Depicts a fox (Charles James Fox) hanging from a gibbet around which dance members of the Conway family, headed by a blindfolded General Conway who is led by the nose by Shelburne. The Conways are all depicted as rats, with the exception of General Conway and his brother Lord Hertford. Shelburne is shown Janus-like with two faces, his own and that of the Devil. Refers to the resignation of Fox after Shelburne's appointment and Conway's support of the latter. A sequel to British Museum satire 5966
Description:
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Hon. Edward Conway, Cannon of Christ Church, 1757-1785 -- Ministries: fall of Rockingham's ministry --Literature: allusion to Little Red Riding Hood -- Conway family as rats -- Mottoes: sic transit gloria mund.
Publisher:
Pubd. August 2d, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Conway, Henry Seymour, 1721-1795, Fox, Charles James, 1749-1806, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Rats, Foxes, Blindfolds, Gallows, Devil, and Dance
Leaf 9. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Shelburne (left), as the kettle, looks at Fox (right), the porridge-pot, who is running away. Shelburne's body is in the form of a kettle, much blackened underneath; the handle, attached to his chest and shoulders, extends over his head. He has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, "Oh do but look how black his Arse is!" Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a sign-post, its arm, pointing to the right, is terminated by a well-drawn hand holding a die in its fingers, but pointing with its fore-finger in the direction in which Fox is running. The arm of the post is inscribed "TO BROOKS'S"; from it hangs a rope with a noose at the end of it. On the post is hung up a placard inscribed "To be Lett- either as a Gibbet or Direction Post". A landscape with bushes forms the background."--British Museum online catalogue
Description:
Title etched below image., Restrike, with printmaker's name and numbering added to plate; imprint statement has also been burnished away, and the design of the kettle has been altered. For original issue with the imprint "Pubd. July 23d, 1782, by P.J. Leatherhead", see no. 6013 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate numbered "15" in upper right corner., Temporary local subject terms: Prudery., and On leaf 9 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 6013 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 51 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
"Shelburne (left), as the kettle, looks at Fox (right), the porridge-pot, who is running away. Shelburne's body is in the form of a kettle, much blackened underneath; the handle, attached to his chest and shoulders, extends over his head. He has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, "Oh do but look how black his Arse is!" Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a sign-post, its arm, pointing to the right, is terminated by a well-drawn hand holding a die in its fingers, but pointing with its fore-finger in the direction in which Fox is running. The arm of the post is inscribed "TO BROOKS'S"; from it hangs a rope with a noose at the end of it. On the post is hung up a placard inscribed "To be Lett- either as a Gibbet or Direction Post". A landscape with bushes forms the background."--British Museum online catalogue
Description:
Title from item., "J.P. Leatherhead" probably a fictitious name. Not identified in British Museum catalogue., Printmaker from British Museum catalogue., Temporary local subject terms: Clubs: Brooks -- Geese as Westminster electors -- Signs: signposts., 1 print : etching on wove paper, hand-colored ; sheet 24.7 x 35.1 cm., Sheet trimmed within plate mark., and Mounted on leaf 35 of volume 1 of 12.
Publisher:
Pubd. July 23d, 1782, by P.J. Leatherhead
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
"Shelburne (left), as the kettle, looks at Fox (right), the porridge-pot, who is running away. Shelburne's body is in the form of a kettle, much blackened underneath; the handle, attached to his chest and shoulders, extends over his head. He has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, "Oh do but look how black his Arse is!" Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a sign-post, its arm, pointing to the right, is terminated by a well-drawn hand holding a die in its fingers, but pointing with its fore-finger in the direction in which Fox is running. The arm of the post is inscribed "TO BROOKS'S"; from it hangs a rope with a noose at the end of it. On the post is hung up a placard inscribed "To be Lett- either as a Gibbet or Direction Post". A landscape with bushes forms the background."--British Museum online catalogue
Description:
Title from item., "J.P. Leatherhead" probably a fictitious name. Not identified in British Museum catalogue., Printmaker from British Museum catalogue., Temporary local subject terms: Clubs: Brooks -- Geese as Westminster electors -- Signs: signposts., and Mounted to 37 x 56 cm.
Publisher:
Pubd. July 23d, 1782, by P.J. Leatherhead
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 39.1 x 27.6 cm, on sheet 40.8 x 28.5 cm., and Mounted on leaf 46 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 63.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
Last view of the Right Honourable Charles James Fox, Last view of the the Rt. Hon. Charles James Fox, and Last view of the Rt. Hon. Charles James Fox
Description:
Title from caption below image., Imprint in letterpress., Sheet trimmed to plate mark., and Additional plate with text printed below image: 8 x 26 cm.
Publisher:
Printed by J. Nichols, Earl's Court, Newport-St, and sold at 59, Bond Street, Corner of Brook Street, London, and by all the booksellers and printsellers
"The white horse of Hanover, laden with two panniers (inscribed 'Sterling') overflowing with guineas, and a tea-tray with a tea-service, is being led off to the right by a scampering demon, wearing a high cocked hat and a coat, his hair in a queue. Under his arm is a sack inscribed 'light gold for charities'. A signpost (right) points 'To Hesse-Cassel'. A sack, labelled 'For Secret Services', with the legs and feet of an animal or demon walks behind the horse, which directs a blast of excrement towards the royal party. In the middle distance (left) the royal family stand disconsolately in a group: Queen Charlotte, much caricatured, holds up a slender purse to the King with a gesture of despairing astonishment. The King, who wears a hunting-cap, though melancholy, appears resigned. The younger children, ragged and in tears, surround their parents. Behind them is Windsor Castle. In the foreground (left) is the corner of a debtors' prison, a begging-box outside the barred window through which look the Prince of Wales, Burke, Fox, and North; George Hanger's profile is just visible within."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 7 of volume 2 of 12.
Publisher:
Pubd. Novr. 10th, 1786, by W. Holland, No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and North, Frederick, Lord, 1732-1792
