Manuscript on parchment (good quality) of 2) Jerome, Prologus beati Ieronimi presbyteri. 3) Ps.-Seneca, Epistolae Senecae, Neronis imperatoris magistri, ad Paulum apostolum et Pauli apostoli ad Senecam. 4) Complete 6-line text of Anthologia latina 667. 5) Seneca, Ad Lucilium epistulae morales. 6) Seneca, De beneficiis libri vii. 7) Seneca, De clementia libri ii. 8) Martin of Braga, Formula vitae honestae. 9) Ps.-Seneca, De remediis fortuitorum liber. 10) 19 sententiae attributed to Publilius Syrus and Seneca. 11) Claudian, Excerpta. 12) William of Saint-Thierry, De tribus dicendi generibus. Written in the Cistercian abbey at Igny near Rheims
Description:
In Latin., Script: Written in fine early gothic bookhand; arts. 11-12 in less expert hands., Carefully drawn monochrome initials with modest penwork designs, 12- to 2-line, in red, green and blue. Headings in red., and Binding: Eighteenth century, France. Bound in light brown, mottled calf with a gold-tooled spine and red label: "Opera Senecae MS". Red edges. Mended at tail. Discoloration from bosses (?) of earlier binding on first and last leaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Seneca, Lucius Annaeus, ca. 4 B.C.-65 A.D. and Cistercians.
Subject (Topic):
Didactic literature, Latin, Ethics, and Manuscripts, Medieval
Manuscript on parchment (palimpsest: written over an unidentified canon law text, 1250-75) of Epitome of Aristotle's Ethics translated into Italian by Taddeo d'Alderotto (ca. 1235-1295).
Description:
In Italian., Script: Written in a calligraphic notarial hand with tall ascenders and strongly looped forms of letters d and b, above top line., Spaces left for decorative initials remain unfilled., and Binding: ca. 1900, England or U.S.A. (?). Quarter bound in orange goatskin with a gold-tooled label on spine ("Aristotle. Ethica, in Italian. XIVth Century") and marbled paper sides. Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alderotti, Taddeo, 1223-1295. and Aristotle.
Subject (Topic):
Ethics, Italian literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of a theological and moral treatise based on hundreds of quotations, mostly from texts of a scientific nature
Description:
In Latin., Script: two scribes: art. 1 is copied in Gothica Cursiva Formata close to Fractura; art. 2 in Gothica Semihybrida Currens with many abbreviations; in this art. the first line of each chapter is in clumsily executed large Gothica Textualis Formata., Headings, paragraph marks, stroking of majuscules and underlining of the references to the authorities and their works, all in red ink (the underlining was beforehand traced by the scribe in black ink). Plain red 1-line initials at the opening of each chapter, sometimes with marginal extensions (a 3-line initial at the beginning of the text, f. 9r). Instructions for the rubricator are found in the margins., and Binding: original undecorated red pigskin over wooden boards; spine with four raised bands. Two clasps attached to the rear cover, with quadrangular brass catches on the front cover; a hole about the center of the top of the rear cover indicates that the booklet once was a liber catenatus. On the front cover a rectangular parchment title label with handwritten inscription in Gothica Cursiva Libraria: “De confessione. De amore Dei. De beatitudine” (16th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Ethics, Manuscripts, Medieval, and Science, Medieval
In Greek., Script: Written by two scribes. Scribe 1: ff. 1r-120v; Scribe 2: ff. 121r-132v., Headings in red. Latin interlinear glosses in red (ff. 1r-25v), in humanistic cursive script., Folio 1r is rubbed and barely legible., and Binding: Nineteenth century. Rigid vellum case, in the same manner as Beinecke MSS 257 and 264.
Manuscript on parchment of Aristotle, Ethica. An anonymous Tuscan translation made for Nuno de Guzman from the Latin translation of Leonardo Bruni
Description:
In Italian., Script: Text written in a well formed humanistic bookhand by a single scribe; the rubrics, in majuscules, by another scribe who used excessive punctuation., The decoration is by Gioacchino de' Gigantibus. A gold initial, 5-line, on f. 1r embedded in white vine ornament, extending into sides, top, and lower margin, filled in with green, red, and blue, with small section at regular intervals filled with gold; a green bird near the initial; in lower margin, an empty laurel wreath supported by putti filled later with a coat of arms (unidentified) in pen, now effaced; a few gold dots with hair-spray in brown ink. Other initials, gold, 5- to 4-line, on ff. 7r, 93v, 106v, 126r, 161v, in same manner, but with gold infilling., Significant stains in margins of first few leaves., and Binding: Eighteenth century. Edges gilt. Green calf with tan, gold-tooled label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Ethics, Illumination of books and manuscripts, Medieval, Italian literature, Literature, Medieval, Manuscripts, Medieval, and Philosophy, Ancient
Title from item., Date and place of publication derived from other versions of work., A poor copy after Dighton., Text on compass: Fear God., Text encircling central image: Keep within compass and you shall be sure to avoid many troubles which others endure., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Morality.
Publisher:
publisher not identified
Subject (Topic):
Conduct of life, Ethics, Money, Compasses (Drawing instruments), Dogs, Farms, Punishment & torture, Vice, Eating & drinking, Prisoners, and Prisons
Title from item., Date and place of publication derived from other versions of work., A poor copy after Dighton., Text on compass: Fear God., Text encircling central image: Keep within compass and you shall be sure to avoid many troubles which others endure., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Conduct of life, Ethics, Money, Compasses (Drawing instruments), Ships, Farms, Punishment & torture, Vice, and Prisons
"The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories whilst stealing from the coins on the desk; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden) to the wall reveals a hiding place for coins which tumble out"--British Museum catalogue online
Alternative Title:
O vanity of age, untoward, ever spleeny, ever, froward!
Description:
Title, imprint, and state from Paulson., Added title from first line of text., "Plate 1."--Lower right corner, below imprint., Caption in five columns, below image: "O Vanity of age, untoward, Ever spleeny, ever, froward![sic] Why those bolts, & massy chains, Squint suspicious jealous pains? ...", and Description based on imperfect impression; sheet trimmed to image. Caption and imprint mounted separately below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Avarice, Cats, Corruption, Ethics, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., and "Plate 4"--Lower right corner.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
