V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady wearing an enormous hooped petticoat, long pointed stomacher, a calash hood (see British Museum Satires No. 5434, &c.) over a large plain cap, stands with a small nosegay in her left hand, and with a closed fan held to her cheek. She looks down at a young woman (right), who bends forward in profile to the left, with the stoop of 1817, see British Museum Satires No. 12939. The modern woman wears a flaunting bonnet with a cylindrical crown, a scoop turned up from the face, trimmed with flowers and many feathers. She has bare breasts and shoulders, a very high waist, and projecting skirt (above the knee), and large bishop sleeves; her arms hang downwards in the fashionable pose; in her right hand is a large reticule. Her flat slippers are bound to the ankles and legs with ribbons, en cothurne. Below the upper margin: 'The London Modest Ladies once hoop petticoats wou'd Wear But now forsooth they are not Dress'd unless their B-s Bare'."--British Museum online catalogue
Alternative Title:
Years 1780 & 1817 and Years 1780 and 1817
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Publisher and date of publication from British Museum catalogue., Plate numbered "187" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark., and Watermark: J. Whatman.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady wearing an enormous hooped petticoat, long pointed stomacher, a calash hood (see British Museum Satires No. 5434, &c.) over a large plain cap, stands with a small nosegay in her left hand, and with a closed fan held to her cheek. She looks down at a young woman (right), who bends forward in profile to the left, with the stoop of 1817, see British Museum Satires No. 12939. The modern woman wears a flaunting bonnet with a cylindrical crown, a scoop turned up from the face, trimmed with flowers and many feathers. She has bare breasts and shoulders, a very high waist, and projecting skirt (above the knee), and large bishop sleeves; her arms hang downwards in the fashionable pose; in her right hand is a large reticule. Her flat slippers are bound to the ankles and legs with ribbons, en cothurne. Below the upper margin: 'The London Modest Ladies once hoop petticoats wou'd Wear But now forsooth they are not Dress'd unless their B-s Bare'."--British Museum online catalogue
Alternative Title:
Years 1780 & 1817 and Years 1780 and 1817
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Publisher and date of publication from British Museum catalogue., Plate numbered "187" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.3 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 41 in volume 3.
List'ners seldom hear good of themselves and Listeners seldom hear good of themselves
Description:
Title from caption below image., Publication date from British Museum catalogue., Variant without publication date of no. 12923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Tea table -- Old women -- Interiors -- Chinese porcelain.
Title from text printed in letterpress above image., Imprint statement in letterpress near lower edge of sheet., Active datesof publisher according to British Museum catalogue: ca. 1814-1815., Date of publication from unverified data from local card catalog record: 1817., Three columns of verse in letterpress below image: Come all you merry jades, who love to play the game ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and sold by T. Batchelar, 115 Long Alley, Moorfields
Political satire: With billows of smole behind it, a skeleton holding a noose and pointing to his eye dances to the left of Napoleon who stands pointing at it. In the right background is a gallows with a group of soliders standing in the distance below
Alternative Title:
Pair of specticals easely seen through and Pair of spectacles easily seen through
Description:
Title etched below image., "355"--Upper left corner above image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on a former album leaf; newspaper clippings dating from 1817 and 1818 are pasted on verso of mount covering a range of topics including: small pox, post horse duties, poor rate, three cases of debtors, two work related accidents, and a short humorous piece on the streets of Paris and the price of wine.
Publisher:
Pub. 17 June 1813 by T. Tegg, Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Skeletons, Nooses, Gallows, Soldiers, French, and Smoke
Political satire: With billows of smole behind it, a skeleton holding a noose and pointing to his eye dances to the left of Napoleon who stands pointing at it. In the right background is a gallows with a group of soliders standing in the distance below
Alternative Title:
Pair of specticals easely seen through and Pair of spectacles easily seen through
Description:
Title etched below image., "355"--Upper left corner above image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on a former album leaf; newspaper clippings dating from 1817 and 1818 are pasted on verso of mount covering a range of topics including: small pox, post horse duties, poor rate, three cases of debtors, two work related accidents, and a short humorous piece on the streets of Paris and the price of wine.
