Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Group of Tories hanged over a fire stired up by rolls of papers representing corruption, orangism, tithes and plots; delighted men and politicians dancing and feeding the fire."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Three columns of verse below title: Remember, remember, good people, remember, these times of King Bill and the fifth of November ..., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., and No. 113.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Fawkes, Guy, 1570-1606. and William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Politicians, Hangings (Executions), Gallows, and Fire
Heading to a printed broadside in support of Queen Caroline, with a depiction of the Queen in the upper left, riding in a chariot pulled by a lion under a banner reading "Innocence and Triumph." The Italian witnesses against her are being led in chains to the gallows, the man at the back of the line remaking "This is past a joke O! Majocc"; a hangman smoking a pipe awaits them at the top of a ladder, noose in hand. Three figures with bags over their heads are already hanging, with a fourth hanged figure being fed by a devil with a pitchfork into the flaming mouth of a demon on the right, a "Green Bag" falling into the flames next to him. Another victim is skewered by a second devil standing inside the demon's mouth; the words "Milan Commission Receiving Office" are written amid the flames. A John Bull figure with a walking stick watches the scene from the right, remarking: "Well now if this h'ant a sight that pleases John Bull - Go & be hang'd to ye you Italian scoundels - come to swear an innocent womans life away." In the center foreground, a dog tears at a second "Green Bag" with its mouth
Alternative Title:
Exaltation of my jockey & his brave confederates and Exaltation of my jockey and his brave confederates
Description:
Title printed in letterpress below image., Remnants of etched title are visible beneath image, suggesting that the plate was originally larger and cut down at some point., Date of publication from manuscript note "Aug. 1820" in ink beneath lower right corner of image., Sheet trimmed within plate mark., Song printed in letterpress in two columns below title, beginning with the line "Oh, there never was such times!" and ending "Here's the triumph of brave Caroline our Queen O.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., and Mounted on leaf 58 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Majocchi, Theodore, active 1820.
Subject (Topic):
John Bull (Symbolic character), Witnesses, Shackles, Chariots, Lions, Gallows, Hangings (Executions), Ladders, Devil, Demons, Fire, Bags, and Dogs
Alecto, a fantastic hag, stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel, a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. She says: "Come on my brave Lad, take this bounty-money, & enter into my Company of Gentlemen Volunteers enlisted in the cause of Liberty - I'll find you present pay and free quarters, & I'll lead you where you shall fill your knapsack with Plunder; - nay Man, never talk about your old Master the Farmer, I'll find you Hundreds of Masters as good as he; Zounds I'll make you one of the Masters of England yourself: - come on, I say, keres riches for you, - come on; the glorious 14th of July is approaching, when Monarchs are to be crush'd like maggots, & brave men like yourself are to be put in their places - here hold your hand, enter boldly in the cause of Freedom, & cry Huzza - Vive la Nation! Huzza". John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. He answers: "Wounds, Measter Sarjeant, an I should enter into your sarvice, what'll Varmer-George say to I, for leaving of 'en without warning? - and yet I is half in love with the sound of your drum; & wishes to leave off Ploughing & dunging, & wear one of your vine cockades, & be a French Gentleman; - & yet, dangs it, it goes against ones heart to leave the Varmer; - ah Varmer George has been a rare good Measter to I! - but, am I to have all them fine paper Moneys - but to leave my old Measter! Ah me! I dozes'nt know what to do, not I!" -- British Museum catalogue
Alternative Title:
Recruiting sarjeant enlisting John Bull into the Revolution's Service, Alecto and her train at the gate of pandaemonium, and Alecto and her train at the gate of pandaemonuim, or, The recruiting sarjeant enlisting John Bull into the Revolution Service
Description:
Title inscribed in brown ink below image., 'Imprint statement' inscribed in brown ink above title: Pub. July 4th, 1791 by S.W. Fores, N. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7889., Wright, T. Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times, p. 130., Wright, T. Description of published Gillray print in Historical and descriptive account of the caricatures by James Gillray, no. 56., and A 'counterprint' or transfer in brown ink from another print on verso of mount: The hopes of the party prior to July 14th.
