- None114
You Searched For
« Previous
| 1 - 30 of 281 |
Next »
Search Results
1. A harlot's progress. [graphic] / Plate 1
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [April 1732]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 2. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
- Description:
- Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.7 x 39.2 cm, on sheet 45 x 56 cm., and Leaf 2 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Charteris, Francis, 1675-1732.
- Subject (Topic):
- Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
- Found in:
- Lewis Walpole Library > A harlot's progress. [graphic] / Plate 1
2. A harlot's progress. [graphic] / Plate 1
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [April 1732]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Collection Title:
- Leaf 2. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
- Description:
- Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., and On page 58 in volume 1. With pencilled ms. notes in Steevens hand above print: Harlot's Progress 1st Impression. Plate trimmed to: 31 x 38.4 cm.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Charteris, Francis, 1675-1732.
- Subject (Topic):
- Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
- Found in:
- Lewis Walpole Library > A harlot's progress. [graphic] / Plate 1
3. A harlot's progress. [graphic] / Plate 1
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [April 1732]
- Call Number:
- Kinnaird 4K(a) Box 200
- Collection Title:
- Leaf 2. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
- Description:
- Title engraved below image., State, publisher, and date from Paulson., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Charteris, Francis, 1675-1732.
- Subject (Topic):
- Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
- Found in:
- Lewis Walpole Library > A harlot's progress. [graphic] / Plate 1
4. A midnight modern conversation [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [March 1732]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 28. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
- Alternative Title:
- Midnight modern conuersation
- Description:
- Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., 1 print : etching and engraving on laid paper ; plate mark 34.2 x 46.9 cm, on sheet 45 x 56 cm., and Leaf 28 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Bowls (Tableware), Clergy, Intoxication, Lawyers, Longcase clocks, Pipes (Smoking), Taverns (Inns), and Wine
- Found in:
- Lewis Walpole Library > A midnight modern conversation [graphic]
5. A midnight modern conversation [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [March 1732]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Collection Title:
- Leaf 28. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
- Alternative Title:
- Midnight modern conuersation
- Description:
- Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and On page 64 in volume 1. Plate trimmed to: 33.9 x 46.4 cm. Some damage and losses to corners.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Bowls (Tableware), Clergy, Intoxication, Lawyers, Longcase clocks, Pipes (Smoking), Taverns (Inns), and Wine
- Found in:
- Lewis Walpole Library > A midnight modern conversation [graphic]
6. A midnight modern conversation [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [March 1732]
- Call Number:
- Kinnaird 24K Box 305
- Collection Title:
- Leaf 28. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
- Alternative Title:
- Midnight modern conuersation
- Description:
- Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and Printed in sepia ink; sheet trimmed to plate mark on three sides: 350 x 471 mm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Bowls (Tableware), Clergy, Intoxication, Lawyers, Longcase clocks, Pipes (Smoking), Taverns (Inns), and Wine
- Found in:
- Lewis Walpole Library > A midnight modern conversation [graphic]
7. A midnight modern conversation [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [March 1732]
- Call Number:
- Kinnaird 25K Box 305
- Collection Title:
- Leaf 28. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
- Alternative Title:
- Midnight modern conuersation
- Description:
- Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and 1 print : etching and engraving on laid paper ; sheet 351 x 472 mm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Bowls (Tableware), Clergy, Intoxication, Lawyers, Longcase clocks, Pipes (Smoking), Taverns (Inns), and Wine
- Found in:
- Lewis Walpole Library > A midnight modern conversation [graphic]
8. A representation of the march of the guards towards Scotland, in the year 1745 [graphic]
- Creator:
- Sullivan, Luke, 1705-1771, printmaker
- Published / Created:
- [30 December 1750]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 37. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
- Alternative Title:
- March to Finchley
- Description:
- Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., 1 print : etching and engraving on laid paper ; plate mark 43 x 55.4 cm, on sheet 45 x 56 cm., and Leaf 37 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Jacobite Rebellion, 1745-1746, Boxing, Brothels, Carts & wagons, Children, Crowds, Eating & drinking, Gin, Intoxication, Marching, Prostitutes, Soldiers, Street vendors, and Urination
- Found in:
- Lewis Walpole Library > A representation of the march of the guards towards Scotland, in the year 1745 [graphic]
9. A representation of the march of the guards towards Scotland, in the year 1745 [graphic]
- Creator:
- Sullivan, Luke, 1705-1771, printmaker
- Published / Created:
- [30 December 1750]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Leaf 37. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
- Alternative Title:
- March to Finchley
- Description:
- Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., Ms. note in pencil in Steevens's hand below print: First impression., A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia"., and On page 151 in volume 2.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Jacobite Rebellion, 1745-1746, Boxing, Brothels, Carts & wagons, Children, Crowds, Eating & drinking, Gin, Intoxication, Marching, Prostitutes, Soldiers, Street vendors, and Urination
- Found in:
- Lewis Walpole Library > A representation of the march of the guards towards Scotland, in the year 1745 [graphic]
10. A representation of the march of the guards towards Scotland, in the year 1745 [graphic]
- Creator:
- Sullivan, Luke, 1705-1771, printmaker
- Published / Created:
- [30 December 1750]
- Call Number:
- Kinnaird 34K Box 310
- Collection Title:
- Leaf 37. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
- Alternative Title:
- March to Finchley
- Description:
- Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Jacobite Rebellion, 1745-1746, Boxing, Brothels, Carts & wagons, Children, Crowds, Eating & drinking, Gin, Intoxication, Marching, Prostitutes, Soldiers, Street vendors, and Urination
- Found in:
- Lewis Walpole Library > A representation of the march of the guards towards Scotland, in the year 1745 [graphic]