Publisher:
Pub. 17 June 1813 by T. Tegg, Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Skeletons, Nooses, Gallows, Soldiers, French, and Smoke
"The Princess of Wales and her suite in a carriage drawn by six horses arrive at the porte-cochère of the British Embassy in Vienna. At the gate and in front of the horses is a mounted groom or outrider blowing a trumpet, from which issue the words: 'Vite! Vite!! 7 Lits de Maitre--13-- de Domestique--!!' Facing him is a fat porter, who keeps one leaf of the gate shut, and answers: "Sein Excellenz ist nich zu haus--!!!" Over the archway are the Royal Arms, the lion (burlesqued) and unicorn look down scandalized at the carriage, in which the Princess turns to Pergami who sits on her right, saying, "This Palace will lodge us well Sir Bergamot." Her plump breasts are displayed, and she wears a turban with a jewelled aigrette. Bergami wears hussar uniform with a furred dolman, and a bunch of orders hanging from his tunic. Facing the Princess sits little Willy Austin (see British Museum Satires No. 12027) wearing a round peaked cap; a lady wearing a tasselled cap like a smoking-cap sits next him. On the box are a foreign servant in quasi-military uniform and cockaded top-hat and a turbaned negro, with two big pistols in his sash. The negro puts his arm across the other's shoulders; both grin, as do two negro servants seated in the rumble with drawn swords; these also wear turbans, and are armed with pistols. Two postilions, French in type, flourish their whips; they wear huge jack-boots and large plumed cocked hats; the spirited horses have received a sudden check. The door-panel of the carriage, an open barouche is covered with the Royal Arms with the Prince's feathers. A stout peasant woman and a little boy (left) watch the cavalcade with astonishment; two dogs bark. Part of the Embassy forms a background: two rows of windows, the lower ones heavily barred."--British Museum online catalogue, description of an earlier state
Alternative Title:
Royal visit to a foreign capital, or, The ambassador not at home!! and Ambassador not at home!!
Description:
Title etched below image., Intermediate state, with plate number and "April 1817" added but without the addition of drapery over the princess's bosom. For earlier and later states of the plate, see nos. 12889 and 12889A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., "Ple. 1"--Upper left corner., Companion print to: R-y-l condescension, or, A foreign minister astonished!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Carriages, Porters, Servants, and Embassies
Title etched below image., Imprint statement was either partially burnished from plate or erased from sheet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 1817 by [S.]W. Fores, Piccadilly
Subject (Topic):
Military uniforms, British, Muffs, and Eating & drinking
Satirical portrait of Adoniram Byfield, with the Devil at his shoulder blowing at a child's toy windmill fixed on Byfield's hat; the vanes are labelled "Hypocrisy", "Lust", "Pride" and "Covetousness". Lettered with speech ribbons: the Devil saying, "He do's my business bravely"; Byfield, "Needs must when the Devil drives."
Description:
Title from caption below image. and Date of publication based on active dates of the Baldwyns.
Publisher:
Published by Charles & Henry Baldwyn, Newgate Street
Illustrated memorial published after the death of Charlotte Augusta, Princess of Wales, who died after giving birth to a stillborn child in 1817. One of many similar memorials using the same illustration (an urn beneath a weeping willow) but with different verses
Description:
Title from item., Letterpress text with engraved illustration above; within a mourning border., First line of verse beneath title: Trembling I touch the plaintive chord, to speak our England’s grief ..., and "Maria" written in a contemporary hand in lower right corner. For further information, consult library staff.
