V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady wearing an enormous hooped petticoat, long pointed stomacher, a calash hood (see British Museum Satires No. 5434, &c.) over a large plain cap, stands with a small nosegay in her left hand, and with a closed fan held to her cheek. She looks down at a young woman (right), who bends forward in profile to the left, with the stoop of 1817, see British Museum Satires No. 12939. The modern woman wears a flaunting bonnet with a cylindrical crown, a scoop turned up from the face, trimmed with flowers and many feathers. She has bare breasts and shoulders, a very high waist, and projecting skirt (above the knee), and large bishop sleeves; her arms hang downwards in the fashionable pose; in her right hand is a large reticule. Her flat slippers are bound to the ankles and legs with ribbons, en cothurne. Below the upper margin: 'The London Modest Ladies once hoop petticoats wou'd Wear But now forsooth they are not Dress'd unless their B-s Bare'."--British Museum online catalogue
Alternative Title:
Years 1780 & 1817 and Years 1780 and 1817
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Publisher and date of publication from British Museum catalogue., Plate numbered "187" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark., and Watermark: J. Whatman.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady wearing an enormous hooped petticoat, long pointed stomacher, a calash hood (see British Museum Satires No. 5434, &c.) over a large plain cap, stands with a small nosegay in her left hand, and with a closed fan held to her cheek. She looks down at a young woman (right), who bends forward in profile to the left, with the stoop of 1817, see British Museum Satires No. 12939. The modern woman wears a flaunting bonnet with a cylindrical crown, a scoop turned up from the face, trimmed with flowers and many feathers. She has bare breasts and shoulders, a very high waist, and projecting skirt (above the knee), and large bishop sleeves; her arms hang downwards in the fashionable pose; in her right hand is a large reticule. Her flat slippers are bound to the ankles and legs with ribbons, en cothurne. Below the upper margin: 'The London Modest Ladies once hoop petticoats wou'd Wear But now forsooth they are not Dress'd unless their B-s Bare'."--British Museum online catalogue
Alternative Title:
Years 1780 & 1817 and Years 1780 and 1817
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Publisher and date of publication from British Museum catalogue., Plate numbered "187" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.3 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 41 in volume 3.
List'ners seldom hear good of themselves and Listeners seldom hear good of themselves
Description:
Title from caption below image., Publication date from British Museum catalogue., Variant without publication date of no. 12923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Tea table -- Old women -- Interiors -- Chinese porcelain.
Title from text printed in letterpress above image., Imprint statement in letterpress near lower edge of sheet., Active datesof publisher according to British Museum catalogue: ca. 1814-1815., Date of publication from unverified data from local card catalog record: 1817., Three columns of verse in letterpress below image: Come all you merry jades, who love to play the game ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and sold by T. Batchelar, 115 Long Alley, Moorfields
Political satire: With billows of smole behind it, a skeleton holding a noose and pointing to his eye dances to the left of Napoleon who stands pointing at it. In the right background is a gallows with a group of soliders standing in the distance below
Alternative Title:
Pair of specticals easely seen through and Pair of spectacles easily seen through
Description:
Title etched below image., "355"--Upper left corner above image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on a former album leaf; newspaper clippings dating from 1817 and 1818 are pasted on verso of mount covering a range of topics including: small pox, post horse duties, poor rate, three cases of debtors, two work related accidents, and a short humorous piece on the streets of Paris and the price of wine.
Publisher:
Pub. 17 June 1813 by T. Tegg, Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Skeletons, Nooses, Gallows, Soldiers, French, and Smoke
Political satire: With billows of smole behind it, a skeleton holding a noose and pointing to his eye dances to the left of Napoleon who stands pointing at it. In the right background is a gallows with a group of soliders standing in the distance below
Alternative Title:
Pair of specticals easely seen through and Pair of spectacles easily seen through
Description:
Title etched below image., "355"--Upper left corner above image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on a former album leaf; newspaper clippings dating from 1817 and 1818 are pasted on verso of mount covering a range of topics including: small pox, post horse duties, poor rate, three cases of debtors, two work related accidents, and a short humorous piece on the streets of Paris and the price of wine.
Publisher:
Pub. 17 June 1813 by T. Tegg, Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Skeletons, Nooses, Gallows, Soldiers, French, and Smoke
"The Princess of Wales and her suite in a carriage drawn by six horses arrive at the porte-cochère of the British Embassy in Vienna. At the gate and in front of the horses is a mounted groom or outrider blowing a trumpet, from which issue the words: 'Vite! Vite!! 7 Lits de Maitre--13-- de Domestique--!!' Facing him is a fat porter, who keeps one leaf of the gate shut, and answers: "Sein Excellenz ist nich zu haus--!!!" Over the archway are the Royal Arms, the lion (burlesqued) and unicorn look down scandalized at the carriage, in which the Princess turns to Pergami who sits on her right, saying, "This Palace will lodge us well Sir Bergamot." Her plump breasts are displayed, and she wears a turban with a jewelled aigrette. Bergami wears hussar uniform with a furred dolman, and a bunch of orders hanging from his tunic. Facing the Princess sits little Willy Austin (see British Museum Satires No. 12027) wearing a round peaked cap; a lady wearing a tasselled cap like a smoking-cap sits next him. On the box are a foreign servant in quasi-military uniform and cockaded top-hat and a turbaned negro, with two big pistols in his sash. The negro puts his arm across the other's shoulders; both grin, as do two negro servants seated in the rumble with drawn swords; these also wear turbans, and are armed with pistols. Two postilions, French in type, flourish their whips; they wear huge jack-boots and large plumed cocked hats; the spirited horses have received a sudden check. The door-panel of the carriage, an open barouche is covered with the Royal Arms with the Prince's feathers. A stout peasant woman and a little boy (left) watch the cavalcade with astonishment; two dogs bark. Part of the Embassy forms a background: two rows of windows, the lower ones heavily barred."--British Museum online catalogue, description of an earlier state
Alternative Title:
Royal visit to a foreign capital, or, The ambassador not at home!! and Ambassador not at home!!
