Manuscript, in a single hand with numerous corrections, of a description of European travels, mainly in Greece, Italy and Germany, where the author visits such cities as Naples, Messina, Malta, Florence, Salerno, Rome, Constantinople, Athens, Smyrna, Corinth, and Corfu, paying particular attention to monuments and agriculture. He views paintings and churches in Naples; visits the Campo Santo "where there are 366 holes or vaults in which the poor are interred"; sees Vesuvius; hears Mass at the Sistine Chapel; and reports on "the state of vegitation during the voyage." Elsewhere, the author notes a tempest of snow, hail, and wind on his sea voyage out of Malta; accompanies his brother "Joe" to Barcelona, where he kills two quails; admires the scenery of Switzerland and visits the landmarks associated with the legend of William Tell; and describes his meals throughout. At the end of the third volume is a list of traveling expenses. All volumes are illustrated throughout with several dozen pen and ink sketches of landscapes and monuments
Description:
In English. and Binding: full calf. Vol. 1 has metal clasp.
Subject (Geographic):
Switzerland, Altdorf., Germany, Great Britain, Greece, and Italy
Subject (Name):
Tell, Wilhelm
Subject (Topic):
Monuments, Agriculture, Europe, Travelers' writings, English, Description and travel, Social life and customs, and Religious life and customs
Manuscript, in a single hand with numerous corrections, of a description of European travels, mainly in Greece, Italy and Germany, where the author visits such cities as Naples, Messina, Malta, Florence, Salerno, Rome, Constantinople, Athens, Smyrna, Corinth, and Corfu, paying particular attention to monuments and agriculture. He views paintings and churches in Naples; visits the Campo Santo "where there are 366 holes or vaults in which the poor are interred"; sees Vesuvius; hears Mass at the Sistine Chapel; and reports on "the state of vegitation during the voyage." Elsewhere, the author notes a tempest of snow, hail, and wind on his sea voyage out of Malta; accompanies his brother "Joe" to Barcelona, where he kills two quails; admires the scenery of Switzerland and visits the landmarks associated with the legend of William Tell; and describes his meals throughout. At the end of the third volume is a list of traveling expenses. All volumes are illustrated throughout with several dozen pen and ink sketches of landscapes and monuments
Description:
In English. and Binding: full calf. Vol. 1 has metal clasp.
Subject (Geographic):
Switzerland, Altdorf., Germany, Great Britain, Greece, and Italy
Subject (Name):
Tell, Wilhelm
Subject (Topic):
Monuments, Agriculture, Europe, Travelers' writings, English, Description and travel, Social life and customs, and Religious life and customs
Manuscript, in a single hand with numerous corrections, of a description of European travels, mainly in Greece, Italy and Germany, where the author visits such cities as Naples, Messina, Malta, Florence, Salerno, Rome, Constantinople, Athens, Smyrna, Corinth, and Corfu, paying particular attention to monuments and agriculture. He views paintings and churches in Naples; visits the Campo Santo "where there are 366 holes or vaults in which the poor are interred"; sees Vesuvius; hears Mass at the Sistine Chapel; and reports on "the state of vegitation during the voyage." Elsewhere, the author notes a tempest of snow, hail, and wind on his sea voyage out of Malta; accompanies his brother "Joe" to Barcelona, where he kills two quails; admires the scenery of Switzerland and visits the landmarks associated with the legend of William Tell; and describes his meals throughout. At the end of the third volume is a list of traveling expenses. All volumes are illustrated throughout with several dozen pen and ink sketches of landscapes and monuments
Description:
In English. and Binding: full calf. Vol. 1 has metal clasp.
Subject (Geographic):
Switzerland, Altdorf., Germany, Great Britain, Greece, and Italy
Subject (Name):
Tell, Wilhelm
Subject (Topic):
Monuments, Agriculture, Europe, Travelers' writings, English, Description and travel, Social life and customs, and Religious life and customs
Manuscript, in a multiple hands, of a collection of newspaper articles, prints, drawings, letters, and autobiographical text, primarily relating to Grimstone's published writing. The volume includes "my first prose [which] was the following letter inserted in the Polemical Inquirer. The Editors letter to me is on the oppposite side," numerous pieces of prose and verse which appeared in "The Ladies Monthly Museum" and "The Theatrical Inquisitor," and printed musical scores, of which she notes, "Part of my engagement with the proprietors of the Ladies Monthly museum, was to supply new words to the Irish melodies and other airs," as well as numerous business correspondence with editors and personal letters. The volume is prefaced by an introduction in which Grimstone gives an account of her recent "nervous disorder" during which she destroyed much of her writing. She declares, "My Own Scrap Book in which i mean to be as egotistical as I can and talk of nothing but myself, or what relates to myself. If I live to see the hundred and odd years, I am promised; I & this book shall like to converse together when perhaps few others will care to give me companionship. If I die early, then this book will be still a part of me remaining and speaking to those that loved me."
