A couple of Irishmen look in horror at a white cat in a church graveyard."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 16., and Undescribed in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Scene in a ramshackle attic, with a curtained bed on the right. A family sit at a table covered with a tattered cloth, on which are part of a loaf and four small potatoes. The ragged, lean, and elderly man (left) faces his still more haggard wife. A small boy stands by his mother, a youth and little girl sit opposite. All scowl with dismay at the meagre fare. A starving cat miaows. The man recites: "O! thou that blest the loaves and fishes, Look down upon these two poor dishes, And though the 'tatoes are but small, Oh make them large enough for all. For if they should our bellies fill 'Twill be a kind of Miricle!!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 9., Printseller's announcement following imprint statement: Folios of caracatures [sic] lent., and Cf. No. 11469, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with modified imprint statement.
Publisher:
Pubd. Janry., 1807 by T. Tegg, 111 Cheapside, London
Subject (Geographic):
Great Britain and Ireland.
Subject (Topic):
Irish, Social conditions, Cats, Ethnic stereotypes, Families, Potatoes, Poverty, and Starvation
"Trotter walks off from the Bank of England with two sacks under his arm, one inscribed 'I [...] 000. Newland, appearing in the doorway (left), hurries after him, saying, "Hollo sir - where are you going with those bags!" On the opposite side of the street is a pawnshop where Melville, in bonnet and plaid, looks out over its half-door. Trotter answers: "I am only trotting over with them to Johnny Mac Crees Banking House!" Melville says: "Hoot awa mon! - dinna be afraid - they will be as safe with me as in your ain Strong box." On the pawnshop door are the words 'Money Lent' and the three balls or pawnbroker's sign."--British Museum online catalogue
Alternative Title:
Abraham Newland alarm'd and Abraham Newland alarmed
Description:
Title etched below image. and Questionable attribution to Isaac Cruikshank from the British Museum catalogue.
Publisher:
Pubd. April 5, 1805, by S.W. Fores, N. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Trotter, Alexander, 1750-1830, Dundas, Henry, 1742-1811, and Bank of England.
Subject (Topic):
Impeachment, Trials (Impeachment), Misconduct in office, Money, Pawnshops, and Ethnic stereotypes
Leaf 69. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A comely young woman, the centre figure, stands bare-legged in a wash-tub, holding her petticoats high, and smiling coyly. Behind (left), another woman with kilted petticoats steps into a tub, looking over her shoulder. In the foreground (right) a man in Highland dress sits on the ground, taking snuff. Water gushes into a rectangular tank of masonry from a satyr's head set in a wall. Behind is a tree and in the distance (?) Edinburgh Castle."--British Museum online catalogue
Description:
Title etched below image., Signed by the printmaker in lower left corner of image., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Krumbhaar, E.B. Isaac Cruikshank: a catalogue raisonné, no. 1069., and On leaf 69 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
Scotland.
Subject (Name):
Restrike, with remnants of a burnished imprint statement above image. For original issue of the plate, published ca. 1809, see no. 11476 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
A visualization of the racist folk song, "Coal Black Rose", one of the earliest songs to be sung by a man in blackface, popularized in July 1829. The lyrics of "Coal Black Rose" tells of a fight between two black men, Sambo and Cuffee, rivals for the same woman
Description:
Title from text below image, which are lyrics from the song sung by the depicted figures: Lubly Rose Oh! Coal Black Rose. Tank you Sambo yes I cum. Dont you hear the banjo tum, tum. Oh! Rose the Coal Black Rose. and Date from subject matter, the date when the song was popularized.
Publisher:
publisher not identified
Subject (Topic):
Blackface minstrel music, Black people, Banjos, Ethnic stereotypes, and Minstrel shows
A scene in a kitchen showing a French male cook on his knees beside a cross-looking female cook holding a spatula. In the background, a roaring fire in the hearth with a slab of beef on a spit
Description:
Title etched below image., Printmaker attribution to Isaac Cruikshank from Rosenbach. For the original watercolor drawing by Cruikshank, see Huntington Library object number: 71.79.72., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression at the Bodleian Library, shelfmark: Curzon b.02(065)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Publish'd 1st March 1794 by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Ethnic stereotypes, Kitchens, Cooks, and Pleading (Begging)
Published May 4, 1818, by G. Humphrey, 27 St. James's St., nephew & successor to the late Mrs. H. Humphrey
Subject (Name):
Elizabeth, Princess of England, 1770-1840, Frederick VI, Landgrave of Hesse-Homburg, Caricatures and cartoons., George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William Frederick, Duke of Gloucester, 1776-1834, Mary, Duchess of Gloucester, 1776-1857, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Edward Augustus, Prince, Duke of Kent, 1767-1820, Ernest Augustus, King of Hanover, 1771-1851, and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Ethnic stereotypes, Dance, Obesity, Military uniforms, Drinking vessels, Musical instruments, Dogs, and Pipes (Smoking)
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April 1829]
Call Number:
829.04.00.17+
Image Count:
1
Resource Type:
still image
Abstract:
"George IV, seated on the throne, watches a display of jovial fraternization between John Bull and Pat, who dance, holding hands, each holding up a hat decorated respectively by rose and shamrock. A lanky garland of (thornless) roses and giant shamrocks drapes the crown on the back of the throne; one end is held up by Wellington (right), on the King's left, the other by Peel on his right, so that the King is framed by it. John Bull is an obese and drink-blotched "cit", with a snuff-box inscribed 'Irish' in his waistcoat pocket. Pat is a ragged Irish peasant, his bare legs swathed by twisted straw; his shillelagh lies on the ground; he looks with a broad but appraising grin at J. B., who sings: "Together reared together grown, Oh! let us now unite in one, Let friendship rivet the decree, Nor bigots sever Pat and Me!!!" Two discomfited 'bigots' depart on the left; one is a gouty parson using a crutch, with a 'Petition against Concession' hanging from his pocket, cf. British Museum Satires No. 15661, &c. The other is a Catholic bishop in robe and mitre. They say: 'It's time for us to be off.' Above their heads flies a figure of Discord, her hair consisting of snakes which spit flame towards J. B. The King, with extended arm, says: 'No more let Bigotry distract the Nation, Nor Priestcraft nurture lawless passion, Henceforth let rage and tumult cease, As brothers live and die in peace!!!'"--British Museum online catalogue
Alternative Title:
Glorious march of intellect
Description:
Title etched below image. and Watermark: J. Budgen 1823.
Publisher:
Pubd. April 1829 by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Subject (Topic):
John Bull (Symbolic character), Anti-Catholicism, National characteristics, Irish, Irish question, Gout, Ethnic stereotypes, Thrones, Crowns, Dance, Obesity, Roses, Shamrocks, Crutches, Clergy, Petitions, Bishops, and Miters
Six designs, arranged in two rows, each showing a mother, father, and child from different cultures. The figures wear their native dress and appear in front of landscapes, buildings, and animals found in their region of the world
Alternative Title:
Six national figures
Description:
Titles etched below images., Alternative title and publication date from Isaac., Sheet trimmed within plate mark on top edge., and Plate numbered "36" in upper right corner.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Ethnic stereotypes, Families, Africans, Chinese, English, Khoekhoe, Native American, and Sami (European people)
A satire of a Gretna Green marriage, taking place in front of smithy's shop. Erskine, disguised in woman's dress with a huge feathered bonnet over a barrister's wig, holds the right hand of a demure-looking woman, modishly dressed and apparently pregnant. He holds a paper: 'Breach of Promise'. With them are three young children. The smith wears Highland dress; he holds a red-hot bar on the anvil and raises his hammer, saying, "I shall make a good thing of this Piece at last." Erskine says: "I have bother'd the Courts in London many times, I'll now try my hand at the Scotch Bar--as to Miss C-- she may do her worst since I have got my Letters back." The woman says: "Now who dare say, Blacks the White of my Eye." In the background (right) a young woman rushes down a slope towards the smithy, shouting, "Oh Stop Stop Stop, false Man, I will yet seek redress tho you have got back your letters--" Beside her is a sign-post pointing 'To Gretna Green'. A little boy with Erskine's features, wearing tartan trousers, stands on tip-toe to watch the smith; on the ground beside him is a toy (or emblem), a cock on a pair of breeches. A little girl stands by her mother nursing a doll fashionably dressed as a woman, but with Erskine's profile. Another boy with a toy horse on a string stands in back view watching 'Miss C'. Behind the smith is the furnace; on the wall hang many rings: 'Rings to fit all Hands.'
Alternative Title:
More legitimates
Description:
Title etched below image. and Printed on paper watermarked "1818".
Publisher:
Pubd. Feby. 4th, 1819, by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Geographic):
Scotland, Gretna Green, Gretna Green (Scotland), and Gretna Green.
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Erskine, Sarah Buck, Baroness, -1825, and Erskine, Thomas Erskine, Baron, 1750-1823.