Description:
Title etched below image., Intermediate state, with plate number and "April 1817" added but without the addition of drapery over the princess's bosom. For earlier and later states of the plate, see nos. 12889 and 12889A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., "Ple. 1"--Upper left corner., Companion print to: R-y-l condescension, or, A foreign minister astonished!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Carriages, Porters, Servants, and Embassies
Title etched below image., Imprint statement was either partially burnished from plate or erased from sheet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 1817 by [S.]W. Fores, Piccadilly
Subject (Topic):
Military uniforms, British, Muffs, and Eating & drinking
Satirical portrait of Adoniram Byfield, with the Devil at his shoulder blowing at a child's toy windmill fixed on Byfield's hat; the vanes are labelled "Hypocrisy", "Lust", "Pride" and "Covetousness". Lettered with speech ribbons: the Devil saying, "He do's my business bravely"; Byfield, "Needs must when the Devil drives."
Description:
Title from caption below image. and Date of publication based on active dates of the Baldwyns.
Publisher:
Published by Charles & Henry Baldwyn, Newgate Street
Illustrated memorial published after the death of Charlotte Augusta, Princess of Wales, who died after giving birth to a stillborn child in 1817. One of many similar memorials using the same illustration (an urn beneath a weeping willow) but with different verses
Description:
Title from item., Letterpress text with engraved illustration above; within a mourning border., First line of verse beneath title: Trembling I touch the plaintive chord, to speak our England’s grief ..., and "Maria" written in a contemporary hand in lower right corner. For further information, consult library staff.
Publisher:
Published by the authoress, and sold by T. Gardiner and Son, 20, Princes-street, Cavendish-square; and at No. 209, Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The principal belle (right) stoops from the waist with dropped arms (the fashionable attitude), a reticule dangling from her right hand, towards a beau who is arm-in-arm with a Life Guards officer; the latter looks over his shoulder with an insolent stare. A dog shaved in the French manner barks at the lady's short petticoats. The women's dress resembles that of other caricatures of this date except that it is high to the neck. The men wear short-waisted tail-coats with loose and short trousers, generally striped, high collars, and swathed neck-cloths. Below the design: 'The Little Dog Bark'd to see such sport'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Scene in Hyde Parke
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Later state; former plate number "392" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. Aug. 12th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12939 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "192" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark on bottom edge., and Leaf 46 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The principal belle (right) stoops from the waist with dropped arms (the fashionable attitude), a reticule dangling from her right hand, towards a beau who is arm-in-arm with a Life Guards officer; the latter looks over his shoulder with an insolent stare. A dog shaved in the French manner barks at the lady's short petticoats. The women's dress resembles that of other caricatures of this date except that it is high to the neck. The men wear short-waisted tail-coats with loose and short trousers, generally striped, high collars, and swathed neck-cloths. Below the design: 'The Little Dog Bark'd to see such sport'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Scene in Hyde Parke
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Later state; former plate number "392" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. Aug. 12th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12939 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "192" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark on bottom edge., and Title and text following title traced over in ink, and additional text added in a contemporary hand.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 48 in volume 3.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
"A dandy (left), opera-hat in hand, bends towards a lady to inspect her necklace through his glass. He has the short waist, high collar, and conspicuous watch-ribbon of the dandies, with long tight pantaloons to the ankle (cf. No. 13029). She wears a short white ball-dress, and holds up a closed fan, a shawl over her left arm. She stands at the foot of a staircase on which are flowering plants in ornamental pots. Below the title: '"Pon honor Lady Caroline, You appear a "divinity! -by Jove those Jewels are of the premiere "qualité, did Love furnish them? "On my truth Sir William You are a gay Man.'"--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date from British Museum catalogue., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819 ... She resembles Lady Caroline Lamb, the most conspicuous Lady Caroline of the day. There was a jeweller named Love."--British Museum curator's comment., Attributed to Captain Hehl in British Museum catalogue., and Sheet trimmed within plate mark.
Title from item., Song sheet with an etching at top showing Britannia and Prince Leopold mourning at the tomb of Princess Charlotte. Music on two staves with interlinear words. Additional three stanzas in three columns below. Text and music within mourning border. Opening words: Brittannia [sic], mourn! your glorys hope ... "Pr. 1/.", and For further information, consult library staff.
Publisher:
Published at No. 91, Aldersgate Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold |b I, |c King of the Belgians, |d 1790-1865,
Subject (Topic):
Britannia (Symbolic character), Grief, and Tombs & sepulchral monuments
A broadside illustrated with engraved head-and-shoulders portraits of Princess Charlotte and Prince Leopold at top of sheet followed by 29 lines of letterpress text mourning the death of the Charlotte on November 6th, 1817
Description:
Title from beginning of letterpress text., Portraits at top have the engraved captions "Princess Charlotte" and "Prince Leopold.", Biographical details immediately above lower border., "Price one shilling."--Below lower border., and For further information, consult library staff.
Publisher:
published not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Charlotte Augusta, Princess of Great Britain, 1796-1817,, and Léopold I, King of the Belgians, 1790-1865,
All-engraved card printed with a black mourning board, with an image of her home Claremont below the title and below, nine lines that provide biographical details and an anecdote a snuff box that she had commissioned before her death, a gift for her husband Prince Leopold. A poem of nine lines, intended to be inscribed on the lid of the snuff box, is engraved below
Alternative Title:
Late residence of our much beloved and truly lamented Lady, the Princess Charlotte of Wales ...
Description:
Title from texted engraved above image., First line of verse: To Claremonts terrac'd heights, and Esher's Groves ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865., and Claremont House (Surrey, England),
A group of cats look at book opened to a musical score, on the right and images of mice on the left. Some of the cats are singing while one plays a trumpet; one of the cats wears spectacles. In the foreground are several other musical instruments including a violin and other volumes. The book is propped against a birdhouse from which emerges a mouse; a cloth has been draped over the birdhouse
Description:
Title from caption below image., "Vol. 3 No. 18"., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
R. Ackermann's Lithography
Subject (Topic):
Animals in human situations, Cats, Mice, Musical instruments, Musicians, and Singers
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Description:
Title engraved below image., Date of publication from watermark., Sheet trimmed to plate mark., Plate numbered "138" in lower left corner., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 144., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2299., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1817.