Publisher:
Published by the authoress, and sold by T. Gardiner and Son, 20, Princes-street, Cavendish-square; and at No. 209, Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The principal belle (right) stoops from the waist with dropped arms (the fashionable attitude), a reticule dangling from her right hand, towards a beau who is arm-in-arm with a Life Guards officer; the latter looks over his shoulder with an insolent stare. A dog shaved in the French manner barks at the lady's short petticoats. The women's dress resembles that of other caricatures of this date except that it is high to the neck. The men wear short-waisted tail-coats with loose and short trousers, generally striped, high collars, and swathed neck-cloths. Below the design: 'The Little Dog Bark'd to see such sport'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Scene in Hyde Parke
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Later state; former plate number "392" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. Aug. 12th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12939 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "192" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark on bottom edge., and Leaf 46 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The principal belle (right) stoops from the waist with dropped arms (the fashionable attitude), a reticule dangling from her right hand, towards a beau who is arm-in-arm with a Life Guards officer; the latter looks over his shoulder with an insolent stare. A dog shaved in the French manner barks at the lady's short petticoats. The women's dress resembles that of other caricatures of this date except that it is high to the neck. The men wear short-waisted tail-coats with loose and short trousers, generally striped, high collars, and swathed neck-cloths. Below the design: 'The Little Dog Bark'd to see such sport'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Scene in Hyde Parke
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Later state; former plate number "392" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. Aug. 12th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12939 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "192" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark on bottom edge., and Title and text following title traced over in ink, and additional text added in a contemporary hand.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 48 in volume 3.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
"A dandy (left), opera-hat in hand, bends towards a lady to inspect her necklace through his glass. He has the short waist, high collar, and conspicuous watch-ribbon of the dandies, with long tight pantaloons to the ankle (cf. No. 13029). She wears a short white ball-dress, and holds up a closed fan, a shawl over her left arm. She stands at the foot of a staircase on which are flowering plants in ornamental pots. Below the title: '"Pon honor Lady Caroline, You appear a "divinity! -by Jove those Jewels are of the premiere "qualité, did Love furnish them? "On my truth Sir William You are a gay Man.'"--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date from British Museum catalogue., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819 ... She resembles Lady Caroline Lamb, the most conspicuous Lady Caroline of the day. There was a jeweller named Love."--British Museum curator's comment., Attributed to Captain Hehl in British Museum catalogue., and Sheet trimmed within plate mark.
Title from item., Song sheet with an etching at top showing Britannia and Prince Leopold mourning at the tomb of Princess Charlotte. Music on two staves with interlinear words. Additional three stanzas in three columns below. Text and music within mourning border. Opening words: Brittannia [sic], mourn! your glorys hope ... "Pr. 1/.", and For further information, consult library staff.
Publisher:
Published at No. 91, Aldersgate Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold |b I, |c King of the Belgians, |d 1790-1865,
Subject (Topic):
Britannia (Symbolic character), Grief, and Tombs & sepulchral monuments
A broadside illustrated with engraved head-and-shoulders portraits of Princess Charlotte and Prince Leopold at top of sheet followed by 29 lines of letterpress text mourning the death of the Charlotte on November 6th, 1817
Description:
Title from beginning of letterpress text., Portraits at top have the engraved captions "Princess Charlotte" and "Prince Leopold.", Biographical details immediately above lower border., "Price one shilling."--Below lower border., and For further information, consult library staff.
Publisher:
published not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Charlotte Augusta, Princess of Great Britain, 1796-1817,, and Léopold I, King of the Belgians, 1790-1865,
All-engraved card printed with a black mourning board, with an image of her home Claremont below the title and below, nine lines that provide biographical details and an anecdote a snuff box that she had commissioned before her death, a gift for her husband Prince Leopold. A poem of nine lines, intended to be inscribed on the lid of the snuff box, is engraved below
Alternative Title:
Late residence of our much beloved and truly lamented Lady, the Princess Charlotte of Wales ...
Description:
Title from texted engraved above image., First line of verse: To Claremonts terrac'd heights, and Esher's Groves ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865., and Claremont House (Surrey, England),
A group of cats look at book opened to a musical score, on the right and images of mice on the left. Some of the cats are singing while one plays a trumpet; one of the cats wears spectacles. In the foreground are several other musical instruments including a violin and other volumes. The book is propped against a birdhouse from which emerges a mouse; a cloth has been draped over the birdhouse
Description:
Title from caption below image., "Vol. 3 No. 18"., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
R. Ackermann's Lithography
Subject (Topic):
Animals in human situations, Cats, Mice, Musical instruments, Musicians, and Singers
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Description:
Title engraved below image., Date of publication from watermark., Sheet trimmed to plate mark., Plate numbered "138" in lower left corner., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 144., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2299., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1817.
Publisher:
Printed for Bowles & Carver, No. 69 in St. Pauls Church Yard, London