Subject (Topic):
Elopement, Breach of promise, Elopements, Ethnic stereotypes, Forge shops, Metalworking, Furnaces, Anvils, and Hammers
"Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
Description:
Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
Publisher:
John Bowles
Subject (Geographic):
Saint James Westminster, London, England : Parish),
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
Four ugly old women try to scrub a black man white with brushes, a kettle of boiling water, as steam billows around the room. A fifth woman brings buckets of hot water. A sixth, in the center background, drinks gin. The black man squats in a big tub, with a pained expression on his face
Description:
Title inscribed beneath central image., Attributed to George Cruikshank., Date inferred from the 1827 publication date of George Cruikshank's Illustrations of time, plate 3 of which includes a smaller version of the central image. Cf. No. 15472 in the Catalogue of prints and drawings in the British Museum, v. 10., Image also used in Plate 3 of Cruikshank's 'Illustrations of Time'; the attempt to 'wash a black man white' was a traditional example of an impossible task., and On paper watermarked "J. Whatman 1821".
Subject (Topic):
Black people, Ethnic stereotypes, Racism, Wash tubs, and Brooms & brushes
A single-horse carriage is stopped in front of a rustic inn or roadhouse, with two caricatured Frenchmen (one a postillion wearing enormous boots) engaged in changing out the horse. An occupant of the carriage hands money out the window to a peasant woman holding an infant and accompanied by a young boy; two other shabbily dressed figures are nearby next to a tree, one of them playing a makeshift drum. In the doorway of the building stands a young woman, and to the left a man under an archway stands with arms crossed; both watch the scene unfold. In the background a postillion rides away on horseback, whip extended into the air
Alternative Title:
Changing horses on the road to Paris
Description:
Title from dealer's description., Signed by the artist in lower left., and One of five views by the artist F.G. Byron that record his visit to France in 1790; they were exhibited at the Society of Artists the following year. This drawing was exhibited under the title "Changing horses on the road to Paris" (Society of Artists, 1791, no. 39).
Subject (Geographic):
Clermont (France) and France.
Subject (Topic):
Carriages & coaches, Horses, Taverns (Inns), Postillions, French, Peasants, Country life, Ethnic stereotypes, and Drums (Musical instruments)
"John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville's plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: "Indeed Mr Bull - I knaw nae more aboot it - than Johnny Groat o'the Highlands." Trotter lurks behind him (left) furtively twitching his superior's kilt, and jerking his thumb to the left.; he says: "Take my advice - and let us Trot off while we are well, he looks confounded inquisitive." John scowls and glares pugnaciously, saying, "Why Look ye - de ye see - I dont come for to go for to say - exactly, that you sack'd the cole - all I say is the Shiners set sail - and as you had the care of the Hatches - it is, likely, you should know what Port they steer'd into! I say let's look at your log book Old one." He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins."--British Museum online catalogue and A satire on Henry Dundas, 1st Viscount Melville, who was accused of appropriating funds for non-naval purposes during his tenure as Lord of the Admiralty. Dundas was the most prominent Scottish politician of his era and instrumental in the progress of the Scottish Enlightenment. He is controversial today through his delaying the abolition of slavery for several years
Alternative Title:
Iohn Bull makeing a naval enqury and John Bull making a naval enquiry
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement in lower right: Folios of caracatures lent out for the evening.
Publisher:
Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly
Subject (Name):
Dundas, Henry, 1742-1811, Dundas, Henry, 1742-1811., and Trotter, Alexander, 1750-1830
Subject (Topic):
John Bull (Symbolic character), Sailors, British, Thrones, Ethnic stereotypes, and Pleading (Begging)
"George IV sits jauntily astride a tall high-stepping giraffe, at the base of the neck, hands on hips. Lady Conyngham (left) sits sideways on the sloping back, close to the tail, her vast posterior projecting. She smiles over her shoulder. He wears a straw hat with wide curving brim. She is décolletée, with large gigot sleeves and feathers in her hair. Four Nubians (right) bow obsequiously."--British Museum online catalogue
Alternative Title:
New hobby
Description:
Title etched below image., Date based on subject: A camel was present to the King at Windsor on 13 August 1827., and Attribution to William Heath and date of publication from the British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"A huge bull, snorting fire, rushes with lowered head towards a French fort (left) from which cannon-balls descend upon him. Beneath the fort sansculottes on one knee fire at the bull while standing French soldiers, correctly dressed, also fire. On the fortress stand Frenchmen, firing and waving their hats; they shout: "Vive la republic, Blood & plunder, no Quarter to John Bull!" A huge tricolour flag has a staff surmounted by a skull. To the bull's back is strapped a bundle inscribed 'Debt Debt'. One horn has been shot off and lies on the ground. To his left hind leg is chained a heavy weight inscribed 'Subsidies'. Nevertheless, he cries: "Now my brave Allies let us all stand firm together & make a bold push, & I'll be Answerable for the Event." But behind him (right) his allies have all turned their backs and are departing in directions indicated by signposts. A fat Dutchman smoking a pipe goes 'To Amsterdam', saying, "I care not who beats, I'll join the Strongest Party". Frederick William II (father-in-law of the Duke of York) walks off 'To Berlin', saying, "I've fingerd the Cash from both Sides, & will now employ it to Secure the Partition of Poland"; "Negociate with Robertspierre privately & then - Damn Relationship!!!" Next, a Spanish don, Charles IV, goes 'To Madrid', saying, "Whats the Bourbon Family to me when they Impede my Interest. Hush!! I am now treating for a Separate peace with that Blackguard Roberspere to Secure my own Crown - I must enlarge the Powers of the Inquisition". On the extreme right Francis II and Mack in a two-wheeled gig, on which is the Habsburg eagle, are driving off 'To Vienna'. The Emperor says: "Well Mack we have made a Glorious Campaign of it; of what use are the Low Countries without they continue to fill my Coffers? As for John Bull, let him settle the business as he can he loves to be meddling"."--British Museum online catalogue
Alternative Title:
John Bulls last effort to oblige his false friends
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Sheet trimmed to plate mark., and Matted to 39 x 52 cm.
Publisher:
Pub. July 17, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Mack von Leiberich, Karl, 1752-1828, Frederick William II, King of Prussia, 1744-1797, Robespierre, Maximilien, 1758-1794., Charles IV, King of Spain, 1748-1819, Francis I, Emperor of Austria, 1768-1835, Frederick William II, King of Prussia, 1744-1797., and Mack von Leiberich, Karl, 1752-1828.
Subject (Topic):
Great Britain, Foreign relations, John Bull (Symbolic character), Bulls, Ethnic stereotypes, Caricatures and cartoons, English wit and humor, Pictorial, and Satire, English
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
"Prince Leopold (right), in uniform, puts his head through a glassless aperture in a window in the door of his 'Grecian Establish[ment]--Co[burg]', to look intently at a fat Turk who stands in profile to the right, elaborately dressed and holding a long pipe with smoking bowl. The door, partly cut off by the right margin, is flanked by a Corinthian pillar and set in a wall on which are placards: 'This . Shop!!! will shortly open under entire new Management--Vivant [sic] Rex'; a Union Jack poster (partly covered); the Russian eagle, and a fleur-de-lis, the two last inscribed 'Loan'. The Turk: 'What have you taken the Shop? well if you take my advice you will not give Your Customers too much Credit for I can tell you they are a queer set to deal with by the bye they nearly ruined me--and mind that you look sharp after your Shopmen'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 50 x 36 cm.
Publisher:
Pub. April 10, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Léopold I, King of the Belgians, 1790-1865
Subject (Topic):
Turks, Ethnic stereotypes, Doors & doorways, National emblems, and Signs (Notices)
"Prince Leopold sits enthroned, flanked by his new subjects; he wears uniform with a crown, and sits on a two-tiered circular dais in a chair of state, the seat of which is covered with giant thorns. Punctured and frightened, he grasps the arms of his chair with crisped fingers; his toes are drawn back, touching the ground, and he looks towards a savage-looking Greek (right) who kneels before him with a long knife held behind his back. A similar ruffian kneels on the left; others approach menacingly from the left, one smoking a long pipe and grasping a knife. They wear Greek costume with embroidered jackets and full white breeches. On the right are long-robed ecclesiastics, headed by a bearded patriarch with a cross in one hand, a knife in the other."--British Museum online catalogue
"A magician stands full face with uplifted sabre held over the heads of two figures from the past whom he has called up, and who stand within a magic circle. He displays them to their modern descendants, a tall stout Frenchman plainly dressed, wearing cocked hat and military boots, who stands with his arm on the shoulder of a thin, wretched, shambling, Englishman, small, ugly, and foppish, his hand thrust through an empty pocket. The magician has a beard, but features, cocked hat, consular dress, and sabre indicate Napoleon. He asks: "Are you satisfied Gentlemen?" The apparitions (left) are a grossly obese Englishman in old-fashioned dress, a cane hanging from his right wrist, and an ugly, tall, cadaverous, and foppish Frenchman holding a snuffbox. They say, respectively: "Is that my Grandson Jack? what a skeleton!!!"; "Ah mon Cousin, vat you eat de Beef & Plum Pudding!!" Their surprised successors exclaim: "Bless me! why I am a mere Stump of a man to him!!! and viable my Cousin look like de Frog & John Bull look like de Ox but Grace a Dieu times are Changed!!" Beside the magician are symbols of his art: a globe, a crocodile, a scroll, a skull. Within the circle and beside the French apparition is a frog."--British Museum online catalogue
Alternative Title:
Review of old times
Description:
Title etched below image.