Publisher:
Printed for Bowles & Carver, No. 69 in St. Pauls Church Yard, London
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "No. 1" in upper left corner., Temporary local subject terms: Musicians -- Ballrooms -- Dancers -- Couples., and Watermark: John Hall 1816.
"View of the procession in St. George's Chapel. The body is carried on the shoulders of some yeomen of the guard, under a canopy of black velvet, which is borne by eight gentlemen ushers, the pall is supported by baronesses who are preceded by the Lord Chamberlain and Vice Chamberlain of His Majesty's household, Garter, Principal, King-of-Arms, bearing his sceptre, the coronet is borne by Colonel Akenbroke, and followed by the chief mourner, Prince Leopold whose train is carried by Baron de Hardenbroke and Sir Robert Gardiner; on one side is the Duke of York, on the other the Duke of Clarence, who are followed by other princes of the royal blood."--Reid, G.W. Descriptive catalogue of the works of George Cruikshank
Description:
Title etched below image., Sheet trimmed within plate mark., Frontispiece to: The whole of the burial procession and obsequies. : a most correct account of the funeral of the Princess Charlotte, in St. George's Chapel, Windsor. London : Printed by and for William Hone, 1817., and Window mounted to 23 x 29 cm.
Publisher:
Pubd. by W. Hone, Old Bailey
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865,, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827,, and William IV, King of Great Britain, 1765-1837,
Title etched below image., Questionable date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female costume, 1817 -- Male costume, 1817 -- Vehicles -- Horses.
"Eight groups or couples display different dances, the names of which are in the lower margin. On the extreme left stands [1] a 'Dancing Master', thin, dandified, stooping, arms dropped, fiddle and bow in left hand, feet turned out. [2] 'Country Dance'. Three couples, 'hands across'. [3] 'Scots Reel' A man in Highland dress dances between two women in a six-hand reel. [4] 'Irish Jig'. Three bandy-legged peasants jig: man (holding up a 'Whiskey' bottle), woman, and small boy who drinks from a glass and holds a large shillelagh. [5] The centre-piece: 'La Minuet'. A very slim man in court-dress, with powdered queue, dances with a lady who holds up the train of a limp gown. Behind them is the musicians' gallery supported on two palm-tree pillars, round which serpents are twined from whose mouths gas-flames issue. A life-like 'Terpsichore' supports the drapery of the box, which is inscribed 'On the light fantastic toe'. The front of the box is decorated with fantastic dancing figures, including a Red Indian, a Harlequin, a Punch; some are in lines and dots (cf. No. 12955). The instruments are flutes, bagpipes, harp, violins, 'cello, oboe, French horn. On the right: [6] 'German Waltz', an ugly couple, her hands on his shoulders, his on her waist. [7] 'French Quadrille'. One man and three ladies face three men and one lady. [8] 'Spanish Boliero'. A couple dance, clicking castanets, the man wears slashed doublet with knee-breeches. [9] 'Ballet Italienne'. Two dancers, each poised on a toe, leg extended, holding between them a long garland of roses. Beside them dances a little Italian greyhound. The wall which forms a background is covered with pictures, flanking the gallery. 'Dancing Dogs': a man with a whip directs five dressed-up dogs on their hind-legs. 'Dancing Bear'. A man holds the muzzled bear on a chain; a dressed-up monkey capers on the bear's head; a boy plays pipe and tabor. 'Dancing Horse'. On the stage of an equestrian theatre a man in light horse uniform, a clown behind him, directs the movements of a horse. 'Rope Dancing'. A woman ascends a slanting tight-rope, while rockets explode around her. 'St Vitus's Dance'. A fat doctor, smelling his cane, holds the pulse of a capering and emaciated invalid. 'Dancing Mad'. Two men leap or prance frantically in rage or despair, while a third capers at the end of a rope by which he hangs from a gibbet."--British Museum online catalogue
Alternative Title:
Sketches of characteristic dancing
Description:
Title from caption below image. and Watermark: John Hall 1814.
Publisher:
Pubd. August 31st, 1817, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Balls (Parties), Couples, Dance, Musical instruments, Orchestras, and Trained animals
"One of a pair, with the same signatures and imprint, see No. 12929. Two couples dance with vigour, holding hands in a line, the ladies facing right, the men left. Other couples stand. Fashionable dress is burlesqued, the ladies with very décolletée and short-waisted dress, with short skirts, very wide, flounced, and projecting. One has a grotesque coiffure, hair strained into a pyramid, bound with ribbon, and topped by an absurd flower. The dandified men wear knee-breeches or tight pantaloons with high collars; hair cropped on the neck and projecting like an inverted basin. The room is bare except for festooned curtains."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman.
Publisher:
Pubd. June 4th, 1817 by H. Humphrey 27 St. James's Street
Subject (Topic):
Couples, Dance parties, Dancers, Dandies, and British
"A dandy (cf. British Museum Satires No. 13029), with a handsome profile, wearing knee-breeches, advances with a mincing step and outstretched hands towards an ugly farmer who stands facing him with a large stick and wearing top-boots and broad-brimmed hat. The tenant holds a money-bag and is fiercely prognathous. The landlord: "My dear Sir--I am rejoiced to see you--I hope your lovely family are well--You are a charming Man--correct in every point--in short your countenance is an index to your mind." The farmer: "You certainly are flattering me--here is your Rent.--as to my family--thanks to the Lord, my Wife, and all the brats, be gone to kingdome come." There is a carpeted floor."--British Museum online catalogue
Alternative Title:
Landlord and tenant
Description:
Title from text below image., Artist identified as Capt. Hehl in the British Museum catalogue., Printmaker and date of publication from the British Museum catalogue., and "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819 ..."--Curator's comments, British Museum online catalogue.
