"A jovial citizen leaning on his tall cane in profile to the right addresses another, who walks off to the right, turning his head to scowl at his interlocutor. The former says: "How do you do my Old Friend - pretty warm by this time I suppose, - a long time in business. - how much might you clear now in the course of last Year?" The other answers: "Whats that to you - skant tell - keep no books, what you want to come the Inquisition rig I suppose, an be d------d to you!" He is obese and is stuffing a 'Banke[rs] Book 17[98]' into his coat-pocket. His dog 'Surly' looks round with contempt at the first speaker, and befouls his cane."--British Museum online catalogue
Description:
Title etched below image., A satire on the income tax., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent for the evening., Printmaker from British Museum catalogue., and Watermark: T. Edmonds 1817.
Publisher:
Pubd. April 1st, 1799, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Topic):
Income tax, Law and legislation, Conversation, Dogs, and Staffs (Sticks)
A scene from Tristram Shandy in which Susannah stands holdings her nose with her lefthand while in her right she holds a candle over the cradle where the swandled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his right fist at her while in his left he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from caption below image., Date of publication based on watermark from a print possibly of the same series. See Lewis Walpole Library call no.: Bunbury 803.00.00.44+., Text following title: Vid[e] Tris. Shandy, vol. 4., Three lines of text below title: Susannah rowing one way & looking another, set fire to Dr. Slops wig, which being somewhat bushy ..., Sheet trimmed within plate mark., A copy in reverse of no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Trimmed within plate marks to 24.0 x 65.0 cm.
Publisher:
publisher not identified
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Cradles, Longcase clocks, Physicians, Quarreling, Screens, and Servants
A scene from Tristram Shandy in which Susannah stands holdings her nose with her lefthand while in her right she holds a candle over the cradle where the swandled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his right fist at her while in his left he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from caption below image., Date of publication based on watermark from a print possibly of the same series. See Lewis Walpole Library call no.: Bunbury 803.00.00.44+., Text following title: Vid[e] Tris. Shandy, vol. 4., Three lines of text below title: Susannah rowing one way & looking another, set fire to Dr. Slops wig, which being somewhat bushy ..., Sheet trimmed within plate mark., and A copy in reverse of no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Cradles, Longcase clocks, Physicians, Quarreling, Screens, and Servants
Title from caption below image., Date of publication based on watermark., Four lines of text below image, two on either side of title: When Obadiah & his coach horse turnd. the corner rapid, furious ... Vide vol. 1st, Tristram Shan[dy]., A copy in reverse of no. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Watermark: 1817., and Imperfect; artist's name mostly erased from sheet.
An image of the printing house at Strawberry Hill. A figure believed to be Thomas Kirgate stands in the road in front of the building holding a large portfolio under his arm
Description:
Title etched below image., Date from related print in the British Museum online catalogue. Cf. British Museum online catalogue. Accessions no.: 1956,1018.31., and Possibly engraved after Edward Edwards's drawing "Printing-House at Strawberry Hill 1784". The original drawing is held in The Lewis Walpole Library, Yale University.
Publisher:
publisher not identified
Subject (Name):
Kirgate, Thomas, 1734-1810,, Strawberry Hill (Twickenham, London, England),, and Strawberry Hill Press (Twickenham, London, England),
Satirical portrait of Adoniram Byfield, with the Devil at his shoulder blowing at a child's toy windmill fixed on Byfield's hat; the vanes are labelled "Hypocrisy", "Lust", "Pride" and "Covetousness". Lettered with speech ribbons: the Devil saying, "He do's my business bravely"; Byfield, "Needs must when the Devil drives."
Description:
Title from caption below image. and Date of publication based on active dates of the Baldwyns.
Publisher:
Published by Charles & Henry Baldwyn, Newgate Street
Crabb, T. (Thomas), active 1811-1815, author, publisher
Published / Created:
[1817?]
Call Number:
File 56 C47 817Cr
Image Count:
1
Resource Type:
text and still image
Abstract:
Engraved card printed within black mourning border, illustrated above title with an image of a mourning Britannia with Claremont, Charlotte’s home, and her funeral cortege, in the background. Twenty lines of verse are engraved at the bottom, signed "Crabb".
Description:
Title from item., All engraved., First line of verse beneath title: Hark, the herald's solemn sound ..., and For further information, consult library staff.
Publisher:
Published by T. Crabb, 1 Ivy Lane, Paternoster Row
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
List'ners seldom hear good of themselves and Listeners seldom hear good of themselves
Description:
Title from caption below image., Publication date from British Museum catalogue., Variant without publication date of no. 12923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Tea table -- Old women -- Interiors -- Chinese porcelain.
"The Princess of Wales and her suite in a carriage drawn by six horses arrive at the porte-cochère of the British Embassy in Vienna. At the gate and in front of the horses is a mounted groom or outrider blowing a trumpet, from which issue the words: 'Vite! Vite!! 7 Lits de Maitre--13-- de Domestique--!!' Facing him is a fat porter, who keeps one leaf of the gate shut, and answers: "Sein Excellenz ist nich zu haus--!!!" Over the archway are the Royal Arms, the lion (burlesqued) and unicorn look down scandalized at the carriage, in which the Princess turns to Pergami who sits on her right, saying, "This Palace will lodge us well Sir Bergamot." Her plump breasts are displayed, and she wears a turban with a jewelled aigrette. Bergami wears hussar uniform with a furred dolman, and a bunch of orders hanging from his tunic. Facing the Princess sits little Willy Austin (see British Museum Satires No. 12027) wearing a round peaked cap; a lady wearing a tasselled cap like a smoking-cap sits next him. On the box are a foreign servant in quasi-military uniform and cockaded top-hat and a turbaned negro, with two big pistols in his sash. The negro puts his arm across the other's shoulders; both grin, as do two negro servants seated in the rumble with drawn swords; these also wear turbans, and are armed with pistols. Two postilions, French in type, flourish their whips; they wear huge jack-boots and large plumed cocked hats; the spirited horses have received a sudden check. The door-panel of the carriage, an open barouche is covered with the Royal Arms with the Prince's feathers. A stout peasant woman and a little boy (left) watch the cavalcade with astonishment; two dogs bark. Part of the Embassy forms a background: two rows of windows, the lower ones heavily barred."--British Museum online catalogue, description of an earlier state
Alternative Title:
Royal visit to a foreign capital, or, The ambassador not at home!! and Ambassador not at home!!
Description:
Title etched below image., Intermediate state, with plate number and "April 1817" added but without the addition of drapery over the princess's bosom. For earlier and later states of the plate, see nos. 12889 and 12889A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., "Ple. 1"--Upper left corner., Companion print to: R-y-l condescension, or, A foreign minister astonished!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Carriages, Porters, Servants, and Embassies