Publisher:
Pub. by T. Williamson, N. 20 Strand, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Magicians, Daggers & swords, Globes, Ethnic stereotypes, and Obesity
Trade card for the Dawbarn family grocery warehouse, situated in Aldermanbury, London. It shows a man wearing typical Chinese dress, sitting on boxes on the banks of a river. Behind him looms a large pagoda, and to his right a box, an urn, and a basket overflowing with goods
Description:
Title from item., Date entry in Kent's original London directory, 1816 edition., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
T. Dawbarn
Subject (Geographic):
England and London.
Subject (Topic):
Grocers, Ethnic stereotypes, Pagodas, Rivers, and Ships
Title from item., Date and place of publication supplied by curator., In image lower left: By a free Lance., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Disraeli, Benjamin, 1804-1881
Subject (Topic):
Politics and government, Politicians, Nightmares, Ethnic stereotypes, Skeletons, and Crowns
Title from item., Date derived from printmaker's date of death., Below title: Docteur ambulant a Tien-sing ; Der wanderende Doctor zu Tien-sing., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mountebanks; Medicine in China.
Publisher:
Fisher, Son & Co. London & Paris
Subject (Topic):
Medicine, Chinese, Medicine shows, Patent medicines, Snakes, Spectators, Medicines, and Ethnic stereotypes
"A gout ridden man seated in right side profile shouting with anger at his Irish footman who carries a sundial under his arm with a fob watch dangling from it. Having been asked to set the watch by the time on the sundial, the footman in an effort to be helpful, has instead transplanted the dial into the parlour for the master to do it himself."--Royal Collection Trust online catalogue, RCIN 810682
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. March 25, 1808, by R. Ackermann, No. 101 Strand
Subject (Topic):
Gout, Ethnic stereotypes, Servants, Sundials, and Clocks & watches
Title from note in pencil at lower left: 38 Accident Ward., Date derived from Whitney Museum collection catalog., Artist's name in plate lower left., Place of publication derived from other works in series., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Head Wounds: Hospitals, Interior., and Artist's signature in pencil lower right.
Publisher:
publisher not identified
Subject (Topic):
Hospitals, Head, Wounds and injuries, Emergency medicine, Black people, Physicians, Police, Sick persons, Emergency rooms, Wounds & injuries, Physical restraints, Medical equipment & supplies, and Ethnic stereotypes
Title supplied by curator., Original work created 1883., Place of publication derived from artist's country of residence., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Self medication, Traditional medicine, Black people, Sick persons, Ethnic stereotypes, Medicines, and Quilts
A scene inside an apothecary’s shop, with a surprised looking apothecary standing behind the counter serving a shifty looking male customer wearing a Scottish bonnet cap and tartan trousers. Behind the counter is a labelled drug run (a set of drawers for storing medicinal ingredients) and labelled drug jars (for storing prepared medicines); on and in front of the counter are pestles and mortars. The shop has carboys and drug jars on display in the windows to the right. The apothecary holds a plaster iron in his hand and is in the process mixing a preparation. See: Royal Pharmaceutical Society Museum online, Attitudes to Health Collection, Reference 997.17.7.
Description:
Title etched below image., Sheet trimmed within plate mark., Two lines of dialogue etched below title: Please Dockthar to gee me a baubee's worth o' brimstane, its no for mysel but for anither gentleman thats outside., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Pharmacies, interior.
"Two elderly Scots discuss the Melville case; one, wearing old-fashioned court dress with a sword, takes snuff from the other's ram's-horn mull; he says: "Touch the Sillar!!! - T'is a on disgrace on aw Scotland!" They have sly, twisted expressions. Melville (left), weeping, clutches the back of the speaker's coat. He wears Highland dress, and says: "What my ain Countrymen turn their backs on me! then tis aw up with Johny Mac-cree [see British Museum Satires No. 10378]". On the right, Pitt runs off furtively to the right, saying, "I must cut out this Connexion - & leave him to his fate"."--British Museum online catalogue
Alternative Title:
Johny Mac-Cree in the dumps!! and Johnny Mac-Cree in the dumps!!
Description:
Title etched below image. and Watermark: C. Wilmott 1801.
Publisher:
Published April 12 - 1805 by S.W. Fores, 50 Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Dundas, Henry, 1742-1811 and Pitt, William, 1759-1806
"A fantastic scene takes place in a cobbled street between two buildings: a large house (left) with the words 'London / Coffee / House' in huge letters above the ground, first, and second floors respectively; and (right) 'The London Tea House' on a façade above the shop-front of the 'Genuine Tea Company' [at 23 Ludgate Hill]. From a centre first-floor window of the latter steps a winged figure resembling Fame, blowing a trumpet from which issue the words 'No Adulteration'. A Chinese, resembling the figures on the trade-cards of tea-dealers, who seems to have walked out of the shop, holds a firebrand inscribed 'Pro Bono Publico' to an open tea-chest inscribed 'Chinese Gunpowder', the contents of which are exploding in flashes inscribed 'Genuine Tea' and terminating in black clouds, so as to tilt over a huge kettle inscribed 'Steam Engine' (which fills the greater part of the design and against which also Fame directs her blast), from which rise clouds of steam surrounding many little men who look out of the (lidless) kettle. The spout is inscribed 'Exchequer' and from it men (tea-dealers) are being poured head first into a china tea-pot (left) on which is a Chinese pattern: a tree with two branches, one inscribed 'To the Ks Bench', the other (in reversed characters) 'To Newgate'. One exclaims: "There was No Tea in the composition!!!!! yet they fined me £2320!!!" Another: "It's never too late to mend." Round the tea-pot lie bundles inscribed respectively: 'Clover & Ash'; 'Sloe leaves'; 'Verdigrease'; 'Potatoe Parings'; 'Dutch Pink'; 'Elder leaves'. Behind the spout is the word 'Bohea'. Other tea-dealers are falling from the kettle; one says: ""I wish to retrieve my Character" / "and I think that it is fair we / should All be Tarred" / with the same Mop.!!" vide report of the Meeting." Another: "We have been togathe [sic] & we'll go togather." In the centre of the tea-dealers emerging from the kettle is one represented by a chair with human head and arms, showing he is their Chairman (one Bedwells) and that a meeting of tea-dealers is represented: he holds out a paper: 'Tea paper Resolved--00000 Resolved--00000'. He says: "Gentlen, Unless we can make our Tea, a little better, depend upon it, we shall all go to pot! I am quite affected by it already-- but I hope I shall go to Bed-well." Beside him is a canister inscribed 'Ludgate Hill Gas'; on this sits a bird, chirping up at him. One of his audience says: "Aye, aye, we shall all be Dished"; another asks: "who calls, me a-ber-y." A man answers: ""I, said the Sparrow" vide Cock Robin." A man with an axe for head (? Axford): "I wish to Ax, if anybody can afford to sell cheaper?" The other speakers appear also to indicate their names: "Sharps the word"; "I'll be Secretary, for I'm the Man for a Brown Study"; "who talks about sloes & black Berries"; "Come down with your Dust: I'm Treasurer"; "This is a bad Day for us--O, it will play the devil with us this Winter"; "Let's Marshall ourselves against this new Tea Compy"; "I lament this exposure, it makes me as melancholy as a Gibbs [the s scored through] Cat." Some look from the right of the kettle towards the new shop: one (? Shaw) says: "who cares a Button?--'Shaw!"; others: "Let's throw as much dirt at Concern [sic] as we can"; "Take care you don't splash your self"; "That's right! [? Wright] pelt away, never mind dirtying ourselves." Other speeches rising in the steam are: "Mr Chair man I consider this a Second Gunpowder plot it is evidently so as they opened on the 5th of November"; "Suppose we meet in Holborn"; "Although the Names of certain persons have been suppressed in the public prints there is no doubt but the Commissioners of Excise will give facility to the exposure of every delinquent coming under thier notice--see report of the Meeting." A little boy stands below looking up at the kettle; he says: "My eye! how the scum bubbles up to the top!" On the ground (right) sits a street-seller with a large bundle of papers under her arm inscribed 'Resolutions of the T. Trade--&c &c.' Beside her are other papers: 'Resolutions, &c.' and 'Tea Paper'. She holds out a straw, saying, "Who'll buy my ha'porth of Straw?-- for my part, if I could get good Tea I should not care a straw who I bought it of!" Customers enter the shop of the 'Genuine Tea Company'. One lady on the pavement meets another, saying, "I am going to mak a purchase of this New tea Company." Her friend answers: "I have just been we may now I think ask each other to a Cup of Tea!" A grotesque dandy, in short loose trousers over high boots, inspects the shop through a glass, saying, "Excellent! establishment pon honor!!", while an old woman in a red cloak hurries in at the door, saying, "Now for a Good Cup of Tea once more." A dog of dachshund type with 'Tim' on its collar barks at this group."--British Museum online catalogue
Alternative Title:
Tea trade in hot water! and Pretty kettle of fish!!!
