A representation of John Trumbull's painting of the signing of the Declaration of Independence, on silk with borders woven in royal blue and printed in brown ink. The faces of the forty-eight participants are sketched below the image and numbered with a key in the form of facsimiles of their signatures below
Description:
Title above image., In the 1820s and 1830s, Durand owned a series of printmaking firms and was active in New York., After the painting by John Trumbull or Asher B. Durand's the engraving of the Trumbull painting. Trumbull commissioned Durand to engrave his painting The Declaration of Independence in 1820. See Yale University Art Gallery notes., and Formerly part of the Cowles House inventory.
Title etched below image., Engraved after a sketch by Charlotte Edgeworth. See page 302 in v. 2 of Memoirs of Richard Lovell Edgeworth., Plate from: Edgeworth, R.L. Memoirs of Richard Lovell Edgeworth, Esq. London : Printed for R. Hunter ..., 1820, v. 2, opposite page 496., Sheet trimmed within plate mark., and Temporary local subject terms: Characters -- Man.
Publisher:
Published March 30, 1820, by Rowland Hunter, St. Pauls Church Yard
Title from letterpress text below image., Publication information from that of the volume in which the plate appears., Below image are four paragraphs of letterpress text with the heading "William Beckford" that contain biographical information; the number "23" is printed below the final paragraph in the lower left., Plate from: The biographical magazine. London : Printed for Effingham Wilson and Sherwood, Neely, & Jones, v. 2 (1820), Sheet trimmed within plate mark on three edges., and Mounted to 41 cm in card stock folder.
"Portrait of John Ogilby; half length, body turned to the left, with hands crossed at chest, head turned and looking to the right; wearing open-necked white shirt, with long waved hair."--British Museum online catalogue
Description:
Title etched below image., Date precedes publisher's statement in imprint., and Plate from: Cornwall, B. Effigies poeticae, or, The portraits of the British poets. London : J. Carpenter and Son, 1824.
Publisher:
Published by W. Walker, 8 Grays Inn Square
Subject (Name):
Ogilby, John, 1600-1676, and Strawberry Hill (Twickenham, London, England)
"Elevation and view of the chain bridge looking towards Bangor"--Royal Collection Trust online catalogue, RCIN 702589
Alternative Title:
Plan and view of a chain bridge
Description:
Title engraved below image., Image includes dimensions of bridge., and With the name "R.I. Gore Esqr." written in ink on verso, in a contemporary hand.
Publisher:
Published by J. Taylor, Architectural Library, High Holborn
"Kean, in the costume of Sir Giles Overreach, stands on the stage, indicated by a boarded floor surrounded by flame and smoke from the jaws of a semicircle of ferocious monsters, serpentine, scaly, and fanged, and with glaring eyeballs. The largest and most menacing is the Old Times, emitting Gall, Spite Venon [sic] Hypocricy. Towards this Kean directs his levelled rapier, saying, By the powers of Shakspeare, I defy ye all. He holds above his head a large open book: Shakspeare, which is irradiated. Almost as large as the 'Times' is the pendant to it: New Times, vomiting Hypocricy. The other monsters are not specified, they spit flames inscribed respectively: Spleen; Cant; Malignity; Slander; Spite; Envy; Malice; Nonsence; Oblique."--British Museum catalogue and A comment on the backlash in the press regarding the Cox vs. Kean trial, in which Kean was accused of adultery with Robert Albion Cox's wife, Charlotte Cox. Kean gave a speech at Drury Lane, Jan. 28 1825, in which he offered himself up to the audience: "If it [the backlash] is done by a hostile Press, I shall endeavour to withstand it -- if it is your verdict, I shall bow to your decision, remember with gratitude your former favours, and leave you" (quotation from the British Museum catalogue).
Alternative Title:
Shakspeare in danger and Shakespeare in danger
Description:
Title etched below image., George Cruikshank might have collaborated with Robert Cruikshank in the production of this print; see British Museum catalogue., Quoted text following title: "Be thou as chaste as ice, as pure as snow - thou shalt not escape calumny" - Hamlet., and Matted to 37 x 49 cm.
Publisher:
Pubd. Feby. 1825 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Kean, Edmund, 1787-1833,, Kean, Edmund, 1787-1833, and Kean, Edmund, 1787-1833.
Subject (Topic):
Performances, Actors, British, Stages (Platforms), and Monsters