Title from caption below image., Date of publication from secondary imprint statement., Earlier imprint statement legible despite strikethrough: Published by S.W. Fores, 50 Piccadilly, London, Augt. 11, 1817., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman 1816., and Printseller's stamp in lower right corner: Price 1.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Title from caption below image., Date of publication from secondary imprint statement., Secondary imprint statement readable despite strikethrough: Published by S.W. Fores, 50 Piccadilly, London Augt. 11th, 1819., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Ruse & Turners 1818., and Printseller's stamp in lower right corner: Price 1.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
"One of a set (coloured) by Williams, all with the same imprint (British Museum Satires Nos. 12933-6). An adaptation of British Museum Satires No. 12925. The stout man dancing between two ladies is in military uniform with a large sabre. The room is altered by the addition of a side wall (left) to which the fireplace is transferred. In its place is the square piano under a large mirror. All the figures are altered; a lady in an arm-chair with a man leaning over her has been added. Elaborate gas or oil lighting replaces candles: a hanging chandelier with a circle of globes with chimneys, with similar lamps in brackets on a glass over the chimney-piece, which is surmounted by a standing lamp. There are three whole length portraits of dancers striking attitudes, two being 'Mde H[i]llisburgh' and 'Monr Vestris'."--British Museum online catalogue
Alternative Title:
Quadrille dancing pour la pratique
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on top edge., "No. 3"--Upper left corner., and Watermark: John Hall.
Publisher:
Pubd. May 1817 by S.W. Fores
Subject (Topic):
Dance, Chandeliers, Gaslight fixtures, and Military uniforms
Title from caption below image., Print signed with artists' device., "P. 3"--Etched in upper left., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Mantels -- Candles -- Dancing -- Couples -- Musicians -- Pianos -- Pictures amplify subject.
Publisher:
Pubd. April 9th, 1817 by H. Humphrey, 27 St. James's St.
Portbury, E. J., approximately 1795-1885, printmaker
Published / Created:
August 1817.
Call Number:
Portraits K31 no. 4
Image Count:
1
Resource Type:
still image
Abstract:
"Medal of John Philip Kemble; portrait profile head on recto at top, inscription on verso in the centre lettered: "Thou last of all the Romans fare thee well", rim below lettered: "Retired from the stage 23d. June 1817."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Published by John Miller, Bow Street, Covent Garden
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on costume, showing the unsuitability of modern dress to the minuet. A grotesque man bends towards his partner, taking her left hand in his right. The other guests stand or sit. He has a large moustache, a shock of hair, high shirt-collar, short-waisted coat with long tails, and loose striped trousers, tied in above the ankle. His partner has short skirt hanging from just below the breast which she holds up by the hem; towering feathers rise from a wreath of flowers on her head. A man in back view (right) wears tight pantaloons tied below the calf, others wear loose trousers. There is a hanging chandelier with candles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Questionable attribution to William Heath from description of earlier state in the British Museum catalogue., Later state; former plate number "391" has been replaced with a new plate number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pub. June 6th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12938 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "193" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 47 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on costume, showing the unsuitability of modern dress to the minuet. A grotesque man bends towards his partner, taking her left hand in his right. The other guests stand or sit. He has a large moustache, a shock of hair, high shirt-collar, short-waisted coat with long tails, and loose striped trousers, tied in above the ankle. His partner has short skirt hanging from just below the breast which she holds up by the hem; towering feathers rise from a wreath of flowers on her head. A man in back view (right) wears tight pantaloons tied below the calf, others wear loose trousers. There is a hanging chandelier with candles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Questionable attribution to William Heath from description of earlier state in the British Museum catalogue., Later state; former plate number "391" has been replaced with a new plate number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pub. June 6th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12938 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "193" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark on bottom edge.
Half-length portrait of Esther Jane Sheridan, second wife of Richard Brinsley Sheridan, with her son Charles on her back
Description:
Title etched below image., After painting by John Hoppner, now in the Metropolitan Museum of Art (Accession Number: 65.203)., Probably an early state, before the incorrect artist's name "Sir Joshua Reynolds" was replaced by the correct name "J. Hoppner Esqr. R.A." For the later state with the correction, see impression at the National Library of Wales., Later state was the frontispiece to v.2 of: Watkins, J. Memoirs of the public and private life of the Right Honorable R.B. Sheridan. London : Printed for H. Colburn, 1817., Window mounted to 51 x 36 cm., and Mounted opposite page 557 (leaf numbered '145' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published by Henry Colburn, Conduit Street
Subject (Name):
Sheridan, Hester Jane, 1776-1817, and Sheridan, Charles Brinsley, 1796-1843,
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1817?]
Call Number:
817.00.00.15
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., "Pl. 1"--Upper left above image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1817?]
Call Number:
817.00.00.16
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A jovial citizen leaning on his tall cane in profile to the right addresses another, who walks off to the right, turning his head to scowl at his interlocutor. The former says: "How do you do my Old Friend - pretty warm by this time I suppose, - a long time in business. - how much might you clear now in the course of last Year?" The other answers: "Whats that to you - skant tell - keep no books, what you want to come the Inquisition rig I suppose, an be d------d to you!" He is obese and is stuffing a 'Banke[rs] Book 17[98]' into his coat-pocket. His dog 'Surly' looks round with contempt at the first speaker, and befouls his cane."--British Museum online catalogue
Description:
Title etched below image., A satire on the income tax., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent for the evening., Printmaker from British Museum catalogue., and Watermark: T. Edmonds 1817.
