"Majocchi stands shoulder deep in a transparent jar, inscribed 'Urinal', his feet resting on a sealed green bag, 'The Green Bag' (see British Museum Satires No. 13735), in front of which is a leech, 'Horse Leech', with Leach's head, see British Museum Satires No. 13740. Majocchi stares at the spectator, shouting: "Signior - "Non mi recordo" [see British Museum Satires No. 13827]. Cf. British Museum Satires No. 13857."--British Museum online catalogue
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted on leaf 55 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Majocchi, Theodore, active 1820, and Leach, John, 1760-1834
"Five burlesqued and bedizened women toss, 'for Virtue's sake', the King high from a blanket, egged on by the two sentries (see British Museum Satires No. 13809) who stand before the screen of Carlton House."--British Museum catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman 1819., Mounted to 39 x 58 cm., Mounted on leaf 88 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Sep. 1820" written in ink in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pub. by Benbow, Sep. 1820, corner of St. Clement's Church Yd., Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, and Carlton House (London, England),
"Lady Conyngham sits on a chair under which crouches the King; his head, larger than life, draped by her skirts, and hands project (left). She holds a fan, on which is depicted the 'Regent's Bomb', see British Museum Satires No. 12799, with (?) the King seated astride it. In her left hand is a tulip. She wears evening dress, jewels, and feathers. On the back of her chair is a (baron's) coronet. She says: "You're Old Quarters how do you like now, My Angel." He says: "O! what a mess I am in, this part of the Country is hotter, than in Hertford!""--British Museum online catalogue
Alternative Title:
Shelter for the destitute, removed to Cunningham Lodge
Description:
Title from text below image., Questionable printmaker attribution to Vowles from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 84 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "13 Sep. 1820" written in lower right corner.
Publisher:
Pubd. 13 Septr. 1820 by S. Vowles, 31 St. Johns Square
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861 and George IV, King of Great Britain, 1762-1830
Subject (Topic):
Adultery, Mistresses, Chairs, Fans (Accessories), Tulips, Jewelry, Feathers, and Crowns
Lord Conyngham, well dressed in a top hat and holding a pair of gloves, walks in front of a fence and the open window of a building behind it; sheets of paper inscribed "List of the Contents in the House" are on the sidewalk at his feet. George IV -- with the body, beard, and horns of a goat -- prods him from behind with his horns. A larger lady and a black man are seen laughing in the window in the background; posted on the wall to the left of the window is an advertisement for a Theatre Royal performance of "the farce of Husbands and Wives in which will be introduced a concerto of Horn's."
Description:
Title from quoted verse etched beneath image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Ld. Conyngham" identified in ink below image; date "1820" written in pencil in lower right.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Subject (Topic):
Adultery, Goats, Horns (Anatomy), Windows, and Fences
"A scene in the House of Lords, the foreground being filled by a fantastic game of chess. Gifford (left) and Brougham (right) play on a large chess-board supported on the heads of three witnesses against the Queen: Rastelli (?), Demont, and Majocchi. Copley watches behind Gifford's chair; both register consternation. Denman leans on Brougham's chair; both smile. The King, as a Chinese mandarin at Q.R. 4 is in check to the Queen (Q.R. 2), who stands beside Alderman Wood, her 'chief pawn'; both are whole length portraits. At the back of the board are two knights (men on horseback): ' Sir Exoff' (Gifford, so styled from the ex-officio Informations of the Attorney-General, see British Museum Satires No. 11717), and 'Birch' (Brougham). In the centre of the board stand five tiny men, the Queen's pawns, surrounding a woman in white (the Queen, who thus appears twice). The only pieces represented as chessmen are castles with the heads of Castlereagh and Wellington and two bishops, Canterbury and Exeter. Gifford has lost all his pawns: they are Italian witnesses who lie on the ground, broken, by Brougham's chair. Behind, the benches converge in perspective on the throne; Eldon, seated on the Woolsack, registers dismay. Peers, crowded on the ministerial benches (left) are alarmed. Those opposite are fewer: some are mildly pleased, others indifferent."--British Museum online catalogue
Description:
Title from British Museum catalogue., Frontispiece to: Playfair, P. The Queen and her pawns against the King and his pieces; or, The royal check-mate. London : Printed and published by W. Benbow ..., 1820., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 92 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript title "Frontispiece to Queen & her Pawns" written in ink at bottom of sheet, above printmaker's signature; date "Oct. 1820" added in pencil following printmaker's signature. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
W. Benbow
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Gifford, Robert Gifford, Baron, 1779-1826, Majocchi, Theodore, active 1820, Demont, Louisa, active 1814-1820, Rastelli, Giuseppe, active 1820, Denman, Thomas Denman, Baron, 1779-1854, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Manners-Sutton, Charles, 1755-1828, and Great Britain. Parliament. House of Lords,
"Heading to a lithographed broadside. The interior of a boarded sty in which a great boar, with the head of George IV, lies upon straw, boar and straw being spotted with black. Castlereagh empties a bucket of brandy into an overflowing trough, while Sidmouth leans over the half-door to squirt the animal with his clyster-pipe (cf. British Museum Satires No. 9849). The former says: "Friend Sid-- the Augean Stables were nothing to clense, compar'd to this Stye!!!" Sidmouth: "Aye, my worthy Fellow Servant, you will find the Stye, your Masterpiece! and with all my care, I can't make this Beast appear decent, he is so cover'd with filth!!" The first and last of five verses: 'In fam'd Pell-Mell [Carlton House] is kept a Boar, Which no strong tie can bind, No Savage Beast e'er known before, Was like it in its kind: Its breech so large, 'twould fill a barge. Its craw much larger still; To fill which full, One Mister Bull Pays dear for Brardy-Swill! . . . This Brute, unlike all other Boars, A faithless treacherous he Befouls its stye, and wastes its stores With each foul Boorish She! While belching still, its foul-breathed will, Its true-mate's life it seeks; And in the stretch of beastly lech Each tie of Nature breaks!!!'."--British Museum online catalogue
Alternative Title:
Pell-Mell boar and the powers of brandy!
Description:
Title from text below image., Five numbered stanzas of verse below title: In fam'd Pell-Mell is kept a boar, Which no strong tie can bind ..., Three lines of text above imprint: The above hymn was written in a pious mood, on a saintly subject, and sung with pure devotion by a holy-assemblage of faithful worshippers ...., "Price one shilling"--Below imprint., Mounted to 58 x 39 cm., Mounted on leaf 89 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Sidmouth," and "Londondery [sic]" identified in ink below image; date "30 Sep. 1820" written in ink in lower right corner of sheet. The word "Suppressed" is written twice at bottom of sheet, once in ink in lower center (beneath price statement) and once in pencil in lower right. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. 30th Septr. 1820 by J. Griffin, outside Middle Row, Holborn, opposite Gray's Inn Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Pig houses, Boars, Straw, Pails, Alcoholic beverages, Troughs, and Medical equipment & supplies
"The Queen (right) and Mrs. Wood, a stout virago and a lean one, fight, clutching each other's hair. The Queen's large feathered hat is on the floor. A curtain is draped on a pillar (right), and from behind a curtain on the left, Alderman Wood, wearing his furred gown, watches the fray, drooping apprehensively; he says: "He Jests at Scars who never felt a wound!" Mrs. Wood: "I'll teach you to play at Bergami with my Husband indeed--no--no I've read Jane Shore, & knows how things goes on in Courts, & Palace's, in Como's [cf. British Museum Satires No. 13857], Virgin's Waters, Cottages, Pavilions, Yachts, & such like. An Honest Citizen has no business in such bad place's & I'll Tear your Eyes out before you shall make a Bergami of him." The Queen shrieks: "Avaunt ye Termagant I'll stop the Tongue of Slander & Level to the Dust, the proudest Foe that dares suspect my Chastity I'd tear you limb from [sic] tho you be made of Wood." Behind, on a small chimney-piece, is a bust, perhaps that of Lady Craven."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., 1 print : etching ; plate mark 24.7 x 35.1 cm, on sheet 25 x 35.4 cm., Printed on laid paper with watermark "G. Pike 1820"; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 87 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ald. Wood," "Mrs. Wood," and "Q. Caroline" identified in ink below image; date "20 Sep. 1820" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 20, 1820, by S.W. Fores, 41 Picadill [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Maria, approximately 1770-1848, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fighting, Hats, Columns, Draperies, Robes, Chimneypieces, and Adultery
"Ministers and others, holding hands, caper in a ring round a pole to which are symmetrically attached the decollated heads of the Cato Street conspirators executed on 1 May, see British Museum Satires No. 13707, &c. Between Sidmouth and the smiling Castlereagh is a man wearing a black mask, and with a blood-stained knife in his mouth, perhaps one of the two who turned King's evidence. On the right, taking Castlereagh's left hand, is the Attorney-General, Gifford, grinning diabolically. Holding Sidmouth's left hand is Vansittart (in his gown). Facing these two are Canning and Chief Justice Abbott in his robes. Four others are poorly characterized. They dance to a fiddle played by Edwards who sits on a grassy mound (right), with an empty gibbet behind his head. He says: "Dance away my Friends, I have been the cause of all this fun by your Help and Money. "Edwards the Instigator!!!"."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with two other prints) on leaf 9 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With figures of "Sidmouth", "Londonderry", and "Gifford" identified in pencil below, the first two on mounting leaf and the last one in lower margin of print. Typed extract of twelve lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. May 1820 by S.W. Fores, 41 Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Canning, George, 1770-1827, Abbott, Charles, Baron Tenterden, 1762-1832, and Edwards, George, 1788-1843
Subject (Topic):
Cato Street Conspiracy, 1820, Politicians, May poles, Dance, Decapitations, Heads (Anatomy), Criminals, Masks, Knives, and Violins
"Caricature on George IV, playing the role of Jack Horner, sitting pulling out a plum of filth, observed by a boy and John Bull."--British Museum online catalogue
Description:
Title etched below image, centered within parentheses., Four lines of verse below image, two on either side of title: Little G- Horner sat in a corner, eating a green bag pie. He put in his thumb and pull'd out a plum, saying what a great fool am I., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 26.4 x 38.1 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark on three sides., Mounted to 39 x 58 cm., Mounted on leaf 86 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in ink below image.
Publisher:
Pub. Sep. 20, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
John Bull (Symbolic character), Nursery rhymes, Bags, and Eating & drinking
"Caricature of a man in top hat and coat holding gloves and passing through a door."--British Museum online catalogue
Alternative Title:
Peer of the realm starting for the Queens Trial and Pier of the realm starting at the Queens Trial
Description:
Title etched below image; the word "peer" has the first "e" etched above the line (replacing a scored-through "i"), and the word "for" is likewise etched above the line (replacing the scored-through word "at")., Sheet trimmed to plate mark leaving thread margins., Three lines of quoted text beneath title: "Cuckolds are no such monsters now-a-days ..., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 91 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Marqs. Conyngham" identified in ink below image; "very scarce; suppressed" written in ink at bottom of sheet.
Publisher:
Pubd. Octr. 1820 by H. Fores, Panton St.
Subject (Name):
Conyngham, Henry Conyngham, Marquess, 1766-1832 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"An imitation of British Museum Satires No. 13851, the lady being 'Mrs. Q.' The King hides from 'the Queenites'."--British Museum catalogue
Alternative Title:
King Cupid in the corner playing bopeep
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 85 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Identification of "George IV" and incorrect identification of "Lady Conyngham" added in pencil at bottom of sheet. Typed extract of one line from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. Sepr. 16, 1820, by Benbow, corner of St. Clements Church Yd.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Quentin, Georgina
Subject (Topic):
Adultery, Mistresses, Couches, Fans (Accessories), and Feathers
Title etched below image., Sheet trimmed within plate mark., Second in a series of four prints about the witnesses in the trial of Queen Caroline. See: Catalogue of prints and drawings in the British Museum, v. 10, page xlviii, note 1., "No. 2"--Upper right corner., 1 print : etching ; plate mark 12.3 x 17.3 cm, on sheet 12.8 x 17.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with two other prints) on leaf 9 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With pencil annotation "of the Queens Trial" following title.
Publisher:
Pub. by Humphrey, St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Heading to a broadside printed in two columns. The King, a whiskered child, sits on the floor of a nursery and plays with Sidmouth, who sits in a chair. Around them on the floor lie toys, along with papers inscribed "Bill of Pains," "Bergami Blister," and "Loyal Ads." A fireplace is seen in the background on the left, above which hangs a portrait of "Mrs. Q." Through a window on the right a street sign "To St. Pauls" is visible
Description:
Title printed in letterpress below image., Date from manuscript annotations below image and in lower right corner of sheet., Sheet trimmed within plate mark on right and left sides., Twelve stanzas of verse in two columns below title, printed in letterpress: Here the Q---n goes up, up, up, Up towards a crown, oh ..., Publisher's advertisement below imprint: And may be had at all caricature shops. N.B. Just published, price 1s. - The contented peers, or King's own., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 19 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth" and "Geo. IV" identified in ink below image, under which duplicate identifications are written in pencil. Date "abt. Nov. 1820" added in ink below plate mark; date "Nov. 1820" written in lower right corner of sheet.
Publisher:
Printed for and published by Langham, 3, Red Lion Street, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, and Quentin, Georgina.
