William, of Saint-Thierry, Abbot of Saint-Thierry, ca. 1085-1148?
Published / Created:
[between 1200 and 1250]
Call Number:
Beinecke MS 828
Image Count:
73
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Guillelmus de Sancto Theoderico (William of St. Thierry, c. 1080-1148), Epistola ad fratres de Monte Dei (De vita solitaria), without the Preface
Description:
In Latin., Script: copied by two scribes writing a heavily abbreviated early Gothica Textualis Libraria with simplified letter forms: hand A (ff. 1r-10r, line 5) is rather bold and uses single-compartment a and straight s in all positions; hand B (ff. 10r, line 6-26v) is slightly less careful, there is more variety in the shape of a, and final s is either round or straight., Red heightening of the majuscules, but layout and decoration lack uniformity. (1) Up to f. 12r inclusively the chapters start in the middle of a line and are preceded by a red paragraph mark; the corresponding chapter number is written by another hand at the same height in one of the side margins, and the chapter heading is added by the same hand in one of the margins and connected to the beginning of the chapter by a reference mark or by a connecting line. (2) From f. 12v up to at least f. 22v the chapters open at the left margin with a 1- or 2-line red plain initial and the corresponding heading and chapter number are copied in red by a contemporary hand in the open space on the preceding line; instructions for these are provided by the scribe (B) in small handwriting alongside the upper or lower edges. (3) Starting f. 23v for the final chapters 40-42 we see the type of layout and decoration as described under (1). On f. 1r a large and narrow “shaped inset” littera duplex in red and green initial F in red and green (8/16 ll.). with extremely developed penwork in the same colours and green extensions in the left margin., The lower edges of ff. 2, 7 and 11 are irregular; the lower outer corners of ff. 18, 23 and 24 are defective., and Binding: 20th century. Yellow velvet over rounded wooden boards. The former cover consists of a 17th-century document on parchment with text on the inner side, largely illegible due to the remnants of paste on its surface, issued by “Frater Bruno [d'Affringues, 1600-1631], ... totius ordinis Cartusiensis generalis minister”. The former binding contained also three fragments of a 13th-century manuscript on parchment, containing liturgical directions. These are now kept apart with the former cover and a former parchment flyleaf.
Subject (Geographic):
Connecticut, New Haven., and Reims (France)
Subject (Name):
William, of Saint-Thierry, Abbot of Saint-Thierry, ca. 1085-1148?
Subject (Topic):
Latin letters, Medieval and modern, Manuscripts, Medieval, and Monastic and religious life
Manuscript fragment on parchment of a portion of Wirnt von Gravenberg's Wigalois
Description:
In Middle High German., Script: written in a gothic script (littera textualis)., and Decoration: 1-line initials are in red uncials; other 1-line initials are in black highlighted with red; punctuated with the punctus and punctus elevatus; the text is not written according to lines of verse.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Wirnt, von Grafenberg, active 13th century.
Subject (Topic):
Manuscripts, Medieval, German literature, and History and criticism
Manuscript fragment on parchment of the Song of Moses from a Psalter
Description:
In Latin., Script: written in gothic script (littera textualis), below top line., and Decoration: 1-line initials alternate red and blue; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of Augustine's Sermon 69 on Matthew 11.
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 1-line initials are in brown highlighted with red; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a sacramentary containing: Mass for an unidentified saint and companions; St. Emmeram (22 September); Sts. Cosmas and Damian (27 September); Archangel Michael (29 September); St. Jerome (30 September); Sts. Simon and Jude (28 October); Vigil of All Saints (31 October); All Saints (1 November); and St. Caesarius (1 November).
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 2-line initials at the beginning of each Mass and 1-line initials for other prayers are in red; rubrics are written in in red in the same script as the text, with occasional use of uncial or rustic capital forms; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript fragment on parchment of a sacramentary containing: Canon of the Mass; Christmas Eve (24 December); and Christmas (25 December).