Publisher:
Pubd. April 1st, 1799, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Topic):
Income tax, Law and legislation, Conversation, Dogs, and Staffs (Sticks)
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Chancellor (Eldon), preceded by his mace-bearer holding a sword, is about to alight on the pavement outside Westminster Hall (left), having flown diagonally down from the right; next him is (?) the Vice-Chancellor Plumer, close behind are eight other judges followed by a closely packed swarm of barristers who recede in perspective. All are in wig and gown. Behind the barristers are their clerks, wearing top-hats and carrying (green) brief-bags over their shoulders. Three men stand outside the door of Westminster Hall waiting obsequiously to receive the Chancellor and his swarm; one is a constable holding his staff, the others wear black gowns, the foremost having cloven hoofs. In the street below (right) a few terrified pedestrians look up at the monstrous flight."--British Museum online catalogue
Alternative Title:
No. 1. Blessings of Britain, or, A flight of lawyers, Blessings of Brittain, or, A flight of lawyers, Blessings of Britain, or, A flight of lawyers, Flight of lawyers, and First day of term
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and beginning of imprint statement has been removed from plate., Date of publication based on complete imprint on earlier state: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., One line of quoted text following title: "A darksome cloud of locusts swarming down." Milton., Plate numbered "200" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark leaving thread margins., and Watermark.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Chancellor (Eldon), preceded by his mace-bearer holding a sword, is about to alight on the pavement outside Westminster Hall (left), having flown diagonally down from the right; next him is (?) the Vice-Chancellor Plumer, close behind are eight other judges followed by a closely packed swarm of barristers who recede in perspective. All are in wig and gown. Behind the barristers are their clerks, wearing top-hats and carrying (green) brief-bags over their shoulders. Three men stand outside the door of Westminster Hall waiting obsequiously to receive the Chancellor and his swarm; one is a constable holding his staff, the others wear black gowns, the foremost having cloven hoofs. In the street below (right) a few terrified pedestrians look up at the monstrous flight."--British Museum online catalogue
Alternative Title:
No. 1. Blessings of Britain, or, A flight of lawyers, Blessings of Brittain, or, A flight of lawyers, Blessings of Britain, or, A flight of lawyers, Flight of lawyers, and First day of term
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and beginning of imprint statement has been removed from plate., Date of publication based on complete imprint on earlier state: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., One line of quoted text following title: "A darksome cloud of locusts swarming down." Milton., Plate numbered "200" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark leaving thread margins., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 54 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"British households are represented by large straw bee-hives; these are assailed by tax-collectors and their satellites who run through the air in a swarm. One hive is in the foreground (right), the two next are in the middle distance, with a line of little hives in the distance, curving to the left margin. John Bull, ragged but chubby, stands defiantly on the step of his hive, defending it with a stake shaped like a rough pitchfork and inscribed 'Prop of Reform'; with this he prods the foremost collector, who drops book and pen in dismay. Behind him in the doorway is his wife, brandishing a poker, while three ragged and terrified small children cluster round the door. Other tax-gatherers assail the upper part of the hive; one has made a hole in the straw and puts in his hand; he has already seized honey. Another man departs with chunks of honeycomb, but his coat-tails are clutched by a man who leans from a hole in the hive. Another collector runs through the air, laden with spoil. More of the swarm are still advancing, holding pen and book or paper. One, holding up a constable's staff, holds out a 'Warrant [of] Distress . . John Bull' [scarcely legible]; another has a huge book inscribed 'Poor's Rate'. Other books are inscribed 'Kings Tax' and 'Assess'd Taxes'. One man holds out a paper inscribed 'Snatch Broker & Sworn Appraiser'. The men recede in perspective towards the upper left corner of the design, from which the swarm is descending upon the hives. A tax-gatherer enters the door of the second hive, while another stands on the upper part nailing on it a placard: 'Kings Taxes'. In the foreground (right) beside the hive a broken cord drops from a clothes-prop weighted down with tattered garments. On the left is a smoking manure-heap inscribed 'Ministrial Dung-hill'; on this lies a paper, 'Prope[rty] Tax' [now removed, see British Museum Satires No. 12750, &c.], and from it grow toadstools inscribed 'Place, Pension', and 'Sinecure'."--British Museum online catalogue
Alternative Title:
No. II. Blessings of Britain, or, Swarm of tax-gatherers, Blessings of Britain, or, Swarm of tax-gatherers, Swarm of tax-gatherers, and Quarter day
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and imprint has been removed from plate., Publication information inferred from earlier state with the imprint: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., Two lines of quoted text following title: "All with united force combine to drive," the lazy drones from the laborious hive." Virgil., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 50 in volume 3.
Engraved card printed within black mourning border, illustrated above title with an image of Prince Leopold leaning mournfully over his wife Princess Charlotte's tomb, which is adorned with her portrait and topped with an urn. Sixteen lines of verse are engraved at the bottom
Description:
Title from item., All engraved., First line of verse beneath title: Weep, England, weep! They pride is gone ..., and For further information, consult library staff.
Publisher:
T. Crabb
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Death and burial, Tombs & sepulchral monuments, and Grief
Crabb, T. (Thomas), active 1811-1815, author, publisher
Published / Created:
[1817?]
Call Number:
File 56 C47 817Cr
Image Count:
1
Resource Type:
text and still image
Abstract:
Engraved card printed within black mourning border, illustrated above title with an image of a mourning Britannia with Claremont, Charlotte’s home, and her funeral cortege, in the background. Twenty lines of verse are engraved at the bottom, signed "Crabb".
Description:
Title from item., All engraved., First line of verse beneath title: Hark, the herald's solemn sound ..., and For further information, consult library staff.
Publisher:
Published by T. Crabb, 1 Ivy Lane, Paternoster Row
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
"Satire: scene in a ball-room with four couples dancing to the music supplied by a French violinist."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Tovil Mill.