Subject (Topic):
Politics and government, Political satire, English, Nurseries (Rooms & spaces), Children, Toys, Fireplaces, and Windows
"A frigate with a life-like bust of Queen Caroline as figurehead runs down a similar vessel with a huge and grotesque head of George IV. The latter heels over and is about to be swamped; the King's head looks up in terror at the complacent features of his wife bearing down upon it. The head is further threatened by the jaws, bristling with teeth, of two whales in the foreground. On the level deck of the 'Queen Caroline' stand Brougham, holding a broom, and Denman, both in wig and gown and holding a document inscribed 'Defence'. Behind them is (?) Lushington (not characterized); more prominent is Wood, in a court-suit, holding a pole supporting a block of wood inscribed 'A Chump' [cf. British Museum Satires No. 13899]. The other two are Burdett, holding out a paper inscribed 'Westminster', and his fellow member Hobhouse. The crew of the 'Royal George' are either in the water or falling from the mast-head among spars and ribbons of sails. Castlereagh and Wellington are in the sea; one says: "My fall has been Triangular" [cf. British Museum Satires No. 14135], the other: "Oh! this is worse then the Grape Shot at Waterloo." On top of them falls Sidmouth with his clyster-pipe; he vomits, &c., saying: "this will a cooling Draughts [sic] and purge our foul stomachs." Two green bags (see British Museum Satires No. 13735), inscribed 'Bag', fall into the water; just above them is Eldon, dropping the mace and the Purse of the Great Seal; he exclaims: "O my Wool sack." Liverpool falls head first, dropping a large purse and coins; he says: "This Pool goes against my Liver." By his toe is a paper: 'Tresury'. Sir John Leach, with a paper inscribed 'Milan' [see British Museum Satires No. 13755, &c.], also falls. Nearest the masthead is the Archbishop of Canterbury. Beside him, sirloin, bottle, plates, knife, &c., are falling. On a smaller scale is Majocchi, dandified, and exclaiming "Non mi recordo" [see British Museum Satires No. 13827]."--British Museum online catalogue
Description:
Title etched below image., Printmaker and year of publication from the British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Mounted to 39 x 58 cm., Mounted on leaf 2 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Leach," "Liverpool," "Sidmouth," "Wellington," "Londondery [sic]," and "Eldon" identified in ink below image; date "25 Oct. 1820" written in lower right. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Oct. 25 by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Broughton, John Cam Hobhouse, Baron, 1786-1869, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Leach, John, 1760-1834, Manners-Sutton, Charles, 1755-1828, and Majocchi, Theodore, active 1820
Subject (Topic):
Politicians, Warships, Shipwrecks, Whales, Bags, Medical equipment & supplies, Ceremonial maces, and Bishops
"The King and his Ministers (with the Devil), Bloomfield, the Archbishop, and Wilberforce, proved guilty by the Green Bag, which shows that she's as innocent as we are Vile. The King tramples on [inter alia] a paper: on the necessity of punishing Bigamy, the only allusion to the latent danger that the Queen's lawyers might bring forward the marriage to Mrs. Fitzherbert. Cf. British Museum Satires No. 13305. Castlereagh claims to have done 'every thing in my power not only to deprive her of her rights and spotless name but of l-fe also'."--British Museum catalogue
Alternative Title:
Dandy of sixty severely beat by his wife
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Mounted to 39 x 58 cm., Mounted on leaf 17 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Geo. IV," "Wellington," "Sidmouth," "Liverpool," and "Leach" identified in ink below image; date "10 Nov. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. by W. Benbow, 269 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Wilberforce, William, 1759-1833, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834.
Subject (Topic):
Politicians, Adultery, Devil, Bishops, Bags, and Worms
"An adaptation of British Museum Satires No. 11904 (1812), by Cruikshank, reversed, with Lady Conyngham replacing Lady Hertford. The open barouche, with four galloping horses and the Cupid postilion, is closely copied. Behind the carriage, as footman, General Bloomfield replaces McMahon. Conyngham replaces Hertford on the donkey, with the antlers, dress, and (incorrectly) the staff of office of his predecessor. He says: "How fortunate am I to have a Handsome and Cunning wife or I should not wear those marks of Distinction!" Lady Conyngham repeats Lady Hertford's words: "We have had a glorious ride my Love! It is worth Half a Crown" [cf. British Museum Satires No. 13826]. George IV: "My Cunning-one I have not Half a Crown to give thee, Would that I had." The Devil drives, as before, but sits alone, instead of beside Lord Yarmouth; a long barbed tail has been added. The 'Female Asylum' (for discarded mistresses) is similarly drawn but less ramshackle; the women looking from the windows are altered; Lady Hertford replaces Mrs. Fitzherbert: the words are as before, but '. . . his Poor F' becomes 'his Poor H'. On the roof, in place of two cats as supporters of the inverted feathers and coronet, are three cats with a (heraldic) scroll and a chamber-pot. The tail of the procession (Sheridan and the wagon 'For Yarmouth . . .') is omitted. The signpost points 'To Brighton'; Ragley is replaced (left) by the domes and minarets of the Pavilion, burlesqued."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Three lines of quoted text following title: "For trifling sports I quitted grave affairs," "And let not wine or anger wrest," "Th' intrusted secret from your breast.", Mounted to 39 x 58 cm., Mounted on leaf 16 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Geo. IV," and "[Lady] Conyngham" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of twenty-six lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Royal Pavilion (Brighton, England),
Subject (Topic):
Adultery, Mistresses, Carriages & coaches, Donkeys, Antlers, Devil, Pitchforks, Asylums, Cats, Chamber pots, Traffic signs & signals, and Official residences
"The Queen stands full face, at the base of a pillar (right), holding up a scroll: 'Firm in my Innocence and secure of my Peoples Love, I smile at my Enemies impotent attempts to injure me, And Ride Secure Amid The Storm.' In her left hand is a rolled document: 'Defence'. She wears a feathered hat and an ermine-bordered robe over her dress. The pillar, part only being within the design, is wreathed with olive alternately with bands on each curve of which is inscribed one of the places making addresses to her: 'City of Londo[n]', 'City of West[minster]', 'Southwar[k]', 'County of Midd[lesex]'. On the base is an irradiated sun in a laurel wreath. Beside the Queen (left) is a pile of cylindrical documents, each inscribed 'Address'. The Royal Standard hangs behind her head, its staff projecting from behind the pillar."--British Museum online catalogue
Description:
Title from text below image., Initial letters of printmaker's name in signature form a monogram., Mounted to 58 x 39 cm., Mounted on leaf 13 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "6 Nov. 1820" written in ink in lower right corner. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. Novr. 6, 1820, by Hodgson, 43, King Stt., Snow Hill, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 26 x 27.5 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 12 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Clarence," "D. York," "Caroline," "Liverpool," "Wellington," "Geo. IV," "Leach," "Eldon," "Brougham," and "Majocchi" identified in ink at the bottom of their respective panels in the design.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
"Satire on George IV who greets Lady Conygham as she draws up in a carriage beside his cottage at Windsor."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 25 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Conyngham" identified in pencil at bottom of sheet; figure of "Geo. IV" identified in ink below image. Date "20 Nov. 1820" written in ink in lower right corner.
Publisher:
Pubd. Novr. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
Windsor Great Park (England)
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 33.3 x 22.4 cm., Printed on laid paper with watermark; hand-colored., Window mounted to 34.9 x 24.1 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 11 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Leach," "Eldon," "Sidmouth," and "Liverpool" identified in ink below image; date "6 Nov. 1820" written in lower right corner. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"The King, dressed as a mandarin, falls back fainting on a settee, attended by three stout ladies and General Bloomfield, all in Chinese dress. Behind is a slanting cloud of smoke, inscribed: 'The Bill is lost through your favorite Clause.' He murmurs: "Curse the Bishops, Oh I faint, I faint, I shall never survive this." Bloomfield, identified by a paper in his pocket: 'The Farmers Boy' [cf. British Museum Satires No. 13237], bends towards him, saying, "aye that Cursed Adultery Clause has done the Business--"; he proffers a glass of 'Coniac'. A lady supports each arm, holding a bottle of 'Eau de Col[ogne]' to his nose; one, in back view, is (?) Lady Hertford; the other, Lady Conyngham, says: "Rouse my Love, & we will go, where the Rocks of Coral grow,! let us quit this Religious Country & go to Hanover." The third (? Mrs. Quentin) throws up her arms in despair. A huge Chinese jar (left) is decorated with a dragon; carved dragons or monsters support the sofa, and a table (right) on which is a decanter of 'Curacoa'."--British Museum online catalogue and A Chinese man falls back fainting onto a settee, attended by three ladies and a man all in Chinese dress; representing the King's anguish at the bill (which condemned the Queen's adultery and reduced her rights) being thrown out
Description:
Title etched below image., Attributed to William Heath in the British Museum online catalogue, registration no: 1935,0522.12.138., Sheet trimmed within plate mark., Watermark: J. Whatman 1819., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 21 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil at bottom of sheet. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Nov. 15, 1820, by S.W. Fores, 41 Picadilly [sic]
Subject (Geographic):
Great Britain and Grande-Bretagne
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Quentin, Georgina, and Bloomfield, Benjamin Bloomfield, Baron, 1768-1846
Subject (Topic):
Chinese, Fashion, House furnishings, National characteristics, Chinese, Chinois, Ameublement, Ethnic stereotypes, Mistresses, Sofas, Loss of consciousness, and Alcoholic beverages
"George IV, a terrified colossus, tortured by demons, sits full face in an arm-chair. His right leg, bandaged and swollen, is thrust forward, his heel resting on a cushion, the swathings inscribed 'Pillar of the State'. He grasps the horns (as if wishing to cornute himself) of two little demons who, kneeling on his hips, tug at the ends of a cord which is round his waist. Above the cord are the words 'Pains and Penalties'; below it, on his breeches, is inscribed: 'Ports--mouth Briggs changed for a Dinner'. A third demon savagely pulls from the left knee the Garter ribbon which is inscribed 'Honi . soit . Qui . Mal. y .' and 'Degradation'; he shouts "Down with the Star & Garter that Old Sign must be hung on another Post." The star on the King's coat is represented by an irregular aperture inscribed 'Places out of Danger'; three heads, with hands, are seen within: Eldon above, with Castlereagh (left) and Liverpool (right); the centre-piece is a fourth head, that of a devil with clerical bands, who says: "I wish I wasn't A--h B--p of C--y" [see British Museum Satires No. 13985]. Eldon asks: "Cast--rag what's that noise about Q--n for Ever Tower Guns Firing. Thank G--d I'm here. For its a knell that would summon us to H--ll." Castlereagh: "Hang the people what a riot they make Thank God I'm safe at home, they surely won't dare drag me out of C--n H--e." Liverpool: "Devil take the Bill they want to make me pay it at Sight on Tower Hill but I should have run my head against a block for they would have axe'd me about it which I shouldn't like." The King, with gap-toothed mouth and starting eyes, his wig in a peak above his pear-shaped head, exclaims "Quee-- Car--o". The two demons at his waist say: "Pains & Penalties," and "Purge Corruption from the Commons Sewer" [a plea for Parliamentary Reform]."--British Museum online catalogue
Alternative Title:
Peep out of a royal window
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 18 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Nov. 1820" written in ink in lower right corner. Typed extract of twenty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. Novr. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Lord Eldon (in gown and wig) and George IV (wearing the "Green Bag" of evidence against the Queen) ride on a crocodile whose head is labeled "Deception"; both Eldon and the crocodile have tears pouring from their eyes. The blindfolded figure of Justice is caught in the jaws of the crocodile, her sword sent flying but her scale still clutched in her left hand. At the feet of the crocodile, baby crocodiles emerge out of eggs with labels such as “Disgrace,” “Blood sucker,” and “Quack"; they bear the likenesses of government officials, including Liverpool, Castlereagh, Leach, and Sidmouth, as well as of the witness Majocchi. Eldon carries a scepter inscribed “Oppression” in one hand, and a document that reads “Pains and Penalties” in the other; both have been struck by lightning from ominous thunderclouds, breaking the scepter and setting the scroll (and Eldon's wig) on fire. In the top left corner stands Queen Caroline in the light of an eye in the sky; a soldier stands in front of Caroline wielding his bayonet and rifle, claiming “Justice and Innocence shall be protected.” A man with a sword stands on the left edge of the design, calling out to an army (of public opinion?) that must be advancing on the scene; he says "Steady boys - Firmness and Truth - Caroline and Virtue forever.”
Description:
Title etched below image., In the style of John Lewis Marks, who etched other prints published by Benbow during this time period., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 27 x 39.7 cm, the whole then mounted to 39 x 58 cm., Mounted on leaf 9 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Eldon," "Londondery [sic]," "Leach," "Sidmouth," and "Majocchi" identified in ink below image; date "Nov. 1820" written in lower right corner of mount.
Publisher:
Pubd. Novr. 1820 by Wm. Benbow, 269 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Majocchi, Theodore, active 1820
View of a procession of citizens down a city street, led by a man wearing a gown and holding a broom in his left hand [suggesting that he is perhaps Brougham] and a rolled document inscribed "The Address" in his right hand. Storefronts are seen in the background; a woman and a boy sell "prime Bergamy's" and "real British Bergamy's" out of a wheelbarrow in the foreground
Alternative Title:
Very virtuous ladies of St. Mary le-bone proceeding to address Her Majesty and Very virtuous ladies of St. Marrow-bone proceeding to address Her Majesty
Description:
Title from text below image; the last three letters of "Marrow" are scored through and the letters "y" and "le" inserted above the line with a caret., Year "1820" in publication line is lightly printed and nearly illegible; for the day designation "5th," the "th" preceeds the "5"., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., and Mounted on leaf 94 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
Published by G. Fortnum, No. 11 Ball Alley, Lombard Street, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., and Bergami, Bartolomeo Bergami, Baron.
Title from text in letterpress., Text consists of verses in praise of Canning for his loyalty to the Queen., "The following address was composed by a nobleman who resides near Guildford, Surrey--not the noble lord, who declared the bill of pains and penalties ought to have been thrown out, but had not the courage to vote against it. The noble author of the address was one who was unable to take his seat, from indisposition.", The illustration, with the etched title "A Canning address" (with the "u" of "Cunning" scored through and an "a" etched above), is an unsigned etching of George Canning speaking a eulogy of and bowing to Queen Caroline., "Price one shilling.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Printed on wove paper with watermark: Fellows 1817., Mounted on leaf 93 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Canning" and "Caroline" identified in ink below image. Blanks within the printed verses have been completed in ink, spelling out all of the censored names and words; the note "Canning resigd. Dec. 1820" has been written beside the first occurrence of his name in the first column.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Canning, George, 1770-1827, Canning, George, 1770-1827., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Political satire, English, Politics and government, Queens, Politicians, and Bowing
"Heading to a printed broadside. Three Ministers in court suits with bag-wigs and swords sing outside Carlton House. Castlereagh in the centre holds a scourge, turning towards Liverpool (left); the latter and Sidmouth have misshapen gouty legs. Sidmouth's clyster-pipe hangs from his pocket. Above the gate (left) George IV and a fat woman (? Lady Conyngham) are seen watching from a window. She says: "Your M--y how well they Chord, it is like one Person." John Bull, a yokel in a smock holding money-bag and cudgel, stands with his back to the gate, watching the singers. He says: "They may Chord to please his M .... y but dang me If I dont wish the Three was in One Cord." Alderman Curtis (right), with enormous paunch and nose, approaches from the right, in the sailor's dress of Walcheren Expedition prints, see British Museum Satires No. 11353. He holds a long spoon labelled 'Orphans Fund' [see British Museum Satires No. 13706] and a large pot; under the left arm is a turtle. He says: "Who's for a Royal Tuck-out with our Fat Friend [cf. British Museum Satires No. 14017], bring your Loyal Addresses and he'll make you as drunk as a Prince. ..."."--British Museum online catalogue
Description:
Title from letterpress text below image., Attribution to Robert Cruikshank and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on top and left edge., Four numbered stanzas of verse in two columns below title, printed in letterpress: 1. Ye Radicals of England, who talk about reform, Whose object is to frighten us, by raising of a storm ..., "Price one shilling"--Below imprint., Watermark: D. & A. Cowan 1819., Mounted to 58 x 39 cm., Mounted on leaf 92 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Liverpool," "Londondery [sic]," "Sidmouth," and "Curtis" identified in ink below image. Typed extract of thirteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character), Gout, Politicians, Daggers & swords, Singing, Whips, Medical equipment & supplies, Gates, Windows, Staffs (Sticks), Spoons, and Turtles
"An allegorical design. Britannia, holding her shield and a cap of Liberty on a staff, rushes (right to left) with a calm expression to the edge of a cliff, urged on by Wellington and five other Ministers (scarcely characterized). On her right a man snatches the drapery from a small cloud-borne figure of Fortune with her wheel, who is directed towards an oval portrait of Queen Caroline supported by an angel. Fame holds a laurel wreath above the portrait. Below the cliff or rock from which Britannia steps so heedlessly is a patch of ground surrounded by sea. On this stands Burdett, holding out a scroll inscribed 'Magna Char[ta] Liberty of Napoleon' and holding out his left arm to prevent Britannia from falling. Justice stands behind him, holding evenly balanced scales. Four other men stand close behind him, one holding out a scroll inscribed 'Reform', and supporting the arm which holds the scales. A man in shirt-sleeves kneels at Burdett's feet, making a gesture of urgent entreaty. On a rock (right), symbolizing St. Helena but merging with Britannia's cliff, sits a spotted, sub-human Caliban-like creature, who holds a small image of Napoleon, which he is about to cover with an extinguisher. At the base of the rock, but in the background, are two tiny officers in military uniform, seated together at the edge of the sea, directed to the right. In the foreground (left) sits a woman (? France) in classical draperies, holding a sceptre, with a (? Bourbon) crown falling from her head, and with a second (? imperial) crown in her lap. She gazes towards St. Helena. Inset in the title and enclosed within a border inscribed 'Honi soit qui mal y pense': 'Wilson sçut délivrer une Noble victime Burdett, Hobhouse, Holland, sauvez Napoléon, Arrachez-le aux tourmens de l'exécrable Hudson, Vengez l'honneur Anglais flétri par un grand Crime Et sauvez Albion sur le Bord de l'Abême [sic]!!!'."--British Museum online catalogue, description of a later state
Alternative Title:
Nation and her m-n-t-r's and Nation and her ministers
Description:
Title etched below image., Early state, before border and imprint statement added. For a later state with border present and the imprint "Pubd. by Milleville, Hampstead" etched in lower left, see no. 14050 in the Catalogue of prints and drawings in the British Museum, v. 10., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of twenty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
John Milleville?