Description:
In English., Laid in at end: letters and scraps of paper with printed poems., Laid in at beginning: typed list of works attributed to Grimstone in the British Museum Catalogue., and Binding: half calf.
Subject (Geographic):
England and Great Britain
Subject (Name):
Grimstone, Mary Leman (Rede)
Subject (Topic):
English literature, English poetry, Letters, Music, Women authors, Women, Conduct of life, Periodicals, and Social life and customs
Caption title., First line: This is an account of the remarkably sympathetic power of the Chinese sensitive leaf, invented by one of the most celebrated operators, by the name of Jan Pertista Chaseretto, from China. It consists of two small thin leaves; the largest for gentleman, and the smallest for ladies. If you wish to know the temper of a person, you lay this leaf in the palm of his left hand, and you will be delighted to see it move of itself. If the person is of a sanguine temper, it rolls itself quickly up and falls from the hand; if he is of a choloric temper, it rolls itself up and runs toward the arm; if he is of a phlegmatic temper, it only rolls itself up a little, and remains laying; but if he is of a sanguine-choleric temper, it goes sometimes quick and sometimes slow.", Broadside describing the parlour entertainment which swept through the drawing rooms of England and America. Together with two printed ‘sensitive’ leafs, of a Chinese man and a Koi carp., and For further information, consult library staff.
Publisher:
Mollett, printer, Cannon-Street, Ratcliff-Highway
Subject (Geographic):
Great Britain
Subject (Name):
Chaseicto, Jan Pertista.
Subject (Topic):
Fortune-telling, Pseudoscience, Sympathy (Physiology), and Social life and customs
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
Scrapbook kept by Anne Scafe, containing clippings from London newspapers and magazines, with some clippings from regional and Scottish publications as well as manuscripts and letters from the Spencer and Devonshire family members, including a letter from Georgiana, Duchess of Devonshire; from Lady Sarah Lyttelton announcing her marriage; a manuscript poem written by "Caroline Lamb's page" with a watercolor portrait, dated 1807 at Holywell House; a letter recounting the visit of the Grand Duke Nicholas to Chatsworth in December 1816; an account of the death of Lady Charlotte Finch. Many of the clippings center around the announcements of births, marriages, deaths, and the settlement of the estates of these two families and their circle as well as announcements of their social engagements, political activities, scandals, etc. The clippings include references to Horace Walpole; the theatrical world; new inventions; style; foreign travel; domestic and foreign politics, especially the revolution in France and reports on the French royal family and later the Bonaparte family. Also included are autographs of prominent British nobility, including the King, and foreign dignitaries and royalty, In addition to the clippings, the scrapbook includes a variety of ephermal items given to Scafe by members of the extended family such as as well as ephemeral items from their travels, political, and social activities; calling cards and letters of introduction given to Sir William Ponsonby by members of the Russian aristocracy in 1805 and similar items from his trip to Spain in 1809; autographs of foreign royalty; invitations to the funeral of William Pitt a memorial to Lord Nelson, and the trial of Lord Viscount Melville (1805)., Scafe also includes clippings and ephemera of a more general nature: humorous anecdotes, reports on curious events, jokes, odd behaviors; epitaphs, poems, epigrams; advertisements for employment as well advertisements by tradespeople; announcements and broadsides of events such as lottery drawings; several promissary notes; and etchings, Scafe includes two lengthy test: one from The Morning Post's account of the writing of "Modern characters by Shakespear" (published later the same year); and, a transcription of "The butterfy's ball and The grasshopper's feast"., and An engraving entitled "Sunday's amusement" is mounted on a leaf tipped in opposite the front paste-down, a note in pencil indicating that it was formerly pasted over the material on the lining of the front cover (but moved by bookbinder G. Bissell in 1966). Depicted in this satirical print is a family (man, woman, and boy) riding to the left in a carriage in the countryside, a mile marker seen in the lower right; verses are etched on either side of title, beginning "The wealthy cit grown rich by trade ...". Pasted on the following leaf, which is tipped in before the front free endpaper, are trimmed portions of various plates, including plate III (page 805) from Gentleman's magazine, v. 59 (September 1789), which depicts coins and other antiquarian items. Several additional prints are pasted on the verso of the front free endpaper, including four plates (plates 1, 3, 6, and 16) from "The talking bird: or, Dame Trudge and her parrot" which show an old woman's pet parrot being mischievous in various situations; the first plate has the title "The talking bird" at top and the imprint "Publish'd August 20, 1806, by J. Harris, corner of St. Pauls Church Yard, London" at bottom
Description:
Anne Scafe, maidservant of Georgiana Spencer Cavendish, Duchess of Devonshire (1757-1806)., Signed by "A. Scafe" on last leaf with a note stating that the volume had been given to her by "the Marquis of Hartingdon", i.e., William George Spencer Cavendish (1790-1858), 6th duke of Devonshire, who also signed and dated the first leaf: "Hartington 1803.", and For further information, consult library staff.