Description:
Title etched below image., One line of quoted text above image: "The nefarious & abominable practice of mixing teas with various cheap ingredients of the most poisonous qualities, has already been sufficiently exposed; "!!!--" because their practices are calculated to produce disease, if not death" - vide Observer, Novr. 8th, 1818., and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 14th, 1818, by G. Humphrey, 27 St. James's Street
Page 244. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate from: The new wonderful magazine, and marvellous chronicle. London : Published by Alex. Hogg, v. 3 (1794)., "Wonderful magazine"--Above image., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Irish wakes -- Drunkenness., 1 print : etching and engraving on laid paper ; sheet 10.8 x 15.3 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge and periodical name from top edge., Mounted to 32 x 26 cm; a small newspaper clipping (3.9 x 6.2 cm) is mounted below print, dated "1773" in ink., and Mounted on page 252 (misnumbered '244') in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. by C. Johnson
Subject (Geographic):
St. Giles in the Fields (London, England),
Subject (Topic):
Interiors, Churches, Wake services, Dead persons, Ethnic stereotypes, Alcoholic beverages, Intoxication, Drinking vessels, Vomiting, Clergy, and Fans (Accessories)
Opposite title page. Journal of a tour to the Hebrides, with Samuel Johnson, LL.D.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 7030. Johnson, as a bear with a human head (a profile portrait), walks (left to right) up a mountain. Boswell as an ape with a quasi-human head is seated on the bear's back facing the tail, which he holds up, beckoning with his right hand to two bare-legged men in Highland dress who are climbing up the mountain behind Johnson. In the foreground are thistles."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., A companion print to: A tom tit twittering on an eagle's back-side., On paper watermarked "W.J.", and Tipped in opposite title page in Horace Walpole's copy of: Boswell, J. The journal of a tour to the Hebrides, with Samuel Johnson, LL.D. London : Printed by Henry Baldwin, for Charles Dilly, in the Poultry, 1785.
Publisher:
Published 19th April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
Boswell, James, 1740-1795., Johnson, Samuel, 1709-1784, and Boswell, James, 1740-1795
Subject (Topic):
Ethnic stereotypes, Clothing & dress, Bears, and Monkeys
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
"Boruwlaski or Boruslawski (left) plays the violin, he stands (left) before an immense Turk (right) seated on the floor, an arm round each of two ladies of the harem who recline against him. The Sultan (Abdul Hamid) smokes a long pipe. Behind him stand two fierce-looking guards. In the background three other ladies listen rapturously to the slim, erect, and well-dressed dwarf, who is in marked contrast with the massive Turk and the voluptuous ladies of the seraglio. A draped canopy completes the design."--British Museum online catalogue
Description:
Title etched below image., Plate originally published in 1781. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 186-187., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement. Imprint supplied from British Museum catalogue., Watermark., and Mounted to 23.3 x 30.7 cm.
Publisher:
Publish'd March 1786 by E. Jackson, No. 14 Marylebone Street, Golden Square
Subject (Geographic):
Turkey.
Subject (Name):
Borusławski, Józef, 1739-1837 and Abdülhamid I, Sultan of the Turks, 1725-1789
Subject (Topic):
Ethnic stereotypes, Sultans, Harems, Guards, Dwarfs, Violins, and Pipes (Smoking)
"Lord Lansdowne sits at a small writing-table, pen in hand, a number of papers before him. Three Jews (left) stand obsequiously on his right, but he turns with his enigmatic smile towards a French post-boy (right), a grotesque dwarfish man with long queue and jack-boots holding his whip and hat, who holds out to him with a cunning smile a paper inscribed: 'My dear Lord Paris 7th Jany 1783 I am happy to hear you have so nearly concluded your Alley Arrangements. The Preliminaries shall be signed coute que coute by the Time you desire, & you may rely on the Courier's arrival on the Eve of the 23d yours truly Billy Paradice [William Eden.]' Under Lansdowne's elbow is a paper inscribed 'Memorandums Pay off the Mortgage on Jesuits Colledge in Berkeley Square - Pay off Solomons any for 500£ pr Annm Inquire what Tayt will take for my Bond for 3000£ given for furniture sold at Christyes'. The foremost Jew holds out to Lansdowne a paper ... On a shelf, inscribed 'Waste Paper', in the upper right corner of the design, are three large bundles of papers: 'Ordnance Estimates', 'State of the National Debt', and 'Civil List'; two piles of documents hang from the shelf. On the wall above Lansdowne's head are two bust portraits: 'John Calvin', wearing a steeple-crowned hat, gown, and bands, and 'Ignatius Loyola', a profile portrait of Burke wearing a Jesuit's biretta as in British Museum Satires No. 6026, &c. 12."--British Museum online catalogue
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Sheet trimmed to within thread margins of plate mark., and Temporary local subject terms: Treaties -- Commerical Treaty with France -- National debt -- Civil list -- Military Ordinance -- Allusion to J. Bond -- Allusion to St. Ignatious Loyola -- Allusion to John Calvin -- French post-boy -- Jesuits -- Allusion to William Eden, 1st Baron Auckland, 1744-1814.
Publisher:
Pubd. March 12th, 1787, by R. Phillips, Southwke., London
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Burke, Edmund, 1729-1797
Subject (Topic):
Jews, Ethnic stereotypes, Tables, Writing materials, Boots, and Whips
Smith, Adam, active 1760-approximately 1780, printmaker
Published / Created:
[1770]
Call Number:
770.00.00.65
Image Count:
1
Resource Type:
still image
Abstract:
A street scene in London near a butcher's shop with the portly owner assaults a gaunt Frenchman. A small chimney sweep drops a mouse into the Frenchman's wig as a dog fouls the Frenchman's legs. A woman with a tobacco pipe in her mouth trudges in the background balancing a basket of vegetables (or apples?) on her head. A lean Scotchman steals from the distracted butcher's stall
Description:
Title engraved below image., Text above image: Engraved for the Oxford magazine., Plate from: The Oxford magazine or, Universal museum. London : Printed for the authors, v. 5 (1770), page 216., and Mounted to 27 x 40 cm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Topic):
Street life, City & town life, Butchers, Butcher shops, Chimney sweeps, Dogs, Occupations, Ethnic stereotypes, and Pipes (Smoking)
A satire on a Highland soldier's attempts to use a lavatory in London. A Scot in Highland dress and wearing a feathered cap is seated in a latrine, his legs thrust down two holes in the board as he urinates onto the floor. Behind and to the right on the stone wall are posted various drawings and broadsides. His sword is to his right
Description:
Title from other copies of this image., Attribution to Hogarth spurious. See The Lewis Walpole Library, Yale University Steevens collection of Hogarth's plates, p. 231., Imprint and price mostly burnished from plate., Sheet trimmed within plate mark resulting in loss of title on the Lewis Walpole Library impression., "[Price] 3d."--Lower right corner., and Mounted to 23 x 17 cm.
Publisher:
To be had [...]
Subject (Topic):
Ethnic stereotypes, Caricatures, Privies, and Urination
A satire on a Highland soldier's attempts to use a lavatory in London. A Scot in Highland dress and wearing a feathered cap is seated in a latrine, his legs thrust down two holes in the board as he urinates onto the floor. Behind and to the right on the stone wall are posted various drawings and broadsides. His sword is to his right
Description:
Title from item., Publication date in British Museum catalogue: 1762., Plate numbered '39' in upper right corner., Two columns of verse below image: Sawney who ever from his birth had dropt his cates on Mother Earth shewn to a boghouse, with surprise, down each hole thrusts his brawny thighes. Sawney's a laird, he cries, I trow! Ne'er did he nobley sh-t till now., and Mounted to 30 x 34 cm.
Publisher:
E. Sumpter
Subject (Topic):
Ethnic stereotypes, Caricatures, Privies, and Urination
Reduced copy, from "The mountebank" (British Museum catalogue no. 3854), with out the inscriptions on the papers. The charletan's speech ends with : .. See here my lads heres the Golden Lozenges which will cure ye all make ye hauld up yr. heads and turn out mucle southern loons. A crowd mostly wearing Scotch plaid assemble on a mountebank's stage, bowing to him. Behind a line of curtains suggest a bed and a box of treasure on the floor. Lord Bute is the charlatan and stands holding money bags in each hand. A middle aged woman in a Welsh hat (the Princess of Wales) looks from between the curtains and listens with pleasure to the charlatan. The zany of the quack is a gaunt man in a Scotch plaid dressing gown and a tall fool's cap and holding a copy of "The Briton" under his arm and a horn in his girdle
Alternative Title:
Scotch quack
Description:
Title etched below image; expanded title from British Museum catalogue., Numbered '20' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. 5th ed. [London] : Sold at Mr. Sumpter's bookseller, [1763]., and Mounted to 33 x 43 cm.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Crowds, Ethnic stereotypes, Hats, National emblems, Scottish, Welsh, Quacks, and Swindlers
Title from caption etched above image., Reversed copy, with changes in title, of the etching illustrating No. 3917 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Outdoor stage: mountebank's stage -- Arms of the City of London -- Emblems: spear and cap of Liberty -- Emblems: fleur-de-lis -- Personifications: France as an ape -- Shields: Britannia's shield with Scotch thistle and Cross of St. Andrew's -- Emblems: Scotch thistle -- Clyster pipe -- Dutchmen -- Spaniards.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Smollett, T. 1721-1771 (Tobias),, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Britannia (Symbolic character), Ethnic stereotypes, Medical equipment & supplies, National emblems, Quacks, and Vomiting
Title engraved above image., Sheet trimmed to plate mark., Plate from: The gentleman's museum and grand imperial magazine. London : Printed for the author ..., 1770-1772., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Wakes: Irish wake -- Naval uniforms -- Furniture: bed with canopy -- Drinking., and Mounted to 15 x 28 cm.