Subject (Geographic):
Saint Helena,
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wellington, Arthur Wellesley, Duke of, 1769-1852, Burdett, Francis, 1770-1844, Napoleon I, Emperor of the French, 1769-1821., Broughton, John Cam Hobhouse, Baron, 1786-1869., Wilson, Robert, Sir, 1777-1849., Holland, Henry Richard Vassall, Baron, 1773-1840., Lowe, Hudson, Sir, 1769-1844., and La Valette, Antoine-Marie Chamans, comte de, 1769-1830.
Subject (Topic):
Britannia (Symbolic character), Cliffs, Shields, Liberty cap, Angels, Justice, Scales, Military officers, and Crowns
"A brandy-faced Archbishop places a large crown on the head of George IV, who sits in profile to the right on a double coronation chair, the seats back to back; the seat on the left is filled with a huge bottle of Brandy (here pertaining to the King not the Queen as in British Museum Satires No. 14175, &c). The coronation is described as 'One-eyed' (as in British Museum Satires No. 14193) because of the Queen's exclusion, see British Museum Satires No. 14196, &c. See British Museum No. 14199, &c."--British Museum online catalogue
Alternative Title:
Frontispiece to The one-eyed coronation, or, A peep into Westminster Abbey
Description:
Title etched below image., Tentative attribution to J.L. Marks and date of publication from the British Museum catalogue., Frontispiece to a satirical pamphlet entitled: The one-eyed coronation, or, A peep into Westminster Abbey., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 95 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil below image; date "July 1821" written in ink in lower right corner. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Coronations, Chairs, Crowns, Bishops, Bottles, and Alcoholic beverages
"The Queen, not caricatured, sits regally in an armchair beside an ornate marble and gilt table, on which are dishes of fruit. Next her is a dish of pears. She holds a (bitten) pear near her mouth; in her left hand is a rolled document inscribed 'Defence' from which hang two pears on a forked twig. She says meditatively: "I do love these Pears! but I hate the English Pairs* [peers]." Above her is looped a heavy fringed curtain. The 'trial', see British Museum Satires No. 13825, is assumed to be proceeding badly for the Queen. Cf. in British Museum Satires No. 13900 the contrary assumption. For the Queen and Bergami see (e.g.) British Museum Satires No. 13731. Fruit-sellers in London cried 'Bergami pears and Caroline Apples'. 'Letters of Countess Granville', 1894, i. 172."--British Museum online catalogue, description of an earlier state
Alternative Title:
Choice fruit!!
Description:
Title etched below image., Later state, with alternative title etched on plate. For an earlier state with this alternative title in manuscript only, see no. 13869 in the Catalogue of prints and drawings in the British Museum, v. 10., Approximate date of publication from watermark., Publication date of 1 October 1820 is noted in the British Museum catalogue entry for an earlier state., Sheet trimmed within plate mark., Watermark: Weatherley & Lane 1820., Mounted to 58 x 39 cm., Mounted on leaf 88 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Q. Caroline" identified in ink below image; date "1821" written beneath lower right corner of image. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. by S.W. Fores, Piccadilly No. 41
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
Queens, Adultery, Fruit, Pears, Tables, Documents, and Draperies
"The King's head, framed in wig and whiskers, appears above a huge green bag (see British Museum Satires No. 13735) which he is holding up in both hands to shake out the contents, five ragamuffins, who fall out head first. Bag and King are supported by the bent backs of Castlereagh (left) and Sidmouth (right), the King's toe resting on a shoulder of each. The bag is inscribed in large letters: 'Respectable Witnesses for the [a large crown is depicted] against the Q--n.' It is labelled: 'To Dr Circular [see British Museum Satires No. 13282], Ld Triangle [see British Museum Satires No. 14135] & C° London.' The King says: "My hopes and prospects, depend, upon the very doubtful, veracity, of these Six Italians!" Castlereagh: "Friend Sid--we must make Barons of these six Italian Allies to make their evidence, appear stronger!" Sidmouth: "Ah! My worthy Colleague, and your Lordship knows, we must dress them up, at the Public expence, for at present, I never see, such Ragged Rascals!" On the ground by Castlereagh are a scourge, and a document: 'Bill of Pains and Penalties' [see British Museum Satires No. 13825]; other papers: 'Secret Service Money £10.000 for each Witness' and 'Queen's Petition to the Lords'. In the background (left) are the masts and sails of a ship. Below the design: 'Dover, Friday, July 7, 1820. This Morning Six of the Italian Allies arrived. The good people of this town flocked to see them. They were escorted by an Austrian Agent, and a Milan Attorney. Such a set of ragged Rascals never were seen before. Such Wretches as go about with dancing dogs and monkeys, white mice, tame snakes, and land-turtles. The Magistrates got a guard of Constables to protect them, for fear the people should fling them into the sea. They were kept guarded till two coaches were brought to put them into. They were then driven off amidst the hisses, cries, and yells, of the men, women, and chrildren [sic], of this humane, loyal, and public-spirited Town. They seemed frightened out of their wits at this honest expression of the feelings of the People. Who is to Pay for bringing over, feeding, cloathing, and Rewarding these Wretches!!!'"--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Window mounted to 34 x 23.8 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 97 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]" and "Sidmouth" identified in ink below image, on window mount; date "11 July 1820" written in lower right corner of window mount. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. July 12, 1820, by J. Carlile, 55 Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
Lady Conyngham sits at a table in front of a fireplace, quill pen in hand, writing a letter by candlelight; her large figure is exaggerated and her legs are spread far apart, causing her nightgown to billow. A clock sits on the mantle in front of her. In the background on the right, a bed in which Lord Conyngham sleeps can be seen beyond a curtain; a cloud of dreams rises from his head, filled with a crown and the word "Sinecures." A cat sleeps on a stool beside the bed
Alternative Title:
Expanded sentiments of Liddy Cunning-game
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 24 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Conyngham" identified in ink below image; date "Nov. 1820" added in lower right corner, preceded by the word "Suppressed" written in pencil.
Publisher:
publisher not identified
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and George IV, King of Great Britain, 1762-1830.
"Heading to a printed broadside. Four Ministers, summoned by the King, sit at a table bending over a crown broken into two pieces. Sidmouth (right), tilting forward his seat, which is a commode, holds his clyster-pipe; in his pocket is a bottle labelled 'Strong Mixture'. He says: "There seems to have been a flaw in it for some years it only required a slight tap to do all the mischief." Liverpool, next him, says: "Some Foreign Cement or a decoction of steel lozenges [see British Museum Satires No. 13513] properly applied may stick them together for the present, but I'm afraid it won't last long, the parts seem of opposite compositions." Castlereagh says, with a sinister smile: "By the Ghost of my Father I will hold it together by a Tringular [sic] Proceeding. & whip it all round" [see British Museum Satires No. 14135]. Wellington, dressed as a field-marshal, and wearing cavalry boots with huge spurs, sits in a chair decorated with military emblems; he says: "Steel filings and leaded paste is the only Composition to be depended on." At his feet are bayonets and cannon-balls, with (left) a cannon, and a huge ball inscribed 'Bolus'. Behind Sidmouth stands George IV (right) in consultation with Eldon; he weeps, holding his handkerchief to his eye, and says, pointing to his Ministers: "Cant Sid my Tool and L--r--pl, Some how contrive to mend it." Eldon, in Chancellor's wig and gown, holds the lower end of the mace against his chin with a puzzled scowl. He answers: "Dash my Wig if I know what to do! my head's in Chancery." Beside him are two 'Old Green Bags done with' [see British Museum Satires Nos. 13735, 13986]. At the King's feet is a paper: 'Straight Jacket'. By Sidmouth's chair are papers: 'A Blister for the Radicals if they Kick up a Row'; 'A Gagging Bandage', with a pot of 'Poison for the Q . . .' [cf. British Museum Satires No. 13868]. Also the words 'Filth', 'Dirt'. On the extreme left, John Bull, a stout and formidable 'cit', is seated on a bale inscribed 'Knowledge is Power' [see British Museum Satires No. 14005]. One hand is on his hip, the other on a bludgeon of 'English Oak'. He says, frowning at the Ministers: "I think the following prescription would be the best Cement, a handful of reformation; a large portion of the abolition of Sinicures [sic], a ladle full of the reduction of Taxes, with a plentiful solution of the Oil of Just Claims, and attention to the wants of an industrious part of the Community, would more safely ensure a permanent union with the separate pieces than all the cement or steel lozengers [sic] in the world." The Queen looks in through a small window, Wood looking over her shoulder; they watch the proceedings, tense and indignant. Above the King's head is a shelf of 'Chinese Toys from Hot Creek': a little pagoda flanked by figures of (left) a fat lady and a thin man (the Conynghams) and (right) a squatting obese man (the King). The last two of seven verses (of a 'New Version'): "She claims a share "To all (I swear!) "That I possess;--but mind her "Good C--tl--gh, "Look sharp--d'y' see "There's Radicals behind her. "A stronger pill "'S required still "Than G--ff--d's famous lotion; "Your brains well shake, "The corners rake, To give the jade a motion."--British Museum online catalogue
Alternative Title:
Disasters of a green-bag chief!!!
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price one shilling"--Below imprint., Watermark: Fellows 1819., Mounted to 58 x 39 cm., Mounted on leaf 65 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "J. Bull," "Ald. Wood," "Q. Caroline," "Wellington," "Londonderry," "Liverpool," "Sidmouth," "Geo. IV," and "Eldon" identified in ink below image. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Conyngham, Henry, Marquess, 1766-1832.
Subject (Topic):
John Bull (Symbolic character), Politicians, Tables, Crowns, Medical equipment & supplies, Bayonets, Cannons, Cannon balls, Crying, Ceremonial maces, Bags, and Windows
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., 1 print : etching with stipple ; plate mark 24.7 x 34.8 cm, sheet 25 x 35.4 cm, Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 56 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Caroline," "Sidmouth," "Londondery [sic]," and "Leach" identified in ink at bottom of sheet; date "1820" written in lower right corner. Typed extract of seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., 1 print : etching ; plate mark 36 x 25.3 cm, on sheet 36.4 x 25.7 cm., Printed on wove paper with watermark "J. Whatman 1820"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 60 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Aug. 1820" written beneath lower right corner of image. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"King, Archbishop, Ministers, &c., and Green Bag are overturned or put to flight by the Queen mounted on a savage bull (J.B.). An 'Italian' dagger, a 'horse Leech', &c., &c., fall from the Bag."--British Museum catalogue
Description:
Title etched below image., Questionably attributed to Elmes in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 30.1 x 40.2 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark at top and bottom., Mounted to 39 x 58 cm., Mounted on leaf 61 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," and "Eldon" identified in ink below image; date "Aug. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. Augt. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834
Heading to a printed broadside in support of Queen Caroline, with a depiction of the Queen in the upper left, riding in a chariot pulled by a lion under a banner reading "Innocence and Triumph." The Italian witnesses against her are being led in chains to the gallows, the man at the back of the line remaking "This is past a joke O! Majocc"; a hangman smoking a pipe awaits them at the top of a ladder, noose in hand. Three figures with bags over their heads are already hanging, with a fourth hanged figure being fed by a devil with a pitchfork into the flaming mouth of a demon on the right, a "Green Bag" falling into the flames next to him. Another victim is skewered by a second devil standing inside the demon's mouth; the words "Milan Commission Receiving Office" are written amid the flames. A John Bull figure with a walking stick watches the scene from the right, remarking: "Well now if this h'ant a sight that pleases John Bull - Go & be hang'd to ye you Italian scoundels - come to swear an innocent womans life away." In the center foreground, a dog tears at a second "Green Bag" with its mouth
Alternative Title:
Exaltation of my jockey & his brave confederates and Exaltation of my jockey and his brave confederates
Description:
Title printed in letterpress below image., Remnants of etched title are visible beneath image, suggesting that the plate was originally larger and cut down at some point., Date of publication from manuscript note "Aug. 1820" in ink beneath lower right corner of image., Sheet trimmed within plate mark., Song printed in letterpress in two columns below title, beginning with the line "Oh, there never was such times!" and ending "Here's the triumph of brave Caroline our Queen O.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., and Mounted on leaf 58 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Majocchi, Theodore, active 1820.