Publisher:
Pub. April 2nd, 1817 by J. Sidebotham
Subject (Topic):
Interiors, Ballroom dancing, Couples, Musicians, French, and Violins
"The Princess, in oriental dress, sits regally on a low settee, knees apart, left foot on a stool, with Pergami at her right hand, and others of her suite behind her. She addresses Metternich (right), pointing to Pergami, and saying: "Permit me Sir Prince, to present to you my sweet [scored through and replaced by] suite--" Pergami, bold, florid, and handsome, stands erect, right hand on his hip, holding his busby and the hilt of his sword. He wears hussar uniform as in British Museum Satires No. 12889, with spurred Hessian boots. Metternich, slim and elegant, wearing embroidered court dress with a sword, makes a courtier's bow, answering: "Your R--l H--s is really too Condescending?!" The Princess is a grotesque obese figure in Turkish trousers, short-waisted bodice grossly décolletée, Turkish slippers, and large turban with crescent and aigrette, wearing, like Pergami, a bunch of orders. At her right knee and between her and Metternich is little Willy Austin, cap in hand, and holding a riding-switch. He wears a short braided jacket with trousers, and a childish frill round the neck. Behind him is a stout lady-in-waiting (probably 'Countess' Oldi), oddly dressed, in round cap, décolletée high-waisted bodice and (apparently) breeches or trousers. Two gentlemen-in-waiting behind Pergami wear braided tunics with trousers gathered at the ankle. All the suite, including the boy, wear orders; the three men are whiskered and moustached. Along the wall forming a background are pictures illustrating the persons beneath. Behind Pergami is a prancing stallion with a girth inscribed 'Ich Dien: Cock horse a favourite Stallion.' Behind the Princess is 'A View in Wales', the frame decorated with the Prince's feathers: a mountainous sea-shore with goats. Behind the boy is a scraggy mule with a plume of ostrich feathers, and its tail decorated with ribbons. At its feet 'Black-heath' (see British Museum Satires No. 12027): This is 'Billy A-- favourite Mule--!!!' Above Metternich is the whole length portrait of a courtier, cocked hat in hand: 'Met--her--nick--!!'"--British Museum online catalogue
Alternative Title:
Royal condescension, or, A foreign minister astonished! and Foreign minister astonished!
Description:
Title etched below image., "Ple. 2"--Upper left corner., Companion print to: A r-y-l visit to a foreign capital, or, The ambassador not at home!!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Metternich, Clemens Wenzel Lothar, Fürst von, 1773-1859, and George IV, King of Great Britain, 1762-1830.
Half-length portrait of Rear Admiral Sir Hyde Parker, 5th Baronet, facing to the right with head turned toward viewer
Alternative Title:
Sir Hyde Parker
Description:
Title, artist, and printmaker from Catalogue of engraved British portraits., Plate from: The British gallery of contemporary portraits. London : Cadell & Davies, 1817., and Description based on imperfect impression; sheet trimmed within plate mark with loss of text.
Publisher:
Publishers [...] T. Cadell & W. Davies, Strand, London
Engraved card printed within black mourning border, illustrated above title with an image of Prince Leopold and Britannia in front of Princess Charlotte's tomb adorned with her portrait and topped with an urn. Six numbered stanzas of a hymn and two staves of music are engraved at the bottom
Description:
Title from item., All engraved., First lines of "The funeral hymn, being part of the burial service paraphrased": 1. How short, how narrow is the span, how few the years allow'd to man! ..., "The music selected and alter'd by E.W. Smith, of St. Georges Chapel, Windsor"., and For further information, consult library staff.
Publisher:
Published by Thos. Crabb, Ivy Lane, Paternoster Row
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Death and burial, Britannia (Symbolic character), Tombs & sepulchral monuments, Grief, and Musical notation
"Portrait of Samuel Johnson, whole length, walking to the right, holding tall stick; his left hand is held up as if declaiming; wearing travelling dress; after Trotter."--British Museum online catalogue
Description:
Title etched below image. and Cf. No. 7023 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Published April 23 [?] 1817 by C.G. Dyer, Compton Street, Soho
Title from caption above image., Sheet trimmed within plate mark., "Pl. 1.", and Variant with earlier publication date of no. 12957 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9.
Publisher:
Pubd. August 4th, 1817 by S.W. Fores No. 50 Piccadilly corner of Sackville Street
Title from caption above image., Description based on imperfect impression ; sheet trimmed within plate mark resulting in loss of text., Plate numbered "Pl. 2" in upper left corner., and Temporary local subject terms: Line figures.
Publisher:
Pubd. Septr. 23d, 1817 by S.W. Fores No. 50 Piccadilly
Title from text below image., Printmaker, publisher, and date of publication from Cohn., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Electrotherapy.
Publisher:
S.W. Fores
Subject (Topic):
Electrotherapeutics, Physicians, and Shock therapy
"Three grotesquely ugly old maids stoop delightedly over a Cupid who sleeps against a rose-bush, arrow in hand, his unstrung bow beside him. On the back of one sits an ape; a lap-dog is beside her. A parrot sits on the bonnet of another, the third kneels. On a mound (right) a cock stands crowing: 'Cock a doodle doo.'"--British Museum online catalogue
Description:
Title etched below image., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819"--Curator's comments, British Museum online catalogue, registration no.: 1865,1111.2137., Sheet trimmed to plate mark., and Watermark: C. Wilmot 1815.
Publisher:
publisher not identified
Subject (Topic):
Older people, Single women, Roses, Putti, Cupids, Monkeys, Dogs, Parrots, and Roosters
A scene from Tristram Shandy in which Susannah stands holdings her nose with her lefthand while in her right she holds a candle over the cradle where the swandled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his right fist at her while in his left he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from caption below image., Date of publication based on watermark from a print possibly of the same series. See Lewis Walpole Library call no.: Bunbury 803.00.00.44+., Text following title: Vid[e] Tris. Shandy, vol. 4., Three lines of text below title: Susannah rowing one way & looking another, set fire to Dr. Slops wig, which being somewhat bushy ..., Sheet trimmed within plate mark., A copy in reverse of no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Trimmed within plate marks to 24.0 x 65.0 cm.