Publisher:
publisher not identified
Subject (Topic):
Ethnic stereotypes, Wake services, Military uniforms, Sailors, Canopy beds, Chamber pots, and Alcoholic beverages
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st Jany. 1778.
Call Number:
Bunbury 778.01.01.03++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue
Description:
Title from text below image., Probably an earlier state of a print in the British Museum with the imprint "Publish'd 11th March 1778." Cf. no. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark, mostly trimmed.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
"An Irishman seated on a bull which is galloping across open country towards London, seen in the distance on the right., St. Paul's being visible. He wears a short jacket and ragged knee-breeches, his legs and feet are bare. His hair is dishevelled and he is urging on the bull with his hat, which is raised in his right hand. He sits facing the animal's tail, which he holds in his left hand. From his saddle-bag appear books: "St Pat . ." and "New System of Fortune Hunting"; a paper hangs out of it inscribed with a list of ladies with fortunes, beginning "Lady Mary Rotten Rump St James Square 30,000£". A sack inscribed "Potatoes" is tied to the bull in front of the saddle. A milestone shows that it is "IIII Miles from [London]".--British Museum online catalogue
Alternative Title:
Paddy on horseback
Description:
Title etched below image. and Printmaker and place of publication from British Museum catalogue.
"Scene in a stockbroker's office, or perhaps in Jonathan's or Lloyd's, a room with a small writing-desk (right) and on the wall a 'Table of Interest'. The Chevalier d'Eon, dressed as a man, enters from the left and is greeted by a stockbroker who takes his left hand and points with his right to other brokers on the right who watch the entry, some with dismay, others with pleasure."--British Museum online catalogue
Alternative Title:
Stock-brokers outwitted, Stockbrokers outwitted, and Chevalier D'Eon returned
Description:
Title from item., Sheet trimmed to plate mark., Publication place and date inferred from that of the magazine for which this plate was engraved., Date in British Museum catalogue as: 1 September 1771., Sheet trimmed within plate mark., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 7 (1771), p. 56., and Mounted to 32 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée d', 1728-1810
Gulston, Eliza B., 1749 or 1750-1779 or 1780, printmaker
Published / Created:
publish'd as [the] act directs, 2d March 1772.
Call Number:
772.03.02.01
Image Count:
1
Resource Type:
still image
Abstract:
"A freely drawn sketch of three figures. A Jew in profile to the right holds a glass show-box which is supported by a strap round his shoulders. Facing him in profile to the left is a man with a large pack tied to his back, he is looking at the Jew's wares, one hand held up as in surprise. Between them, and full-face, stands a Dutchman (?) wearing trousers and smoking a pipe; he is looking at the Jew's show-case. [In 1765 Cole compared the Paris shop-windows to the show-cases carried about by Jews. 'Cole's Paris Journal', 1931, p. 50.] Above the heads of the figures a devil is flying, he holds two strings, one of which is attached to the neck of each pedlar."--British Museum online catalogue
Alternative Title:
Peddlers
Description:
Title supplied from British Museum catalogue., Temporary local subject terms: Trades: street pedlars -- Dutchmen -- Pedlars' show-boxes., and Watermark: countermark crowned royal cipher G R.
Publisher:
publisher not identified
Subject (Topic):
Jews, Ethnic stereotypes, Peddlers, Pipes (Smoking), and Devil
"America, a partly-draped female figure, is being held down by Lord Mansfield (right) in judge's wig and robes, while North, holding her by the throat, pours the contents of a tea-pot down her mouth. America ejects the tea in a stream directed at North's face. From his pocket hangs a paper inscribed "Boston Port Bill". Sandwich (left) kneels, holding America down by an ankle, while he lifts the edge of her draperies and peers beneath them. Behind Mansfield (right) stands Bute in Scots cap and kilt, holding a drawn sword, its blade inscribed "Military Law", pistols are thrust through his belt. Behind America stands Britannia resting one hand on her shield; she averts her face and covers her eyes with her hand. Behind Sandwich (left) stand two men dressed in the French and Spanish fashions and representing France and Spain or the monarchs of France and Spain; the order of the Golden Fleece hangs from the neck of Spain. They stand close together, pointing towards America with expressions of interest and concern. In the foreground is a torn document inscribed "Boston petition". In the background is the sea; on the horizon and on a minute scale are the spires of a town surrounded by ships, above is engraved, "Boston cannonaded"."--British Museum online catalogue
Alternative Title:
America swallowing the bitter draught
Description:
Title engraved below image., Publication place and date from that of the periodical for which this plate was engraved., and Plate from: London magazine. London : Printed for J. Baldwin, v. 43 (1774), p. 185.
Publisher:
publisher not identified
Subject (Name):
North, Frederick, Lord, 1732-1792, Mansfield, William Murray, Earl of, 1705-1793, Bute, John Stuart, Earl of, 1713-1792, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Boston Port Bill, 1774, Boston Tea Party, 1773, Britannia (Symbolic character), Ethnic stereotypes, Teapots, and Medical procedures & techniques
Leaf 49. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A bear representing England sits at the left side of a table brandishing a knife over a huge roast beef and plumb pudding, beside an enormous tankard of ale. Opposite him a green rat-like animal, (possibly a monkey) representing France and wearing a red military coat, sword, and feathered tricorne hat, has before him a carafe and glass of wine together with a few mushrooms and onions. On the wall behind the bear is a picture of two overweight pugilists, and behind the rat two duelists with rapiers
Alternative Title:
England, roast beef and plum pudding and France, toad stools & garlick
Description:
Title from item. and Publisher's initials "MD" form a monogram.
Publisher:
Pub. Jany. 1, 1775 accy. to act by M. Darly
Subject (Geographic):
England
Subject (Topic):
Ethnic stereotypes, Bears, Rats, Drinking vessels, Plum puddings, and Interiors
"An elderly Scots bonnet laird or farmer stands repeating the song, which is a complaint of the extravagance and misconduct of his wife. He wears a round Scots bonnet and a tartan plaid over his coat, long stockings, and shoes tied with strings, tattered gloves from which his fingers protrude; a cane is suspended from his left wrist. He holds in his left hand a small tankard with an open lid indicating in London 'a dram' or gin. In the background is a small house, partly visible on the left, outside which stands the wife, drunk and flourishing a similar tankard; a wine-bottle lies at her feet, a man leans from the window. On the right is a farm building wiuth a horse, two cows, and a broken fence. In the foreground right is a large thistle."--British Museum catalogue
Alternative Title:
Wholly and fairly
Description:
Title etched below image. and Sheet trimmed within plate mark with loss of statement "Published as the act directs, 4 June 1787." See British Museum catalogue.
Publisher:
Printed for and sold by Bowles & Carver, No. 69 St. Paul's Church Yard
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dutch Republic.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
"One of a set of four: see British Museum Satires No. 7176. France, as an elderly and ugly petit-maître (right), his hat under his arm, holds out obsequiously an empty purse and a snuff-box towards Holland, a stout peasant who kneels at his feet, weeping and clasping his hands in supplication. Behind Holland stand a Prussian soldier, threatening him with his bayonet, and England, a sailor who clenches his fists. In the background (right) is a windmill. Beneath the design is engraved: 'Prussian: Orange for ever! and respect to the Ladies. English: Confess yourself a French Dog! Dutch: Help me out Monsieur! you brought me in. Frenchm: Me beg to be excused. Bygar me have nothing to give; & me remember the Duke of Bronsvic, Pitt, Rosbac & Minden'."--British Museum online catalogue
Description:
Title from item., Temporary local subject terms: Dutch and United Provinces -- Military uniform: Prussian soldier -- Military uniform: British sailor -- Musket with bayonet., DeGrey's ms. note on verso., and Watermark: C Patch on the right side of sheet; Strasburg lily on the left.
Publisher:
Publish'd Octr. 21st, 1787 by T. Harmar, No. 164 (opposite Bond Street) Piccadilly
Subject (Topic):
Ethnic stereotypes, Sailors, British, Military uniforms, Prussian, Rifles, and Bayonets
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
Design consists of male figures from various social classes, professions, ethnic groups, all caricatured, arranged in four horizontal rows all riding two-wheeled bicycles. Below four columns of verse commenting on the various types depicted: parson, lawyer, 'Cit', miser (a caricature of a Jewish man), dandy, tailor, balck man, Quaker, clowns, hunter, etc
Alternative Title:
Four and twenty hobby-horses all of a row
Description:
Title from caption below image., Four columns of verse in letterpress below title: Hobby's the word, and, onward sliding, all London Town is set a-riding ..., Publisher statement in etched below image., Printer statement in letterpress below verses., Sheet trimmed within plate mark on three sides., and Watermark: J. Whatman Turkey Mills.