Subject (Topic):
John Bull (Symbolic character), Witnesses, Shackles, Chariots, Lions, Gallows, Hangings (Executions), Ladders, Devil, Demons, Fire, Bags, and Dogs
George IV, wearing a coat and top hat, punches a plainly dressed Caroline in the face on a dirt street in front of buildings; blood gushes from her nose as she falls backwards from the blow. Lady Conyngham, elegantly dressed, stands behind the King and converses with a soldier on the left edge of the design. Another man, dressed as royalty in a fur-lined cape, stands in a doorway on the right, angrily pointing and yelling at a woman; a sign posted next to the doorway advertises "The Life of King Henry VIII." A dog runs in the foreground on the right, its collar reading "John Bull."
Alternative Title:
A Royal example!, or, A Westminster blackguard illusing his wife, Westminster blackguard illusing his wife, and Westminster blackguard ill-using his wife
Description:
Title etched below image., Print signed twice; "Marks fect." is etched within bottom center portion of image, and "Marks" is etched beneath lower right corner of image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark (mostly trimmed)., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 62 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "George IV," and "Caroline" identified in pencil at bottom of sheet; a mostly illegible note, with the date "1820" at the end, is written in pencil in lower right.
Publisher:
Pubd. by Benbow, St. Clemends [sic] Church Yard, Starnd [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Fighting, Family violence, Mistresses, Soldiers, Doors & doorways, and Dogs
Caricature of the British Prime Minister presenting crowns to King George IV in the Brighton Pavilion, surrounded by Chinese objects and figures. The King is seen from behind, brandishing a scepter and sovereign's orb
Description:
Title etched below image., Possibly by William Heath, to which the British Museum catalogue attributes many prints from this time period with S.W. Fores's address spelled "Picadilli" in imprint., A speech bubble from the Prime Minister reads: I can't indeed I can't consider the poor Starving Manufacturers., A speech bubble from the King reads: Now if you don't Increase my Salary half a Million, I'll send you to Liverpool., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 24.6 x 34.8 cm., Printed on laid paper with watermark "G. Pike 1820"; hand-colored. Sheet trimmed to plate mark on three sides., Mounted to 58 x 39 cm., Mounted on leaf 6 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool" and "Geo. IV" identified in ink above title; date "March 1820" written in lower right corner.
Publisher:
Pub. Ma[r]ch 30, 1820, by S.W. Fores, Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Royal Pavilion (Brighton, England), George IV, King of Great Britain, 1762-1830., and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828.
Subject (Topic):
Crowns, Scepters, Art objects, Decorations, and Furnishings
"Caricature on George IV who looks with horror at a projection on the wall from a magic lantern of a vision of the future with soldiers fighting an insurrection and politicians hanging from a lamp-post."--British Museum online catalogue
Alternative Title:
Peep in the magic lanthorn and Peep in the magic lantern
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 59 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," and "Liverpool" identified in ink in lower right margin, followed by the date "Aug. 1820" written in lower right corner.
Publisher:
Pubd. August 1820 by Dolby, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
"Caricature with the oak of England, weighed down by George IV and his mistresses swinging on its branches, being undermined by devils, watched by an appalled John Bull."--British Museum online catalogue
Alternative Title:
Old oak in danger
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1983,0305.33., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 59 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner.
Publisher:
Published September 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Windsor Castle,
Subject (Topic):
John Bull (Symbolic character), Adultery, Mistresses, Trees, Oaks, Swings, Devil, Axes, Soldiers, Bridges, and Castles & palaces
"Heading to a broadside printed in two columns. In a coop (right) are cocks and hens with human heads, the foreign witnesses against Queen Caroline. Sidmouth empties coins from a large green bag into their feeding trough, resting one foot on an apothecary's pestle and mortar. On the extreme left is a countryman in a smock who hands a letter to Castlereagh, saying: "Your Servent Sirs, I be com'd from a great fat Gentleman at W--d--r who wishes to know whether your Foreign Brood feeds well and if they are likely to pay for their keeping and he hopes, you'll keep a strict Eye over 'em and not let 'em take Flight as he understands they are very shy--and he says you shou'd look to their Plumage as he dont know but they may soon be made a Show of." Castlereagh, who holds a scourge, answers: "They thrive so fast they'll soon be fit for use--The Napoleons are more fattening than Caroline Rice but I'm rather afraid of that Rastellian Capon he seems to wish to peck his way out and be off--I'm afraid he's drank too much from the Po-Well as the water at present is rather Stagnated and now he's in good condition the Milan Springs [see British Museum Satires No. 13755, &c.] must be more palatable." Liverpool stands with a hand on Castlereagh's shoulder, silently holding a large purse inscribed 'Treasury Grain'. His back is to Sidmouth, who says: "True good C--r--gh I do declare they have Molted well already what a wonderful change--& if Brougham dont clip their Wings they'll amply repay us for our trouble for they can (according to the Old Proverb) Lie as fast as a Cock pecks Barley." Majocchi looks out through the bars, saying: "I am Cock of the Walk. If you wish more to know I'm the Infamous Segnior Non mi Ri cor do" [see British Museum Satires No. 13827]. Louise Demont looks up pertly: "Once Femme De Chambre To the Queen Now I support Sids Bag of Green [see British Museum Satires No. 13735] Doodle doo." Rastelli: "I think I've had too much good living--and as I've a great weight in my Chest a Complain [sic] incidental to Cotton Yard I'll take the earliest opportunity of leaving the Coop-- besides who knows but that Phisicians Brougham and Co. might prescribe Rue and other obnoxious drugs as a remedy for the Complain." ...."--British Museum online catalogue
Alternative Title:
Peep into Cotton Yard Aviary, with the peculiar method of feeding to suit a Royal palate
Description:
Title from letterpress text below image., Questionable attribution to Robert Cruikshank from the British Museum catalogue., Date of publication from the British Museum catalogue., Sheet trimmed to plate mark at top edge., Eight stanzas of verse in two columns beneath title, printed in letterpress: Most Noble Lords, cried G-e the Great, I have a cause of wond'rous weight ..., "Price one shilling. Entered at Stationers' Hall"--Below imprint., Publisher's advertisement at bottom of sheet: N.B. Just published, price sixpence, The cock of Cotton Walk, and the maid of all work., Watermark: J. Budgen 1819., Mounted to 58 x 39 cm., Mounted on leaf 67 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Liverpool," and "Sidmouth" identified in ink below image; date "Aug. 1820" written beneath lower right corner of image. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by C.E. Pritchard, Islington Green
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Majocchi, Theodore, active 1820, Demont, Louisa, active 1814-1820, Rastelli, Giuseppe, active 1820, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
"A leech with the head and barrister's wig of Leach is coiled round an upright cylindrical document to which is tied with red tape a second bill; these are respectively 'Bill of Pains . . .' [see British Museum Satires No. 13825] and 'Divorce'. Propped against the former are two green bags (see British Museum Satires No. 13735), both closed with a large red seal on which is a 'G.R.' monogram. These are inscribed 'Fill'd with Filth and Lies!!!' and 'Lies . . . [L]ies'. With them are other large documents: 'List of Witness[es] against Q . . . N'; 'Expen[ces] & Bribes at Milan'; 'Protoc[ol]' (cf. British Museum Satires No. 13764). The small shambling Wilberforce is being pushed towards the leech by Castlereagh (left), who is a pendant to the more stalwart and bulky Duke of York (right). The Duke wears uniform, holds his unsheathed sword, and has a pyramid of cannon-balls crooked in his left arm. A paper, 'Bp Osnabu[rgh]', is thrust through his sash. He says fiercely: "Rascals! Villains!! Traitors!!! I have set the Claret running in One Place, and if any of you attempt, to deprive me of My succession, I will make your Bodies, a thoroughfare for York dumplings!! alias Artillery Bolouses." Castlereagh, with a scourge hanging from his pocket, says to Wilberforce: "O dear! O dear! That Bishop quite alarms me, now my dear Christian Friend, pray do persuade that great Horse Leech to muster up all his Italian Witnesses [see British Museum Satires No. 13762, &c.] immediately or that Military Bishop [cf. British Museum Satires No. 11227] will send us to Kingdom come along with out Master." Wilberforce holds a book: 'New Litany &c'; a Pet[ition] To Q--N' is under his arm; a paper, 'Slave Tra[de]' (cf. British Museum Satires No. 8793) hangs from his pocket. He says: "Pray Sr--Horse Leech, endeavour to stop the Q--'s mouth by bringing the whole host of Witnesses, before the L--ds, so as to Crush Her at once, otherwise that Terrable Bishop, will send us into Abrahams bosom, sooner, than We wish.""--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Mounted to 58 x 39 cm., Mounted on leaf 69 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "D. York," "Sir John Leach," "Wilberforce," and "Londondery [sic]" identified in ink at bottom of image; date "16 Aug. 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Carlile, 55 Fleet Stt
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Leach, John, 1760-1834, Wilberforce, William, 1759-1833, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Worms, Parasites, Wigs, Bags, Documents, Divorce, Military uniforms, British, Daggers & swords, and Cannon balls
"Heading to printed verses. Sidmouth, an old woman, nurses George IV, a whiskered infant (see British Museum Satires No. 13764)."--British Museum catalogue
Description:
Title printed in letterpress beneath image., Date assigned by cataloger., Imprint statement etched in lower margin of plate. Additional imprint in letterpress at bottom of sheet, followed by price statement: Printed and published by W. Benbow, 269, Strand. -- Price one shilling., Sheet trimmed within plate mark on two sides., Twelve stanzas of verse in two columns beneath title, printed in letterpress: Who taught thee to abuse thy wife, Who made up all this trying fuss, And who conspired to take her life-- Thy Nurse. ..., Watermark: D. & A. Cowan 1819., Mounted to 58 x 39 cm., Mounted on leaf 63 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth" and "Geo. IV" identified in ink below image.
Publisher:
Pubd. by Benbow, No. 269 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Sidmouth, Henry Addington, Viscount, 1757-1844
George IV stands at the center of the design, a smirk on his face and an arm around each of his two mistresses: Lady Hertford on left, and Lady Conyngham (who reaches up to touch his chin) on the right. Two pictures on the wall in the background identify the women: "Hertford Lodge" on the left, and "Cunningham Castle" on the right. Caroline looks in at the scene through a window on the right, her speech bubble reading "What do I behold." The King wears ornaments on his chest that include a corkscrew; a tapped barrel on wheels rests on a table on the left, a glass sitting underneath its spigot
Alternative Title:
Scene in The beggers opera wih a new cunning-m actress and Scene in The beggars opera wih a new Cunningham actress
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Edmeads & Pine 1801., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 62 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Hertford," "George IV," "Lady Conyngham," and "Caroline" identified in pencil on mounting sheet below print; date "12 Aug. 1820" written in ink in lower right.
Publisher:
Pubd. Aug. 12, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Adultery, Mistresses, Corkscrews, Barrels, Drinking vessels, and Pictures
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 24.6 x 34.9 cm., Printed on wove paper., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Pss. Charlotte," "Theodore Majocchi," and "Caroline" identified in black ink above title; note "21 - Aug. 1820" added in ink in lower right corner, beneath the pencil annotation "Aug. 1820." Typed extract of fifteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"Heading to a printed broadside. Three Ministers in court suits with bag-wigs and swords sing outside Carlton House. Castlereagh in the centre holds a scourge, turning towards Liverpool (left); the latter and Sidmouth have misshapen gouty legs. Sidmouth's clyster-pipe hangs from his pocket. Above the gate (left) George IV and a fat woman (? Lady Conyngham) are seen watching from a window. She says: "Your M--y how well they Chord, it is like one Person." John Bull, a yokel in a smock holding money-bag and cudgel, stands with his back to the gate, watching the singers. He says: "They may Chord to please his M .... y but dang me If I dont wish the Three was in One Cord." Alderman Curtis (right), with enormous paunch and nose, approaches from the right, in the sailor's dress of Walcheren Expedition prints, see British Museum Satires No. 11353. He holds a long spoon labelled 'Orphans Fund' [see British Museum Satires No. 13706] and a large pot; under the left arm is a turtle. He says: "Who's for a Royal Tuck-out with our Fat Friend [cf. British Museum Satires No. 14017], bring your Loyal Addresses and he'll make you as drunk as a Prince. ..."."--British Museum online catalogue
Description:
Title from letterpress text below image., Attribution to Robert Cruikshank and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on top and left edge., Four numbered stanzas of verse in two columns below title, printed in letterpress: 1. Ye Radicals of England, who talk about reform, Whose object is to frighten us, by raising of a storm ..., "Price one shilling"--Below imprint., 1 print : etching ; image 16.9 x 23.2 cm, on sheet 37.8 x 24.3 cm., Printed on wove paper with partially-trimmed watermark "D. & A. Cowan 1819"; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and price statement from bottom edge., Mounted to 58 x 39 cm., Mounted on leaf 66 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Lady Conyngham," "Liverpool," "Londonderry," "Sidmouth," and "Sir W. Curtis" identified in pencil below image; date "1820" written in ink beneath lower right corner of image. Typed extract of nineteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character), Gout, Politicians, Daggers & swords, Singing, Whips, Medical equipment & supplies, Gates, Windows, Staffs (Sticks), Spoons, and Turtles
"Castlereagh, wearing the caped coat (blue with red facings, for the Windsor uniform) of a bell-man over his own fashionable trousers, &c., stands in a London street in profile to the left, ringing his bell and shouting with his hand cupped to his mouth. The Queen looks from a first-floor window (in Wood's house in South Audley Street, see British Museum Satires No. 13734), holding a disk inscribed '2/6'. Castlereagh: "Stolen or Strayed, Lost or Miss led, a fine Old Buck of the Hanoverian Breed the Prime of the Herd in good condition, rather thick about the Ancle's, most graceful in his action, full about the Neck & Chops, his Rump erect, Haunches square, quick in his paces when persueing or persued, is extremely fond of his Antlers or Horns; which he seems particularly desirous of showing, was last seen in the Neighbourhood of Virginia Water, which it is supposed he mistook for the Lake of Como, being then seen toying with a remarkable fine Doe & her full grown Kid, having left his former Doe, who has been ever since worried by a set of Mongrel Animals, who ever will give information of his retreat or if any accident has befallen him, or if straying with any of the wild does of that neighbourhood [a phrase in brackets erased] so that he may be restored to the Herd a Crown will be the Reward!!" The Queen says: "aye Master Bell Man if you can but restore him it will be worth Half a Crown to me.""--British Museum online catalogue
Alternative Title:
Saint Stephens bell man
Description:
Title etched below image., Tentatively attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 33.7 x 24.6 cm., Printed on laid paper with watermark; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 73 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Londondery [sic]" identified in ink below image; date "25 Aug. 1820" written in lower right corner. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Aug. 25, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Castlereagh, Robert Stewart, Viscount, 1769-1822, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Bergami, Bartolomeo Bergami, Baron., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
"Caricature with Britannia and her lion, with the help of 'A Nation's Love', protecting Queen Caroline from the attacks of her accusers in Parliament."--British Museum online catalogue and Portrays Princess Charlotte defending her mother against attacks by George IV and his ministers
Description:
Title etched below image., With large manuscript lettering "Oh my mother, my mother" in ink above image; impression at the British Museum (registration no.: 1983,0305.31) has the same phrase written in the same place., "Argus" was an early pseudonym of Charles Williams; however, three other prints signed "Argus" from 1820 have been attributed in the British Museum catalogue to William Heath (as have others from this time period with S.W. Fores's address spelled "Picadilli" in imprint). See page 799 in the Catalogue of prints and drawings in the British Museum, v. 10., Possible artist's device follows the "Argus" signature in lower right: A cross above a circle divided into quarters., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Weatherley & Lane 1818., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Eldon," "Londondery [sic]," "Sidmouth," "Liverpool," and "Geo. IV" identified in ink below image; date "23 Aug. 1820" written in lower right corner.