11. Album of William Hogarth prints [graphic].
- Published / Created:
- [not after 1753]
- Call Number:
- Folio Greenberg 75 H67 753
- Image Count:
- 55
- Resource Type:
- still image
- Abstract:
- Bound portfolio of 67 prints by William Hogarth. According to Ronald Paulson it was assembled in 1753, possibly by Hogarth himself for his friend Bishop Hoadly. Formerly held in a library in Winchester, Hoadly's diocese. The first sheet is the portrait print of 'Bishop Hoadly' rather than the more common 'Gulielmus Hogarth' suggesting that it was assembled for Hoadly. The latest print is 'Breaking the egg" without receipt, suggesting a publication date after December 1753 when 'Analysis' was published
- Description:
- Title assigned by cataloger., See Paulson, R. Hogarth's graphic works, (3rd rev. ed.), p. 20 for a fuller description., and For further information, consult library staff.
- Subject (Name):
- Hoadly, Benjamin, 1676-1761, and Hogarth, William, 1697-1764.
- Found in:
- Lewis Walpole Library > Album of William Hogarth prints [graphic].
12. And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd February 5, 1752 according to act of Parliament.
- Call Number:
- Paulson 752.02.05.03.2++ Impression 4
- Collection Title:
- Leaf 36. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
- Alternative Title:
- Moses brought before Pharaoh's daughter
- Description:
- Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., 1 print : etching and engraving ; plate mark 42.1 x 52.3 cm, on sheet 43 x 54.6 cm., and Printed on laid paper.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Egypt
- Subject (Name):
- Moses (Biblical leader), and Thermuthis (Biblical figure),
- Subject (Topic):
- Nubians, Adoption, Biblical events, Children, Mothers, Pyramids, Servants, Sons, and Sphinxes
- Found in:
- Lewis Walpole Library > And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
13. And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd February 5, 1752 according to act of Parliament.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 36. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
- Alternative Title:
- Moses brought before Pharaoh's daughter
- Description:
- Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.2 cm, on sheet 45 x 56 cm., and Leaf 36 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Egypt
- Subject (Name):
- Moses (Biblical leader), and Thermuthis (Biblical figure),
- Subject (Topic):
- Nubians, Adoption, Biblical events, Children, Mothers, Pyramids, Servants, Sons, and Sphinxes
- Found in:
- Lewis Walpole Library > And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
14. And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd February 5, 1752 according to act of Parliament.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 2
- Collection Title:
- Leaf 36. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
- Alternative Title:
- Moses brought before Pharaoh's daughter
- Description:
- Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book, 3d edit, p. 324., Sheet trimmed to: 41.7 x 51.1 cm., and Formerly on page 162 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Egypt
- Subject (Name):
- Moses (Biblical leader), and Thermuthis (Biblical figure),
- Subject (Topic):
- Nubians, Adoption, Biblical events, Children, Mothers, Pyramids, Servants, Sons, and Sphinxes
- Found in:
- Lewis Walpole Library > And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
15. And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd February 5, 1752 according to act of Parliament.
- Call Number:
- Kinnaird 33K Box 310
- Collection Title:
- Leaf 36. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
- Alternative Title:
- Moses brought before Pharaoh's daughter
- Description:
- Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., and Laid paper; sheet trimmed to 42.0 x 52.0 cm.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Egypt
- Subject (Name):
- Moses (Biblical leader), and Thermuthis (Biblical figure),
- Subject (Topic):
- Nubians, Adoption, Biblical events, Children, Mothers, Pyramids, Servants, Sons, and Sphinxes
- Found in:
- Lewis Walpole Library > And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
16. Beer street [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
- Description:
- Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", 1 print : etching and engraving on laid paper ; plate mark 38.8 x 32.4 cm, on sheet 56 x 45 cm., and Leaf 51 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
- Found in:
- Lewis Walpole Library > Beer street [graphic]
17. Beer street [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
- Description:
- Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", 1 print : etching and engraving on laid paper ; plate mark 38.9 x 32.4 cm, on sheet 59 x 46 cm., and Plate 74 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
- Found in:
- Lewis Walpole Library > Beer street [graphic]
18. Beer street [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
- Description:
- Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", 1 print : etching and engraving on laid paper ; plate mark 38.9 x 32.4 cm, on sheet 59 x 46 cm., and Plate 74 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
- Found in:
- Lewis Walpole Library > Beer street [graphic]
19. Beer street [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
- Description:
- Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", Ms. note in pencil in Steevens's hand centered above two impressions: See Mr. Nichols's book, 3d. edit. p. 312., and On page 153 in volume 2. Sheet , trimmed within platemark to: 38.6 x 30.9 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
- Found in:
- Lewis Walpole Library > Beer street [graphic]
20. Beer street [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Sotheby 68++ Box 315
- Collection Title:
- Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
- Description:
- Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., and Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ..."