Publisher:
publisher not identified
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Cradles, Longcase clocks, Physicians, Quarreling, Screens, and Servants
A scene from Tristram Shandy in which Susannah stands holdings her nose with her lefthand while in her right she holds a candle over the cradle where the swandled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his right fist at her while in his left he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from caption below image., Date of publication based on watermark from a print possibly of the same series. See Lewis Walpole Library call no.: Bunbury 803.00.00.44+., Text following title: Vid[e] Tris. Shandy, vol. 4., Three lines of text below title: Susannah rowing one way & looking another, set fire to Dr. Slops wig, which being somewhat bushy ..., Sheet trimmed within plate mark., and A copy in reverse of no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Cradles, Longcase clocks, Physicians, Quarreling, Screens, and Servants
A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: proceeding to a round game". In the second row: "In love I pereceive [sic]", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of all women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Similar prints, also published by G. Blackman in 1817, are attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 30, 1817, by G. Blackman Junr., 362 Oxford Strt
Title from caption below image., Publication date from unverified data from local card catalog record., Eight lines of verse underneath image: Of the crafty Intriguante, I'd have you be shy, and beware of th' artillery that speakes in her eyes ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Biographical details etched beneath title: Her Royal Highness the Princess Charlotte of Wales was born Jany. 7, 1796, and married to Leopold Prince of Saxe Coburg May 2, 1816., Sheet trimmed within plate mark., and Formerly mounted on blue paper. For further information, consult library staff.
Publisher:
Published Novr. 20th, 1817, by R. Miller, Old Fish Stt
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817,
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two barristers in wig and gown fight furiously with umbrellas. The aggressor (right), with outstretched left fist, rushes at his enemy with a closed umbrella which terminates in a long spike. The other, Adolphus, with legs wide astride, uses an open umbrella; his brief-bag swings from his arm. From a door on the right a constable rushes forward, holding out his crowned staff. The lower part of a staircase is on the left. Above the combatants: 'Full often we're Told & true it may be That two of a Trade can never agree'."--British Museum online catalogue
Alternative Title:
Learned Adolphus, or, A legal construction of rogues and vagrants and Legal construction of rogues and vagrants
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Later state, with altered plate number. See British Museum catalogue., Plate numbered "191" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., and Leaf 45 in volume 3.
Title from caption below image., Date of publication based on watermark., Four lines of text below image, two on either side of title: When Obadiah & his coach horse turnd. the corner rapid, furious ... Vide vol. 1st, Tristram Shan[dy]., A copy in reverse of no. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Watermark: 1817., and Imperfect; artist's name mostly erased from sheet.
An image of the printing house at Strawberry Hill. A figure believed to be Thomas Kirgate stands in the road in front of the building holding a large portfolio under his arm
Description:
Title etched below image., Date from related print in the British Museum online catalogue. Cf. British Museum online catalogue. Accessions no.: 1956,1018.31., and Possibly engraved after Edward Edwards's drawing "Printing-House at Strawberry Hill 1784". The original drawing is held in The Lewis Walpole Library, Yale University.
Publisher:
publisher not identified
Subject (Name):
Kirgate, Thomas, 1734-1810,, Strawberry Hill (Twickenham, London, England),, and Strawberry Hill Press (Twickenham, London, England),
A rose with the head of Princess Charlotte as the center, the stigma
Description:
Title etched below image., "Proof"--Lower left corner., Six lines of verse, signed "J.B.B.", etched beneath title: A rose, of loveliest form and hue, in Britain's royal garden grew ..., and Dedication etched above imprint: Dedicated to His Serene Highness the Prince Leopold of Saxe Cobourg, &c. &c. by his most grateful and very humble servant, P.W. Tomkins.
Publisher:
Published Decr. 16, 1817, by P.W. Tomkins, 53, New Bond Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817,, Charlotte Augusta, Princess of Great Britain, 1796-1817, and Léopold I, King of the Belgians, 1790-1865,
A rose with the head of Princess Charlotte as the center, the stigma
Description:
Title etched below image., "Proof"--Lower left corner., Six lines of verse, signed "J.B.B.", etched beneath title: A rose, of loveliest form and hue, in Britain's royal garden grew ..., Dedication etched above imprint: Dedicated to His Serene Highness the Prince Leopold of Saxe Cobourg, &c. &c. by his most grateful and very humble servant, P.W. Tomkins., 1 print : stipple engraving with etching ; sheet 24.2 x 15.2 cm., On wove paper, hand-colored., Imperfect; sheet trimmed within plate mark resulting in loss of statements of responsibility, dedication, and imprint statement from bottom edge., and Probably the published version, not a proof state.
Publisher:
Published Decr. 16, 1817, by P.W. Tomkins, 53, New Bond Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817,, Charlotte Augusta, Princess of Great Britain, 1796-1817, and Léopold I, King of the Belgians, 1790-1865,
Title from caption above poem., Engraved card printed within black mourning border, illustrated above title with an image of a mourning Britannia and British Lion in front of Princess Charlotte's tomb, which is located under a weeping willow and is adorned with her portrait and topped with an urn. Sixteen lines of verse are engraved at the bottom, signed "J. Thompson"., All engraved., First line of verse beneath title: Cease, ye minstrels! all be mute ..., Possibly Samuel Rothwell, but this address not listed in British Book Trade Index?, and For further information, consult library staff.
Publisher:
Published by S. Rothwell, 3 Hatfield St., Blackfriars Road
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Subject (Topic):
Britannia (Symbolic character), Tombs & sepulchral monuments, and Grief
Title from text within image., Six caption lines below image: I say, quel chemeng à la Pally Royal? ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A pretty and elegant young woman kneels on a bed supporting her elbows on the pillow. A woman stands beside her raising the girl's skirt in order to birch her, but finds her posterior covered by a life-sized mask which is a close portrait of herself. She says: "Oh ma foi! dot is mine own Head in t'oder place.""--British Museum online catalogue
Alternative Title:
Governess outwitted
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., A close copy in reverse of print published by Holland in 1799: The governess delineated, or, A pretty face spoiled. Note from Andrew Edmunds April 2019., Sheet trimmed within plate mark., and Mounted on brown paper backing to 31 x 39 cm.