Publisher:
Pub. Aug. 23, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Britannia (Symbolic character), Lions, Shields, Spears, and Politicians
"Caricature on the trial of Queen Caroline, with the King and Queen pulling in either direction on the two sides of gibbet on which hang four witnesses and the Constitution."--British Museum online catalogue
Alternative Title:
Political merry thought being a new way to get married
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 74 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Londondery [sic]," "Sidmouth," "Geo. IV," "Caroline," "Ald. Wood," "Brougham," and "Denman" identified in ink at bottom of sheet.
Publisher:
Pubd. Aug. 28, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Heading to a printed broadside that begins: "Pity the sorrows of a poor old man, whose worn-out limbs have borne him to your door ..." The King is shown as a haggard beggar, his clothes torn and a pack on his back. He holds out his inverted crown with his left hand, seeking donations; his right hand grasps the cane he is leaning on. The sign post behind him says "To Bradenburg [sic] House" and points to the right, the direction in which the King travels. Brandenburgh House is seen in the background on the right, the Queen looking sternly out the window at the disheveled King. A sign at the gate to the house says "Beware of steel traps and sping [sic] guns." In the left background is a smaller house labeled "The Cottage".
Description:
Title from letterpress text below image., Date inferred from the depiction of Queen Caroline at Brandenburgh House, where she lived in 1820-21., Sheet trimmed within plate mark on three sides., "Entered at Stationers' Hall. Price one shilling"--Below imprint and above printer's statement., Not in the Catalogue of prints and drawings in the British Museum., Watermark: T. Edmonds 1819., Mounted to 58 x 39 cm., Mounted on leaf 64 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in ink below image.
Publisher:
Published by J. Dawson, Camden Town; and sold by every bookseller and newsman in the kingdom and Printed by W. Smith, King Street, Seven Dials
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
"Heading to a broadside printed in two columns. The King and Mrs. Nash, a very fat lady, sit facing each other, and kissing, on two chairs in the saloon of the royal yacht. He is in shirt and breeches, with dangling braces, she is elegantly dressed. He says: "I have great pleasure in visiting this part of my dominions." At his feet is a paper: 'The Loyal address of Cows.' Decanter, overturned goblet, and wine-cooler, are the chief objects in the room. In an adjacent room, partly concealed by a curtain, is seen the royal bed. ..."--British Museum online catalogue
Alternative Title:
Tom Tough in high glee
Description:
Title printed in letterpress below image., Date of publication from the British Museum catalogue., Six numbered stanzas of verse in two columns beneath title, printed in letterpress: I. My name is Royal G-ge, I have seen a little service, Where pleasure like the Thames has its tide of ebb and flow ..., Price statement following imprint: -- Price 1s. coloured., Watermark: J. Budgen 1819., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Mrs. Nash" identified in ink below image. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed and published by J.L. Marks, 37, Princes-Street, Soho; and 23, Fetter-Lane, Fleet-Street
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Nash, Mary Anne, -1851
"In the foreground John Bull, a drink-blotched 'cit', and George IV tug at a large pair of antlers. The King (right): "I tell you Bull I will wear them--I know they will become me--what am I allways to be disappointed." John wears a large white favour in his hat inscribed 'The Queen'; he says: "I'll be D--n'd if you do wear them yet, however much you may deserve them so it is useless contending G--e." At his feet is a large bludgeon: 'John Bull's Oke'. Behind them, a woman, apparently Mrs. Bull, strikes Majocchi, so that his nose gushes blood, saying: "You're one of the Villians from Cotton Garden" [see British Museum Satires No. 13824, &c.]. He falls backwards, saying: "Non mi Ricordo" [see British Museum Satires No. 13827]. In the middle distance behind John (left), stands a woman arm-in-arm with a sailor, who is next a soldier; she waves her handkerchief, saying; "The Queen for ever"; the other two wave their hats, shouting: "Go it John we'll stand by You." Behind the King (right) stand four witnesses: three villainous-looking fops and a woman; they are 'Inhabitants of Cotton Garden'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 24.4 x 34.6 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 82 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, and Majocchi, Theodore, active 1820
Subject (Topic):
John Bull (Symbolic character), Adultery, Antlers, Pulling, Fighting, Witnesses, Sailors, and Soldiers
"Ministers, much burlesqued, registering terror or anxiety, are grouped on either side of a large bottle of 'Evidence against the Queen' from which rise clouds of smoke, inscribed 'Lies' (four times) and 'Non mi Ricordo' [five times]. On the left sits Liverpool, saying: "We shall be all sent to the Devil." Next him Eldon scowls: "D--n that Non mi Ricordo." Wellington, fiercely anxious, stands behind Liverpool's chair holding a scimitar. Facing Liverpool sits Sidmouth, holding his clyster-pipe to his nostril, and exclaiming: "O! how reviving." Castlereagh exclaims: "Oh! L--d we shall be cast." Gifford says: "Oh! the secrets will come out." A seventh, (?) Harrowby, stands with a hand on the heads of Sidmouth and Castlereagh."--British Museum online catalogue
Alternative Title:
Song of sixpence
Description:
Title etched below image., Sheet trimmed within plate mark., Six lines of verse in two columns below title: Sing a song of sixpence a bag full of lies, Four and twenty witnesses all prov'd to be Spies, Before the bag was open'd the ministers 'gan to sing, Oh! here we have a dainty dish to set before the King. But when the bag was open'd the Lords began to stare, To see their precious evidence all vanish into air., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 80 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Liverpool," "Eldon," "Castlereagh," and "Sidmouth" identified in ink at bottom of image; date "8 Sep. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 8, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Gifford, Robert Gifford, Baron, 1779-1826, and Harrowby, Dudley Ryder, Earl of, 1762-1847
Subject (Topic):
Politicians, Anxiety, Fear, Bottles, Smoke, Evidence (Law), Chairs, Daggers & swords, and Medical equipment & supplies
"An imitation of British Museum Satires No. 9012. The profiles of George IV (left) and Queen Caroline (right), replacing those of George III and Pitt, and joined together by the merging of the former's wig and the latter's hair, rest on a dish supported by the King's massive whiskers and heavy jowl. The King is coarse, drink-blotched, melancholy, and larger in scale than the Queen, who is flatteringly depicted. A cherub's head supported on wings (left) blows a blast of 'Public Opinion' against a small crown, driving it from the King's head and breaking it in half. The left half is dim and partly obliterated; the right half, belonging to the Queen, is solid and bright. A ribbon hangs from each half: one, torn into three pieces, is inscribed 'God Sav/e Great G/eor'; the other: 'God Save Queen Caroline'. Towards the cherub is directed a counterblast of 'Persecution and Malice', issuing from a bladder (or clyster-pipe) blown by a saturnine profile (intended for Sidmouth) in the upper right corner, supported on webbed wings."--British Museum online catalogue
Description:
Title etched below image., Artist's name in statement of responsibility formed with a monogrammatic "SV" followed by a depiction of an owl and the letters "es"., Month of publication from the British Museum catalogue., 1 print : lithograph ; sheet 34 x 23.6 cm., Printed on wove paper with watermark "Fellows 1819"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 81 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Caroline" identified in ink at bottom of sheet; date "1820" written in lower right corner. Typed extract of seventeen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by S. Vowles
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Heads (Anatomy), Tableware, Crowns, Putti, and Ribbons
"The King (right) and Queen (left) hurl mud at each other. By the former (who wears jack-boots) is a bucket of 'Italian Filth' [see British Museum Satires No. 13762, &c.]; the Queen's (similar) bucket is inscribed 'Filth from St Giles's, St James, Portman Sqr, Hamilton Place [the Conynghams' address, see British Museum Satires No. 13847] &c &c &c.'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 22.3 x 32.1 cm., Printed on laid paper with the watermark "G. Pike 1820"; hand-colored., Window mounted to 23.5 x 33.5 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 79 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Caroline" identified in ink below image; date "5 Sept. 1820" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 5th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
"A man dressed as a Turk plays a harp, while a woman seated beside him, puts her arm round him, pointing to an open music-book inscribed 'Black Joke [a coarse song]. Fol de rol lol &c.' Behind them is a berth let into the wall of the cabin. She says: "Macher [sic] Amie you play dot charming tune again, and den we go to bed!!" He sings: "Fol de rol lol, . . ." [&c.]. She is Louise Demont, a Swiss femme-de-chambre, a leading witness against the Queen; her evidence, like Majocchi's, was much damaged in cross-examination. She called herself Colombier, from her native place, and had been styled while in England 'Countess Colombier'. She was with the Princess on the Syrian journey, and was cross-examined (1 Sept.) as to her personal knowledge of the sleeping-place of a Jew harper who went on board the polacca at Tunis. 'Parl. Deb.', N.S. ii. 1158 f., 1166. See British Museum Satires Nos. 13864, 14121."--British Museum online catalogue
Alternative Title:
Jew harper and demi-rep countess
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted on leaf 83 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" is incorrectly identified in ink below image; date "Sept. 1820" written in ink in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published September 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Demont, Louisa, active 1814-1820
Subject (Topic):
Jews, Witnesses, Staterooms, Harps, and Ethnic stereotypes
A satirical coat of arms, the supporters of which are a lion with the head of Queen Caroline (left) and a unicorn with the head of George IV (right). The crest is a crown, topped with a dog. The text above reads "The lioness and unicorn fighting for the crown," and within a banner at the bottom is the phrase "Dieu et mon droit." The shield at center contains four small scenes, labeled (clockwise) "Decapitation," "Martial Law," "Coronation," and "Reform"; the motto "Honi soit qui mal y pense" appears on a belt surrounding the circular shield. On the left edge of the design, a John Bull figure stands on a pedestal inscribed "Constitution" and holds a spear with a banner reading "Justice" at top; on the right edge, a soldier stands on a pedestal inscribed "Despotism" and carries a sword and firearm. A blindfolded figure of Justice, holding a sword and scales, sits in the lower left; the contrasting figure in the lower right is a fat demon holding a scourge and a snake, a bottle next to him
Alternative Title:
Old oak in danger
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 80 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Sept. 1820" written in ink in lower right.
Publisher:
Published September 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and George IV, King of Great Britain, 1762-1830
Subject (Topic):
John Bull (Symbolic character), Coats of arms, Crowns, Lions, Unicorns, Dogs, Spears, Sodliers, British, Justice, Daggers & swords, and Scales
"Caricature on George IV, seated on his throne, to whom John Bull presents the Queen's letter."--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Not in the Catalogue of prints and drawings in the British Museum., 1 print : lithograph ; sheet 23.4 x 33 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 76 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "29 Aug. 1820" written in ink in lower right corner of sheet.
Publisher:
Pubd. 29 Augt. 1820 by one of the Society for Exposing of Vice
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Divorce, John Bull (Symbolic character), and Thrones
Title etched below image., Sheet trimmed within plate mark., Fourth in a series of four prints about the witnesses in the trial of Queen Caroline. See: Catalogue of prints and drawings in the British Museum, v. 10, page xlviii, note 1., "No. 4"--Upper right corner., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 12.6 x 17.4 cm., Printed on wove paper; hand-colored. Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., and Mounted (with two other prints) on leaf 9 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
Pub. by Humphrey, St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"Death, a skeleton with the head of the King, crowned and wearing royal robes, stands full face; in the right hand he holds up a paper: 'Pains and Penalties'; in the left hand is a javelin. Round the left leg coils a serpent, in place of the Garter, inscribed 'Honi Pense'. Under the left foot is a paper: 'Divorce'. The figure is framed by heavy clouds, from which dart lightning flashes."--British Museum online catalogue
Alternative Title:
Prosecutor of Her Majesty
Description:
Title etched below image., Two lines of quoted text below title: "What seemed his head, the likeness of a kingly crown had on? Who shrouds this mysterious being, this retiring phantom, this uncertain shape?" Mr. Brougham, vide Times Octr. 20th., Sheet trimmed within plate mark., 1 print : etching and soft-ground etching ; sheet 34.9 x 24.3 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 1 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil on mounting sheet below print; date "Oct. 1820" written in ink beneath lower right corner of image. Typed extract of eleven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published October 1820 by John Fairburn, Broadway, Ludgate Hill, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Death (Personification), Skeletons, Crowns, Robes, Spears, Snakes, and Lightning
George IV, with the body a rooster, stands on the "Green Bag" of evidence and looks back over his shoulder at the Queen; from his beak is a speech bubble reading "Rejected Bill," while an eagle with the words "Public Disapprobation" on its wings snatches the crown off his head. To the right of the king are two hens with human faces, likely representing George IV's mistresses. Queen Caroline, likewise with the body of a hen, stands triumphantly atop a pillar inscribed "The Law and the People"; she wears a crown and stands in a column of light that descends from the heavens. Two axes lean against the pillar, while the sword and scales of Justice rest at its base. Ships are seen sailing on the ocean in the background; the Royal Pavilion at Brighton is recognizable on the shore to the right
Alternative Title:
Royal hen, and the dunghill cock
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 10 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Nov. 1820" written in ink in lower right corner.
Publisher:
Published November 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Royal Pavilion (Brighton, England),
Subject (Topic):
Chickens, Roosters, Eagles, Bags, Crowns, Mistresses, Sailing ships, Official residences, Axes, Justice, Scales, and Daggers & swords
"George IV stands full-face on a cloud above the Pavilion; his legs wide apart; under his right foot is the word 'Decency'; by the left, 'Decorum'. An irradiated crescent moon inscribed 'Carolina' covers his face between mouth and forehead, its horns pointing upwards, above the apex of his curled wig. In his right hand is a large Green Bag (see No. 13735, &c.) inscribed 'Slander'. In the left he holds up a bottle of 'Noyau'. Across the base of the design stretches the east front of the Pavilion (see Summerson, 'John Nash', 1935, plate x) with the word 'Brighton'. This is backed by the sea, with ships; the horizon is just below the King's cloud, which curves upwards, framing the design."--British Museum online catalogue
Alternative Title:
Moon passing the Sun's disc!!