Publisher:
Published May 1st, 1819, at R. Ackermann's Repository of Arts, 101 Strand and Printed by L. Harrison, 373, Strand
Subject (Topic):
Bicycles & tricycles, Clowns, Ethnic stereotypes, and Occupations
"A design in three compartments, each with its title. [1] John Bull (left), very corpulent, a frothing tankard in his hand, sits in an arm-chair beside a table loaded with beef, pudding, and 'Home Brew'd'; he is approached by three famished Frenchmen, who lean eagerly towards him, cap in hand. He points to the table, saying: "The blessed effects of a good Constitution." The three say: "I am your Friend John Bull you want a Reform"; "My Honble Friend speaks my Sentiments"; "John Bull you are too Fat." Below: [2] The three Frenchmen, ragged, bare-legged, and fierce-looking, two with bludgeons and one with a dagger, advance menacingly to John Bull, who holds out a frog, saying: "A Pretty Reform indeed you have deprived me of my Leg and given me nothing but Frogs to eat I shall be Starved I am no Frenchman." He has a wooden leg, is less stout than in [1], and his clothes are ragged. The Frenchmen say: "Eat it you Dog & hold your Tongue you are very happy"; "Thats right my friend we will make him Happier still" (his cap is inscribed 'Ca ira'); "He is a little leaner now." Below: [3] John Bull lies prostrate screaming "O - H - O - H"; two frantic Frenchmen holding firebrands trample fiercely on him. One (left) says: "now he is quite happy I will have a Jump"; the other adds, "Oh Delightfull you may thank me you Dog for sparing your Life - thank me I say."--British Museum online catalogue
Alternative Title:
Reform begun and Reform compleat
Description:
Title from text etched above each image., Attributed to Rowlandson by the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Food: roast beef -- Beverages -- Dishes: tankards -- Jugs -- Weapons: bludgeons -- Wooden legs -- Allusion to French Revolution -- Frenchmen.
Publisher:
Pulished [sic] as the act directs, Jany. 8th, 1793, by Jno. Brown, No. 2 Adelphi
Subject (Geographic):
France
Subject (Topic):
History, Foreign public opinion, British, John Bull (Symbolic character), Ethnic stereotypes, Obesity, Meat, Beer, Pitchers, Daggers & swords, Frogs, and Peg legs
"An elderly man, his profile caricatured, dressed as a military officer, inspects through a glass a fat man and boy (left), both Dutch, wearing baggy breeches and sabots, who lean against a rail, the man smoking a pipe. A pretty young woman, wearing a high-waisted travelling dress and small hat, takes the officer's arm; her left hand is in a large muff. Behind are the masts of a vessel backed by chalk cliffs, showing that the rail edges a small creek or harbour; on the right are a beam and pulley."--British Museum online catalogue
Description:
Title etched below image., Reissue of a plate first published 10 January 1796 by Thomas Macklin., Sheet trimmed within plate mark., and Temporary local subject terms: Quizzing -- Dutchmen.
Publisher:
Published Jany. 1, 1809 by J. Deeley, 95 Berwick St. Soho
Subject (Topic):
Older people, Military uniforms, Hand lenses, Ethnic stereotypes, Pipes (Smoking), Muffs, Dogs, and Pulleys
McArdell, James, approximately 1729-1765, printmaker
Published / Created:
publish'd according to act of Parlmt., Aug. 26, 1747.
Call Number:
747.08.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
An intoxicated young man walks to the right, his eyes shut and head slumped to one side. He is supported by an older woman, his arm over her shoulders, as she holds his hat in her left hand. A younger woman on the man's right is picking his pocket with her left hand as, with her right hand, she gracefully lifts her skirts above the cobblestone street. A link-boy with a torch leads the way to the right. In the distance another link-boy is running also toward the right. In the distance is a statue of Charles I on horseback
Description:
Title from item., Sheet trimmed to plate mark., and Possibly based on the character of the Irish Teague from Sir Robert Howard's play, The committee. See Goodwin.
Publisher:
Sold by T. Jefferys at the corner of St. Martins Lane, Charing Cross and W. Herbert at the Golden Globe on London Bridge
Subject (Name):
Howard, Robert, Sir, 1626-1698
Subject (Topic):
Children, Ethnic stereotypes, Intoxication, and Pickpockets
Titles from text below images., Date of publication based on running dates of the Great Exhibition: 1 May to 15 October, 1851., Two individually captioned designs on sheet., and Sheet trimmed within plate mark.
Title from caption below image., Approximations of Chinese characters precede each line of text., Imprint statement mostly erased from sheet. Publication information from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Print numbered in pencil in upper right corner: 4., and Imprint statement mostly erased from sheet.
Bretherton, James, approximately 1730-1806, printmaker, publisher
Published / Created:
[6 March 1772]
Call Number:
Bunbury 772.03.06.02
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on French pretensions: a coachman standing in profile to left; he has a curled moustache, laced coat and a large bag wig, and holds a long whip and taking snuff."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of artist's name in signature form a monogram., and Watermark, partially trimmed: J. Whatman.
Publisher:
Publish'd as the act directs 6th March 1772 by I. Bretherton, No. 134 New Bond Street
"Four men, raffishly prosperous, dance forward together in a line, three in tipsy joviality, one dragged forward, ill and dejected. The Irishman and Englishman have their arms entwined, one flourishes a cane, the other a handkerchief. The melancholy Scot holds the Englishman's coat-tail. The jovial Welshman takes the Scot's left arm, waving his hat. Each wears, in top-hat and coat, his national flower: shamrock, rose, thistle, leek. The Scot wears quasi-tartan trousers."--British Museum online catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Pyall & Hunt, 18, Tavistock Street, Covent Garden
Subject (Topic):
Dancers, Ethnic stereotypes, National emblems, English, Scottish, Welsh, and Irish
"A Paris street. A young and handsome English couple walk arm-in-arm (right to left), the man well-dressed in top-hat, tail-coat, breeches, and top-boots, the lady simply and elegantly dressed in a high-waisted gown and plain bonnet. Four Parisiennes, ugly, bedizened, over-dressed, and round-shouldered, point and jeer. One holds by the hand a little girl, also pointing. A man, dishevelled and vulgarly smart, stares over his shoulder"--British Museum online catalogue
Description:
Title from caption below image. and Evidence of imprint statement modifaction on plate. Cf. British Museum catalogue.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, City & town life, and Clothing & dress
A caricatured figure of a Chinese man with a pagoda-style hat, long whiskers, and costume, with Chinese language approximated in comical fashion
Description:
Title from caption below image., Approximations of Chinese characters precede each line of text., Imprint statement erased from sheet. Publication information from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Print numbered in pencil in upper right corner: 1.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Title engraved above image., Printmaker identified from the original drawing in the Huntington Library., Plate numbered '230' in lower right corner., Three lines of text below title: Frenchman: begar my country be ver de ver in de invention of de modes and de fashions ..., From Laurie and Whittle series of drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Frenchmen -- Englishmen -- Male dress: French, 1799.
Publisher:
Published April 8th 1799, by Laurie & Whittle, No. 53 Fleet Street, London
New way of mounting your horse in spite of the gout!!
Description:
Title etched below image., Date derived from George IV's date of death., Place of publication derived from street address., Below title: Dedicated to all fashionable Equestrians afflicted with that Malady!, and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pubd. by Sidebotham 96 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Royal Pavilion (Brighton, England)
Page 181. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
French officer and English alehouse man and Officer francois / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a five of clubs playing card (60 x 86 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: Officer francois, by Miss Conway., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 181 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Subject (Topic):
Military officers, French, Ethnic stereotypes, Drinking vessels, and Obesity
"A plainly dressed man with lank hair falling on his shoulders, bends over a dog, placing his left hand on the head of the trustful animal. With a large brush he applies a smoking liquid to its side saying, "Come here poor Dog! Thee shalt not say I called thee names, or beat thee, for that would be cruel!! but I will anoint thee with Oil, and moisten thy sides with my pure Linnement." The scene is in a yard with a high paling, outside an open door leading to the dispensing-room of the Quaker, evidently an apothecary. Just within the room is a large smoking jar of 'Oil of Vitriol'; on the door-step is a dish of smoking vitriol. Above are the neatly ranged jars, bottles, and drawers of an apothecary, with a pestle and mortar. A woman in an upper window of an adjacent house looks down into the yard; she shouts: "Ah Obadiah, that decietfull whining Cant, to allure the poor Animal, in order to inflict the most Diabolical unheard of Cruelty on him, shall not go unpunished"."--British Museum online catalogue
Alternative Title:
Mercifull example of Quaerism at Brighton and Merciful example of Quakerism at Brighton
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: NB. the side of the poor animal was entirely burned through the next day and his bowels actuall [sic] fell out on the ground., Sheet trimmed within plate mark., and Ms. note in pencil below plate line.