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 6-line Romanesque initial "D" in brown with intertwining brown vines ending in leaves; the letter and vines are decorated with bands filled with circles one of which has a 5-pointed asterisk in the center compartment; 2-line initials are in red square capitals; 1-line initials in red square capitals; rubrics written in red in the same script as the text; the first line of the mass for Christmas Eve is written in red capitals; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript fragment on parchment of a sacramentary containing among other texts: St. Thomas (21 December); Christmas Eve (24 December); Christmas morning (25 December); St. Anastasia (25 December); Christmas (25 December); Assumption (15 August); All Saints' Day (1 November); St. Martin (11 November); and St. Cecilia (22 November).
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 2- to 3-line Mass initials and UD are in red with red penwork; initials of prayers are 1-line red uncial or square capitals; other 1-line initials are in brown highlighted with red; rubrics written in red in the same script as the text; instructions to the rubricator in the outer margins; the first word of each Mass written in a mixture of rustic capitals and minuscule in brown highlighted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript on parchment (sturdy) of Calendar; Psalter; Six canticles; and Litany
Description:
In Latin., Script: Written by a single scribe in bold, early gothic bookhand. Notes by several later scribes, some of which have been erased., Full page initial B (f. 2v) in blue with pink and blue interior vine-stem patterns, on gold ground surrounded by red rectangular frame outlined in black. Smaller gold initials, 10- to 8-line, for Psalms 26, 38, 51, 52, 80, 97, 101, 109 (ff. 21r, 33v, 43r, 43v, 53v, 68r, 70r, 83r), of similar design, on blue ground with vine-stem patterns of olive green, white, and red, and rectangular frame of red and white. Other psalms introduced by gold initials, 9- to 3-line, outlined in red, infilled and surrounded by blue penwork designs; headings and first letter of each verse in red. Most decorative initials are severely rubbed., Trimming of outer margins on ff. 8 and 122 affects text., and Binding: 16th-17th centuries. Resewn with three strands of thread on four round, twisted, vegetable fiber cords laid in forked grooves and laced in and out of flush oak boards. The cords are pegged twice: from outside to inside and vice versa with almost square pegs. The vegetable fiber endband cores are laced into the boards, the endbands themselves wanting. The spine is rounded, with traces of adhesive. Covered in tawed skin, once white, now tan and white. The turn-ins are sometimes turned in over small fragments of a parchment manuscript, in other cases, under, and the corners cut square. There is some inscribed parchment on the outside of the upper board, probably part of a spine lining. The discoloration on the endleaves does not match the present turn-ins. There are traces of four round bosses on each board and of a pin in the center of the upper one. The white, tawed strap, most of which is now wanting, is attached to the lower board through a metal plate. One corner of the upper board is cut away and the covering of the spine and part of the boards wanting. A messy, somewhat primitive binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript fragment on parchment of prayers in Latin and Middle High German; the Latin prayer is the Rhythmica oratio while the Middle High German prayers are unidentified
Description:
In Latin and Middle High German., Script: written in gothic script (littera textualis)., and Decoration: 1-line initials are in black capitals highlighted with red; sections within the Rhymica oratio are marked by paragraph marks in red; rubrics in the prayers are written in black minuscule and underlined in red; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a noted missal containing among other texts: St. Matthias (24 February); St. Benedict (21 March); Annunciation (25 March); Ash Wednesday; Common of the Apostles; Dedication of a church; and Mary
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 4-line initial "D" for the Annunciation is outlined in red with an interlace pattern and filled with blue and red on a square ground outlined with red; 3- to 6-line initials for other feasts and for hymns in red with red penwork; 1-line initials of prayers and of hymn verses are in red; other 1-line initials are in brown rustic capitals traced with red; rubrics in red in the same script as the text; punctuated with the punctus and punctus elevatus; the alleluia and prosula hymn following the "Gaude maria templum" has interlinear neumes in the St. Gall style.