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 99 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Oct. 1820" written in ink beneath lower right corner of image. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published October 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Royal Pavilion (Brighton, England),
Subject (Topic):
Clouds, Bags, Libel & slander, Moon, Eclipses, Bottles, Sailing ships, and Official residences
Title from item., Etched illustration by George Cruikshank, entitled "Rumjumdildopunt's Dream!!!", is printed at top beneath imprint; it depicts George IV having a bad dream concerning Queen Caroline, with the Queen and the ghost of George III appearing at his bedside, and demons seen flying above the headboard. With letterpress description of the dream printed below., Letterpress text, printed in two columns, beginning: It was Thursday morning, the watchman of the Mall was hoarsely bawling the hour of five ..., "Price sixpence"--Following imprint., Mounted to 58 x 39 cm., Mounted on leaf 8 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink beside etched illustration; "Nov. 1820" added in ink in lower right corner of sheet. Additional ink annotations identify the public figures (politicians, royal mistresses, and Royal Family members) alluded to in the text.
Publisher:
Printed and published by J. Turner, 170, Aldersgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., and George III, King of Great Britain, 1738-1820
Subject (Topic):
Political satire, English, Beds, Sleeping, Dreaming, Ghosts, and Demons
"A hand, 'Manus Populi', extends into the design from the upper margin, holding a chain from which hangs a pair of scales. On one (right), close to the ground, sits the Queen, hands crossed on her breast, saying: "My innocence will support me & my Country will protect me-- 10 Great Men against one unprotected Woman are fearful odds." The other scale, high in the air, is completely filled by a green bag, see British Museum Satires No. 13735, from the mouth of which emerges the head of George IV, crowned. Attached to the beam, by a rope round his neck, hangs a military officer, holding a huge key; as a makeweight he dangles vainly against the left side of the King's bag. Three men standing below pull at the scale, trying to drag it down: they are Sidmouth (left), a judge in back view (? Leach), and Castlereagh (right), who says: "We cannot do it, and I told you so at first, & if she opens her bag we shall be stifled all of us." The King looks down at them with a distressed expression, saying: "Pull you lubbers.""--British Museum online catalogue
Alternative Title:
Green bag, its contents and all its appendages are insufficient to turn the scale of public opinion
Description:
Title etched below image., Date precedes publisher's statement in imprint., Sheet trimmed to plate mark., 1 print : etching ; sheet 33.9 x 23.7 cm., Printed on laid paper with watermark "J. Whatman Turkey Mill 1819"; hand-colored., Sheet trimmed within plate mark., Window mounted to 35.1 x 25 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 44 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Eldon," "Londondery [sic]," and "Caroline" identified in black ink below image; date "11 July 1820" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Leach, John, 1760-1834
Subject (Topic):
Politicians, Military officers, British, Keys (Hardware), Scales, and Bags
"A large green bag with broken seals, inscribed 'Private Property', stands on the ground filled with large ornate pieces of plate, decorated with crowns and the initials 'C.P.W.' This Ministers are rifling; Eldon places on his head a huge bowl, saying: "This Bowl will be an "heir loom" to my descendants--I have it Scot free and I shall have it inscribed with my Titles and emblazon'd with my Arms--" Canning holds on his head a tea-service, saying, "So help me G-- I should not touch an Iota of the Plate, was I not determined to prevent it falling into the hands of Such Rascals." Castlereagh, smiling, helps himself to an urn, saying: "This Urn will be an addition to my Side Board when I get a Dukedome--Our Master has desired us to divide the Contents of this Green bag--I obey orders--." In the doorway (left) stands John Bull in a smock; he waves his hat to a throng of country people who are running towards him, saying: "Theives! Theives!! Let us protect private property!!!" The country people shout "Stop Theif!!"; "Assist the Q--n"; "Robbers!!"; "Plunderers!!" On the right Sidmouth and a man in court-dress hurry off each with a (green) sack of 'Plunder' on his back; Sidmouth, carrying a tea-urn, says: "Let us make our Escape my L--d its all over with us let us take care of what we have got." The other, carrying a kettle on his head, says: "This is a pretty kettle of Fish that fellow has given the Alarm and we shall be pursued." They walk towards a flaming fire in the foreground, in which is the Devil pointing his trident at the plunderers, and shouting, "Gentlemen I am come for ye." A pendant to this on the left is a newly-made grave: 'The Grave', with skull, bones, pick, and shovel.."--British Museum online catalogue
Alternative Title:
Plundering the Q-n's plate and Plundering the Queen's plate
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 46 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon," "Canning," "Liverpool," "Sidmouth," and "Castlereagh" identified in pencil at botoom of sheet. Typed extract of seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Eldon, John Scott, Earl of, 1751-1838, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Bags, Robberies, Bowls (Tableware), Tea services, Urns, Doors & doorways, Fire, and Devil
"The Dey of Tunis, a fat Turk, sits cross-legged on one mattress (left), the Princess of Wales, in Turkish costume, on another; her huge breasts are immodestly bare. He smokes a long pipe, and puffs smoke sideways towards his visitor with an inscrutable expression; beside him are coffee-pot and cup. She smokes a hookah; a bottle of 'Coniac' and a glass are beside her. A Tunisian with a long beard and baggy breeches stands between them, staring and bowing towards the Princess; he says: "His Highness Trusts the endeavours of his household for your Gratification is successful and that happiness in the Halb of the Faithfull attends you." She answers: "their Assiduities are unceasing I am as Happy as the Dey [altered to] Day is Long!!!" Behind her couch stands Bergami, in hussar costume with three orders; he scowls with clenched fists, saying: "this is an unfortunate Dey for me Othellos occupation's gone.""--British Museum online catalogue
Alternative Title:
Royal visit to the Dey of Tunis or the Great Plenipo
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Satire on George IV and Queen Caroline., Printed on watermarked paper., Window mounted to 24.3 x 34.3 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 47 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified below image in different hands, the former in ink and the latter in pencil; date "20 July 1820" written in ink in lower right. Typed extract of one line from the British Museum catalogue description is pasted at bottom of mounting sheet.
Publisher:
Pub. July 20, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Ethnic stereotypes, Smoking, Pipes (Smoking), Water pipes (Smoking), Seating furniture, Alcoholic beverages, and Military uniforms
Print showing George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for the Bill of Pains and Penalties and his divorce from Caroline; he smashes a bottle of wine over the head of Frederick and prepares to throw another bottle at William. A woman, possibly Lady Conyngham, offers words of encouragement from behind a drape, while a man leaning through a window says, "Hollo Georgy, mind what y'our after if you offend Fred: he has got a Red Rod in Pickle for you."
Alternative Title:
Family quarrels
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 48 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Duke of York," "Prince Leopold," "George IV," and "Lady Conyngham" are identified in pencil at bottom of sheet.
Publisher:
Pubd. July 23, 1820, by King, Chancery Lane
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Family, Families, Divorce, Adultery, Anger, Brothers, Mistresses, Throwing, Bottles, Draperies, Pineapples, Military uniforms, and British
"George IV dressed as Falstaff, and followed by a shambling rabble, advances towards the Queen (right) holding sword, and a round shield on which is a device of four wine-bottles and cork-screws. He stares with apprehensive defiance. She says with a dramatic gesture: "These are the Hireling Miscreants ye produce to Swear away the Life of your Neglected persecuted Queen ? for double fees they'd serve the Traitors Turn, & swear against their King--Leeches--vile Cooks for such a feast." The witnesses are seven men and a woman with patched face and damaged nose. The men are ragged and villainous; the tallest holds a stiletto, one is branded on the forehead with a gibbet. They are shepherded by a tall lean man (Cooke) holding a brief-bag, who walks behind the King; he answers: "I assure you these are the most Respectable Witnesses we could obtain." In his pocket are papers docketed 'Kangaroo Cook' and 'Million'."--British Museum online catalogue
Alternative Title:
Contents of the green bag in propria persona
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Printed on watermarked paper., Window mounted to 23.4 x 33.6 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 47 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Caroline" identified in black ink at bottom of sheet; date "20 July 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted at bottom of mounting sheet.
Publisher:
Pub. July 20, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Cooke, William, 1757-1832, Leach, John, 1760-1834., and Falstaff, John, Sir (Fictitious character)
Subject (Topic):
Witnesses, Ethnic stereotypes, Shields, and Daggers & swords
The King sits on a couch with Lady Conyngham on his left knee, the large feathers of her headdress extending over their heads. The couple gaze at each other amourously as a woman holding a candle (a maid?) enters through a doorway on the left. On the wall behind the woman hangs a picture of an estate with the name "[C]unningh[am]" written on the frame. Another picture on the wall to the right shows a man, probably Lord Conyngham, full-length and facing away from the viewer, antlers on his head and the speech bubble "I dont see it" in the upper left. A document on the floor to the right of the couch reads "Hertford," with a speech bubble to the immediate left reading "The right owner is." A canopy bed is seen through the open door on the left side of the design
Alternative Title:
Cunningham outwitted, Conygnham outwitted, and Fair play at Brighton
Description:
Title etched below image., Description based on an imperfect impression; sheet trimmed within plate mark and also mutilated in lower right corner, with portions of the imprint statement lost. Missing text supplied from ink annotations on the repaired corner., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 24.1 x 34.1 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 49 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Lady Conyngham" and "Ld. Conyngham" are identified in ink at bottom of sheet; date "24 July 1820" written in lower right corner.
Publisher:
Pubd. July 24, 1820, by Be[nbow], corner of St. Clements Church [Yard]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Adultery, Mistresses, Couches, Candles, Headdresses, Feathers, Antlers, and Canopy beds
"Print showing George IV, in the title role of Mozart's opera, surprised by the sudden arrival of his wife, Caroline, as Donna Anna, lately returned from Italy, during the wedding feast scene, at which a number of bare breasted women are present; on the left, Lord Castlereagh, playing the role of Leporello, holds a long list of the King's female conquests."--Library of Congress online catalog
Description:
Title etched below image., Text below title: Don Giovanni by His M-y, Donna Anna by a celebrated actress, her first appearance on this stage these 7 years, Leporello by Derry Down Triangle, the other caricters [sic] by the Corps de Ballet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; sheet 24 x 34 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 49 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV" and "Qu. Caroline" identified in pencil at bottom of sheet; date "28 July 1820" written in ink in lower right.
Publisher:
Pub. July 23, 1820, by H. Fores, 16 Panton St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Mozart, Wolfgang Amadeus, 1756-1791.
Subject (Topic):
Operas & operettas, Adultery, Surprise, Banquets, Dining tables, and Chandeliers
Depiction of George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for his divorce from Caroline; he kicks a man (Bloomfield?) while pursuing his brothers, who are in uniform and seen fleeing on the right side of the design. Papers inscribed "Protocol" and "No devorce [sic]" fly in the air. A toppled chair rests on the floor to the left of the King; a bottle of wine falls off a table behind him, upon which fruit (including pineapples) rests. A John Bull figure watches the scene from the background on the left, an astonished look on his face
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "P. Leopold," and "D. York" identified in ink at bottom of sheet; date "30 July 1820" written in lower right corner.
Publisher:
Pub. by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Adultery, Anger, Kicking, Brothers, Pineapples, Military uniforms, and British
King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial and "George IV leads a procession to the waterside to embark in the royal yacht, preceded by the Attorney-General with a 'Green Bag' [see No. 13735] under each arm, and a bottle of 'Milan Brandy' [see British Museum Satires No. 13755, &c.] in each hand. The latter, much caricatured and with a malevolent countenance, says: "The Tide is against His Ma--je--ty but should He be able to clear Cuckolds Point [cf. British Museum Satires No. 13769] no doubt he will easily weather Cape Horn." The King, wearing sailor's trousers, rollicks along between Lady Hertford and Lady Conyngham (see British Museum Satires No. 13847), arm-in-arm with both and looking towards the latter. He holds in one hand a purse inscribed '2/6', in the other a bottle: 'Decoction of Bergamy', and wears a long watch-ribbon inscribed 'Non mi ricordo' [see British Museum Satires No. 13827]. Both ladies carry reticules inscribed '2/6' [half a crown, cf. British Museum Satires No. 13826]. Lady Hertford: "I hope your Ma--je--ty will not forget your promise (when in Hertford) to take a peep in Y--amouth [sic] Roads--as the Sea breezes might be beneficial." Lady Conyngham: "Don't doubt us your Ma--je--ty we shall never be wanting to lend a Hand to raise the Royal G . . . e." Behind walk Sidmouth and Castlereagh, the latter wearing a triangular hat, holding a scourge and fetters and with a package inscribed 'Irish Wiskey Triangular Proceedings' [see British Museum Satires No. 14135] under his arm. Sidmouth carries a 'Royal Medecine Chest' under his arm, with a clyster-pipe (cf. British Museum Satires No. 9849) inscribed 'Portable Soup'; on his head is a commode-pan inscribed 'Stink Pot for the Radicals'. He says: "Take care of the Green Bags, Stow 'em safe-- for should the Sea Water touch them they'll rot sooner than is expected--and his Ma--je--ty would run the chance of loosing half a Crown" [see British Museum Satires No. 13826]. They are followed by Liverpool and Canning, both wearing, like the King, top-hats ornamented with crowns, to show they are the King's servants. Liverpool has a pen behind his ear and carries two bags, one inscribed 'Pursers Profits', the other 'Nip Cheese 75 Per Cent'. He says "one and one makes two. Canning carries a weathercock (cf. British Museum Satires No. 13737) and says: "A fine Breeze and we shall soon be out of the scent of Cotton Yard [see British Museum Satires No. 13824] theres a kind of Vapour gathering in that Quarter that's likely to be very offensive, unless the rubbish is shortly removed!!" In the foreground on the extreme left walks Sir William Curtis, in the sailor's dress of the Walcheren Expedition, see British Museum Satires No. 11353, &c. He has a vast paunch inscribed 'The Orphans Fund' [see British Museum Satires No. 13706] and 'Blubber', and carries a large turtle, a knife, and a long spoon. He says: "Who so blythe so blythe as we to take a voyage a voyage to Sea Along with his great Ma--j--ty." Behind is a man carrying on his head a basket of kitchen 'Stores': gridiron, kettle, &c. The yacht 'Royal George' is in the background (right), flying the Royal Standard and with sailors in the rigging."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Curtis," "Liverpool," "Sidmouth," "Londonderry," "Hertford," "Conyngham," and "Eldon" identified in ink below image; date "Sept. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by E. Pritchard, Islington Green
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Gifford, Robert Gifford, Baron, 1779-1826, Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Curtis, William, Sir, 1752-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Canning, George, 1770-1827., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Castlereagh, Robert Stewart, Viscount, 1769-1822., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Curtis, William, Sir, 1752-1829., George IV, King of Great Britain, 1762-1830., Gifford, Robert Gifford, Baron, 1779-1826., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., and Sidmouth, Henry Addington, Viscount, 1757-1844.