Publisher:
Pubd. Septr. 1806 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Quakers, Dogs, Drugstores, Ethnic stereotypes, and Punishment & torture
"The Prince of Orange (left), dressed like a Dutchman in (English) caricature, kneels with arms extended imploringly at the feet of Princess Charlotte (a good portrait). He wears Apollo's wreath, decorated with small oranges, before him is his clumsy flower-pot hat, containing a paper: 'Rules for the game of ye Dutch Pins' (ninepins); beside this is a Jews' harp, a degraded form of Apollo's lyre. His breeches are enormously bulky, and a tobacco-pipe projects from a pocket. He sings: "Lovely Maid, assuage my Anguish! At your feet your true love sighs; Do not let your Dutchman languish, If you frown, alas he dies!" She answers, pointing to his breeches: "From what I feel, and what I see, There's nought about you that bewitches; Unless indeed a charm may be In a Dutchman's great big breeches!!!" She stands beside a table (right) at which she has been sitting. On this are her painting materials, pencil, brushes, cakes of water-colour, porcelain palette, and jar of water, with an open box. Her painting is on a sloping board: a fat Dutchman trudges off, a bundle at his back, in the direction of a sign-post pointing 'To Holland'; he grasps his head despairingly. Behind the Prince a French window with draped curtains gives on to a small balcony. By the window are flowering plants in a jardinière; a sofa stands against the wall; a patterned carpet completes the design."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. June 29, 1814, by Wm. Holland, 11 Cockspur St.
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, William II, King of the Netherlands, 1792-1849, Charlotte Augusta, Princess of Great Britain, 1796-1817., and William II, King of the Netherlands, 1792-1849.
"A very ragged Irish bog-trotter stands full-face, knees flexed, a shillelagh in the right hand, a shilling in the left palm. Shaggy hair bursts through his small shapeless hat in which is a tobacco-pipe. He stares, with raised eyebrows and a grin. Above his head: 'Arrah now, be asy, ye devils, be asy! I'm thinking how I shall pay Dan two thirteens out o' one. Och now! and Dan's a dear crater!'."--British Museum online catalogue
"The platform extends across the centre of the design. Below are the audience, three-quarter length and half-length, standing and seated. A man in patched clothes stands in the front of the semicircle of men seated on the platform, holding out his empty breeches pockets. With sanctimonious melancholy he says: Oh! my Bretheren! in that black and benighted land of Ireland have the Servants of the Lord fought the good fight! For behold! we have wrestled lustily with the Wh--re! Yea, with the Scarlet Wh--re! and behold, from the pestiferous abominations of papistry, Millions have we gather'd to the fold, of Starving Souls who yearned for the Word!--but yet my Bretheren! 6 times 999000 still worship in the temple of Dagon!--still dwell in the tabernacles of the Enemy!--still hang over the Gulf! and shall they Tumble therin? even into the brimstone and the desolation & ye Confla=ge=ra=tion? No! No! No!--but alas! the Vinyard of the Lord is deserted, for the labourer lacketh his hire! Open thy purse strings Oh Israel! and let ye Mamon of the World be converted into the Sweet Manna of Justification! for lo! there is no Corn in Egypt, and the pockets of the faithful are lank and unreplemished [sic], yea even as the Udders of the Seven Starving kine in the Vision of King Pharoah!!! Those on the platform listen in pious gloom. In the centre are two stout bishops with a lean minister (? Irving) between them, dressed like a minister of the Scottish Church. The others are gaunt, elderly, in plain old-fashioned dress with knee-breeches. One (left) (who resembles Liston as Maw-worn in Bickerstaffe's 'The Hypocrite'), with lank hair resting on his shoulders, fingers clasped and thumbs together, says: That Man's a Saint, if ever there was a Saint. Another says oh! oh! The rest listen in silence. On the platform is a pile of books, three inscribed Bible, two Tracts, one Prayer. A man brings in on his shoulders a large basket inscribed Food for the Starving Irish, heaped with similar books, with a great preponderance of Bibles. Among the audience stands a man with a collecting-plate heaped with sovereigns; coins and a note are contributed. The audience listen intently or converse gloomily. A paper hangs from the platform: Paddy, Mullagan Converted by a Pair of Leather Breeches--Biddy Quin by a Peticoat and a Pair of Shoes."--British Museum online catalogue
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in near total loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., and Matted to: 28.2 x 33 cm.
Publisher:
Pulished [sic] June 21, 1827, by Thos. McLean, 26 Haymarket
Subject (Name):
British and Foreign Bible Society. and Religious Tract Society (Great Britain)
"O'Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps--Constantly Set--Beware'; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister's wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed '1 & 2'; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: 'Unconditional Emancipation O C For Ever'; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts 'Stop wid ye now--are ye goin to lave the ladies behind--ye blackguards.' She is barefooted, very ragged, and wears a soldier's jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... wher [sic] political and other caricaturs [sic] are daily pub., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847 and St. Stephen's Chapel (Westminster, London, England),
A grotesque caricature attacking the much-debated 1820 settlement scheme which encouraged English people to settle in South Africa, where they were promised fertile land and a pleasant climate. In the print, a working-class English family are shown being attacked by a snake, lion and crocodile while highly stereotyped and racist depictions of the local population are seen cannibalizing the family and burning down their home
Alternative Title:
Blessings of emigration to the Cape of Good Hope and Blessings of emigration to the Cape of Forlorn Hope
Description:
Title etched below image. The word "Forlorn" in title is scored through and the word "Good" has been inserted above the line with a caret, forming the correct place name "Cape of Good Hope"., Sheet trimmed to plate mark., Plate numbered twice in upper margin; "No. 2" is centered, and "366" is in the upper right corner., For a companion print entitled "A strong proof of the flourishing state of the country, exemplefied in the proposed emigration to the Cape of Good Hope! ...", see no. 13267 in the Catalogue of prints and drawings in the British Museum, v. 9., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. Septr. 7, 1819, by T. Tegg, 111 Cheapside, London
Subject (Geographic):
South Africa
Subject (Topic):
Emigration and immigration, Emigration & immigration, Indigenous peoples, Ethnic stereotypes, Cannibalism, Snakes, Lions, Crocodiles, and Fires
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., and On page 207 in volume 3.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue and later state., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., On page 207 in volume 3., and Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d, edit., p. 407.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
Reduced copy, from "The mountebank" (British Museum catalogue no. 3854), with out the inscriptions on the papers. The charletan's speech ends with : .. See here my lads heres the Golden Lozenges which will cure ye all make ye hauld up yr. heads and turn out mucle southern loons. A crowd mostly wearing Scotch plaid assemble on a mountebank's stage, bowing to him. Behind a line of curtains suggest a bed and a box of treasure on the floor. Lord Bute is the charlatan and stands holding money bags in each hand. A middle aged woman in a Welsh hat (the Princess of Wales) looks from between the curtains and listens with pleasure to the charlatan. The zany of the quack is a gaunt man in a Scotch plaid dressing gown and a tall fool's cap and holding a copy of "The Briton" under his arm and a horn in his girdle
Alternative Title:
Scotch quack
Description:
Title from item., Title etched below image; expanded title from British Museum catalogue., Later state has the number '20' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. 5th ed. [London] : Sold at Mr. Sumpter's bookseller, [1763]., and On page 296 in volume 3.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Crowds, Ethnic stereotypes, Hats, National emblems, Scottish, Welsh, Quacks, and Swindlers
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 45.7 cm, on sheet 45 x 56 cm., and Leaf 33 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
A Scotch man and woman ride on an ass led by a monk walking to the left and holding its halter on which is supsended a copy of a newspaper "London evening post". The Scotch man is holding a glass in one hand and waving his cap with the other as he shouts "Huzza". She holds a sword and is also shouting. A book lettered with the word "Harrington" is tied to the ass's tail. In the distance is the skyline of London
Alternative Title:
Headpiece for The Jacobite's journal
Description:
Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2893., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 229., Ms. note in pencil in Steevens's hand on print beneath image: Saml. Ireland's copy., and On page 144 in volume 2.
Publisher:
S. Ireland?
Subject (Geographic):
London (England)
Subject (Topic):
Cityscapes, Donkeys, Ethnic stereotypes, and Newspapers
Caption title., Illustration at top of sheet is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
Publisher:
Printed by R. Shaw, Silver-Street, White-Friars, Fleet-Street
Capt. Ord's Independent Company of Volunteer Rangers
Description:
Title from first line of text., Illustration at top of sheet (plate mark 9.2 x 13.8 cm) is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., and Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Sotheby 33++ Box 310
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
A Scotch man and woman ride on an ass led by a monk walking to the left and holding its halter on which is supsended a copy of a newspaper "London evening post". The Scotch man is holding a glass in one hand and waving his cap with the other as he shouts "Huzza". She holds a sword and is also shouting. A book lettered with the word "Harrington" is tied to the ass's tail. In the distance is the skyline of London
Alternative Title:
Headpiece for The Jacobite's journal
Description:
Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2893., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 229., Ms. note in pencil in Steevens's hand at bottom of print: Livesay's copy., and On page 200 in volume 2.
