated with the Prince's feathers: a mountainous sea-shore with goats. Behind the boy is a scraggy mule with a plume of ostrich feathers, and its tail decorated with ribbons. At its feet 'Black-heath' (see British Museum Satires No. 12027): This is 'Billy A-- favourite Mule--!!!' Above Metternich is the whole length portrait of a courtier, cocked hat in hand: 'Met--her--nick--!!'"--British Museum online catalogue
Alternative Title:
Royal condescension, or, A foreign minister astonished! and Foreign minister astonished!
Description:
Title etched below image., "Ple. 2"--Upper left corner., Companion print to: A r-y-l visit to a foreign capital, or, The ambassador not at home!!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Metternich, Clemens Wenzel Lothar, Fürst von, 1773-1859, and George IV, King of Great Britain, 1762-1830.
Half-length portrait of Rear Admiral Sir Hyde Parker, 5th Baronet, facing to the right with head turned toward viewer
Alternative Title:
Sir Hyde Parker
Description:
Title, artist, and printmaker from Catalogue of engraved British portraits., Plate from: The British gallery of contemporary portraits. London : Cadell & Davies, 1817., and Description based on imperfect impression; sheet trimmed within plate mark with loss of text.
Publisher:
Publishers [...] T. Cadell & W. Davies, Strand, London
Engraved card printed within black mourning border, illustrated above title with an image of Prince Leopold and Britannia in front of Princess Charlotte's tomb adorned with her portrait and topped with an urn. Six numbered stanzas of a hymn and two staves of music are engraved at the bottom
Description:
Title from item., All engraved., First lines of "The funeral hymn, being part of the burial service paraphrased": 1. How short, how narrow is the span, how few the years allow'd to man! ..., "The music selected and alter'd by E.W. Smith, of St. Georges Chapel, Windsor"., and For further information, consult library staff.
Publisher:
Published by Thos. Crabb, Ivy Lane, Paternoster Row
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Death and burial, Britannia (Symbolic character), Tombs & sepulchral monuments, Grief, and Musical notation