Interior of a large concert-room, which is partly a music-shop, where the Regent sits playing a 'cello. At his feet is a paper: 'Proposals for Six Charity Concerts'. Facing him stands an elderly 'cit', a John Bull, who listens delightedly. The Regent says: "There Sir is one of the finest toned Instruments, I ever touched, and our own making. Nobody makes Instruments like us. That Humbug fiddle is out of Tune." The 'cit' answers "Charming." Behind the Regent are Bloomfield playing a flute, and a man wearing clerical bands playing a violin. Behind them is a counter on which are two piles of songs 'For Sale cheap'; one is 'Bold Flinty Rock', the other 'Beautiful Maid'. Behind the counter a man supports on his shoulders a musician holding out a violin, and declaiming: "This will do, and Sir give me leave to say, No Scholar of ours shall ever use any Music or Instruments but our own, What do you think of that eh?" Two fashionably dressed ladies in the foreground address the Regent. One kneels, extending her arms dramatically, saying: "Indeed if you will Engage us we will not only buy all our Music and Instruments of you, but make our Scholars do the same." The other, identified as Miss Stephens, the vocalist and actress (1794-1882): "Indeed we will!" A piano is on the extreme right, behind this stands Braham, who is holding a piece of music entitled "Fly not yet" and looking to the left. Behind him, three of those departing say "off off" or "off off off"; another says "You had better open a Cook Shop next and sell Calves heads and Cow heels"; and another "I'll lend you no more 4.000.s C-ts." The music stacked behind them is inscribed 'detached pieces'. On the left Lord Eldon and Chief Justice Abbott, both in wig and gown, stand together. Eldon says: "Since our Master has taken to this Concern all our Business is Suspended." Abbott answers: "Suspended, why I have here a list of 21 fellows who ought to be Suspended." A man standing behind them says, looking at the Regent: "What then you intend to ruin all the Composers, Music Sellers, and Instrument makers do you? & this is a specimen of your correctness is it? 36 blunders in 9 pages of one Peice. Cossac Song above 30 errors. Dramatic Air worse." On the extreme left is Yarmouth's smiling profile; he says: "I'll bet a Crown to One and Twenty pence, against the Hazard." Music on the shelves behind them is inscribed: 'the Y-m-ih Waltz'; 'Jack Ketch set to Mus[ic]'. Behind the Regent: 'New Peices [sic]'; 'Rogues March'; 'Royal Airs'. Behind the Director: 'Catches Glees, Flats and Sharps.'
Alternative Title:
Monopoly a catch for 21 voices with a royal base
Description:
Title from text below image., Etched by Robert Cruikshank, with parts done by George Cruikshank; see description of a later state in the British Museum catalogue., Early state, before title moved above image and before other changes made to the plate (including re-etching verses and imprint in lower margin; adding text to various speech bubbles; and altering the figures and speech bubbles in the far right portion of the image). For a later state that includes these changes, see no. 13692 in the Catalogue of prints and drawings in the British Museum, v. 10. See also: Cohn, A.M. George Cruikshank: a catalogue raisonné, 1894., Sheet trimmed within plate mark., Text below image consists of seven stanzas of verse in four columns, with the following heading: The Regents Harmonic Institution. A new song to the tune of a Cobler there was. The English are a nation of shop keepers. French opinion., Verses begin: No more let V-i-t embarrass his mind, for ways or for means new expedients to find ..., Mounted to 39 x 58 cm., and Mounted on leaf 7 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Regent’s Harmonic Institution, George IV, King of Great Britain, 1762-1830, Stephens, Catherine, 1794-1882, Braham, John, 1774-1856, Abbott, Charles, Baron Tenterden, 1762-1832, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Music stores, Interiors, Fireplaces, Mirrors, Musical instruments, Violoncellos, Flutes, Violins, Pianos, and Drums (Musical instruments)
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., 1 print : etching with stipple ; sheet 23.9 x 34.3 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed within plate mark resulting in loss of "Turn over-" text from lower right margin., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 76 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Caroline," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in ink below image. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
George IV and three of his ministers (Castlereagh, Liverpool, and Wellington) struggle to pull on a rope tied a mortar, which is shaped like a fantastical winged creature. Their targets are apparently the "Satirists" in the sky in the upper right, who wield pens and banners; an additional satirist, with the beaked face of a bird, is seen in the sky in the upper left, sitting on a wheeled hobby horse and ready to shoot an arrow inscribed 'Cradle Hymn" from a bow. Additional depicted figures included Gifford, wearing a wig and gown and holding a scourge; Sidmouth, using a clyster pipe to shoot at the satirists in the sky; and Canning, holding a cudgel above his head, ready to strike a fleeing Burdett. Following behind the mortar are several men, one wearing a liberty cap, two of them holding a banner inscribed "Life and amours of Madam Hunn[?]" between them. A monkey in military uniform rides a donkey towards the left edge of the design, exclaiming "Clear the way for his most gracious Majesty!" From the foreground on the left George III watches the scene; he wears a black shroud, and only his head and shoulders are visible
Alternative Title:
His Most Gracious Majesty Hum IVth and his ministers going to play the Devil with the satirists and His Most Gracious Majesty Hum the Fourth and his ministers going to play the Devil with the satirists
Description:
Title etched below image., Date of publication from the online catalogue of the National Portrait Gallery, London (NPG D48670)., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. III," "Castlereagh," "Liverpool," "Wellington," "Geo. IV," "Gifford," "Sidmouth," "Canning," and "Burdett" identified in ink below image; date "Sep. 1820?" written in pencil in lower right.
Publisher:
Pubsed [sic] by T. Dolby, 299 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, George III, King of Great Britain, 1738-1820, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Gifford, Robert Gifford, Baron, 1779-1826, Canning, George, 1770-1827, and Burdett, Francis, 1770-1844
Subject (Topic):
Freedom of speech, Pens, Mortars (Ordnance), Pulling, Politicians, Hobby horses, Bows (Weapons)., Arrows, Donkeys, Monkeys, Whips, Medical equipment & supplies, Liberty cap, and Banners
"George IV, much caricatured, and naked except for breeches, reclines on a bed of roses, attended by three plump ladies who bend over him, and whom he regards amorously.They are Mrs. Q-- (Quentin), see British Museum Satires No. 13889, and, apparently, her two young daughters, with whom the King plays. For the King as an infant cf. British Museum Satires No. 13764, &c."--British Museum online catalogue
Alternative Title:
Royal great baby among the roses
Description:
Title etched below image., Frontispiece to: Hunter, R. A peep into the cottage at Windsor, or, "Love among the roses". London : Printed and published by W. Benbow ..., 1820., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark at bottom., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 8 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With "Peep into Cottage at Windsor" written in upper margin and date "1820" written in lower right, both in black ink. Also with four lines in sepia ink concerning Geroge IV's mistresses, written vertically in the left and right margins. Figure of "George IV" identified in pencil on mounting leaf below print, beneath which is pasted a typed extract of two lines from the British Museum catalogue description.
Publisher:
W. Benbow
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Quentin, Georgina
"Caricature on George IV, standing holding a placard wearing cuckold's horns."--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Not in the Catalogue of prints and drawings in the British Museum., 1 print : lithograph ; sheet 34.9 x 24.7 cm., Printed on wove paper with watermark "D. & A. Cowan"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 71 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil at bottom of sheet; date "24 Aug. 1820" written in ink in lower right.
Publisher:
Pubd. 24 Augt.1820 by one of the Society for Exposing of Vice
Title etched below image., Sheet trimmed within plate mark., First in a series of four prints about the witnesses in the trial of Queen Caroline. See: Catalogue of prints and drawings in the British Museum, v. 10, page xlviii, note 1., "No. 1"--Upper right corner., 1 print : etching ; plate mark 12.4 x 17.4 cm, on sheet 12.7 x 17.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 8 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With pencil annotation "of the Queen" following title.
Publisher:
Pub. by Humphrey, St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"The Duke of Clarence, in admiral's uniform, stands with his back to the sea, gazing upwards and to the left with a malignant stare; his right fist is clenched; in his left hand he clutches papers docketed 'Calu[mnie]s'. He declaims (adapting Satan's address to the sun, 'Paradise Lost', iv, cf. British Museum Satires No. 13896, &c.): "O thou that with surpassing Glory shine, "And in whose train the stars attendant wait, Of thee I speak, but with no friendly Voice, And add thy name O Cinthia to tell thee How I hate thy brightness!!!" He apostrophizes the moon, a disk in the sky enclosing a bust portrait of the Queen, on a dark ground patterned with large five-pointed stars which are partly covered by cloud (hiding 'their diminished heads'). In the sea behind is a man-of-war in full sail, the 'Queen Caroline' (left), firing a stern-shot at the Duke; she flies a large flag on which are the Royal Arms, with the motto: 'Honi. soit qui mal y pense', and two pennants: 'Vox Populi' and 'Victoria'. A ship's boat, the 'True Blue' (right), is rowed by sailors; the helmsman stands up to wave his hat and shout towards the Duke's back "The Queen for Ever!!!" One asks: "Jack is that a Sailor!" Another answers: "Da--n me if I know there's no English true blue about him!" Below the title: 'Our Duke and no Duke, what with looking so blue In his coat and his learning, and chastisement too; His tricks on such Ultra-top-gallant mast pinnacles, -- Pestering lieutenants and poking at binnacles; -- Ultra opinions, and ultra suggestions, Cross quips, and cross quiddits, and very cross questions; His going so far beyond all other sailors, In cutting up true-blues, to brush up with tailors; And doing what never was yet done by seamen, By crossing the line of all feeling tow-rds women; Has played such a part to discolour the Queen, That the wags have entitled him Ultra-Marine.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 35 x 24.8 cm, on sheet 35.5 x 25.2 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 94 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Clarence" identified in ink at bottom of sheet. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Admirals, Military uniforms, Stars, Ships, Flags, and Sailors
"George IV rides a velocipede (see British Museum Satires No. 13399, &c.), the seat of which is a green bag (see British Museum Satires No. 13735). From the bag projects Majocchi's head, with the steering-bar attached to his mouth. The King asks: "Do you know all you have to swear?" Majocchi answers "Non mi Ricordo" [see British Museum Satires No. 13827, &c.]. By the machine, leading the way 'To Cotton Garden' (placard on a tree-trunk), walk Gifford, holding under his arm a large 'Bill of [Pa]in's &c' and Copley, both in wig and gown. Behind walks Sidmouth, squirting his clyster-pipe at the back of the King's head; he says: "We shall loose the Trial because these Italian Devils cannot recollect one day what they are told to swear the other." On the extreme left and at the tail of the procession walks Castlereagh, both hands on Sidmouth's shoulders. He says: "I wish they would take me instead I think I could manage it.""--British Museum online catalogue
Alternative Title:
My jockey the order of the day!!!
Description:
Title from text below image., Approximate date of publication from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 95 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," "Geo. IV," and "Theodore Majocchi" identified in ink below image; date "Oct. 1820" written beneath lower right corner of image. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by Langham, 3 Red Lion Street, Holborn
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Gifford, Robert Gifford, Baron, 1779-1826, and Majocchi, Theodore, active 1820
Subject (Topic):
Bicycles & tricycles, Bags, Witnesses, Traffic signs & signals, and Medical equipment & supplies
"Majocchi, with brown face, debased features, and villainous squint, grotesquely dressed as a dandy, stands full-face, holding out a large rolled document: 'Orders for the Milan Commission' [see British Museum Satires No. 13755, &c.] and a large purse filled with gold coins: 'Secret Service Money'. He wears a small high-crowned hat: 'made by the Dandy Military Tailor in Pall Mall' [George IV, cf. British Museum Satires No. 13237, &c.]. On the lapels of his coat are two portrait medallions, one of 'Mrs Q' [see British Museum Satires No. 13889], the other of the 'K--g'. From a pocket hangs a long paper: 'Minutes of a conversation with a fat goodlooking Gentleman in Pall Mall on the Day George the III was Buried.' A long cylinder attached (?) to a coat-tail is inscribed 'Perjury . . . Per . . . Perjury'. He wears long trousers of hussar pattern, coat with small tails open over a tight white waistcoat: all his clothes are inscribed 'Government Stores'."--British Museum online catalogue
Alternative Title:
Non mi ricordo
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 34.9 x 24.8 cm., Printed on laid paper with watermark "G. Pike 1820"; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 96 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Theodore Majocchi" identified in ink below image; date "8 Oct. 1820" written in lower right corner of sheet. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Oct. 8th, 1820, by S.W. Fores, 41 Picadill [sic]
Subject (Name):
Majocchi, Theodore, active 1820, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., and Quentin, Georgina.
Subject (Topic):
Dandies, Documents, Purses, Coins, Hats, and Medals
"Lord Conyngham stands by the counter of Benbow's shop holding out an open book to the shopman with a terrified gesture: "Mr Benbow, Pray who is this!" Benbow, behind the counter, touches the antlered figure of British Museum Satires No. 14029, and one of the fat ladies, answering, "This is Lady H----d and this is Lady C----m." His right hand rests on a pile of caricatures on the counter. A grinning shopman behind the L-shaped counter (right) holds up two fingers to simulate horns above Lord Conyngham's head. The walls of the shop are lined with books; by the counter three bills are displayed, one above the other: [1] 'Just Published 1s 6d Sultan Sham and his Seven Wives' [British Museum Satires No. 14029]; [2] 'Cobbett's Register Sold here also Peep at the Peers' [? British Museum Satires No. 14108]; [3] 'The K. the determiner of the Q'; [4] 'Queen & her Pawns agains the King and his Pecc' [sic, British Museum Satires No. 13946]."--British Museum online catalogue, description of a different version of the same design
Alternative Title:
Cuckold Cunningham frightened at his wife's caricature
Description:
Title etched below image; the word "Cuckold" is partially scored through., Date from that assigned in the British Museum catalogue to another version of the same design., Sheet trimmed within plate mark., Four numbered stanzas of verse below title: 1. Twas the eye of a cucold [sic] of fame and renown ..., For another version of the same design, etched by J.L. Marks and published by W. Benbow, see No. 14030 in the Catalogue of prints and drawings in the British Museum, v. 10., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and "Ld. Conyngham" identified in pencil below image; date "1820" written in ink beneath lower right corner of image.
Publisher:
publisher not identified
Subject (Name):
Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861., Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., and Benbow, William, 1787-1864.
Subject (Topic):
Adultery, Stores & shops, Interiors, Counters, Caricatures, Bookcases, and Books
"A fashionably dressed man, walking in (?) Hyde Park, draws back in astonishment on meeting Lord Conyngham, riding a spirited horse and wearing a marquess's coronet, surmounted by antlers with bells. The former says: "Why my Lord I never saw you so Gracefully set off in my Life before, where the Devil did you get that beautiful Charger." Conyngham: "It was a present from the - to my Wife & a rare Stallion it is, he has also presented my Daughter with a similar Poney." Answer: "Indeed!!! Why I never heard before that he had mounted them both!!!" Conyngham: "And this foraging Cap he made himself on purpose for me, d'ont you think it becoming?""--British Museum online catalogue
Alternative Title:
New Windsor uniform
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Printed on watermarked paper., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 98 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lord Conyngham" identified in pencil at bottom of sheet; date "11 Oct. 1820" written in ink in lower right corner. Typed extract of seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. Oct. 11th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England and London.