Publisher:
Publish'd Novr. 27; 1781, by Rd. Livesay, at Mrs. Hogarths Leicester Fields
Subject (Geographic):
London (England)
Subject (Topic):
Cityscapes, Donkeys, Ethnic stereotypes, and Newspapers
"Perceval, as Don Quixote, stands in front of the Treasury, giving his orders for the forthcoming session. Facing him, Ministerial members (right) stand at attention, clasping rolled documents, all inscribed 'Ministerial Military Exercise Aye & No', as if they were muskets; one is in Highland dress. A further phalanx in the background is on Perceval's left. He wears armour, with Mambrino's helmet (the barber's basin) and holds erect a tilting-lance, which serves as staff for the Royal Standard. His left hand, holding a 'Muster Roll', rests on his hip. Behind him, pen in hand, and with a pen behind the ear, the two Treasury Secretaries stand stiffly, each with a large book, one 'Names of Staunch Men', the other 'Names of Deserters'. On the extreme left and in the foreground George Rose stoops over a large 'Military Chest', filled with bank-notes, which he holds out towards the Ministerial troops. On the ground beside him lies a rose labelled 'A Rose in January'. Behind him, lurking in a gateway, is Melville, in Highland dress, with two similarly clad Scots peering over his shoulder. He says: "An Ye should want a set of braw fellows fit for ony service, I ha them here ready for ye". On Perceval's left is a mounted officer (Montrose) holding a paper inscribed 'Treaty for an Armistice for 14 days if Necessary'. Beside him is a mounted trumpeter. Perceval says: "Now my Lads lets see if you are perfect in your Exercise!!! You will stick close right or wrong". All answer "Aye. Nor refuse a good place when it is offered". All answer "No. Of course all I say is truth". All answer "Aye, Nor you wont let the Enemy Contradit me". All answer "No". Perceval: "That will do very well and my Aid de Camps shall register you accordingly remember there is something good at the bottom of the Ches [sic]". ..."--British Museum online catalogue
Alternative Title:
Don Quixote, comander in chief, reviewing his troops previous to the campain and Don Quixote, commander in chief, reviewing his troops previous to the campaign
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 1810 by Walker, 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Rose, George, 1744-1818, Dundas, Henry, 1742-1811, Montrose, James Graham, Duke of, 1755-1836, Quixote, Don (Fictitious character), and Great Britain. Treasury
Subject (Topic):
Buildings, Ethnic stereotypes, Military officers, Armor, Flags, Trumpets, Chests, and Money
"A grossly obese John Bull and his lean and ugly wife, both wearing hats, sit on upright chairs, gormandizing. The man holds a whole chicken to his mouth, taking a huge bite. The woman (left) faces him, biting a large melon which she holds with both hands to an enormous mouth. He is morosely savage, she is melancholy; both are gap-toothed. On the ground (right) by the man's chair are collected a ham or gigot, a large irregular (?) galantine, a raised pie: 'pâté de périgueux', a huge jar of 'vin de lafitte' round which four bottles are grouped: 'frontignac', 'Clos de Vouge[ot]', and '. . . seac'. Beside the woman are a basket and tray filled with grapes, peaches, and pears. Through a wide doorway (left) the street is seen with a seated fruit-seller who serves three grotesquely hideous Englishwomen. Two are lank and emaciated, one tries to stuff a big peach into an immense mouth, holding an armful of grapes and peaches; the other gnaws at a bunch of grapes held in both hands. The third, also with bulging cheeks, bites a peach. The fruit-seller's tray is empty; she holds out her last peach. All the women wear small absurd hats or caps, tight long-waisted bodices (coloured) with long white skirts (cf. No. 12359)."--British Museum online catalogue
Description:
Title etched below image., Print attributed to Alphonse Roehn in the British Museum catalogue., Date and series name from British Museum online catalogue., and "Déposé à la Don Gle de l'Imprimerie."
Publisher:
Chez Martinet, Libraire, Rue de Coq St. Honoré
Subject (Topic):
John Bull (Symbolic character), Eating & drinking, Ethnic stereotypes, Obesity, and Women
"A handsome young Highland officer walks arm-in-arm with a slightly taller young woman. Her hair under her flat feathered hat is in a small bag or net of tartan. Behind these walk in single file the family descending in height. First, a youth in Highland uniform, next three girls, the second without a hat, her hair curling on her shoulders. Last a small boy, in Highland uniform, carrying a stick across his shoulder, musket-wise, and holding a dog on a lead. The dress of all the girls is plainer, skimpier, and shorter than that of Frenchwomen; all, except the youngest, have bodices or spencers of different colours from their skirts."--British Museum online catalogue
Description:
Title etched below image., Date from British Museum online catalogue., and "Déposé."
Publisher:
Chez Genty, rue St. Jacques, No. 14
Subject (Geographic):
Scotland.
Subject (Topic):
Clothing & dress, Dogs, Ethnic stereotypes, Families, and Kilts
"Two very tall and lank Englishmen walk arm-in-arm in profile to the left; one grasps a big (red) umbrella, and looks down at a dog. Before them walks a dwarfish man holding a tall cane, perhaps a servant, but dressed in the fashion of the day apart from striped trousers. Behind walks a second couple, shorter, broader, and more cheerful. All have flower-pot hats, and all double-breasted long-tailed coats, except one of the second pair, who wears top-boots. The others wear either long tight trousers or tight gaiters reaching above the knee. Two have large bows suspended from their fobs, to which seal and watch-key are attached. Three wear neckcloths with projecting ends."--British Museum online catalogue
Description:
Title etched below image., Print attributed to Alphonse Roehn in the British Museum catalogue., Date and series name from British Museum online catalogue., and "Déposé à la Don Gle de l'Imprimerie'."
Publisher:
Chez Genty, rue St. Jacques
Subject (Topic):
Clothing & dress, Dogs, Ethnic stereotypes, Pedestrians, and Men
"Satire on the English: a party of tourists climb into a diligence, with the ship behind from which they have just disembarked."--British Museum online catalogue
Alternative Title:
Debarquement d'anglais a calais pour paris
Description:
Title etched above and below image., This print was listed in the 'Bibliographie de France' for la 12 November 1814. See British Museum online catalogue., "Déposé à la Direction Gal. de l'imp. et de la lib.", and Paper with some foxing.
Publisher:
Chez Mme Ve. Chereau rue St Jacques no.10
Subject (Topic):
Carriages & coaches, Families, Ethnic stereotypes, and Tourists
"Satire: an Englishman falls while reaching out for a side of meat; in the background a wall with mock advertisements."--British Museum online catalogue
Description:
Title etched below image., Date from British Museum online catalogue., "Déposé au Bureau des Estampes.", and This print is listed in the 'Bibliographie de France' for 17 February 1816 by Basset. See British Museum online catalogue.
"The candidate, stout and plainly dressed stands on a cask, bawling with outstretched hand at his audience, who are grouped below him, their heads only appearing, except for figure in the foreground. Here a lady (three-quarter length), a veil hanging from her hat over her face, and forming a background to her handsome profile, puts coins from a bag into the extended palm of a man, who gazes fixedly at her face, and who may be intended for a butcher. In the crowd, a fist strikes one man in the eye another is being slapped on the cheek. Three profiles gaze up cynically at the speaker, one is drinking."--British Museum online catalogue
Alternative Title:
Lord-Iginal faisant sa motion
Description:
Title etched below image., Print attributed to Henri Buquet in the British Museum catalogue., Date from British Museum online catalogue., and "Déposé."
Publisher:
Chez Martinet, rue de Coq
Subject (Topic):
Ethnic stereotypes, Political elections, and Women
"Satire on the English: a family in descending order of height, the father in military uniform, the daughter an identical version of her mother, and the smallest boy dressed as a jester.."--British Museum online catalogue
Description:
Title etched below image., Companion print to "Graduation de la famille Ecossaise" published in February 1816?, Date from British Museum online catalogue., and "Déposé à la Directn de la Libie."
Publisher:
Chez Genty, rue St. Jacques, No. 14
Subject (Geographic):
England.
Subject (Topic):
Clothing & dress, Fools & jesters, Ethnic stereotypes, and Families
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue
Alternative Title:
Magistrates mistake
Description:
Title etched below image., Reissue, with date burnished from end of imprint statement and plate number changed. For an earlier state numbered "33" in upper left and with the date "15th Decr. 1807" at end imprint, see Beinecke Library call no.: Auchincloss Rowlandson v. 8., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Plate numbered "150" in upper left corner., "Price one shilling coloud.", and 1 print : etching, hand-colored ; plate mark 249 x 341 mm.
Publisher:
Published by Thos. Tegg, 111 Cheapside
Subject (Topic):
Gout, Hearing aids, Deafness, Criminals, Ethnic stereotypes, Judges, and Spouses
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue
Alternative Title:
Magistrates mistake
Description:
Title etched below image., Reissue, with date burnished from end of imprint statement and plate number changed. For an earlier state numbered "33" in upper left and with the date "15th Decr. 1807" at end imprint, see Beinecke Library call no.: Auchincloss Rowlandson v. 8., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Plate numbered "150" in upper left corner., "Price one shilling coloud.", Watermark: 1817., and Leaf 5 in volume 3.
Publisher:
Published by Thos. Tegg, 111 Cheapside
Subject (Topic):
Gout, Hearing aids, Deafness, Criminals, Ethnic stereotypes, Judges, and Spouses