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
- Found in:
- Lewis Walpole Library > Beer street [graphic]
21. Cruelty in perfection [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- published according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
- Description:
- Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 31.9 cm, on sheet 56 x 45 cm., and Leaf 54 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Cemeteries, Criminals, Churches, Homicides, and Pregnant women
- Found in:
- Lewis Walpole Library > Cruelty in perfection [graphic]
22. Cruelty in perfection [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- published according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
- Description:
- Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 31.9 cm, on sheet 59 x 46 cm., and Plate 78 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Cemeteries, Criminals, Churches, Homicides, and Pregnant women
- Found in:
- Lewis Walpole Library > Cruelty in perfection [graphic]
23. Cruelty in perfection [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- published according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
- Description:
- Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and On page 156 in volume 2. Sheet trimmed within plate mark to: 37.8 x 30.4 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Cemeteries, Criminals, Churches, Homicides, and Pregnant women
- Found in:
- Lewis Walpole Library > Cruelty in perfection [graphic]
24. Cruelty in perfection [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- published according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Kinnaird 54K(b) Box 215
- Collection Title:
- Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
- Description:
- Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and Imperfect: sheet trimmed to plate mark 384 x 313 mm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Cemeteries, Criminals, Churches, Homicides, and Pregnant women
- Found in:
- Lewis Walpole Library > Cruelty in perfection [graphic]
25. Cruelty in perfection [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- published according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Sotheby 71++ Box 315
- Collection Title:
- Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
- Description:
- Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", and "Price 1s"--Bottom left below design.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Cemeteries, Criminals, Churches, Homicides, and Pregnant women
- Found in:
- Lewis Walpole Library > Cruelty in perfection [graphic]
26. Cruelty in perfection [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- published according to act of Parliament, Feb. 1, 1751.
- Call Number:
- Hogarth 751.02.01.05.1+ Box 200
- Collection Title:
- Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
- Description:
- Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching on laid paper ; plate mark 383 x 319 mm, on sheet 473 x 380 mm., and Pencilled note on verso: '2nd state'.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Cemeteries, Criminals, Churches, Homicides, and Pregnant women
- Found in:
- Lewis Walpole Library > Cruelty in perfection [graphic]
27. Evening [graphic]
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- [25 March 1738]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
- Description:
- Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.9 x 40.4 cm, on sheet 56 x 45 cm., and Leaf 24 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Myddelton, Hugh, Sir, 1560?-1631., Adonis (Greek deity), and Aphrodite (Greek deity)
- Subject (Topic):
- Children, City & town life, Crying, Dogs, Fans (Accessories), Milkmen & milkwomen, Signs (Notices), Spouses, and Taverns (Inns)
- Found in:
- Lewis Walpole Library > Evening [graphic]
28. Evening [graphic]
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- [25 March 1738]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
- Description:
- Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.8 x 40.3 cm, on sheet 59 x 46 cm., and Plate 24 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Myddelton, Hugh, Sir, 1560?-1631., Adonis (Greek deity), and Aphrodite (Greek deity)
- Subject (Topic):
- Children, City & town life, Crying, Dogs, Fans (Accessories), Milkmen & milkwomen, Signs (Notices), Spouses, and Taverns (Inns)
- Found in:
- Lewis Walpole Library > Evening [graphic]
29. Evening [graphic]
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- [25 March 1738]
- Call Number:
- Hogarth 738.03.25.03.3++ Impression 2 Box 300
- Collection Title:
- Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
- Description:
- Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper, hand colored ; plate mark 488 x 404 mm, on sheet 522 x 422 mm., and Stain in upper right corner; smaller stain in lower right corner.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Myddelton, Hugh, Sir, 1560?-1631., Adonis (Greek deity), and Aphrodite (Greek deity)
- Subject (Topic):
- Children, City & town life, Crying, Dogs, Fans (Accessories), Milkmen & milkwomen, Signs (Notices), Spouses, and Taverns (Inns)
- Found in:
- Lewis Walpole Library > Evening [graphic]
30. Evening [graphic]
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- [25 March 1738]
- Call Number:
- Sotheby 24++ Box 305
- Collection Title:
- Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
- Description:
- Title engraved below image. and "Price 5 shillings"--Following printmaker's name.
- Publisher:
- Wm. Hogarth
- Subject (Name):
- Myddelton, Hugh, Sir, 1560?-1631., Adonis (Greek deity), and Aphrodite (Greek deity)
- Subject (Topic):
- Children, City & town life, Crying, Dogs, Fans (Accessories), Milkmen & milkwomen, Signs (Notices), Spouses, and Taverns (Inns)
- Found in:
- Lewis Walpole Library > Evening [graphic]