Publisher:
Pubd. Jany. 1817 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Governesses, Child discipline, Beds, Masks, and Young adults
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on costume and manners. Dandies (see British Museum Satires No. 13029) eagerly offer refreshments to ladies at a reception or ball. An elderly fright stands in the centre, between a thin (left) and a fat (right) dandy, one proffering a large goblet on a salver, the other a plate of patties, one of which is stuffed into his grinning mouth. She eagerly turns to the left with an ogling grin. On the left a footman spills a tray of goblets and ices over an elderiy lady seated on a chair which tilts backward. He has been knocked off his balance by the bow of the thin dandy. On the right a dandy seated by a fat ugly lady offers her a goblet. Her short skirt displays fat shapeless legs, defined by cross-gartering. All are much décolletée. A dandy drinks, while admiring himself in a mirror. A candle-sconce hangs between two oval mirrors, but in an adjacent room seen through an archway is a hanging chandelier with chimneys which probably indicate gas. Violinist, 'cellist, &c., play in a musicians' gallery in the background (left)."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Plate numbered "186" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Watermark: Turkey Mill.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on costume and manners. Dandies (see British Museum Satires No. 13029) eagerly offer refreshments to ladies at a reception or ball. An elderly fright stands in the centre, between a thin (left) and a fat (right) dandy, one proffering a large goblet on a salver, the other a plate of patties, one of which is stuffed into his grinning mouth. She eagerly turns to the left with an ogling grin. On the left a footman spills a tray of goblets and ices over an elderiy lady seated on a chair which tilts backward. He has been knocked off his balance by the bow of the thin dandy. On the right a dandy seated by a fat ugly lady offers her a goblet. Her short skirt displays fat shapeless legs, defined by cross-gartering. All are much décolletée. A dandy drinks, while admiring himself in a mirror. A candle-sconce hangs between two oval mirrors, but in an adjacent room seen through an archway is a hanging chandelier with chimneys which probably indicate gas. Violinist, 'cellist, &c., play in a musicians' gallery in the background (left)."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Plate numbered "186" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 38 in volume 3.
Ill-matched couples dance facing each other: all are burlesqued. On the right a very tall man watches the assembly. The room is decorated with two sets of curtains and a large wall sconce lti with candles
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "394" in upper right corner., and Watermark: J. Whatman.
Publisher:
Pub. June 8, 1817 by T. Tegg 111 Cheapside
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Couples, Dance, Dandies, British, and Waltz
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Ill-matched couples dance facing each other; all are burlesqued. On the right a very tall man watches the assembly. The room is decorated with two sets of curtains and a large wall sconce lit with candles
Description:
Title etched below image., Questionably attributed to William Heath in local card catalog record., Later state; former plate number "394" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. June 8, 1817, by T. Tegg, 111 Cheapside. Cf. Lewis Walpole Library call no.: 817.06.08.01+., Plate numbered "189" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 43 in volume 3.
Publisher:
Thomas Tegg
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Couples, Dance, Dandies, British, and Waltz
"One of a set (coloured) by Williams, all with the same imprint (Nos. 12933-6). An imitation of No. 12927; the falling man lies on the ground, his foot (without a spur) gashes a lady's dress from waist to hem; the lady whom he clutches falls forward, kicking a man behind her. All the figures are altered in pose and character and two have been added. The two musicians are on a cloth-covered table, the violinist stands instead of sitting. In the centre of the back wall between two heavily draped windows is a large mirror above a console table with a jar of flowers. The round chandelier is decorated with dragons emitting flames of gas. There is a rolled up carpet (right) showing that the dancing is impromptu."--British Museum online catalogue
Alternative Title:
Vis a vis
Description:
Title from caption below image., Sheet trimmed to plate mark on two sides., Plate numbered "No. 2" in upper left corner., and Watermark: John Hall 1816.
A copy of a shop bill for John Barker Goldsmith, at the Morocco Ambassadsor's Head in Lombard Street
Description:
Title from Paulson., Formerly erroneously attributed to Hogarth., Engraved for: Nichols, J. B. Genuine works of William Hogarth, following p. 102, v. 3, no. 6., Sheet trimmed to plate mark., Copy after: Paulson, R. Hogarth's graphic works (2nd ed.), no. 275., and On page 3 in volume 1.
A group of cats look at book opened to a musical score, on the right and images of mice on the left. Some of the cats are singing while one plays a trumpet; one of the cats wears spectacles. In the foreground are a violin and loose sheets of music. The book is propped against a birdhouse from which emerges a mouse; a cloth has been draped over the birdhouse
Description:
Title supplied by cataloger., After a painting by Pieter Bruegel the Elder; see British Museum online catalogue, registration no.: 1855,0609.487., Two similar prints, with slight variations in the image, were published by Ackermann in July 1817 with the title "Concert of cats". See Lewis Walpole Library call no.: 817.07.00.01., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Cats, Mice, Musical instruments, Musicians, and Singers
"Portrait, three-quarter length seated directed to right, looking towards the viewer, holding an open book, wearing a plain suit, with a curtain and bookshelves behind, books labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc., in a rectangular frame."--British Museum online catalogue
Description:
Title, printmaker, and artist from the British Museum online catalogue, registration no.: 1841,0313.184. and Text inscribed at top of image: "When the eye saw him it blessed him."
"Portrait after Lawrence (Garlick 421); three-quarter length seated in ecclesiastical robes, looking to left, holding a paper on his lap in both hands."--British Museum online catalogue, description of a later state
Alternative Title:
William Howley, D.D. F.R.S. : Lord Bishop of London
Description:
Title supplied by cataloger; alternative title from later state., Early (proof?) state, with production details only. For a later state with title and imprint added, see British Museum online catalogue, registration no.: 1902,1011.5597., Publication information inferred from imprint on later state: London, Pubd. July 28, 1817, by Messrs. Colnaghi & Co., Cockspur Street, Haymarket., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text from bottom edge., Bound in before page 559 (leaf numbered '150' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Manuscript title "William Howley - Archbishop of Canterbury" in ink below image.