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821., Lamb, Caroline, Lady, 1785-1828., Finch, Charlotte, Lady, 1725-1813., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., Devonshire, Margaret Georgiana Poyntz, Duchess of, 1736-1814., Devonshire, William Spencer Cavendish, Duke of, 1790-1858., Lyttelton, William Henry Lyttelton, Baron, 1782-1837., Lyttelton, Sarah Spencer, Lady, 1787-1870., Melville, Robert Saunders Dundas, Viscount, 1771-1851., Nelson, Horatio Nelson, Viscount, 1758-1805., Ponsonby, Frederick Cavendish, 1783-1838., Ponsonby, William, Sir, 1772-1815., Scafe, Anne., Bonaparte family., and Roscoe, William, 1753-1831.
Subject (Topic):
Nobility, Social life and customs, and Politics and government
"A country dance; eighteen couples in a strip design in the manner of the 'Long Minuet' (No. 7229), dance with awkward vigour; one of the most active ladies has a wooden leg. The first couple (left) face each other, the lady squinting violently. On the right a man turns eagerly from his elderly and offended partner to a young lady, whose partner also holds the hand of another lady, while an elderly man stands alone on the extreme right, holding his wig, and mopping his bald head. The elder men wear powdered hair with small pigtails, the younger ones have frizzed hair without powder, short or with small tails. Only one or two wear wigs. The women wear simple high-waisted gowns with elbow sleeves and long gloves; one wears a hat and long sleeves. All wear flat-heeled shoes, and have frizzed hair, short, or piled on the head; a few wear feathered bandeaux; one lady only has powdered hair. Some have strange hair ornaments: a fat and very decolletee lady with a lap-dog under her arm wears round her erect bush of hair a circlet from which project barbed zigzags, like lightning flashes. A youngish lady has on her head a bird with a barbed fang; an older one in spectacles wears a small windmill behind two drooping aigrettes. The neglected lady wears a tiny wheat-sheaf, her pretty rival a ship in full sail. Below the title: 'What an elegant Set-What a bustling of Rumps! What a Sweet Toe to Toe-ing of Slipers and Pumps! At the sight my Old Drumsticks are ready to Prance There is nothing I love so as seeing Folks Dance.'':--British Museum online catalogue
Description:
Title from caption etched below image on third sheet., Artist's signature from impression in the British Museum., Four lines of verse below title: What an elegant set, what a bustling of rumps! What a sweet toe to toe-ing of slipers [sic] and pumps! ..., One continuous design on five plates., Description based on imperfect impression; sheets trimmed within plate mark and artist's signature erased from lower left corner of first sheet., and BAC: British Art Center copy is the Abbey copy. Untrimmed. Artist's signature visible on lower left corner of first sheet. Hand-colored.
Publisher:
Published Aug. 15, 1811, by Robinson, 5 Margaret Street, Cavindish Square & Calnaghi, Cockspur Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Caricatures and cartoons, Social aspects, English wit and humor, Pictorial, Social life and customs, and Dance
Manuscript, in a single hand, of a letter from Wilkie asking Lady Holland to accept his gift of "two small and imperfect sketches, made from recollection, on my way back from Falmouth, of the two Portraits by Vandyke, of the Earl of Warwick and the Earl of Holland." He explains that the portraits will interest Lady Holland for "having been painted in Holland House." The letter is accompanied by the two watercolor sketches mentioned in the letter, which are signed and dated 1834
Description:
In English.
Subject (Geographic):
Great Britain., England., and Great Britain
Subject (Name):
Holland, Elizabeth Vassall Fox, Lady, 1770-1845., Holland family., and Wilkie, David, Sir, 1785-1841.
Subject (Topic):
Art, Letters, Portrait painting, Watercolor painting, and Social life and customs