Subject (Name):
Conyngham, Henry Conyngham, Marquess, 1766-1832 and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Adultery, Parks, Horseback riding, Crowns, Antlers, and Bells
"Caricature on Queen Caroline, who is sponged in her bath by Bergami, while a maid throws up her hands in horror."--British Museum online catalogue
Alternative Title:
Delicate recreations on board a polacre
Description:
Title etched below image., Attribution to Theodore Lane from a similar print, likewise bearing the signature of "Selim" and also published by George Humphrey in October 1820, that is attributed to Lane in the British Museum online catalogue. Cf. British Museum online catalogue, registration no.: 1935,0522.12.160., See: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, no. 13890., 1 print : etching with stipple ; plate mark 23.5 x 26.1 cm, on sheet 23.8 x 26.4 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 92 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in pencil at bottom of sheet; date "2 Oct. 1820" written in ink in lower right corner. Typed extract of two lines from the British Museum catalogue description for No. 14188 (which mentions this print) is pasted beneath print.
Publisher:
Pubd. Octr. 1820 by G. Humphrey, St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"Caricature of Bergami [Majocchi?] presenting a Milan Catechism to George IV seated in a chair with Lady Conyngham looking our behind a screen."--British Museum online catalogue
Alternative Title:
Non mi Recordo's visit to the fat good looking gentleman in Pall Mall & their conversation by signs and Non mi Ricordo's visit to the fat good looking gentleman in Pall Mall & their conversation by signs
Description:
Title etched below image., Possibly by William Heath, to which the British Museum catalogue attributes many prints from this time period with S.W. Fores's address spelled "Picadilli" in imprint., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Watermark: G. Pike 1820., Mounted to 58 x 39 cm., Mounted on leaf 97 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Theodore Majocchi" identified in ink below image; date "10 Oct. 1820" written in lower right corner of sheet.
Publisher:
Pub. Oct. 10, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Majocchi, Theodore, active 1820, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Mistresses, Witnesses, Screens, and Portraits
"Caricature on the trial of Queen Caroline: the King enthroned amid loyal subjects, while Radicals light a mortar full of suits aimed at them."--British Museum online catalogue
Description:
Title from text below image., Date of publication from the British Museum online catalogue, registration no.: 1983,0305.51., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 24.4 x 39.1 cm, the whole then mounted to 39 x 58 cm., Mounted on leaf 93 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Geo. IV," "Clarence," "Liverpool," "Sidmouth," and "Ald. Wood" identified in ink below image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Wood, Matthew, Sir, 1768-1843
Subject (Topic):
Politicians, Mortars (Ordnance), Thrones, Lions, Anchors, and Cannon balls
"Heading to a printed broadside: '(Third Edition.)' and 'New Version', verses printed in two columns below the (printed) title. The Duke of York, with a gauntleted fist, strikes in the face the startled King, who staggers, decanter in hand, saying, "Theres no dependance on the Army." The Duke answers: "Not for you." A supper-table, with decanters, &c., overturns on the right, the King's chair on the left; the chair is decorated with an irradiated wine-glass flanked by bowing Chinese, and, like the table, is fringed by bells. Behind the King are two bottle-holders, the bottles in the shape of a 'Green Bag' [see British Museum Satires No. 13735], and so inscribed; they are Castlereagh and Liverpool, who are backed by Sidmouth and Canning. They say: "Never fear--we are here," and "Never fear." Behind the Duke is the Queen between two ladies; she says: "Fair play's a Jewell Face to Face Truith [sic] will come out." Four of her supporters watch from the left: Wood in his alderman's gown, and holding a 'City Address', says: "A blow has been Struck who feels it?" Burdett, next Hobhouse, and holding a 'West' [minster Address], says: "When Britons strike they strike home." The fourth is a barrister (one of the Queen's legal advisers, not resembling Brougham). The sixth and seventh of ten verses: Said Ca . . tl . . gh I know the Cause, Y . . k's for your 'R .... l Rib', Sire, Your M .... y shall have New Laws, You know we never gib, Sire. Said W . . b . . rce, with face demure, Divorce!...... we'll soon obtain it; Another Consort we'll ensure, His end......Y . . k ne'er shall gain it."--British Museum online catalogue
Description:
Title from letterpress text below image., Tentative attribution to Robert Cruikshank from the British Museum catalogue., Publisher and approximate publication date of August 1820 from the British Museum catalogue. The same print is dated March 1820 in the British Museum online catalogue, registration no.: 1948,0214.831., Sheet trimmed within plate mark with probable loss of imprint statement from bottom edge., Ten stanzas of verse in two columns below title, printed in letterpress: Cried G......e, who dare my will resist, My word shall ne'er be shaken ..., Watermark: Cater., Window mounted to 34.7 x 25.8 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 54 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Canning," "Londondery [sic]," "Liverpool," "Geo. IV," "D. York," "Caroline," and "Wood" identified in ink below image. Various blank spaces in the printed verses have been filled in using purple ink, to complete the censored names and the words "Royal" and "King." Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
C.E. Pritchard
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wood, Matthew, Sir, 1768-1843, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Burdett, Francis, 1770-1844
Subject (Topic):
Politicians, Fights, Bottles, Wine, Tables, Chairs, and Bells
"Heading to a broadside printed in two columns. A scene in the grounds of Brandenburgh House (see British Museum Satires No. 13852). Bergami (see British Museum Satires No. 13731), dressed as a courier, capers, flourishing a whip with a long heavy lash. He points complacently to the house, where a tiny figure, the Queen, extends welcoming arms. He has thick curly hair and moustache, and from his neck hangs a miniature portrait (of the Queen). Alderman Wood, as an old woman, dressed as in British Museum Satires No. 13736, advances towards him, holding out his furred alderman's gown. On the right is the river, with a large house on the opposite bank. The verses (87 ll.) grossly attack the Queen; they end: Let that Wooden Sluggist, that old Brewer's Druggist, Return to his business once more, Sir; In a Politic School, be no longer a fool, And an advocate for an old W-, Sir: For I swear by the Gods, the King has the odds In his favour, for the loyal are many, And the Q- will at length, have to trust in the strength, Of her great Mighty Courier B-."--British Museum online catalogue
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Imprint continues: ... where folios of caricatures are lent out for the evening., Two columns of verse in letterpress below title, beginning: The courier B-, unequall'd by any, Who abroad, and at home, hath made sport, Sir ..., Mounted to 58 x 39 cm., Mounted on leaf 60 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Count Bergami" identified in pencil below image; date "1821" written in ink in lower right corner of sheet. Several of the blank spaces in the first column of printed verse have been filled in using pencil, to complete the censored names. Typed extract of sixteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for H. Fores, (successor to W. Holland), 16, Panton Street, Haymarket ...
Subject (Name):
Bergami, Bartolomeo Bergami, Baron, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830., and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Messengers, Whips, Miniatures (Paintings), and Robes
"A companion plate to British Museum Satires No. 13989 by the same artist, and with the same imprint. A Chinese interior resembling that of British Museum Satires No. 13986. George IV as a mandarin, languid and ill, sits cross-legged on a low settee. Peacock's feathers (cf. British Museum Satire No. 13299) decorate his round hat. Sidmouth as a Chinese doctor feels his pulse with concern. At the King's feet is a long rolled document headed 'List of Addresses presented to Caroline Queen of [Engla]nd'. Behind (right), a melancholy Chinese messenger hands Bloomfield (a Chinese wearing a large sword) a paper: 'Bill Thrown Out'. The latter registers dismay with raised arms. There is a slanting cloud of smoke as in British Museum Satires No. 13986. On the wall is a picture of the Queen, with sword and shield, fighting a dragon. Carved dragons decorate the King's settee (or throne), and there is a big dragon jar on the right; all the dragons look menacingly towards the King, who rests his right hand on a table on which are decanter, pill-box, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pleasure., 1 print : etching ; plate mark 27.6 x 21.5 cm, on sheet 28.9 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 6 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Sidmouth" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Costumes, Chinese, Interiors, Furniture, Draperies, Medical equipment & supplies, Physicians, Documents, Smoke, Messengers, Vases, Figurines, and Dragons
"Companion plate to British Museum Satires No. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires No. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires No. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., 1 print : etching ; plate mark 27.5 x 21.7 cm, on sheet 28.6 x 22.6 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 7 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ald. Wood" and "Q. Caroline" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
"Satire on the government as a pack of performing dogs under the whip of John Bull presenting their homage to the Queen enthroned."--British Museum online catalogue
Alternative Title:
Degraded honoured and the honoured degraded, Black dogs under g-v-t well dressed and turned out, and Black dogs under government well dressed and turned out
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 23 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Wellington," "Liverpool," "Londondery [sic]," "Eldon," and "Sidmouth" identified in ink below image; date "Nov. 1820" written in lower right corner.
Publisher:
Published by W. Benbow, corner of St. Clement's Church Yard, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Dogs, Demons, Bags, Thrones, Whips, Trained animals, Telescopes, Medical equipment & supplies, and Columns
Print shows King George IV fallen to the floor, he clutches his stomach, near him are a "Plan for Divorce," a decanter and cup, cards and dice. In the background sits his estranged wife Caroline about to be crowned by Justice while surrounded by her loyal supporters
Alternative Title:
Grand Lama sick of the horn cholic
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 27 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Londondery [sic]," and "Eldon" identified in ink below image; date "1 Dec. 1820" written in lower right corner.
Publisher:
Published Decr. 1st, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Divorce, Sick persons, Medical equipment & supplies, Gambling, Bottles, Crowns, Justice, and Scales
"The Princess of Wales, on a chair-like saddle, sits sideways on a braying ass. She is amorously supported by Bergami, who stands behind her, raising a whip. Her head rests against his, and she ogles him, taking his chin. Behind is the door of a house flanked by pillars. Below the title: 'One of the Points wherein Protestants and Roman Catholicks differ, is that the latter invoke--supplicate, Saints; whereas the former hold it sufficient to honor them, and propose their good example for our imitation. Chamber's Dictionary.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark on three sides., 1 print : etching with roulette ; plate mark 26.1 x 21.3 cm, on sheet 26.5 x 21.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 29 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in ink below image; date "9 Dec. 1820" written in lower right corner. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., 1 print : etching ; plate mark 27.6 x 40.2 cm, on sheet 27.9 x 40.6 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 30 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in ink in lower right corner. Typed extract of thirty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
"Cows and goats with distended udders are grouped outside a small thatched cottage (see British Museum Satires No. 13893). The King, wearing apron, over-sleeves, and top-boots, stands by a cow, an arm resting on her back, his pail at his feet, his stool behind him. Behind (right), a fat dairymaid, presumably Lady Conyngham, walks towards the cottage, her pail on her head. Three plump women watch from open casement windows."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in ink at bottom of sheet; date "Dec. 1820" written in lower right corner. Typed extract of four lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Caricature on the trial of Queen Caroline: the Devil, holding a green bag, carries off Bergami [or George IV?] on his shoulders."--British Museum online catalogue
Description:
Title from text below image., Manuscript imprint "Published by Benbow, 169 Strand" added in ink in lower right portion of image. Impression at the British Museum (registration no.: 1990,1109.37) has a pencil note by Andrew Edmunds that records another impression he had seen that bore the manuscript address of Benbow., Date from manuscript annotation in lower right corner of sheet., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 15 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The word "Suppressed" written in ink below title; date "Nov. 1820" added in lower right.
Publisher:
Published by Benbow, 169 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., and Bergami, Bartolomeo Bergami, Baron.
George IV, dressed as a jester, dances at the center of the design with Lady Conyngham, who is dressed similarly. The king wears a fools' cap that has bells at the end and two additional protrusions from the side that resemble horns; he holds a noisemaker in his left hand. Lady Conyngham likewise wears a fools' cap, and she holds a staff in her right hand. On the left are four men labeled "The Friends of his Youth"; Earl Grey is in the foreground, with two men in white robes behind him and a man in a barrister's wig and robe at the back. On the right is a musical ensemble consisting of the King's supporters, labeled "A Band-ditte": a bishop plays the drum, Liverpool the cello, Canning the flute, Sidmouth the violin, and Wellington the cymbals
Alternative Title:
Lady Cun-gh-m's favourite dance and Lady Cunnigham's favourite dance
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 37 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Grey," "Lady Conyngham," "Geo. IV," "Liverpool," "Canning," "Wellington," and "Sidmouth" identified in ink below image.
Publisher:
Published Decr. 27, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Adultery, Mistresses, Dance, Fools' caps, Music ensembles, Musical instruments, Bishops, and Politicians
"Caricature in two scenes, one with Queen Caroline receiving loyal addresses, the other with a grave-digger presenting a text to George IV sailing on his ship with Lady Conyngham."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 3 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Geo. IV" correctly identified in ink below image, with the female figure on the far right incorrectly identified as another depiction of "Caroline"; date "Oct. 1820" written in ink in lower right corner.
Publisher:
Pub. October 1820 by T. Dolby, 299 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Mistresses, Kneeling, Yachts, Rowboats, Gravedigging, Pickaxes, Flags, and Public opinion
"Caricature with John Bull, playing the part of the Lord Chancellor, condemning Queen Caroline's accusers who stand before him."--British Museum online catalogue
Alternative Title:
Conspirators at the bar!!
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 21 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Eldon," "Liverpool," and "Londonderry" identified in pencil on mounting sheet below print; date "Nov. 1820" written in ink in lower right.
Publisher:
Published November 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Scales, and Demons
"Caroline, in royal robes and crown, stands in her chariot, driving it and her pair of horses over the prostrate bodies of King, Ministers, Archbishop, and witnesses, while the royal troops flee in disorder and 'the People' led by Wood (in armour) and the Queen's lawyers advance with a banner: Victory, with laurel wreath and bonnet rouge. The Queen, her spear poised above the King, says Dieu et Mon Droit; the scythe of her chariot-wheel menaces the King's neck."--British Museum catalogue and "Caricature with Caroline as Boadicea in a chariot riding over her accusers, followed by a crowd of supporters."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching ; sheet 24.3 x 34.2 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 20 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Liverpool," "Londonderry," "Wellington," "George IV," and "Eldon" identified in pencil on mounting sheet below print; date "Nov. 1820" written in ink in lower right.
Publisher:
Published November 1820 by John Fairburn, Broadway, Ludgate Hill, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Boadicea, Queen, -62
Subject (Topic):
Chariots, Politicians, Witnesses, Lawyers, Bishops, and Liberty cap