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Revolution Society (London, England)
Subject (Topic):
John Bull (Symbolic character), Drums (Musical instruments), Demons, Witches, and Fire
"A large green bag with broken seals, inscribed 'Private Property', stands on the ground filled with large ornate pieces of plate, decorated with crowns and the initials 'C.P.W.' This Ministers are rifling; Eldon places on his head a huge bowl, saying: "This Bowl will be an "heir loom" to my descendants--I have it Scot free and I shall have it inscribed with my Titles and emblazon'd with my Arms--" Canning holds on his head a tea-service, saying, "So help me G-- I should not touch an Iota of the Plate, was I not determined to prevent it falling into the hands of Such Rascals." Castlereagh, smiling, helps himself to an urn, saying: "This Urn will be an addition to my Side Board when I get a Dukedome--Our Master has desired us to divide the Contents of this Green bag--I obey orders--." In the doorway (left) stands John Bull in a smock; he waves his hat to a throng of country people who are running towards him, saying: "Theives! Theives!! Let us protect private property!!!" The country people shout "Stop Theif!!"; "Assist the Q--n"; "Robbers!!"; "Plunderers!!" On the right Sidmouth and a man in court-dress hurry off each with a (green) sack of 'Plunder' on his back; Sidmouth, carrying a tea-urn, says: "Let us make our Escape my L--d its all over with us let us take care of what we have got." The other, carrying a kettle on his head, says: "This is a pretty kettle of Fish that fellow has given the Alarm and we shall be pursued." They walk towards a flaming fire in the foreground, in which is the Devil pointing his trident at the plunderers, and shouting, "Gentlemen I am come for ye." A pendant to this on the left is a newly-made grave: 'The Grave', with skull, bones, pick, and shovel.."--British Museum online catalogue
Alternative Title:
Plundering the Q-n's plate and Plundering the Queen's plate
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 46 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon," "Canning," "Liverpool," "Sidmouth," and "Castlereagh" identified in pencil at botoom of sheet. Typed extract of seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Eldon, John Scott, Earl of, 1751-1838, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Bags, Robberies, Bowls (Tableware), Tea services, Urns, Doors & doorways, Fire, and Devil
"Brougham, seated in profile to the right in a chair inscribed Place, makes a bonfire on the floor of documents and his Old Stuff gown. This he holds over the flames on a levelled broomstick, the broom being inscribed Treasury Broom. Under one foot is a paper inscribed Opposition. He says: I think I shall cut a dash with my new gown; so here goes for the old one--Silk against Stuff for any money. But this worn out concern stinks most damnably: tis true, a great deal of dirty work has been done in it and it was only stuff at first:--it now emits more smoke than flame; yet I can distinguish a magic picture through this volume of vapour. O, glorious precedence! "Tam venerabile erat praecedere" Juvl. The burning papers are: March of Intellect [see British Museum Satires No. 15178], Liberty [of the] Pres[s], Blacks, Catholic Emancipation, Mulatoes, Reform. The smoke from the fire is inscribed Independence, Patriotism, Public Charities, Vapour, Retrenchment. Behind him (left) his new gown hangs on a stand made of an upright which supports his new wig, and a cross-bar inscribed Treasury. The gown is Patent New Silk. Partly concealed by the smoke is the 'magic picture': Anticipation; the Purse of the Great Seal suspended above mace and sword. Below the picture is a big bag stuffed with Briefs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pubd. by E. King, Chancery-Lane
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
In a courtyard of Christ Church (Oxford), undergraduates in cap and gown dance around a bonfire, fueled by doors, chairs, and tables carried from the surrounding buildings. Other students pull at ropes to drag a statute of Mercury towards the flames. From the windows on either side of the gateway students throw objects including a globe and a chamber pot, while another blows a trumpet. Groups of students dance wildly as they drink and riot
Alternative Title:
Burning the oaks, a scene in Tom Quadrangle
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.07 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
A grotesque demon-like figure looks toward the viewer with terror in his huge eyes; his left thumb in his mouth. In front of him is a raging fire in a pot and a snake with a barbed tongue and sharp teeth who raises its head towards the demon's right arm. Below the pot are two lines: Let thy eyes, little saucers be, Frigthen all the world but me!
Description:
Title etched above image., Numbered 'Plate 5' in upper left corner., Plate from: Woodward, G.M. Olio of good breeding. London : Printed for the author, [1797]., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
A Spanish version of Gillray’s 1803 satire ‘Maniac Raving’s-or-Little Boney in a Strong Fit’, the texts in the plate adapted to the Spanish relationship with France during the Peninsular War - after the invading French armies were defeated by the Spanish in Andalusia at the Battle of Bailen ‘Napoleon is frantic with rage at the news from Spain... He blames Godoy (whom he had made ‘Prince of the Algarves’) for deceiving him, apostrophizes Talleyrand, reproaches Dupont, and his second-in-command Vedel, for the capitulation of Baylen... his deceptions are discovered by the ‘perfidious Englishman’, probably Sir Hew Dalrymple, the Governor of Gibraltar’ (British Museum catalogue).
Description:
Title from text above image., Text below image begins: Noticioso Napoleon de qe sus exercitos de España ..., and Copy of a print by James Gillray; for the original, see no. 9998 in the Catalogue of prints and drawings in the British Museum, v. 8. For a more simplified Spanish copy, see no. 11058.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Gillray, James, 1756-1815
Subject (Topic):
History, Foreign public opinion, Spanish, Political satire, Spanish, Anger, Globes, Chairs, Documents, Fire, and Smoke
Title and place of publication from item., Date supplied by curator., Above image: Musée Grotesque. No.31., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.